Vallaor

Prezent
Ulubiony
Wiadomość

Mężczyzna Paweł

widziany: 28.09.2024 13:46

272
1
531
12729

13577 plików
550,52 GB

Nie przegap nowości z tego chomika! Podaj swój e-mail i bądź pierwszym, który zostanie poinformowany o interesujących nowościach.

Jak to działa? Po podaniu swojego adresu e-mail raz na tydzień będziesz otrzymywał wiadomość z informacją o najnowszych i najpopularniejszych plikach na tym chomiku. Dzięki temu zawsze będziesz na bieżąco i nic interesującego nie umknie Twojej uwadze. Z powiadomień możesz zrezygnować w dowolnej chwili.

Ukryj opis

Foldery

Ostatnio pobierane pliki

Ernie Pike. Version integrale des Chroniques de guerre....cbr

INCAL - Jodorowsky & Moebius.cbr

Druuna 05 - Mandragore.cbz

Reeling (1976).pdf

Pauline-Kael-Szmira-sztuka-i-kino.pdf

L'Étrangleur 002 - On étrangle l'acteur Gaston Malingu....pdf

The Turn of the Screw (One Shot) by Guido Crepax.cbr

(1990) Enki BIlal - The Hunting Party.cbz

(2000) Enki BIlal - Dormant Beast.cbz

(2000) Enki BIlal - Nikopol Trilogy TPB.cbr

Hollywood

Galeria

Książki o hollywoodzkim przemyśle filmowym.

sortuj według:
nazwa
typ pliku
rozmiar
data dodania

46,3 MB
23 sty 19 20:52

Lion of Hollywood. The Life and Legend of Louis B. Mayer(2005) by Scott Eyman.pdf

Lion of Hollywood is the definitive biography of Louis B. Mayer, the chief of Metro-Goldwyn-Mayer—MGM—the biggest and most successful film studio of Hollywood’s Golden Age.

Lion of Hollywood is a three-dimensional biography of a figure often caricatured and vilified as the paragon of the studio system. Mayer could be arrogant and tyrannical, but under his leadership MGM made such unforgettable films as The Big Parade, Ninotchka, The Wizard of Oz, Meet Me in St. Louis, and An American in Paris.

Film historian Scott Eyman interviewed more than 150 people and researched some previously unavailable archives to write this major new biography of a man who defined an industry and an era.

16,4 MB
8 sty 19 19:42

How I Made A Hundred Movies In Hollywood And Never Lost A Dime (1990) by Roger Corman.pdf

In these pages Roger Corman, the most successful independent filmmaker in Hollywood relates his experiences as the director and/or producer of such low-budget classics Attack of the Crab Monsters, The Little Shop of Horrors, The Raven, The Man with the X-ray Eyes, The Wild Angels, The Trip, Night Call Nurses, Bloody Mama, Piranha, and many others. He also discusses his distribution of the Bergman, Fellini, and Truffaut movies that later won Academy Awards in the Best Foreign Film category. Corman alumni—John Sayles, Martin Scorsese, Jack Nicholson, Vincent Price, Francis Ford Coppola, Peter Bogdanovich, Peter Fonda, Joe Dante, and Jonathan Demme, among others—contribute their recollections to give added perspective to Corman's often hilarious, always informative autobiography.

5,7 MB
1 sie 18 7:53

Play It Again, Sam_ Retakes on Remakes - Andrew Ho rton.pdf

Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well.The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well.The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory.

z chomika pillowbookworm

45,9 MB
22 cze 18 7:40

Planet of the Apes as American Myth (1998) by Eric Green.pdf

How do political conflicts shape popular culture? This book explores that question by analyzing how the Planet of the Apes films functioned both as entertaining adventures and as apocalyptic political commentary. Informative and thought provoking, the book demonstrates how this enormously popular series of secular myths used images of racial and ecological crisis to respond to events like the Cold War, the race riots of the 1960s, the Civil Rights movement, the Black Power movement, and the Vietnam War. The work utilizes interviews with key filmmakers and close readings of the five Apes films and two television series to trace the development of the series' theme of racial conflict in the context of the shifting ideologies of race during the sixties and seventies. The book also observes that today, amid growing concerns over race relations, the resurgent popularity of Apes and Twentieth Century--Fox's upcoming film may again make Planet of the Apes a pop culture phenomenon that asks who we are and where we are going.

46,0 MB
22 cze 18 7:40

Romance and the yellow peril - race, sex, and disc ursive strategies in Hollywood fiction (1993) by G ina Marchetti.pdf

Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema.

The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now.

Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.

33,2 MB
22 cze 18 7:40

Mountain of dreams. The golden years of Paramount Pictures (1976) by Leslie Halliwell.pdf

Art with History:
If you like the old b&w classic movies of the 30's & 40's this is a great book. And if you're a student or collector of movie posters, it's even better. This book reproduces every movie poster for every Paramount film made during this time frame, and includes abbreviated, little known background info on every film next to the poster. Starts with some general history, but a bit more art than words beyond the intro -- making it essential for artists or historians of film art/posters.
[P. A. Willey]

22,9 MB
8 kwi 17 22:50

The Use of Arthurian Legend in Hollywood Film (199 6) by Rebecca A. Umland.pdf

This is the first book to examine the various uses of the Arthurian legend in Hollywood film, covering films from the 1920s to the present.

5.0 1 głos 5.0
7,4 MB
6 paź 16 22:19

Easy Riders Raging Bulls (1998) by Peter Biskind.pdf

Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock-N-Roll Generation Saved Hollywood
Autor: Biskind Peter

Based on hundreds of interviews with directors such as Coppola, Scorsese, Hopper and Spielberg, as well as producers, stars, studio executives, writers, spouses, ex-spouses, and girlfriends, this is the story of the crazy world that the directors ruled.

5,6 MB
6 paź 16 20:58

Dreams and Dead Ends - The American Gangster Film (2003) by Jack Shadoian.pdf

Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.