ĺáş´.mp3
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2016 -
2017 -
A -
Abramow-Newerly -
B -
C -
Cichy Don 2015 -
D -
E -
Ekipaż -
Filmy -
G -
Geroy -
Goldberg -
Grochowiak -
H -
Ivan syn Amira -
J -
Jeniec -
K -
Kontrybucja -
Krasnaya koroleva -
L -
Leszczenko -
Lyubimaya zhenshchina mekhanika Gavrilova -
M -
Mantykora -
Margarita Nazarova -
Mata Hari -
Moya lyubimaya svekrov -
Muslim Magomaev -
N -
Okhota na dyavola -
Otel posledney nadezhdy -
P -
R -
Rozmowy w tancu(!) -
S -
Sciaga z mojego zycia -
Semeynyj albom -
Shtrafnik -
Sudya -
T -
U-W -
Vosmerka -
Wrocław 1991 -
Z -
Zapret -
Zatoka aniołów -
Zhemchuga
CD1
01. Памяти В. Цоя
02. Чистые пруды
03. Друзья - товарищи
04. Метамарфоза
05. КПСС
06. Россия
07. Родина моя
08. Фатальная колесница
09. Океан непонимания
10. Маленький город
11. Звезда
12. Праздник
13. Этот мир
14. Память
15. Моя любовь
CD2
01. Летний дождь
02. Глобус
03. Совки
04. Господа демократы
05. Господин президент
06. Солнце уходит на запад
07. Бывший подседаул
08. Спасательный круг
09. Маленькая планета
10. Ты опоздала
11. Таня
12. Love you
13. Война
14. Я не вернусь
15. Сцена
Igor Vladimirovich Talkov (Russian: И́горь Влади́мирович Талько́в; 4 November 1956 – 6 October 1991), was a Russian rock singer-songwriter. He is often compared to another Russian singer and songwriter of that time, Viktor Tsoi, whom, according to his diaries, Talkov highly appreciated and to whom he even dedicated a song on his death. Talkov's songs also have much in common - particularly from a lyrical perspective - with Russian bard music. Whilst he is mostly remembered for songs about love and fate, most of his work held a clearly political message against the Soviet regime, desperately calling for a change. This is one of the reasons why Talkov was never popular with the Soviet government; even as a performer renowned and loved throughout the whole Soviet Union, he lived in a small two-room apartment with his wife and son, even composing his masterful lyrics and music "on top of the washing machine in the bathroom", according to the rumours. Curiously enough, he was not satisfied with Perestroika, claiming it to be nothing but the same regime under a different guise. In his post-Perestroika songs, he openly mocked the changes, calling them a ruse. Talkov was an avid reader of pre-revolutionary Russian history, which served as the inspiration for many of his songs. He even guaranteed at his last concert that he was willing to "back up" his lyrics with historical facts.
Talkov also made a brief presence in post-Soviet cinema, acting in the films Za posledney chertoy (Beyond the last boundary) and Knyaz Serebryanniy (The Silver Prince). The latter film he disliked, apologizing to a preview audience for participating in the film. Since Talkov refused to complete post-production sound on the film, Talkov's character was voiced by another actor. He was fatally shot backstage at the Yubileiny concert hall in Leningrad; the next day was declared a national tragedy throughout the whole Soviet Union. His funeral was a televised, nationwide event, where his casket was carried by some of the most prominent members of Russian stage to its burial. It is not uncommon to meet people in former Soviet countries who still dedicate October 6th to the honour of Igor Talkov.