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The great mathematician Archimedes, a Sicilian Greek whose machines defended Syracuse against the Romans during the Second Punic War, was killed by a Roman after the city fell, yet it is largely Roman sources, and Greek texts aimed at Roman audiences, that preserve the stories about him. Archimedes' story, Mary Jaeger argues, thus becomes a locus where writers explore the intersection of Greek and Roman culture, and as such it plays an important role in Roman self-definition. Jaeger uses the biography of Archimedes as a hermeneutic tool, providing insight into the construction of the traditional historical narrative about the Roman conquest of the Greek world and the Greek cultural invasion of Rome.

By breaking down the narrative of Archimedes' life and examining how the various anecdotes that comprise it are embedded in their contexts, the book offers fresh readings of passages from both well-known and less-studied authors, including Polybius, Cicero, Livy, Vitruvius, Plutarch, Silius Italicus, Valerius Maximus, Johannes Tzetzes, and Petrarch.
"Jaeger, in her meticulous and elegant study of different ancient accounts of his life and inventions...reveal more about how the Romans thought about their conquest of the Greek world than about 'science'."
---Helen King, Times Literary Supplement

"An absolutely wonderful book on a truly original and important topic. As Jaeger explores neglected texts that together tell an important story about the Romans' views of empire and their relationship to Greek cultural accomplishments, so she has written an important new chapter in the history of science. A genuine pleasure to read, from first page to last."
---Andrew Feldherr, Associate Professor of Classics, Princeton University

"This elegantly written and convincingly argued project analyzes Archimedes as a vehicle for reception of the Classics, as a figure for loss and recovery of cultural memory, and as a metaphorical representation of the development of Roman identity. Jaeger's fastening on the still relatively obscure figure of the greatest ancient mathematician as a way of understanding cultural liminality in the ancient world is nothing short of a stroke of genius."
---Christina S. Kraus, Professor and Chair of Classics, Yale University

"Archimedes and the Roman Imagination forms a useful addition to our understanding of Roman culture as well as of the reception of science in antiquity. It will make a genuine contribution to the discipline, not only in terms of its original interpretative claims but also as a fascinating example of how we may follow the cultural reception of historical figures."
---Reviel Netz, Professor of Classics, Stanford University

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In this remarkable dual biography of the two great lovers of antiquity, preeminent historian Adrian Goldsworthy goes beyond myth and romance to create a nuanced and historically acute portrayal of his subjects, set against the political backdrop of their time. A history of lives lived intensely at a time when the world was changing profoundly, the book takes readers on a journey that crosses cultures and boundaries from ancient Greece and ancient Egypt to the Roman Empire.

Drawing on his prodigious knowledge of the ancient world and his keen sense of the period’s military and political history, Goldsworthy creates a singular portrait of the iconic lovers. Antony and Cleopatra were first and foremost political animals,” explains Goldsworthy, who places politics and ideology at the heart of their storied romance. Undertaking a close analysis of ancient sources and archaeological evidence, Goldsworthy bridges the gaps of current scholarship and dispels misconceptions that have entered the popular consciousness. He explains why Cleopatra was consistently portrayed by Hollywood as an Egyptian, even though she was really Greek, and argues that Antony had far less military experience than anyone would suspect from reading Shakespeare and other literature. Goldsworthy makes an important case for understanding Antony as a powerful Roman senator and political force in his own right.

A masterfully toldand deeply humanstory of love, politics, and ambition, Goldsworthy’s Antony and Cleopatra delivers a compelling reassessment of a major episode in ancient history.

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This book was a long time coming. I first had the idea for it in 1996 while I was working on my two Sappho volumes. It was then that I became committed to making a contribution to the small but growing body of scholarship on Greek and women poets. I am extremely grateful to John Drayton, Director of the University of Oklahoma Press, for his unwavering enthusiasm and support. Jennifer Cunningham and Julie Shilling, Associate Editors at the Press, have been very helpful as well. I also want to thank Paul Allen Miller and David Larmour for their belief in this project in its early stages. Professor Miller’s insights and unfailingly perceptive readings helped to make this a better book. I owe a deep dept to Marilyn Skinner, whose pioneering work on women poets in Ancient Greece has inspired much of my own interest in the poets represented in this volume.

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No epoch of remote history can be so relevant to modern interests as the period of transition between the ancient and the medieval world, when a familiar order of things visibly died and teas supplanted by a new. Other transitions become apparent only in retrospect; that of the age of Constantine, like our own, was patent to contemporaries. Old institutions, in the sphere of culture as of government, had grown senile; economic balances were altered; peoples hitherto on the peripheries of civilization demanded attention, and a new and revolutionary social doctrine with an enormous emotional appeal was spread abroad by men with a religious zeal for a new and authoritarian cosmopolitanism and with a religious certainty that their end justified their means. For us, contemporary developments have made the analogy inescapable, but Jacob Burckhardt's insight led him to a singularly clear apprehension of the meaning of the transition almost a century ago, and the analogy implicit in his book is the more impressive as it was unpremeditated.

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This book considers the relationship between the Fasti, Ovid's long poem on the Roman calendar, and the calendar itself, conceived of as consisting both in the rites and commemorations it organizes and in its graphic representation. The Fasti treats the calendar, recently revised by Caesar and Augustus, as its most important cultural model and as a quasi-literary 'intertext': the poem simultaneously reshapes and is itself shaped by the calendar. The study includes chapters on Book 4 and the rites of April, on the addition of Julio-Claudian holidays to the calendar, and on the final two books of the poem as shaped by the renaming of the months Quintilis and Sextilis for Julius Caesar and Augustus.

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“The essays are well written and are as accessible to undergraduate students as they are to advanced researchers who want to read more about the ways in which recent and innovative approaches in the discipline have transformed the study of Roman civilization and the field of ancient history. This book is a timely and relevant contribution to the Blackwell Companions to the Ancient World series.” (Classical Review, 2007)

"Another admirable edition to Blackwell's large expanding series of Companions, it is of comparable length, but with just 30 contributors and 30 chapters … it gives each other more depth and breadth." (Ancient East and West, 2008)

"For those with reservations about the 'companion' phenomenon, [this volume] is an excellent advertisement for the benefits of such an exercise.... This volume is almost uniformly good as a guide to central topics in Roman history from the first to the forth century, with a number of outstanding discussions," (The Classical Review, 2008)

"A very impressive collection indeed, summarising and building on the latest scholarship, especially the view that there is more to history than politics and the powerful." (Journal of Classics Teaching)

"Scholar, student, and interested layperson will all find much to ponder here, and the editor, publisher, and contributors are to be commended for the success of their undertaking. This Companion, at least, constitutes a welcome addition to the field, offers a clear statement of the current state of the discipline, and provides inspiration for future directions" (New England Classical Journal)

"This Companion to the Roman Empire provides a fascinating and scholarly insight into our ancient past. It is an ideal reference tool for students and scholars alike, presenting new methods and modes of study that should provoke thought among the readership. It also brings together many disciplines of study that allow scholars to study an Empire as vast and influential as that created by the Romans." (Reference Reviews)

"The thirty chapters in this latest title in Blackwell's excellent "Companions to the Ancient World" series are written by such experts in their fields as Maud Gleason, Judith Evans Grubbs, Amy Richlin and Ann Hanson ... No comparable handbook exists ... Essential. All levels/libraries." (Choice—A Choice Outstanding Academic Title for 2007)

"This elegantly and carefully edited book is a resounding success." (Scholia Reviews)

"David Potter has assembled an impressive array of scholars whose essays in this volume provide overviews and summarize the current state of scholarship on a variety of topics. A Companion to the Roman Empire succeeds in meeting the needs of its diverse audience and also offers a few surprises." (Bryn Mawr Classical Review)

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This volume comprises articles by an international team of twenty-three scholars. The contributions focus on the historical genesis, stylistic and narrative features and evolution of pastoral, both as genre and mode, from Theocritus to the Byzantine period.
Special attention has been paid to the idea of the 'invention of a fictionalized tradition', and to pastoral’s thematic and formal relationship with other literary genres.
In their totality, the contributions, as well as offering a comprehensive overview of the more or less familiar issues and ideas discussed in connection with pastoral, point to new emphases, trends and insights in current scholarly work in this area. The volume is addressed to a wide range of students and scholars in classics, but much in it will also be of interest to those working in the fields of comparative and modern literatures.

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The control over marble and metal resources was of major importance to the Roman Empire. The emperor's freedmen and slaves, officers and soldiers of the Roman army, equestrian officials, as well as convicts and free labour were seconded to mines and quarries throughout Rome's vast realm. Alfred Hirt's comprehensive study defines the organizational outlines and the internal structures of the mining and quarrying ventures under imperial control. The themes addressed include: challenges faced by those in charge of these extractive operations; the key figures, their subaltern personnel and their respective responsibilities; the role of the Roman army; the use of civilian partners in quarrying or mining ventures; and the position of the quarrying or mining organizations within the framework of the imperial administration.

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This book discusses the history, topography, and urban development of Corinth with special attention to civic and private religious practices in the Roman colony. Expert analysis of the latest archaeological data is coupled with consideration of what can be known about the emergence and evolution of religions in Corinth. Several scholars consider specific aspects of archaeological evidence and ask how enhanced knowledge of such topics as burial practice, water supply, and city planning strengthens our understanding of religious identity and practice in the ancient city. This volume seeks to gain insight into the nature of the Greco-Roman city visited by Paul, and the ways in which Christianity gradually emerged as the dominant religion.

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Most people have some idea what Greeks and Romans coins looked like, but few know how complex Greek and Roman monetary systems eventually became. The contributors to this volume are numismatists, ancient historians, and economists intent on investigating how these systems worked and how they both did and did not resemble a modern monetary system. Why did people first start using coins? How did Greeks and Romans make payments, large or small? What does money mean in Greek tragedy? Was the Roman Empire an integrated economic system? This volume can serve as an introduction to such questions, but it also offers the specialist the results of original research.

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The student beginning the study of Roman History through the medium of the works of modern writers cannot fail to note wide differences in the treatment accorded by them to the early centuries of the life of the Roman State. These differences are mainly due to differences of opinion among moderns as to the credibility of the ancient accounts of this period. And so it will perhaps prove helpful to give a brief review of these sources, and to indicate the estimate of their value which is reflected in this book.
This sketch of the History of Rome to 565 A. D. is primarily intended to meet the needs of introductory college courses in Roman History. However, it is hoped that it may also prove of service as a handbook for students of Roman life and literature in general.

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One of the greatest military commanders in history, Julius Caesar's most famous victory - the conquest of Gaul - was to him little more than a stepping stone to power. An audacious and decisive general, his victories over the Gauls allowed him to challenge for the political leadership of Rome. Leading a single legion across the Rubicon in 49 BC, Caesar launched a civil war which would end the Roman Republic and usher in the Roman Empire, with Caesar at its helm. This examination of the great general's life covers his great victories and few defeats, looking at the factors which lay behind his military genius.

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This price guide is a book for the collector rather than the scholar and, as such, has to be pocket-sized and inexpensive. It assumes that the reader will be more interested in assigning a coin to its proper period or Emperor than in working out the meaning of the design on the reverse and, therefore, whilst most of the usual obverse portraits and legends are illustrated, the reverses are dealt with in a much more cursory manner. As an aid to identification, all illustrations are as close to life-sized as possible. Remember, that often Roman coins are not completely circular like modern coins. Further, not all Roman base-metal coins are included. This is a selection of the available material, including the vast majority of the coins the collector is likely to encounter in "real life".

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Studying references and writings in over 900 personal letters - an unparalleled source, this book presents a rounded and intriguing account of the threeA women who, until now, have only survived as secondary figures to Cicero. In a field where little is really known about Ciceroa€™s family, Susan Treggiari creates a history for these figures who, through history, have not had voices of their own, and a vivid impression of the everyday life upper-class Roman women in Italy during the heyday of Roman power. Artfully assembling a rounded picture of their personalities and experiences, Treggiari reconstructs the lives of these three important women:

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Classicists have been slow to take advantage of the important advances in the way that literacy is viewed in other disciplines (including in particular cognitive psychology, socio-linguistics, and socio-anthropology). On the other hand, historians of literacy continue to rely on outdated work by classicists (mostly from the 1960's and 1970's) and have little access to the current reexamination of the ancient evidence. This timely volume attempts to formulate new interesting ways of talking about the entire concept of literacy in the ancient world--literacy not in the sense of whether 10% or 30% of people in the ancient world could read or write, but in the sense of text-oriented events embedded in a particular socio-cultural context. The volume is intended as a forum in which selected leading scholars rethink from the ground up how students of classical antiquity might best approach the question of literacy in the past, and how that investigation might materially intersect with changes in the way that literacy is now viewed in other disciplines.

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What would you see if you attended a trial in a courtroom in the early Roman empire? What was the behaviour of litigants, advocates, judges and audience?
It was customary for Roman individuals out of general interest to attend the various courts held in public places in the city centre and as such the Roman courts held an important position in the Roman community on a sociological level as well as a litigious one.
This book considers many aspects of Roman courts in the first two centuries AD, both civil and criminal, and illuminates the interaction of Romans of every social group.
Actors and Audience in the Roman Courtroom is an essential resource for courses on Roman social history and Roman law as a historical phenomenon.

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