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  • 8 mar 13 7:01
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The reign of Manuel I (1143-1180) marked the high point of the revival of the Byzantine empire under the Comnenian dynasty. It was however followed by a rapid decline, leading to the sack of Constantinople by the Fourth Crusade in 1204. This book, the first devoted to Manuel's reign for over 80 years, reevaluates the emperor and his milieu in the light of recent scholarship. It shows that his foreign policy was a natural response to the Western crusading movement and the expansionism of the German emperor Frederick Barbarossa. It also shows that what he ruled was more than the impoverished rump of a once great empire, or a society whose development had been arrested by a repressive regime. The twelfth century is presented here as a distinctive, creative phase in Byzantine history, when the empire maintained existing traditions and trends while adapting to a changing world.

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  • 3,7 MB
  • 8 mar 13 7:01
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In 1204 the army of the Fourth Crusade sacked the great city of Constantinople. In earlier historiography the view prevailed that these Western barons and knights temporarily destroyed the Byzantine state and replaced it with a series of feudal states of their own making. Through a comprehensive rereading of better and lesser-known sources this book offers an alternative perspective arguing that the Latin rulers did not abolish, but very consciously wanted to continue the Eastern Empire. In this, the new imperial dynasty coming from Flanders-Hainaut played a pivotal role. Despite religious and other differences many Byzantines sided with the new regime and administrative practices at the different governmental levels were to a larger or lesser degree maintained.

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  • 1,3 MB
  • 8 mar 13 7:01
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This book offers a fascinating insight to the final siege of the First Crusade. The most extraordinary siege in medieval history began with the arrival of a Christian army at Jerusalem on the dawn of 6 June, 1099. There were other sieges that lasted longer, involved greater numbers of troops and deployed more siege engines, but nothing else in the entire medieval period compares to the extraordinary journey that the besiegers had made to get to their goal and the heady religious enthusiasm among the troops. This was the culmination of the First Crusade, a military pilgrimage that had seen hundreds of thousands of men, women and children leave their homes in Western Europe, march for three years over thousands of miles and undergo tremendous hardship to reach their longed-for goal: Jerusalem.No other medieval army had made such a journey to reach its goal. And no other army had such a peculiar makeup. There were hundreds of unattached poor women, gathered from the margins of Northern French towns by the charity of the charismatic preacher Peter the Hermit and given a new direction to their lives by the expedition to Jerusalem. There were farmers who had sold their land and homes, put all their belongings in two-wheeled carts and marched alongside their oxen. Bards came and earned their keep composing songs about the events they were witnessing, from the heroic charges of the nobles to bawdy satires on the lax behaviour of some of the senior clergy. Knights and foot soldiers were at the heart of the fighting forces, naturally. But even here there was a strange fluidity to the army, with the status of a warrior rising or falling depending on his ability to keep his horse alive and his armour in good order.Here is a vivid and engaging account of the events of that siege: the key figures, the turning points, the spiritual beliefs of the participants, the deep political rivalries and the massacre of the inhabitants that left such a deep scar in the horrified imagination that it still evokes passionate feelings nearly a thousand years later.

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  • 7,7 MB
  • 8 mar 13 7:01
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Heritage, while it often constitutes and defines the most positive aspects of culture, is a malleable body of historical text subject to interpretation and easily twisted into myth. When it is appealed to on a national or ethnic level in reactions against racial, religious, or economic oppression, the result is often highly-charged political contention or conflict. The extraordinary theme of this unique book is how the rise of a manifold, crusade-like obsession with tradition and inheritance--both physical and cultural--can lead to either good or evil. In a balanced account of the pros and cons of the rhetoric and spoils of heritage--on the one hand cultural identity and unity, on the other, potential holy war--David Lowenthal discusses the myriad uses and abuses of historical appropriation and offers a rare and accessible account of a concept at once familiar and fraught with complexity. David Lowenthal is Emeritus Professor of Geography at University College London, and the author of the bestselling The Past is a Foreign Country (Cambridge, 1985)

- A brilliant, wide-ranging and entertaining general study of the ‘heritage industry’
- Written by David Lowenthal, the very successful and acclaimed author of the well-known book The Past is a Foreign Country (1985)
- First published by Penguin Group (in their Viking imprint, 1997) and now available for the first time in paperback

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  • 8 mar 13 7:01
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Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as 'useless mouths' or prostitutes, others undertook menial tasks for the army, went on crusade with retinues of their own knights, and rose to political prominence in the Levant and and the West. This book compares perceptions of women from a wide range of historical narratives including those eyewitness accounts, lay histories and monastic chronicles that pertained to major crusade expeditions and the settler society in the Holy Land. It addresses how authors used events involving women and stereotypes based on gender, family role, and social status in writing their histories: how they blended historia and fabula, speculated on women's motivations, and occasionally granted them a literary voice in order to connect with their audience, impart moral advice, and justify the crusade ideal. Dr NATASHA R. HODGSON teaches at Nottingham Trent University.

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