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Mężczyzna Michał

widziany: 29.04.2016 11:15

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3957 plików
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Over 75,000 coins have been found during excavations at the Agora, many minted in the city but others brought from Athens’s far-flung commercial contacts. In addition to the mostly bronze and copper coins themselves, a building that may have served as the Athenian mint is described in this booklet. After describing the physical techniques of production, the author takes a chronological approach and includes numerous black and white photographs, making this concise guide a useful aid to the identification of lower-value Greek and Roman coinage.

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“Return the stamnos to Philippa’s brother Philip,” “cheap wine,” “Alkaios seems beautiful to Melis,” “Of Tharrios I am the cup.” Like fragments of overheard conversations, the thousands of informal inscriptions scratched and painted on potsherds, tiles, and other objects give us a unique insight into the everyday life of the Athenian Agora. Some are marks of ownership, or the notes of merchants, but many are sexual innuendos, often accompanied by graphic illustrations. Using her wide contextual knowledge, the author suggests why these scraps of sentences were written, and what they can tell us about one of the first widely literate societies.

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Before the creation of the Agora as a civic center in the 7th century B.C., the region northwest of the Acropolis was a vast cemetery. Over 150 ancient burial places have been found by excavators, and a few of the more remarkable are described here. These range from a wealthy Mycenaean chamber tomb, filled with the vases and jewelry of a rich noblewoman, to the poignant pithos burial of an infant from around 725 B.C., accompanied by eight tiny vases. As well as describing the assemblages found, the author discusses the symbolism of funeral rites and the information about social status and identity that burials reveal.

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As well as being a political center, the Agora was the focus of a noisy and varied commercial life. This booklet illustrates the archaeological, documentary, and pictorial evidence for such diverse trades as shoe-making, fishmongering, weaving, and the manufacture of luxury goods and perfumes. Shopping was just one aspect of this public space: ancient Athenians would also have received medical treatment, been married and buried, made sacrifices, and received education in the Agora. The material remains from all of these activities are also discussed. Vivid illustrations and useful resources, such as a table of prices and coinage, bring the bustling marketplace to life.

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Greek and Roman mythology has fascinated people for more than two millennia, and its influence on cultures throughout Europe, America, North Africa, the Middle East, and elsewhere attests to the universal appeal of the stories. "Encyclopedia of Greek and Roman Mythology" examines the best-known figures of Greek and Roman mythology together with the great works of classic literature that are the sources for our mythological understanding. This new encyclopedia presents ancient mythology from a literary perspective and features numerous illustrations from both ancient and modern works of fine art to show how myths have been transmitted in visual form through the ages. The entries include: Greek and Roman gods and heroes, such as Athena, Achilles, Apollo, Heracles, Odysseus, Orpheus, Poseidon, and Zeus; Mythological creatures, such as Cerberus, the Gorgons, the Minotaur, and Pegasus; and great works of literature that provide the sources for classical mythology, including the plays of Aeschylus, Sophocles, and Euripides; the "Aeneid of Virgil"; the "Iliad and the Odyssey" of Homer; and the "Metamorphoses" of Ovid and much more.

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Many types of written records are found in the Agora, and this booklet presents a sample of more than 10,000 inventoried inscriptions on stone. The texts illustrated include diplomatic agreements, commemorative plaques for athletic victories, records of court judgements, boundary stones identifying different buildings, and fragmentary inscriptions featuring names (over 30,000 individual Athenians are now recorded). In a city of letters, even the problems faced by the librarians of the Library of Pantainos seem familiar: “No book shall be taken out for we have sworn an oath. Open from the first hour to the sixth.”

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In the spring, the ground of the Agora archaeological park is covered in poppies and daisies while poplars and oaks shade many of the pathways. Some of these plants are wild and some were deliberately introduced to Athens in Classical times. This booklet presents evidence for ancient horticulture in the Agora (for example, structured antique gardens were uncovered around the Temple of Hephaistos). Its color plates also provide a useful guide to identifying modern Greek vegetation.

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At night, the darkness of the ancient Agora would have been pierced by the lights of oil lamps, and thousands of fragments of these distinctive objects have been found. This booklet presents the development of different styles of lamps and includes a very useful identification guide. The author discusses the manufacture of lamps in Athens, a major industry with over 50 known workshops in the 3rd and 4th centuries A.D. She also provides illustrations of particularly fine examples, including ornate festival lamps with many nozzles and bizarre shapes.

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The story of the Agora did not end in A.D. 267, when the Herulians invaded the city. This booklet illustrates the ornate Early Christian carving and colorful green and brown glazed pottery that distinguished medieval Athens. Finds and architecture from the private houses that covered over the Classical remains are discussed, and the book ends with a survey of the Church of the Holy Apostles, the 11th-century church that stands at the southeast corner of the Agora.

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Although the famous bronze statues seen by the Roman tourist Pausanias have been melted down, the Agora preserves a number of fine portraits in stone. While a few of these are named, most of the portraits in this booklet represent ordinary men and women; priests, athletes, and officials. Referring to over 40 black and white photos, the author discusses hairstyles, clothing and facial expressions to shed light on the individuals depicted.

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Although this booklet is based on broken pottery found during the excavation of the Agora, the author ranges far beyond the confines of Athens in her discussion of the purpose and significance of different amphora types. She shows how chronological variations in shape and the geographical clues offered by stamped handles make amphoras a fascinating source of economic information. The booklet illustrates many different forms of amphora, all set into context by the well-written text.

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The artifacts and monuments of the Athenian Agora provide our best evidence for the workings of ancient democracy. As a concise introduction to these physical traces, this book has been a bestseller since it was first published almost 20 years ago. Showing how tribal identity was central to all aspects of civic life, the text guides the reader through the duties of citizenship; as soldier in times of war and as juror during the peace. The checks and balances that protected Athenian society from tyrants, such as legal assassination and ostracism, are described. Selected inscriptions are illustrated and discussed, as are ingenious devices such as allotment machines and water clocks, which ensured fairness in the courts. The book ends with some of the lasting products of classical administration; the silver coins accepted around the known world, and the standard weights and measures that continue to protect the consumer from unscrupulous merchants. Now illustrated entirely in color, with updates and revisions by the current director of excavations at the Agora, this new edition of an acknowledged classic will inform and fascinate visitors and students for many years to come.

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Small sculptured figures of humans and animals have been found all over the Agora, ranging in date from the earliest occupation of Athens to the end of the Late Roman period. This booklet presents a representative sample of these carvings, ranging from elegant ivory figures of Apollo to small toy horses recovered from children’s graves. Illustrated with almost 80 black and white photographs

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By mingling images on well-preserved Greek vases with the more fragmentary ceramics recovered during excavations at the Agora, the authors show how different vessel forms were used in Classical Athens. By linking the shapes of pots with their social functions, this book gives meaning to the ancient names, such as skyphos, olpe, kantharos, lekane, and hydria, that one encounters when visiting museums. The booklet is illustrated with over 60 black and white photographs.

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Named after its donor, the King of Pergamon, the Stoa of Attalos was originally built around 150 B.C. Between 1953 and 1956 this long, columned, marble building was rebuilt by the American School of Classical Studies to store and display finds from the Agora excavations. Using original materials and techniques, the modern builders learned much about the construction and purpose of stoas, a ubiquitous classical building type. This heavily illustrated account presents some of their findings.

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