Hollywood Genres and Post-War America - Chopra-Gant, Mike.mobi

crassial / Filmoznawstwo - materiały / Hollywood Genres and Post-War America - Chopra-Gant, Mike.mobi

Download: Hollywood Genres and Post-War America - Chopra-Gant, Mike.mobi

Pobierz

1,33 MB

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

crassial

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

20050131mulvey.pdf

African Filmmaking North and South of the Sahara.pdf

M. Hopfinger, Adaptacja jako przejaw relacji między li....pdf

Miczka Wielkie żarcie i postmodernizm.rar

Bad Women Regulating Sexuality in Early American Cinema.pdf

The Films of Carl-Theodor Dreyer - David Bordwell.pdf

Cinematic Mythmaking Philosophy in Film - Irving Singer.pdf

"Combining the moviegoer's passion with the philosopher's analytic precision, Irving Singer shows how cinema has reinvigorated myths from times past to become our new folklore. Step by step we discover how films gather their iconic power and authority from Ovid, Homer, and others. Singer switches his critical abilities to maximum wattage, revealing that films work their magic by putting the banal and the ordinary in touch with the sublime." --Maria Tatar, John L. Loeb Professor of Germanic Languages and Literatures, Harvard University

Aliens R us the other in science fiction - edited by ....pdf

*Aliens R Us* explores the global culture of science fiction cinema, and in particular its presentation of contemporary images of the Other. Taking as a starting point the popularity of international forms such as Japanese Manga and Hong Kong sci-fi, in addition to the success of films such as The Matrix and television series such as Deep Space Nine, the contributors examine the science fiction genre as an international, populist form of social analysis. In doing so, they discuss issues such as Orientalism, technology, apocalyptic futures, xenophobia, militarism and the role of women. Most contemporary studies look at the generic characteristics of science fiction,with its allegorical rendering of contemporary life, usually in relation to America. This book moves beyond a purely generic study, assessing European and Asian film work, discussing their varying representations of the Other, and what this reveals about popular perceptions of global culture and society. Case studies include Independence Day, Star Trek: First Contact and Until the End of the World, in addition to chapters on Eco-Apocalypse and new French sci-fi and New Manchester Ecstasy sci-fi.

Film Genre Reader III - Edited by Barry Keith Grant.pdf

From reviews of the second edition:"The fascinating, well-chosen essays in this volume represent almost all of the recent (and often competing) trends in film scholarship and present significant revisions of earlier genre theories and analysis. Grant shows that the generic core, however constituted and established, is but one atom in a complex structure of film experience, response, and meaning."—Choice"A terrific collection of essays on film theory and genre criticism.... With its numerous stills and an excellent bibliography, this work is ideal as an academic text or as an informative read for film buffs."—Bloomsbury ReviewFrom reviews of the first edition:"The most pedagogically useful text on genre analysis because of the comprehensive nature of its scope."—Film Quarterly"Ought to be considered by anyone teaching a course on theory and criticism of the American cinema."—Communication BooknotesSince 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with nearly 20,000 copies in print. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This third edition adds new essays on teen films, the question of genre hybridity, and neo-noir and genre in the era of globalization, along with an updated bibliography. The volume includes over thirty essays by some of film's most distinguished critics and scholars of popular film, including John G. Cawelti, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Steve Neale, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Contemporary New Zealand Cinema From New Wave to Block....pdf

New Zealand cinema burst onto the global stage in the 1970s and has maintained its high-profile international presence with such films as Whalerider, the Lord of the Rings trilogy and Once Were Warriors. Contemporary New Zealand Cinema is an astute analysis of this fascinating industry and the most thorough book available on a vibrant filmmaking culture. The book explores the industry, questions of aesthetics and form, nation and identity through the full range of filmmaking in New Zealand. It also highlights specific contexts, including Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission, marketing and censorship, as well as questions of bicultural relations, spirituality, masculinity and disability--that have a created a cinema of global significance. Included is a comprehensive filmography that details all New Zealand feature and television films.

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin