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Ed Hooks - Acting for Animators.pdf

Frank Thomas, Ollie Johnston - The Illusion of Life. D....pdf

Harold Whitaker, John Hallas - Timing for Animation.pdf

Tony White - The Animator's Workbook.pdf

Chilly Gonzales w arte.mp4

Koncert promujący najnowszą płytę Gonza - Solo Piano II. ...

Mark T. Byrne - Animation. The Art of Layout and Story....pdf

Richard E. Williams - The Animator's Survival Kit.pdf

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5.0 1 głos 5.0
82,8 MB
23 wrz 13 16:47

Mark T. Byrne - Animation. The Art of Layout and S toryboarding.pdf

Mark T. Byrne meticulously explains how to organise your scenes for maximum impact, how to chose your shots, how to draw the eye of the audience to where you want them to focus, how to get the right mood for the shot and so much more.

43,5 MB
9 cze 13 20:04

Tony White - The Animator's Workbook.pdf

"The Animator's Workbook" is the first definitive book on drawn animation techniques. This step-by-step guide features: the process of animation, the animator's toolkit, inbetweening, head turns, walks, runs, realistic touches, technical information, exaggerated action, the animal kingdom, dialogue, animated effects and backgrounds.

290,6 MB
9 cze 13 13:02

Frank Thomas, Ollie Johnston - The Illusion of Lif e. Disney Animation.pdf

For anyone who wants to understand how classical animation works this is simply the best book available - part history of the Disney studio, part amusing anecdote, and of course part instruction manual. But what a manual! Anyone with the patience to wade through the rest of the material and focus on the chapters which deal with the techniques of animation will find a goldmine of information, which far surpasses the competition.

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5,6 MB
9 cze 13 12:28

Harold Whitaker, John Hallas - Timing for Animatio n.pdf

Written by two internationally acclaimed animators, this classic text teaches you all you need to know about the art of timing and its importance in the animated film.

Learn all the tips and tricks of the trade from the professionals. How should the drawings be arranged in relation to each other? How many are needed? How much space should be left between one group of drawings and the next? How long should each drawing, or group of drawings, remain on the screen to give the maximum dramatic effect? The art of timing is vital.

35,0 MB
9 cze 13 12:26

Richard E. Williams - The Animator's Survival Kit.pdf

During his more than 40 years in the business, Richard Williams has been one of the true innovators, and serves as the link between the golden age of animation by hand and the new computer animation successes.

In this book, based on his sold-out Animation Masterclass in the United States and across Europe, Williams provides the underlying principles of animation that very animator - from beginner to expert, classic animator to computer animation whiz - needs.

Using hundreds of drawings, Wiliams distills the secrets of the masters into a working system in order to create a book that has become the standard work on all forms of animatiion for professionals, students and fans.

44,2 MB
9 cze 13 12:26

Ed Hooks - Acting for Animators.pdf

Ed Hooks is renowned amongst animation professionals for his engaging acting classes aimed at animators. This modest paperback book brings you the essentials of those classes. It describes, in an easy to read style, techniques that may be applied to create engaging animation, promoting the use of story and emotion to encourage audience empathy with characters.

Hooks uses examples from film as well as animation to illustrate each of his concepts. He also gives brief introductions to many acting theorists, enough for the reader to understand the theories, without necessarily having to read the original texts.

At the end of the book there are several acting exercises for the reader. These exercises all work best with a group so try them out with your class or find a few friends and practice them together.