Historia kina amerykańskiego według Martina Scorsese_A Personal Journey with Martin Scorsese Through American Movies.avi

Kalietis / FILM PRODUCTION / Filmoznawstwo - materiały ENG / Historia kina amerykańskiego według Martina Scorsese_A Personal Journey with Martin Scorsese Through American Movies.avi

Download: Historia kina amerykańskiego według Martina Scorsese_A Personal Journey with Martin Scorsese Through American Movies.avi

Pobierz plik

449,43 MB

Czas trwania: 72 min

produkcja: USA , Wielka Brytania gatunek: Dokumentalny [1995]
reżyseria Michael Henry Wilson , Martin Scorsese LEKTOR ORG.

Zrealizowane na zamówienie Brytyjskiego Instytutu Filmowego z okazji 100-lecia powstania kina, dzieło Martina Scorsese, to próba osobistego podsumowania największych osiągnięć i najciekawszych nurtów w kinie. Monumentalne przedsięwzięcie, bo trwające aż 225 minut i próbujące skondensować kilkadziesiąt lat jakże obfitej gałęzi sztuki, podzielono na 3 części, które dodatkowo rozbite są na pomniejsze epizody. Scorsese opowiada najpierw jak słynne filmy oddziaływały na niego jako reżysera, by potem przybliżyć swoje opinie na temat obrazu, jako zwykły miłośnik kina. A podróż rozpoczyna się dosyć wcześnie, bo od absolutnych początków sztuki filmowej, reprezentowanych przez takich mistrzów jak D.W. Griffith, by skończyć się na roku 1969 - kiedy to Scorsese sam zaczął kręcić - jak stwierdził, dziwnie by się czuł, gdyby musiał komentować filmy swoje oraz innych, ale mu współczesnych twórców. Poza wypowiedziami Amerykanina, w obrazie usłyszymy również opinie innych wybitnych twórców, jak choćby Orson Welles czy Arthur Penn oraz zobaczymy fragmenty ich największych dzieł.

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

Kalietis

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

20050131mulvey.pdf

African Filmmaking North and South of the Sahara.pdf

M. Hopfinger, Adaptacja jako przejaw relacji między li....pdf

Miczka Wielkie żarcie i postmodernizm.rar

Bad Women Regulating Sexuality in Early American Cinema.pdf

The Films of Carl-Theodor Dreyer - David Bordwell.pdf

Cinematic Mythmaking Philosophy in Film - Irving Singer.pdf

"Combining the moviegoer's passion with the philosopher's analytic precision, Irving Singer shows how cinema has reinvigorated myths from times past to become our new folklore. Step by step we discover how films gather their iconic power and authority from Ovid, Homer, and others. Singer switches his critical abilities to maximum wattage, revealing that films work their magic by putting the banal and the ordinary in touch with the sublime." --Maria Tatar, John L. Loeb Professor of Germanic Languages and Literatures, Harvard University

Hong Kong New Wave Cinema - Botang Zhuo.pdf

The increasingly popular films of the Hong Kong New Wave grapple with such issues as East-West cultural conflicts, colonial politics, the divide between rich and poor, the plight of women in a modernizing Asian city, and the identity crises provoked by Hong Kong’s estranged motherland. Comprehensive and penetrating, Hong Kong New Wave Cinema analyzes the specific films that grew out of this dynamic era and investigates the historical and social conditions that allowed the New Wave to flourish. Drawing on the auteur and genre theories, Pak Tong Cheuk here examines the cinematic style and aesthetics of New Wave directors, most of whom were educated at British and U.S. film schools. In addition to investigating the narrative content, structure, and mise-en-scène of individual films, this volume traces the overall development of the film and television industries in Hong Kong in the 1960s and 1970s. Cheuk’s intriguing study of the rise and fall of Hong Kong’s golden age of film establishes the New Wave as an era of great historical significance for scholars of cinema, popular culture, and the arts. “An interesting and detailed look at one of the most vital movements in the film industry during the latter part of the twentieth century. Pak’s work not only gives an informative overview of the origins of the movement, but goes into detail about the works of some of the most notable New Wave directors, including Tsui Hark, Ann Hui, and Patrick Tam, and the effects their pictures had on film-makers from all over the world.”—Neil Koch, HKfilm.net

Placing Movies The Practice of Film Criticism.pdf

Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films--from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism.It is this last element--Rosenbaum's reflections on the art of film criticism--that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism.They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen. Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films--from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism.It is this last element--Rosenbaum's reflections on the art of film criticism--that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism.They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.

Brazil on Screen Cinema Novo, New Cinema, Utopia.pdf

What connects films of a particular nation, in a particular time? What makes them especially interesting and revealing? This book offers an original answer to these central questions for world cinema, focusing on the case of Brazil and the return of the utopian gesture into its cinema. In this extensively illustrated book, Lúcia Nagib argues that the foundational utopian imaginary that has permeated culture in Brazil since the time of the first discoverers has had a decisive influence on its film aesthetics, especially at creative peaks, such as the Cinema Novo movement of the 1960s and early '70s, and the cinematic revival from the mid 1990s onwards. She shows how utopian motifs like images of the sea or the classical Greek myth of Orpheus establish a bridge between these two periods, guaranteeing thereby historical continuity from a cinema concerned with the national project to another engaged in a globalised dialogue. In focus are classics of Cinema Novo, such as 'Black God, White Devil', 'Land in Anguish' and 'How Tasty was my Little Frenchman', alongside representatives of a more recent transnational aesthetics, including the anti-utopian 'City of God'and the urban dystopia of 'The Trespasser'.

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin