He is a God descended on earth. Thanks to his good looks, his chic and his zany personality, he is very lucky in love. Women fight for him. But Gérard Casanova knows how to pick 'em.
His choice is easy enough, if the girl is beautiful and has money. All others are doomed to oblivion and can not possibly interest him. Ever since coming of age, Gérard has been selling his looks, style and charm. His profession is the oldest in the world.
Although the telephone is a recent invention, we must keep up with the times and so Gérard is a call-boy, as successful in his own way as any call-girl. He "works" at home in his apartment, but always by appointment taken by phone. His wide experience in love-making and his far-better-than-average virility make him the most sought-after man in Paris. Ladies of high, and not so high, society whisper his address around like a priceless treasure.
The husbands and lovers of these ladies, caught up in the whirlwind of the business world, are not up to the performance in bed. Gérard is soon aware of that; he accepts the challenge and meet out pleasure to any woman brave enough to ask him for it. His fees are heavy but within range. He may not be a bargain money-wise, but he certainly is bed-wise.
Countless women take turns in his arms, under his body, in his bed, at record-breaking speed. Love is a verb conjugated in every language, a dish accommodated with every sauce. Gérard always knows how to find each woman's sensitive points and the right words to arouse his customers and give them fulfillment. He is gifted, no doubt about it. Every lover in the world has qualities, but he has talent!... In this respect, Gérard is a living paradox.
Other men pay women, one way or another, to obtain their favors, whereas it is the women who pay Gérard, and this adds relish to the contact and emotion of sex. When you pay for your seat, you appreciate the show more; free or half-price tickets only lower the artists' performance. Gérard is that, an artist, and he prefers to perform less, at full price. -- IMD. Author: Antonio de la Torre (BCULT)