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  • 3,3 MB
  • 20 paź 19 20:43
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Boris Karloff: Midnight Marquee Actors Series
by Gary J. Svehla
Edited by Susan Svehla
Paperback: 250 pages
Publisher: Midnight Marquee Press, Inc. (March 3, 2011)
Language: English

Midnight Marquee is pleased to present the second entry in the MidMar Actors Series. This revised volume features in-depth analyses of 30 of the films that helped create the legend of Boris Karloff.

Films Featured:
Arsenic and Old Lace -Before I Hang -Behind the Mask -The Black Cat -Black Friday -The Black Room -The Body Snatcher -Bride of Frankenstein -British Intelligence -Charlie Chan at the Opera -The Climax -Comedy of Terrors -Corridors of Blood -Devil’s Island -Die, Monster, Die! -Frankenstein -Frankenstein 1970 -The Haunted Strangler -House of Frankenstein -Invisible Menace -The Lost Patrol -The Man Who Changed His Mind -The Man They Could Not Hang -The Man With Nine Lives -The Mask of Fu Manchu -The Mummy -The Old Dark House -Scarface -Targets -The Walking Dead -West of Shanghai
  • 6,0 MB
  • 6 paź 19 11:48
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Veit Harlan: The Life and Work of a Nazi Filmmaker (Screen Classics)
By Frank Noack
Published by The University Press of Kentucky in 2016 (9780813167015)
English, 517 pages

Veit Harlan (1899–1964) was one of Germany's most controversial and loathed directors. After studying with theatre and film pioneer Max Reinhardt and beginning a promising career, he became one of Joseph Goebbels's leading filmmakers under the National Socialist regime. Harlan's Jud Süss (Jew Suss, 1940), in particular, stands as one of the most artistically distinct and morally reprehensible films produced by the Third Reich. His involvement with this movie has led to many critical questions: Was the director truly forced to make the film under penalty of death? Is anti-Semitism a theme in his other productions? Can and should his work be studied in light of the horrors of Nazism and the Holocaust?

The first English-language biography of the notorious director, Veit Harlan presents an in-depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work. Author Frank Noack reveals that both Harlan's life and work were marked by creative vision, startling ambiguities, and deep moral flaws. His meticulously detailed study explores the director's influence on German cinema and places his work within the contexts of World War II and film history as a whole.

Rivaled only by Leni Riefenstahl, Veit Harlan remains one of Germany's most infamous filmmakers, and virtually every book on Nazi cinema contains at least one chapter about Harlan or an analysis of one of his movies. This biography―supplemented by production histories and rare interviews with actors, actresses, and cameramen―offers the first comprehensive analysis of the director and his work and adds new perspective to the growing body of scholarship on filmmaking under the Third Reich.

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Kristina Söderbaum - The 'Nazi Marilyn Monroe'
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  • 21 wrz 19 11:21
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With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for small films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of trans-textural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this generic framework is the central focus on this book.
  • 63,9 MB
  • 21 lip 19 21:49
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In an eclectic career spanning four decades, Italian director Riccardo Freda (1909-1999) produced films of remarkable technical skill and powerful visual style, including the swashbuckler Black Eagle (1946), an adaptation of Les Miserables (1947), the peplum Theodora, Slave Empress (1954) and a number of cult-favorite Gothic and horror films such as I Vampiri (1957), The Horrible Dr. Hichcock (1962) and The Ghost (1963). Freda was first championed in the 1960s by French critics who labeled him "the European Raoul Walsh," and enjoyed growing critical esteem over the years. This book covers his life and career for the first time in English, with detailed analyses of his films and exclusive interviews with his collaborators and family.
  • 3,3 MB
  • 21 lip 19 21:23
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A Complete Annotated Record of Film and Television Appearances

Pierwsze wydanie: 31 maja 2012
Autor: Robert Michael "Bobb" Cotter
  • 16,4 MB
  • 8 sty 19 19:25
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In these pages Roger Corman, the most successful independent filmmaker in Hollywood relates his experiences as the director and/or producer of such low-budget classics Attack of the Crab Monsters, The Little Shop of Horrors, The Raven, The Man with the X-ray Eyes, The Wild Angels, The Trip, Night Call Nurses, Bloody Mama, Piranha, and many others. He also discusses his distribution of the Bergman, Fellini, and Truffaut movies that later won Academy Awards in the Best Foreign Film category. Corman alumni—John Sayles, Martin Scorsese, Jack Nicholson, Vincent Price, Francis Ford Coppola, Peter Bogdanovich, Peter Fonda, Joe Dante, and Jonathan Demme, among others—contribute their recollections to give added perspective to Corman's often hilarious, always informative autobiography.
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  • 4 sty 19 14:39
Script of Tim Burton's movie.
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  • 4 sty 19 13:40
This is very much not an "authorized" biography: Wapshott not only confesses but vaunts the fact that O'Toole asked him not to write it. The analyses of O'Toole's character and career may or may not be accurate; one could wish the language and general editing were a little more so. The occasional startling piece of illiteracy undermines the credibility of the rest of the biography, and Mr. Wapshott could have used a good editor. Now, as to the career itself, O'Toole's humble origins and self-made rise into stardom at the RSC make good reading; the account of the making of Lawrence of Arabia, a two-year emotional marathon, is fascinating; and the grim details of parts that went wrong, especially Macbeth, are salutary. Wapshott scatters comments about O'Toole's famous drinking, altho' he omits reference to any other kind of drug, but he doesn't dwell on it. The details are there, but I don't think Wapshott offers any kind of insight about the real reasons why so splendid an actor has had so difficult a time finding the right projects. We shall have to wait for the autobiography, I think.
[Surreysmum]
  • 37,9 MB
  • 27 lis 18 20:11
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The authorized biography of the man who created "The Books of Blood" and "Weaveworld". Barker: a contemporary myth-maker, explorer of our darkest instincts and ultimate fears - the writer who, more than any other contemporary figure, has shaped our nightmares through diverse media. Novelist, playwright, scriptwriter and director, he is a master at twisting the mundane to make it fantastic and frightening. In this detailed biography, enabled through unprecedented access to Barker and his closest friends and family, Douglas Winter reveals at last what haunts the man who haunts us all.
  • 28,7 MB
  • 18 cze 18 22:22
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Enjoyable and well researched biography on DeMille and the earlier days in Hollywood.
  • 23,2 MB
  • 18 cze 18 22:10
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French critic André Bazin was 28 when Orson Welles's Citizen Kane opened in Paris. Four years later he wrote his first book with Welles as its subject; it would quickly achieve the status of a classic. Shortly before his death in 1958, Basin prepared this revised edition. Included are a brilliant introductory essay by François Traffaut and a profile by Jean Cocteau, along with 28 photos of Welles. In Orson Welles: A Critical View, Bazin traces Welles's career from the theatre and radio to Hollywood and Europe. He assesses Welles's works, his innovations--and in many ways takes the man's measure. Orson Welles: A Critical View is the perfect meeting of two great minds.
  • 20,8 MB
  • 17 cze 18 21:54
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Errol Flynn was a film star, a swashbuckler, and womanizer. This book examines the legend and evaluates his marriages, affairs, scandals, and premature death.
  • 0,8 MB
  • 20 wrz 17 23:32
Script for the planned movie.
  • 5,1 MB
  • 20 wrz 17 23:31
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Most of what we've heard about Werner Herzog is untrue. The sheer number of false rumours and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in post-war European cinema. His international breakthrough came in 1973 with Aguirre, the Wrath of God , in which Klaus Kinski played a crazed Conquistador. For The Enigma of Kaspar Hauser , Herzog cast in the lead a man who had spent most of his life institutionalised, and two years later hypnotised his entire cast to make Heart of Glass . He rushed to an explosive volcanic Caribbean island to film La Soufrière , paid homage to F. W. Murnau in a terrifying remake of Nosferatu and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo . More recently Herzog has made extraordinary 'documentary' films such as Little Dieter Needs to Fly . His place in cinema history is assured. Paul Cronin's volume consists of an invaluable set of career-length interviews with the German genius once hailed by Francois Truffaut as the most important film director alive. It provides a forum for Herzog's fascinating views on the things, ideas and people that have preoccupied him for so many years.
  • 1,2 MB
  • 20 wrz 17 20:54
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Steven Spielberg is hailed as one of the most influential and commercially successful film directors in motion picture history. Through his role in developing, directing, and driving the special effects of many of the biggest blockbusters in movie history, includingJaws, Raiders of the Lost Ark, E.T., Saving Private Ryan, Jurassic Park, Schindler's List, and Minority Report, Spielberg changed the way movies are made and left an indelible mark on popular culture. This biography traces his rise from shooting films as a shy young boy with the family's 8 mm camera to his first unpaid job at Universal Studios, to the rise of DreamWorks, the studio Spielberg founded and quickly turned into a filmmaking powerhouse. While Spielberg's best work may lie ahead, this compelling biography puts his legendary career and work to date into perspective by offering analysis and commentary from fans and critics alike.

Whether about an alien lost in suburbia or the battles of World War II, Spielberg has directed and produced many of the most talked about movies of the past 30 years. Students interested in the history of film and the filmmaking industry will find this biography endlessly fascinating.
  • 1,0 MB
  • 8 mar 17 22:46
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Film historian Howard Hughes is also the author of 'Cinema Italiano: The Complete Guide from Classics to Cult', 'Once Upon a Time in the Italian West: The Filmgoers’ Guide to Spaghetti Westerns' and several other titles.
  • 8,7 MB
  • 8 mar 17 22:44
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Jean-Luc Godard, le cinéaste culte d'A bout de souffle et de Pierrot le fou, le chef de bande de la Nouvelle Vague, l'agitateur politique des années gauchistes, le publicitaire de lui-même, l'amoureux peintre des femmes, le provocateur misanthrope, l'historien des images " relié au passé ", et enfin l'ermite du canton de Vaud grimé en King Lear sépulcral, aura 80 ans en décembre 2010. Tous ces visages souvent contradictoires réunis en un seul : la première biographie en France de l'impossible M. Godard. Jean-Luc Godard a traversé le siècle. À chacune des étapes de cet itinéraire, il a tenu son rang, exercé une influence, saisi le moment présent tout en laissant une empreinte d'artiste. Mais, à 80 ans, quelle est sa place, quelle est sa trace, quel repère donne-t-il ? Le nom de " Godard " est devenu pour tout le monde, au-delà de la vision de nombreux films trop souvent ignorés, synonyme du cinéma lui-même. Raconter l'histoire de sa vie, c'est tenter de dire le monde à partir d'un septième des arts. Jean-Luc Godard fut et reste un homme du présent. Notre contemporain.
  • 1,7 MB
  • 8 mar 17 22:41
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  • 8 mar 17 22:40
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Une évocation avec humour et passion des plus grands moments de cinéma de Mylène Demongeot. Des succès du dernier Fantômas(1967) à Camping (2009).

À la fin des années 50, Mylène Demongeot est une star. Depuis la sortie des Sorcières de Salem en 1957, sa carrière est lancée. Des films comme Bonjour tristesse, Les Trois Mousquetaires, La Bataille de Marathon ou les trois Fantômas s'enchaînent jusqu'à sa rencontre en 1966 avec Marc Simenon.
Elle change alors radicalement de vie pour se consacrer entièrement à son mari, entame une carrière de productrice par amour et se trouve confrontée à maintes situations, parfois difficiles, souvent burlesques.
Au décès de Marc, en 1999, elle reprend courageusement en main sa carrière d'actrice et renoue avec le cinéma en tournant 36, quai des Orfèvres, La Californie, Camping I et II ou Les Toits de Paris et, plus récemment, Si tu meurs, je te tue. Ces«Mémoires de cinéma»se lisent aussi comme le roman d'une vie; d'anecdote en anecdote, et surtout grâce à son sens de l'autodérision et sa joie de vivre, Mylène Demongeot nous donne une magnifique leçon de sagesse et nous parle avec émotion et sincérité de la passion de sa vie : le cinéma.

Mylène Demongeot est l'auteur de plusieurs ouvrages dont Tiroirs secrets (Pré aux Clercs, 2001) et le piège, l'alcool n'est pas innocent (Flammarion, 2008).
  • 8,2 MB
  • 8 mar 17 22:39
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C'est la découverte d'une boîte remplie de lettres et de photographies qui inspire à Sophia Loren ce livre plein de vie, où se déploie le destin d'une gamine peu sûre d'elle mais d'une beauté à faire ressusciter les morts d'une jeune Napolitaine qui, en l'espace de quelques années, conquit le monde. Derrière la star, on découvre le sourire d'une femme timide mais déterminée, qui dès l'enfance a enduré bien des épreuves, a travaillé toute sa vie avec acharnement et a su aimer d'une passion authentique. Sophia Loren nous guide ainsi en personne dans sa ville natale de Pozzuoli dévastée par la guerre, dans la Cinecittà des premiers grands péplums américains, dans le Naples en noir et blanc de Vittorio De Sica. Elle nous fait marcher sur les pas de Cary Grant, Marcello Mastroianni ou Audrey Hepburn, nous emmène avec elle sur les tapis rouges de Hollywood, Cannes et Berlin en compagnie de Charlie Chaplin, Ettore Scola et tous les plus grands. Mais elle nous conduit aussi dans les coulisses, là où bat son coeur d'épouse, de mère et de grand-mère, au sein d'une famille qu'elle considère depuis toujours comme son meilleur film. Au-delà du voyage passionnant dans l'histoire du cinéma, c'est aussi un conte de fées qui, un jour, est devenu réalité. Sophia Loren compte parmi les actrices les plus célèbres au monde. Au cours de son extraordinaire carrière, elle a joué dans plus de cent films et remporté de multiples récompenses, parmi lesquelles le Lion d'or du festival de Venise, cinq Golden Globes, un prix d'interprétation féminine à Cannes, l'Oscar de la meilleure actrice, en 1962, pour La Ciociara, et, en 1991, un Oscar pour l'ensemble de sa carrière.
  • 3,6 MB
  • 8 mar 17 22:36
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Moi, la scandaleuse – initialement paru en 1987 – relate les débuts de Brigitte Lahaie et son parcours de star du X à une époque où l'on se pressait encore en couple dans les salles de cinéma pour voir des films pornos. Dans ces souvenirs, empreints de la légèreté et de l'insouciance qui caractérisaient
la jeune Brigitte et cette époque, se devine déjà le féminisme latent qui l'animait lorsqu'elle a fait le choix de cette carrière si particulière.
Mais, après La Scandaleuse, qu'est-elle devenue ?
C'est à Sophie Cadalen, amie, auteure et psychanalyste, que Brigitte Lahaie s'est confiée sur la suite de son chemin, dévoilant son cadre de vie, sa passion des animaux, ses amours, ses amitiés et son quotidien d'animatrice radio depuis 20 ans (aujourd'hui sur Sud radio). Est alors donné à lire le portrait subtil et tendre d'une femme vraiment libre...

De star du X dans les années 1970 à confidente de millions d'auditeurs à la radio, le parcours d'une femme qui n'a jamais renié son passé.

Malgré elle, Brigitte Lahaie a de nouveau attiré les projecteurs début 2018, en signant la " Tribune des 100 " parue dans Le Monde, puis en tenant des propos polémiques. Elle a répondu aux critiques dont elle a fait l'objet dans un livre publié chez Albin Michel, Le Bûcher des sexes, ne cédant en rien sur ses convictions ni à la pression des tartuffes de tous poils... Dans Moi, la scandaleuse, c'est la vie de cette personnalité hors-norme, qui est dévoilée.
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  • 16 sty 17 15:02
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Gustaw Holoubek. Wybitny aktor, reżyser, pedagog. Autorytet. Zagrał ponad trzysta ról filmowych, telewizyjnych i radiowych. W charakterystycznym dla siebie stylu gry aktorskiej stworzył wielkie kreacje artystyczne. Zwykł mawiać, że żyje w dwóch odrębnych światach, świecie codzienności i sztuki, że wymyślony, iluzoryczny świat teatru jest dla niego ucieczką i schronieniem przed skazaniem na realizm życia.

W tej niezwykłej książce Gustaw Holoubek powraca do czasów dzieciństwa i młodości w rodzinnym Krakowie. Opowiada o swoich bliskich, przyjaciołach, kolegach i nauczycielach, pierwszej miłości i pierwszych krokach w teatrze. Prowadzi nas ulicami ukochanego miasta, którymi chodził codziennie, pozwala odczuć jego klimat, koloryt i magię, z pietyzmem odtwarzając atmosferę lat przedwojennych, czasu okupacji i pierwszych lat po wojnie.
  • 2,6 MB
  • 15 sty 17 18:37
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Jack Hill stands as one of the great B-movie directors and influenced an aspiring filmmaker named Quentin Tarantino. The director who gave the world Coffy, Foxy Brown, Spider Baby, Switchblade Sisters and other exploitation classics broke gender and racial barriers in his low-budget work. He launched the careers of Pam Grier, Ellen Burstyn and Sid Haig and worked with Boris Karloff and Lon Chaney in the twilight of their careers. This filmography covers all of Jack Hill’s works. Each entry offers alternate titles, cast, credits, a plot summary, extensive critical information, quotes, and an interview with Jack Hill about that particular film.
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KevinPL2985

KevinPL2985 napisano 24.11.2020 05:54

zgłoś do usunięcia
Zapraszam
DZIACHO1966

DZIACHO1966 napisano 12.02.2021 05:31

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ZAPRASZAM
Nighthawk1999

Nighthawk1999 napisano 20.02.2021 15:12

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Thank you!
yifefal230

yifefal230 napisano 2.10.2021 10:01

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Do you have full from book 1 to 8?

marcinpmd napisano 21.01.2022 17:02

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Witam i zapraszam również do mnie

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adii132

adii132 napisano 11.09.2022 11:41

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jegah58199

jegah58199 napisano 21.01.2023 08:11

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Super chomik
Klaryssas

Klaryssas napisano 9.05.2023 14:38

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POZDRAWIAM.
hegakiy438

hegakiy438 napisano 11.05.2023 14:59

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Zapraszam

easteryngentun napisano 31.12.2023 18:22

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obrazek Wtyczki VST i VSTI, efekty i instrumenty wirtualne, wiele nigdzie indziej niedostępnych unikatów! Zapraszam!

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