Mary Ann Doane The Desire to Desire The Womans Film of the 1940s.pdf

crassial / Filmoznawstwo - materiały / Mary Ann Doane The Desire to Desire The Womans Film of the 1940s.pdf

Download: Mary Ann Doane The Desire to Desire The Womans Film of the 1940s.pdf

Pobierz

10,03 MB

"Brilliantly argued and lucidly written... the definitive psychoanalytic account of the repression of woman in Hollywood cinema." -- Tania Modleski"... complex and challenging... " -- The Women"s Review of Books"... magnificently ambitious... some of the most original and intelligent essays in film theory today." -- Journal of Modern Literature"... deeply commited to the psychoanalytic approach... " -- Contemporary SociologyThe Desire to Desire traces the way in which female spectatorship is specified primarily by its lapses or failures, arguing that the women's film simultaneously asserts and denies female desire, attributing to the woman only an impossible gaze.

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

crassial

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

20050131mulvey.pdf

African Filmmaking North and South of the Sahara.pdf

Miczka Wielkie żarcie i postmodernizm.rar

Bad Women Regulating Sexuality in Early American Cinema.pdf

The Films of Carl-Theodor Dreyer - David Bordwell.pdf

The Philosophy of Motion Pictures - Noel Carroll.pdf

"In this outstanding book, Noël Carroll has brought contemporary philosophy to bear on the status and definition of cinema as art, remarkably enriching the way we think about and experience motion pictures. A masterpiece of clarity and insight." —Arthur Danto, Columbia University "This is a beautifully organized, agenda-setting text. With verve and lucidity, Carroll summarizes core debates and advances original accounts of everything from the essence of film to the criteria of evaluation." —Jesse Prinz, University of North Carolina at Chapel Hill

Show Sold Separately Promos, Spoilers, and Other Media....pdf

It is virtually impossible to watch a movie or TV show without preconceived notions because of the hype that precedes them, while a host of media extensions guarantees them a life long past their air dates. An onslaught of information from print media, trailers, internet discussion, merchandising, podcasts, and guerilla marketing, we generally know something about upcoming movies and TV shows well before they are even released or aired. The extras, or “paratexts,” that surround viewing experiences are far from peripheral, shaping our understanding of them and informing our decisions about what to watch or not watch and even how to watch before we even sit down for a show. Show Sold Separately gives critical attention to this ubiquitous but often overlooked phenomenon, examining paratexts like DVD bonus materials for The Lord of the Rings, spoilers for Lost, the opening credits of The Simpsons, Star Wars actions figures, press reviews for Friday Night Lights, the framing of Batman Begins, the videogame of The Thing, and the trailers for The Sweet Hereafter. Plucking these extra materials from the wings and giving them the spotlight they deserve, Jonathan Gray examines the world of film and television that exists before and after the show.

Cinematic Mythmaking Philosophy in Film - Irving Singer.pdf

"Combining the moviegoer's passion with the philosopher's analytic precision, Irving Singer shows how cinema has reinvigorated myths from times past to become our new folklore. Step by step we discover how films gather their iconic power and authority from Ovid, Homer, and others. Singer switches his critical abilities to maximum wattage, revealing that films work their magic by putting the banal and the ordinary in touch with the sublime." --Maria Tatar, John L. Loeb Professor of Germanic Languages and Literatures, Harvard University

Early Cinema in Russia and its Cultural - Yuri Tsivian.pdf

The Complete History of American Film Criticism.pdf

From the first published movie review in the late 1800s to the 21st-century era of the "great movie critics' wake," this chronicle reviews the nature, scope, and controversies in American film criticism. Moving through the Silent Era, the pre- and post-war years, the golden age of the 1970s, and the eventual decline of the 1980s and 1990s, this exhaustive overview includes biographical information on some of the most influential film critics--including Leonard Maltin, Roger Ebert, Pauline Kael, and James Agee--as well as a historical record and critical assessment of their work. Illuminating various past controversies, this invaluable reference documents the battles between auteur theorists and their opposing critics as well as between the critics and studios, filmmakers, and even themselves. Little-known aspects of film criticism lore are also related, such as the epic battles waged in print by Pauline Kael and Andrew Sarris, the studio boycotts of the "New York Times" and "New York Herald Tribune" over unflattering press, and the critics barred from attending premieres by studios for writing "negative" reviews. Honoring those who shed light on the artistic visions and storytelling sensibilities that have graced the big screen, this authoritative guide is a must-have for industry professionals, film historians, and movie buffs.

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin