Decameron Project 075.mp3
-
alina zeranska the art of polish cooking -
amy recob -
andrea caceres -
anne varichon -
bj nowak -
bj nowak one more thing -
bloodlines by nelson demille -
brick puffinton -
bugabees friends with allergies -
chadwick moore -
color charts a history -
DK -
DK Simply AI Facts Made Fast -
DK Visual -
extinction by douglas preston -
facing cancer -
how to eat chocolate sarah ford -
i went walking -
I'll never let you go -
jan pienkowski -
john grisham the exchange -
kelley armstrong -
kelley armstrong hemlock island -
little monsters jan pienkowski -
marc william palen -
marianne richmond -
megan e bryant -
miles hyman shirley jackson -
my dog just speaks spanish andrea caceres -
national audubon society -
not forever but for now by chuck palahniuk -
pax economica -
robert b parkers broken trust -
sarah ogilvie -
shirley jackson's the lottery -
stephen king you like it darker -
strawberry shortcake berry blossom festival -
sue williams -
taco tuesday -
the dictionary people sarah ogilvie -
theodore stern mikkael sekeres -
todd grimson -
todd grimson brand new cherry flavor -
Troilus and Cressida -
tucker -
walt hickey -
william shakespeare -
Yangsze Choo -
Yangsze Choo The Fox Wife -
you are what you watch
by The New York Times
A stunning collection of new short stories originally commissioned by The New York Times Magazine as the COVID-19 pandemic swept the world, from twenty-nine authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, and more, in a project inspired by Boccaccio’s “The Decameron.”
When reality is surreal, only fiction can make sense of it.
In 1353, Giovanni Boccaccio wrote “The Decameron”: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables.
In March of 2020, the editors of The New York Times Magazine created The Decameron Project, an anthology with a simple, time-spanning goal: to gather a collection of stories written as our current pandemic first swept the globe. How might new fiction from some of the finest writers working today help us memorialize and understand the unimaginable? And what could be learned about how this crisis will affect the art of fiction?
These twenty-nine new stories, from authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, and David Mitchell vary widely in texture and tone. Their work will be remembered as a historical tribute to a time and place unlike any other in our lifetimes, and offer perspective and solace to the reader now and in a future where coronavirus is, hopefully, just a memory.
Table of Contents:
“Preface” by Caitlin Roper
“Introduction” by Rivka Galchen
“Recognition” by Victor LaValle
“A Blue Sky Like This” by Mona Awad
“The Walk” by Kamila Shamsie
“Tales from the LA River” by Colm Tóibín
“Clinical Notes” by Liz Moore
“The Team” by Tommy Orange
“The Rock” by Leila Slimani
“Impatient Griselda” by Margaret Atwood
“Under the Magnolia” by Yiyun Li
“Outside” by Etgar Keret
“Keepsakes” by Andrew O’Hagan
“The Girl with the Big Red Suitcase” by Rachel Kushner
“The Morningside” by Téa Obreht
“Screen Time” by Alejandro Zambra
“How We Used to Play” by Dinaw Mengestu
“Line 19 Woodstock/Glisan” by Karen Russell
“If Wishes Was Horses” by David Mitchell
“Systems” by Charles Yu
“The Perfect Travel Buddy” by Paolo Giordano
“An Obliging Robber” by Mia Cuoto
“Sleep” by Uzodinma Iweala
“Prudent Girls” by Rivers Solomon
“That Time at My Brother’s Wedding” by Laila Lalami
“A Time of Death, The Death of Time” by Julián Fuks
“The Cellar” by Dina Nayeli
“Origin Story” by Matthew Baker
“To the Wall” by Esi Edugyan
“Barcelona: Open City” by John Wray
“One Thing” by Edwidge Danticat