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In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film Daydream was the first big-budget, mainstream pink film released in Japan. After the release of his 1965 film Black Snow, the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore pink films which dominated Japan's domestic cinema during the 1960s and 1970s.[2] In the later 1960s, Takechi produced three more pink films.
Takechi did not work in film during most of the 1970s. In the 1980s, he remade Daydream twice, starring actress Kyōko Aizome in both films. The first Daydream remake (1981) is considered the first theatrical hardcore pornographic film in Japan. Though Takechi is largely unknown in Japan today, he was influential in both the cinema and the theater during his lifetime, and his innovations in kabuki were felt for decades. He also helped shape the future of the pink film in Japan through his battles against governmental censorship, earning him the titles, "The Father of Pink" and "The Father of Japanese Porn." wiki
Director (12 credits)
1987 Hakujitsumu 2
1983 Oiran
1983 Koya Hijiri
1981 Hakujitsumu
1973 Scandal fujin
1968 Ukiyoe zankoku monogatari
1968 Sengo zankoku monogatari
1966 Genji Monogatari (I)
1965 Kuroi yuki
1964 Kokeimu
1964 Hakujitsumu
1963 Nippon No Yoru: Onna Onna Onna Monogatari (Documentary)
IMDB
Enlaces completados:
OK Kuroi yuki (Tetsuji Takechi, 1965)
OK Hakujitsumu (Tetsuji Takechi & Joseph Green, 1964)
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