N.S. Rabinowitz Greek Tragedy Introduction.pdf

klasycy.uj / Dokumenty / E-biblioteka / Dramat / N.S. Rabinowitz Greek Tragedy Introduction.pdf

Download: N.S. Rabinowitz Greek Tragedy Introduction.pdf

Pobierz

1,3 MB

Wiley-Blackwell 2008

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

klasycy.uj

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

Greek Drama.pdf

Four new titles in the series of comprehensive critical overviews of major literary movements in Western literary history The art of drama developed in the ancient Greek city-state of Athens from the late sixth century B.C. From religious chants honouring the gods and Greece's mythical past grew an entirely new art form.

A Companion to Greek Tragedy (Blacwell Companions to t....pdf

"A Companion to Greek Tragedy (Blacwell Companions to the Ancient World)", edited by Justina Gregory, Blackwell Publishing 2005 A Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today. The Companion comprises 31 essays written by an international cohort of scholars. The essays are organized into four sections. The opening section on Contexts surveys Greek tragedy's historical, religious, political, and artistic background. A section on Elements follows, examining the genre's structural components. A section on Approaches presents a series of essays exemplifying particular lines of enquiry; and the final section on Reception traces the interpretative tradition from ancient to modern times. Throughout the resource, all ancient Greek is transliterated and translated, and technical terms are explained as they appear, making the Companion accessible to those without detailed knowledge of the language or the genre.

The Art of Euripides.pdf

Donald J. Mastronarde, "The Art of Euripides. Dramatic Technique and Social Context", Cambridge University Press 2010 In this book Professor Mastronarde draws on the seventeen surviving tragedies of Euripides, as well as the fragmentary remains of his lost plays, to explore key topics in the interpretation of the plays. It investigates their relation to the Greek poetic tradition and to the social and political structures of their original setting, aiming both to be attentive to the great variety of the corpus and to identify commonalities across it. In examining such topics as genre, structural strategies, the chorus, the gods, rhetoric, and the portrayal of women and men, this study highlights the ways in which audience responses are manipulated through the use of plot structures and the multiplicity of viewpoints expressed. It argues that the dramas of Euripides, through their dramatic technique, pose a strong challenge to simple formulations of norms, to the reading of consistent human character, and to the quest for certainty and closure.

The Reception and Performance of Euripides' Herakles.pdf

Kathleen Riley, "The Reception and Performance of Euripides' 'Herakles'", Oxford University Press 2008 Euripides' Herakles, which tells the story of the hero's sudden descent into filicidal madness, is one of the least familiar and least performed plays in the Greek tragic canon. Kathleen Riley explores its reception and performance history from the fifth century BC to AD 2006. Her focus is upon changing ideas of Heraklean madness, its causes, its consequences, and its therapy. Writers subsequent to Euripides have tried to 'reason' or make sense of the madness, often in accordance with contemporary thinking on mental illness. She concurrently explores how these attempts have, in the process, necessarily entailed redefining Herakles' heroism. Riley demonstrates that, in spite of its relatively infrequent staging, the Herakles has always surfaced in historically charged circumstances - Nero's Rome, Shakespeare's England, Freud's Vienna, Cold-War and post-9/11 America - and has had an undeniable impact on the history of ideas. As an analysis of heroism in crisis, a tragedy about the greatest of heroes facing an abyss of despair but ultimately finding redemption through human love and friendship, the play resonates powerfully with individuals and communities at historical and ethical crossroads.

Language and Rhythm in Plautus.pdf

Benjamin W. Fortson IV, "Language and Rhythm in Plautus. Synchronic and Diachronic Studies", Walter de Gruyter 2008 This book consists of linguistic case-studies of selected features of the language and meter of Plautus. These phenomena are investigated for the light they can shed on the prosodic organization of Latin speech and the intersection between prosodic phonology and syntax; some are also placed in a broader comparative-historical context. Topics discussed include Meyer´s and Luchs´s laws, split resolutions, contraction of est (""is""), enjambement, iambic shortening, and the pragmatic effects on the rhythmic organization of phrases.

Greek Tragedy and Political Theory ed. J.P. Euben.djvu

D. Wiles Tragedy in Athens Performance Space and Theat....pdf

Cambridge University Press 1999 David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. He shows how performance as a whole was organized and, through informative diagrams and accessible analyses, brings the theater of Greek tragedy to life.

Kitto Greek Tragedy.pdf

H. Bloom Greek Drama.pdf

Chelsea House Publications 2004

A.H. Sommerstein The Tangled Ways of Zeus.pdf

Oxford University Press 2010 The Tangled Ways of Zeus is a collection of studies written over the last twenty years by the distinguished classicist Alan Sommerstein about various aspects of ancient Greek tragedy (and, in some cases, other related genres). It complements his recent collection of studies in Greek comedy, Talking about Laughter (OUP, 2009). Some of the essays have not been published previously, others have appeared in books or journals hard to find outside major academic libraries. Each chapter deals with its own topic, but between them they build up a multifaceted picture of the dramatists (especially Aeschylus and Sophocles), the genre, and its interactions with the society, culture, and religion of classical Athens.

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin