Rêves de jeunes filles - Par David Hamilton et Alain Robbe-Grillet (KG-scan).cbr

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Nazisploitation!, The Nazi Image in Low-Brow Cinema an....pdf

Nazisploitation! examines past intersections of National Socialism and popular cinema and the recent reemergence of this imagery in contemporary visual culture. In the late 1960s and early 1970s, films such as Love Camp 7 and Ilsa, She-Wolf of the SS introduced and reinforced the image of Nazis as master paradigms of evil in what film theorists deem the 'sleaze' film. More recently, Tarantino's Inglourious Basterds, as well as video games such as Call of Duty: World at War, have reinvented this iconography for new audiences. In these works, the violent Nazi becomes the hyperbolic caricature of the "monstrous feminine" or the masculine sadist. Power-hungry scientists seek to clone the Fuhrer, and Nazi zombies rise from the grave. The history, aesthetic strategies, and political implications of such translations of National Socialism into the realm of commercial, low brow, and 'sleaze' visual culture are the focus of this book. The contributors examine when and why the Nazisploitation genre emerged as it did, how it establishes and violates taboos, and why this iconography resonates with contemporary audiences.

The Book Of The Breast (1974) by Robert Anton Wilson.cbr

The Book of the Breast is a sort of quintessential Robert Anton Wilson manifesto. It plainly shows his background in the Freudian mind-control Madison Avenue culture of the 1950s and 60s, along with his libertarian futurist aspirations. On these bases he offers a wide-ranging theory of society and religion. Wilson’s canon of heroes are on display: Aleister Crowley, Lenny Bruce, Timothy Leary, and Buckminster Fuller, among others. There are a modest number of black-and-white photo illustrations of women and their breasts as featured in different cultures. The intellectual framework is a little overdetermined, tending to straightjacket all human behaviors and perspectives into oral and anal categories. While Wilson admits the shortcomings of oral mentalities, he doesn’t seem to allow for any possible benefit of the anal. A genital cathexis must be inferred or brought from other sources by the reader. Also, the book includes a number of factual errors. In particular, the history is weak. (Cathars as sex cultists? I don’t think so.) But it is chatty, entertaining, and basically sane. The final chapter is especially good, combining a plea for erotic liberty with remarks on technique, rousing misquotes from Liber Legis, and sadly over-optimistic forecasts of cultural emancipation. [The Hermetic Library Blog]

Disposable Passions (2016) by David Church.pdf

Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema (Global Exploitation Cinemas) From early twentieth-century stag films to 1960s sexploitation pictures to the boom in 1970s “porno chic,” adult cinema's vintage forms are now being reappraised by a new generation of historians, fans, preservationists, and home video entrepreneurs-all of whom depend on and help shape the archive of film history. But what is the present-day allure of these artifacts that have since become eroticized more for their “pastness” than the explicit acts they show? And what are the political implications of recovering these rare but still-visceral films from a less “enlightened,” pre-feminist past? Drawing on media industry analysis, archival theory, and interviews with adult video personnel, David Church argues that vintage pornography retains its retrospective fascination precisely because these culturally denigrated texts have been so poorly preserved on political and aesthetic grounds. Through these films' ongoing moves from cultural emergence to concealment to rediscovery, the archive itself performs a “striptease,” permitting tangible contact with these corporeally stimulating forms at a moment when the overall physicality of media objects is undergoing rapid transformation. Disposable Passions explores the historiographic lessons that vintage pornography can teach us about which materials our society chooses to keep, and how a long-neglected genre is primed for serious rediscovery as more than mere autoerotic fodder.

Reel Knockouts - Violent Women in the Movies.pdf

Pierwsze wydanie: 2001 Redaktorzy: Neal King, Martha McCaughey

Wicked Cinema. Sex and Religion on Screen by Daniel S.....pdf

With close readings of films such as The Last Temptation of Christ, Crimes and Misdemeanors, and Closed Doors, this book investigates cinematic representations of transgressive sexuality within Christianity, Judaism, and Islam to argue that religious believers have become the new “Other”. March 2014