09 - Binge.mp3
-
alina zeranska the art of polish cooking -
anne varichon -
bj nowak -
bj nowak one more thing -
bloodlines by nelson demille -
chuck palahniuk -
chuck palahniuk shock induction -
color charts a history -
creation lake rachel kushner -
DK -
DK Simply AI Facts Made Fast -
Eataly Oscar Farinetti -
extinction by douglas preston -
gillian anderson -
gillian anderson want -
grady hendrix -
grady hendrix paperbacks from hell -
grady hendrix We Sold Our Souls -
harlan ellison -
harlan ellison dangerous visions -
harlan ellison the last dangerous visions -
how to eat chocolate sarah ford -
james s a corey captives war -
james s a corey livesuit -
jan pienkowski -
jeff vandermeer absolution -
john grisham the exchange -
kelley armstrong -
kelley armstrong hemlock island -
little monsters jan pienkowski -
marc william palen -
my dog just speaks spanish andrea caceres -
not forever but for now by chuck palahniuk -
paul tremblay horror movie -
pax economica -
Polostan Neal Stephenson -
robert b parkers broken trust -
sarah ogilvie -
sarah thornton -
sarah thornton tits up -
stephen king you like it darker -
the dictionary people sarah ogilvie -
todd grimson -
todd grimson brand new cherry flavor -
Troilus and Cressida -
walt hickey -
william shakespeare -
Yangsze Choo -
Yangsze Choo The Fox Wife -
you are what you watch
by Douglas Coupland
The first new work of fiction since 2013 from one of Canada's most successful, idiosyncratic and world-defining writers, Douglas Coupland. He's called it Binge because it's impossible to read just one.
Imagine feeling 100% alive every moment of every minute of the day! Maybe that's how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there's no sliding scale of life. You're either alive, or you're not. Or you're dead or you're not.
Thirty years after Douglas Coupland broke the fiction mould and defined a generation with Generation X, he is back with Binge, 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny.
Here the narrators vary from story to story as Doug catches what he calls "the voice of the people," inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug's own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug's fiction, this collection is like rain on the desert.