Theorizing Bruce Lee Film-Fantasy-Fighting-Philosophy (Contemporary Cinema).pdf

crassial / Filmoznawstwo - materiały / Theorizing Bruce Lee Film-Fantasy-Fighting-Philosophy (Contemporary Cinema).pdf

Download: Theorizing Bruce Lee Film-Fantasy-Fighting-Philosophy (Contemporary Cinema).pdf

Pobierz

1,78 MB

Theorizing Bruce Lee is a unique work, which uses cultural theory to analyse and assess Bruce Lee, and uses Bruce Lee to analyse and assess cultural theory. Lee is shown to be a major 'event' in both global film and global popular culture - a figure who's central to many intercultural encounters, texts, and practices. Many key elements of film and cultural theory are employed to theorize Bruce Lee, and Lee is shown to be a complex - and consequential - multimedia, multidisciplinary and multicultural phenomenon. Theorizing Bruce Lee is essential reading for anyone interested in Bruce Lee in popular culture and as an object of academic study. "Bruce Lee is a complex and contradictory figure, and it's a formidable task to take on the multiple facets of his legacy - fighter, film star, philosopher, nationalist, multiculturalist, innovator. With an approach as multidisciplinary and iconoclastic as Lee's approach to martial arts, Bowman provides an original and exhilarating account of Lee as 'cultural event'. No one has done a better job of explaining why the martial arts 'legend' remains such an important and provocative figure." - Leon Hunt (Brunel University), author of Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger. - "Taking on Martin Heidegger and Slavoj Žižek as well as drawing on Jacques Derrida, Michel Foucault, Guy Debord, Jacques Rancière, Rey Chow, and Stuart Hall, among others, Bowman shows how Bruce Lee 'speaks' to the philosophical debates that frame our understanding of global popular culture today. Although Bowman may not be able to resolve the philosophical battles surrounding our ability to 'know' Bruce Lee, he does a remarkable job of articulating why Bruce Lee remains an essential force within not only world cinema but global culture - both 'high' and 'low.' Armoured with his philosophical nunchakus, Bowman goes to battle with anyone who may doubt Lee's ongoing importance, and this book will undoubtedly become essential reading for everyone (from philosopher to kung fu practitioner) interested in popular culture and Asian cinema." - Gina Marchetti (University of Hong Kong), author of Romance and the "Yellow Peril": Race, Sex and Discursive Strategies in Hollywood Fiction, and From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997.

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

crassial

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

20050131mulvey.pdf

African Filmmaking North and South of the Sahara.pdf

Alternative Europe Eurotrash and Exploitation Cinema S....pdf

This second title in the AlterImage series that investigates previously underexplored areas of popular and cult cinema ( "Underground U.S.A." being the first volume) features over twenty essays from an eclectic range of writers uncovering the cult cinema of Europe. The writers consider such unusual and diverse topics as Russian horror cinema, British exploitation, Belgian alternative cinema, and black "Emmanuelle" films. "Alternative Europe" also includes exclusive interviews with such "trash" film directors as Jess Fano and Brian Yuzna ( "Reanimator," etc.).

M. Hopfinger, Adaptacja jako przejaw relacji między li....pdf

Miczka Wielkie żarcie i postmodernizm.rar

Bad Women Regulating Sexuality in Early American Cinema.pdf

The Films of Carl-Theodor Dreyer - David Bordwell.pdf

Play It Again, Sam_ Retakes on Remakes - Andrew Horton.pdf

Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well.The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well.The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory.

Cinematic Mythmaking Philosophy in Film - Irving Singer.pdf

"Combining the moviegoer's passion with the philosopher's analytic precision, Irving Singer shows how cinema has reinvigorated myths from times past to become our new folklore. Step by step we discover how films gather their iconic power and authority from Ovid, Homer, and others. Singer switches his critical abilities to maximum wattage, revealing that films work their magic by putting the banal and the ordinary in touch with the sublime." --Maria Tatar, John L. Loeb Professor of Germanic Languages and Literatures, Harvard University

Early Cinema in Russia and its Cultural - Yuri Tsivian.pdf

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin