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This volume presents a series of papers delivered at a two-day session of the Theban Workshop held at the British Museum in September 2003. Due to its political and religious prominence throughout much of pharaonic history, the region of ancient Thebes offers scholars a wealth of monuments whose physical remains and extant iconography may be combined with textual sources and archaeological finds in ways that elucidate the function of sacred space as initially conceived, and which also reveal adaptations to human need or shifts in cultural perception. The contributions herein address issues such as the architectural framing of religious ceremony, the implicit performative responses of officiants, the diachronic study of specific rites, the adaptation of sacred space to different uses through physical, representational, or textual alteration, and the development of ritual landscapes in ancient Thebes.

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THESE are the researches of Herodotus of Halicarnassus, which he publishes, in the hope of thereby preserving from decay the remembrance of what men have done, and of preventing the great and wonderful actions of the Greeks and the Barbarians from losing their due meed of glory; and withal to put on record what were their grounds of feuds.

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What drove the ancient Greeks to explore human nature and invent Western politics? This book argues that the Greeks believed speech made humans different from other animals. But, this zoological comparison also provided the metaphorical means for viewing those 'lacking' authoritative speech--women, barbarians, and slaves, etc.--as bestial. This link between speech, humanity, and status is revealed through close study of both Homeric epics, classical Athenian culture, Aeschylus' Oresteia, and Plato's Dialogues.

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Recent literary-critical work in legal studies reads law as a genre of literature, noting that Western law originated as a branch of rhetoric in classical Greece and lamenting the fact that the law has lost its connection to poetic language, narrative, and imagination. But modern legal scholarship has paid little attention to the actual juridical discourse of ancient Greece. This book rectifies that neglect through an analysis of the courtroom speeches from classical Athens, texts situated precisely at the intersection between law and literature. Reading these texts for their subtle literary qualities and their sophisticated legal philosophy, it proposes that in Athens' juridical discourse literary form and legal matter are inseparable. Through its distinctive focus on the literary form of Athenian forensic oratory, Law's Cosmos aims to shed new light on its juridical thought, and thus to change the way classicists read forensic oratory and legal historians view Athenian law.

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Ancient greek scholarship constitutes a precious resource for classicists, but one that is underutilized because graduate students and even mature scholars lack familiarity with its conventions. The peculiarities of scholarly Greek and the lack of translations or scholarly aids often discourages readers from exploiting the large body of commentaries, scholia, lexica, and grammatical treatises that have been preserved on papyrus and via the manuscript tradition. Now, for the first time, there is an introduction to such scholarship that will enable students and scholars unfamiliar with this material to use it in their work. Ancient Greek Scholarship includes detailed discussion of the individual ancient authors on whose works scholia, commentaries, or single-author lexica exist, together with explanations of the probable sources of that scholarship and the ways it is now used, as well as descriptions of extant grammatical works and general lexica. These discussions, and the annotated bibliography of more than 1200 works, also include evaluations of the different texts of each work and of a variety of electronic resources.
This book not only introduces readers to ancient scholarship, but also teaches them how to read it. Here readers will find a detailed, step-by-step introduction to the language, a glossary of over 1500 grammatical terms, and a set of more than 200 passages for translation, each accompanied by commentary. The commentaries offer enough help to enable undergraduates with as little as two years of Greek to translate most passages with confidence; in addition, readers are given aids to handling the ancient numerical systems, understanding the references found in works of ancient scholarship, and using an apparatus criticus (including an extensive key to the abbreviations used in an apparatus). Half the passages are accompanied by a key, so that the book is equally suitable for those studying on their own and for classes with graded homework.

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Tragedy was central to the experience of being a fifth-century Athenian citizen. Tragedy explored fundamental issues of religion, of ethics, of civic ideology, and we should expect it to be a central source for the reconstruction and analysis of the Athenian thought and world. This collection of eleven papers investigates the methods and pitfalls of using tragedy to illuminate fifth-century thought, culture, and society.

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This volume offers dramatic illumination of the ways in which the ancient Greeks both created and interpreted their world through the specific language of personal names. For the ancient Greeks, the assertion of origin was essential in defining their sense of who they were and how they distinguished themselves from neighbors and strangers. Each person's name might carry both identity and origin. Names have surfaced in many guises and locations--on coins and artefacts, embedded within inscriptions and manuscripts--carrying with them evidence even from prehistoric and preliterate times. The contributors to this volume draw on The Lexicon of Greek Names, which has already identified more than 200,000 individuals, to demonstrate the breadth of scholarly uses to which name evidence can be put. The contributors also narrate the stories of political and social change revealed by the incidence of personal names and cast a fascinating light upon both the natural and supernatural phenomena which inspired them.

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In 1928, and again in 1937, parts of a large-scale bronze horse and nearly complete jockey were recovered from the sea off Cape Artemision in Greece, where they had gone down in a shipwreck. These original Hellenistic sculptures, known together as the "Horse and Jockey Group from Artemision," are among the very few surviving bronze sculptures from antiquity. Seán Hemingway has been allowed by the National Museum in Athens to investigate the horse and jockey statuary group as no one ever has before, and in this book, combining archaeological and art historical methods of investigation, he provides the first in-depth study of this rare and beautiful monument. New technical analyses of the statues by Helen Andreopoulou-Mangou form an appendix to the volume. Hemingway begins with an introduction to Hellenistic bronze statuary and what we know about this extraordinary class of ancient sculpture. He then recounts with riveting detail the discovery and painstaking restoration of the statue group, describing the technique of its creation and carefully reviewing scholarly knowledge and speculation about it. He also provides a valuable compendium of what is known about ancient Greek horse racing, the most prestigious and splendid of all Greek sports. After a full consideration of all the available evidence, he speculates further about the work's original meaning and function. His study provides a glimpse of the excellence achieved by Hellenistic bronze sculptors, and it will become the definitive resource on this unique sculpture from ancient Greece.

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Pottery made in the Aegean during the Late Bronze Age has been found in many parts of the Mediterranean—Mycenaean dinner and storage vessels, for example, have been discovered at some four hundred sites outside Greece. These artifacts provide one of the main sources of information on Mycenaean trade and interregional contact, but the role of pottery in international exchange during this period is still not properly understood. Gert Jan van Wijngaarden brings us closer with this study, which investigates patterns of consumption for the three biggest importers of Mycenaean pottery: the Levant, Cyprus, and Italy.

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This book draws on a wide range of evidence to study the history of Athens from 386 to 322 B.C. Taking a sympathetic view of the Second Athenian League, Sealey focuses on the career of Demosthenes to provide important insights into Athenian politics and policies. Demosthenes experienced repeated setbacks in his early attempts at public activity, but found his mission as a statesman in the conflict with Macedon and subsequently became the leading man in Athens. Sealey rejects theories that assume programmatic divisions among Athenian statesmen into pro- and anti-Macedonians, and argues that all Athenians active in politics resented Macedonian ascendancy but recognized the necessity of accommodation to superior power. His account concludes with the defeat of Athens and its allies and the suicide of Demosthenes, presenting new insights not only into the life of Demosthenes and the turbulent years of his political career, but also the social and international factors bearing on Athenian political activity in general.

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Farmers made a sudden and dramatic appearance in Greece around 7000 BC, bringing with them new ceramics and crafts, and establishing settled villages. Their settlements provide the link between the first agricultural Near Eastern communities and the subsequent spread of the new technologies to the Balkans and Western Europe. Drawing on evidence from a wide range of archaeological sources, including often neglected "small finds", the author introduces daring new perspectives on funerary rituals and the distribution of figurines, and constructs a complex and subtle picture of early Neolithic societies.

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The Athenian "golden age" occurred in the fifth century B.C.E. and was attributed to their great achievements in art, literature, science, and philosophy. However, the most important achievement of the time was the political movement from tyranny to democracy. Though tyranny is thought to be democracy's opposite and deadly enemy, that is not always the case. In Fame, Money, and Power, Brian Lavelle states that the perceived polarity between tyranny and democracy does not reflect the truth in this instance.

The career of the tyrant Peisistratos resembles the careers and successes of early democratic soldier-politicians. As with any democratic political system, Peisistratos' governance depended upon the willingness of the Athenians who conceded governance to him. This book attempts to show how the rise of Peisistratos fits into an essentially democratic system already entrenched at Athens in the earlier sixth century B.C.E.

Emerging from the apparent backwater of eastern Attika, Peisistratos led the Athenians to victory over their neighbors, the Megarians, in a long, drawn out war. That victory earned him great popularity from the Athenians and propelled him along the road to monarchy. Yet, political success at Athens, even as Solon implies in his poems, depended upon the enrichment of the Athenian d?mos, not just fame and popularity. Peisistratos tried and failed two times to "root" his tyranny, his failures owing to a lack of sufficient money with which to appease the demos. Exiled from Athens, he spent the next ten years amassing money to enrich the Athenians and power to overcome his enemies. He then sustained his rule by grasping the realities of Athenian politics. Peisistratos' tyrannies were partnerships with the d?mos, the first two of which failed. His final formula for success, securing more money than his opponents possessed and then more resources for enriching the d?mos, provided the model for future democratic politicians of Athens who wanted to obtain and keep power in fifth-century Athens.

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Herodotus’ Histories can be read in many ways. Their literary qualities, never in dispute, can be more fully appreciated in the light of recent developments in the study of pragmatics, narratology, and orality. Their intellectual status has been radically reassessed: no longer regarded as naïve and ‘archaic’, the Histories are now seen as very much a product of the intellectual climate of their own day - not only subject to contemporary literary, religious, moral and social influences, but actively contributing to the great debates of their time. Their reliability as historical and ethnographic accounts, a matter of controversy even in antiquity, is being debated with renewed vigour and increasing sophistication. This Companion offers an up-to-date and in-depth overview of all these current approaches to Herodotus’ remarkable work.

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Hunting and its imagery continued to play a significant role in archaic and classical Greece long after it had ceased being a necessity for survival in everyday life. Drawing on vase paintings, sculpture, inscriptions, and other literary evidence, Judith Barringer reexamines the theme of the hunt and shows how the tradition it depicts helped maintain the dominance of the ruling social groups.
Along with athletics and battle, hunting was a defining activity of the masculine aristocracy and was crucial to the efforts of the Athenian elite to control the social agenda, even as their political power declined. The Hunt in Ancient Greece examines descriptions of hunting in initiation rituals as well as the ideals of masculinity and adulthood such rites of passage promoted. Barringer argues that depictions of the hunt in literature and art also served as striking metaphors for the intricacies of courtship, shedding light on sexuality and gender roles. Through an exploration of various representations of the hunt, Barringer provides extraordinary insight into Athenian society.

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Placing Modern Greece is about literary representations of Greece in the period of Romanticism, encompassing the time in the 1820s when it became a territorial and political reality as a nation state. Constanze Guthenke claims that the imagining of and attitude towards Greece was shaped by a fascination with the material, and by the highly conceptualized tension between the ideal on the one hand, and the material on the other. Her study focuses on nature and landscape imagery as vehicles of representation, on their specific inner workings, and on their dynamic, which conditions how and whether Greece as a modern entity in the making can be represented at all. Offering readings from German and contemporaneous Greek authors, Guthenke supplies a commentary on the translation and crossings of representational models and their limits.

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Coinage appeared at a moment when it fulfilled an essential need in Greek society and brought with it rationalization and social leveling in some respects, while simultaneously producing new illusions, paradoxes, and new elites. In a book that will encourage scholarly discussion for some time, David M. Schaps addresses a range of important coinage topics, among them money, exchange, and economic organization in the Near East and in Greece before the introduction of coinage; the invention of coinage and the reasons for its adoption; and the developing use of money to make more money.

David M. Schaps is Professor of Classics at Bar-Ilan University in Israel.

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