The ghoul (T. Hayes Hunter, 1933).srt

T. Hayes Hunter (December 1, 1884 – April 14, 1944), formally known as Thomas Hayes Hunter, was an American film director and producer of the silent era. During Hunter's career he directed a total of 34 films between 1912 and 1934. His son is screenwriter John Hunter (The Grey Fox).

Early career
T. Hayes Hunter entered the film industry in the early 1910s. His career started with the production of several photodramas in which he later transitioned to directing a large number of melodramas.

He broke into the scene after directing for a number of theatrical firms including David Belasco and Klaw and Erlanger. He later became the chief producer of the Biograph Company, where he worked for a few years until resigning in 1914. One of his unfinished films, rediscovered by the Museum of Modern Art, is Lime Kiln Field Day (1913), starring Bert Williams. Colonial Productions quickly picked up Hunter to direct a number of smaller films.

Major role in film
In 1916 Hunter directed his first major film The Crimson Stain Mystery. This was the start to a relatively long and successful journey for Hunter. In 1919, for Zane Grey Pictures, Hunter directed Desert Gold. He had previously directed another Zane Grey film The Border Legion for Samuel Goldwyn in 1918. In 1919 Goldwyn Pictures Corporation added T. Hayes Hunter to its roster of directors.

Hunter went on to patent a frame design for film that allowed for advertisements to be shown in the corners of the frame without disrupting the film itself. This served as one of the earliest examples of advertising that utilizes screen space.

When his contract with Goldwyn expired in the late 1920s, he began working for The Dial Company. During this time, the Dial Company was in the process of setting up a deal with Merrill Publishing Company to produce a series of film based on the Irving Bachellar novels. The Dial Company chose Hunter to direct these films, which resulted in two of his most well known works, Earthbound and The Light in the Clearing. Praised for his use of double exposure in Earthbound, people raved that Earthbound was the “most remarkable achievement since the birth of the Celluloid Drama” and one of the most “masterful sensations of the screen.” With a long list of achievements accredited to his name, Hunter continued to create popular works. He directed the notable film, Damaged Hearts, which was released early March 1924. His success progressed even further with a film titled Recoil, which was released April of the same year.

Later career
In 1927, Hunter made a drastic career change and left Hollywood. With intent to bring his talents overseas he moved to Great Britain. In 1933, he directed perhaps his most enduring film, a British horror film titled The Ghoul. The film, based on the play/novel written by Dr. Frank King and Leonard J. Hines., starred Boris Karloff. In 1934, Hunter went on to direct a few more films such as Warn London and The Green Pack. He retired from his film career later that year. wiki

Director (36 credits)
1934 Josser on the Farm
1934 The Green Pack
1934 Warn London
1933 El resucitado (The Ghoul)
1932 Sally Bishop
1932 White Face
1932 The Frightened Lady
1931 The Calendar
1931 The Man They Couldn't Arrest
1929 The Silver King
1928 The Triumph of the Scarlet Pimpernel
1928 A South Sea Bubble
1927 One of the Best
1925 Wildfire
1925 The Sky Raider
1924 Trouping with Ellen
1924 The Recoil
1924 Una madre
1921 The Light in the Clearing
1920 Earthbound
1920 The Cup of Fury
1919 Desert Gold
1918 Once to Every Man
1918 The Border Legion
1916 The Crimson Stain Mystery
1916 Father and Son
1915 Judy Forgot
1915 The Tip-Off (Short)
1914 The Seats of the Mighty (as T. Hays Hunter)
1914 The Adventures of Kitty Cobb
1914 The Vampire's Trail (Short)
1914 Fire and Sword
1913 Lime Kiln Club Field Day (co-director)
1912 Farmer Allen's Daughter (Short)
1912 Getting Rich Quick (Short)
1912 Papa's Double (Short)
IMDB

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