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Książki o komiksie

Książki traktujące o komiksach: antologie, analizy, biografie, naukowe dysertacje...
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  • 32,0 MB
  • 21 lut 21 12:39

ANIME! A Beginners Guide To Japanese Animation by Helen McCarthy (Starbrite).cbr

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Publication date 1993
Topics Movies, Cinema, Film, Video, TV, Animation, Manga, Anime, Cartoons, Japanese
Language English

Join Helen McCarthy, the UK's leading expert, on a tour of the wonderful world of Japanese animation - an exciting world of giant robots and cute school girls, rock stars and computer wizards, dwarves and dragons, cops and robbers, mad inventors and female warriors...

Learn about the history of anime and its amazing scope, and find out the key series and stars to watch out for! Take a look into the toyshop of spin-off merchandise created around the characters, and get advice on where to buy and see the films, and further reading ...

Find out just what makes anime an explosion on the verge of happening, and discover for yourself this vast and teeming adventure playground for the imagination ...

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  • 63,5 MB
  • 21 lut 21 12:39

Krzysztof Teodor Toeplitz - Sztuka Komiksu. Próba definicji nowego gatunku artystycznego.pdf

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Nie całość, ale sporo.

z chomika Vallaor

  • 124 KB
  • 21 lut 21 12:39

TM-SEMIC - Wywiad z Waldemarem Tevnellem, pomysłod awcą i prezesem wydawnictwa TM-Semic (KZ, Nr 67, 2 011).pdf

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  • 1,7 MB
  • 21 lut 21 12:39

SV student voices I (2016).pdf

Between Past and Modernity – Interpretations and Reinterpretations of Anglophone Literary and Historical Texts

M.in.
Maciej Chełstowski: American Comic Books during the Cold War

z chomika Vallaor

  • 189 KB
  • 21 lut 21 12:39

Tomasz Burdzik. Hentai - erotyka z mangi i anime. Kultura i Edukacja. 3, s. 348-351, 2014.pdf

z chomika Vallaor

  • 375,3 MB
  • 21 lut 21 12:39

Masters of the Comic Book Art (1978) HQ Scan.cbr

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This excellent volume presents the portfolios of ten major artists from around the world who have influenced the comic book from its inception until the late 1970s. Their talents are presented here in a wealth of striking colour and black & white plates displaying the depth and range of their vision. The book discusses their work in detail, highlights their contributions to this art form and compares their unique visions.
These ten artists have made a lasting impact in the field of comic book art. They are Will Eisner, Harvey Kurtzman, Frank Bellamy, Richard Corben, Barry Windsor-Smith, Jean Giraud, Philippe Druillet, Wallace Wood, Robert Crumb and Victor Moscoso. The author admits that the selection is incomplete but I agree with him that there is enough here to provide a broad history that reveals the rich talent and imagination hidden within this medium.
The author demonstrates how the comic book resembles the film media: both manufacture dreams and both came into their own in the 1930s and 1940s. There are a number of similar techniques in film and comics and the two media have influenced one another. A good comic book artist selects the most potent images for his story in the same way as a good film director.
The book also contains a biography of each of the artists and concludes with an extensive bibliography. Masters of Comic Book Art is an impressive display of many varied styles. Through its insightful text and brilliant illustrations it makes a valuable contribution to the discipline and history of comic book art.

Peter Uys

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  • 37,9 MB
  • 21 lut 21 12:39

Hugo Pratt - Le desir d'etre inutile. Souvenirs et reflexions by Petitfaux & Pratt.cbr

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z chomika Vallaor

  • 6,3 MB
  • 21 lut 21 12:39

Comics in French - Laurence Grove.pdf

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z chomika Vallaor

  • 1,1 MB
  • 21 lut 21 12:39

Tintin And The Secret Of Literature - Tom McCarthy.pdf

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Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself -- who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles -- McCarthy suggests that we too need to "tune in" and decode if we want to capture what's going on in Herge's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Herge's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates -- expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes -- are the same that have fueled and troubled writers from the classical era to the present day.

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  • 4,9 MB
  • 21 lut 21 12:39

Unpopular Culture - Transforming the European Comi c Book in the 1990s - Bart Beaty.pdf

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  • 31,8 MB
  • 21 lut 21 12:39

Beaux Arts Hors Série No.35 Hergé.pdf

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  • 2,3 MB
  • 21 lut 21 12:39

Herge Fils De Tintin - Benoit Peeters.pdf

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  • 7,5 MB
  • 21 lut 21 12:39

L’INVENTION DE LA BANDE DESSINÉE Dossier pédagogiq ue.pdf

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z chomika Vallaor

  • 217,3 MB
  • 21 lut 21 12:39

Glittering images - Magnus.cbr

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z chomika Vallaor

  • 59,3 MB
  • 21 lut 21 12:39

The Imp 4 Historietas Perversas - Mexicos Addictiv e Comics.cbr

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Issue 4 of Daniel Raeburn's irregular magazine about comics, focusing on Mexico's historietas perversas, or "perverse little histories," the hugely popular but critically reviled comic books also known as ghetto librettos.

z chomika Vallaor

  • 111,4 MB
  • 21 lut 21 12:39

Métal Hurlant La machine a rever (1975-1987) Gille s Poussin, Christian Marmonnier.cbz

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Janvier 1975, lancement de la fusée Métal Hurlant.
Créé par une poignée de transfuges de Pilote, ce magazine de bandes dessinées devient le vecteur d'une révolution culturelle sous le règne de laquelle nous vivons encore. Plusieurs générations d'Humanoïdes s'assemblent et jettent leurs passions – BD franco-belge, comics US, underground, cinéma-bis, littérature fantastique, SF, roman noir, érotisme SM, rock, mode, design – dans ce grand shaker pour produire un mélange au goût étrange, carburant de toute notre modernité. Pendant treize ans, à coups de numéros spéciaux et d'éditions étrangères, Métal propage sur la planète ses visions incendiaires. Cette french touch soufflera jusqu'à Tokyo ou Hollywood, si bien que, trois décennies plus tard, Luc Besson, Ridley Scott, Tim Burton, Hayao Miyazaki, pour ne citer que ceux-là, peuvent se réclamer de l'influence de Métal Hurlant et de ses artistes.

z chomika Vallaor

  • 3,5 MB
  • 21 lut 21 12:39

Sympozjum Komiksologiczne - Komiks a problem kiczu.pdf

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  • 6,8 MB
  • 21 lut 21 12:39

Simone Castaldi - Drawn and Dangerous. Italian Com ics of the 1970s and 1980s.pdf

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A record of turbulent times in which comics became the trusted platform to attack the status quo in Italy.
Exploring an overlooked era of Italian history roiled by domestic terrorism, political assassination, and student protests, Drawn and Dangerous: Italian Comics of the 1970s and 1980s shines a new light on what was a dark decade, but an unexpectedly prolific and innovative period among artists of comics intended for adults.

Blurring the lines between high art and popular consumption, artists of the Italian comics scene went beyond passively documenting history and began actively shaping it through the creation of fictional worlds where history, cultural data, and pop-realism interacted freely. Featuring brutal Stalinist supermen, gay space travelers, suburban juvenile delinquents, and student activists, these comics ultimately revealed a volatile era more precisely than any mainstream press.

Italian comics developed a journalistic, ideology-free, and sardonic approach in representing the key events of their times. Drawn and Dangerous makes a case for the importance of adult comics of the 1970s and 1980s. During those years comic production reached its peak in maturity, complexity, and wealth of cultural references. The comic artists' analyses of the political and religious landscape reveal fresh perspectives on a transformative period in Italian history.

z chomika Vallaor

  • 386,0 MB
  • 21 lut 21 12:39

Massive - Gay Manga and the Men Who Make It (2014) (Digital) (phillywilly-Empire).cbr

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First, if you are already into this form of Japanese erotic story telling, it is a beautiful collection of varied styles that explores the intricacies of the individual characters and the narratives of their unique identities that the word "gay" simply can't completely encompass. It showcases a number of major artists of the form, engages in a very strong scholarly examination of the genre, features wonderful introductions/interviews with each artist (outlining everything from their personal stories, their understanding of their sexuality within a sexual community, and a very lucid study of their aesthetics), virtually censorship free (very rare for gay visual eroticism coming from Japan, the liberty of which is largely due to the support and appreciation shown by the editors to the artists and the artistic merit of their work), includes a very brief but thoroughly researched history of male same-sex desire in Japan (from far back in the country's past to the present day), and contains content that just wonderfully hot.

For anyone not familiar with this art style but interested in becoming more acquainted with it on an extensively large number of levels, this collection of what is usually called in "Bara" in English is without question the best place you could start. As mentioned before, one of the great elements of this volume is how it is both an assemblage of different approaches to a particular genre of homo-eroticism through sampling so many talents and also a fine work of scholarship. I'm using the term "bara" for convenience's sake, but the term's usefulness in describing this art style (which I will say focuses on larger men, ranging from men with more-to-love type figures to hyper-muscled types and much more). The artists featured are in so many ways taste makers who gave articulations to desires that certainly existed but were/are not given much attention in many cultures because of cultural preoccupations with certain bodily "ideals." One way you can tell the editors knew what they were doing is by looking at the reverence that is shown to Gengoroh Tagame, who is the central figure behind this art movement and also the inspiration for the historical and aesthetic study that structures the analytical sections (Tagame is also a first-class historian of sexuality). It's hot, smart, a great introduction for the curious, and an invaluable volume for fans and advocates of this very diverse and bodily affirming style of illustrated sexual expression.

Just to be clear, this is a great collection of very sexy short manga narratives. That alone, aside from all of the other wonderful things this great book achieves, makes owning the text a very seductive and raw investment.

z chomika Vallaor

  • 265 KB
  • 21 lut 21 12:39

Adam Rusek - Magazyn „Relax” (1976–1981) i jego lo sy.pdf

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z chomika Vallaor

  • 2,0 MB
  • 21 lut 21 12:39

Michał Wysocki - Komiks na łamach Świata Młodych w okresie stalinizmu (1949–1956) w Polsce.pdf

z chomika Vallaor

  • 65,7 MB
  • 21 lut 21 12:39

Twórcy komiksu polskiego i światowego - Antologia tom.1.POLiSH.comic.eBook.[made.by.DanY].cbz

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z chomika Vallaor

  • 155,8 MB
  • 21 lut 21 12:39

Drawing France - French Comics and the Republic.cbz

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z chomika Vallaor

  • 94,9 MB
  • 21 lut 21 12:39

Tales of Terror Compendium-The EC Companion.cbr

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z chomika Vallaor

  • 107,0 MB
  • 21 lut 21 12:39

Et la B.D. créa la femme - One Shot - (Goupil) [14 00].cbr

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z chomika Vallaor

  • 77,4 MB
  • 21 lut 21 12:39

Mike Howlett - The Weird World Of Eerie Publicatio ns.pdf

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z chomika Vallaor

  • 1,7 MB
  • 21 lut 21 12:39

Jakub Łuka - Erotyzm, Pornografia i Przemoc We Wsp ółczesnym Komiksie Polskim.pdf

z chomika Vallaor

  • 60,9 MB
  • 21 lut 21 12:39

Jerzy Szyłak - Komiks i Okolice Kina POLiSH.eBooK. (osloskop.net).cbr

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z chomika Vallaor

  • 211,9 MB
  • 21 lut 21 12:39

Masters of the Ninth Art - (Screech, 2005) (Scan, 2015).cbr

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Masters of the Ninth Art: Bandes dessinées and Franco-Belgian Identity (Liverpool University Press - Contemporary French & Francophone Cultures) Hardcover – March 1, 2005
by Matthew Screech (Author)

In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received?

In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture.

Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.

Matthew Screech is a lecturer in French in the Department of Languages at Manchester Metropolitan University and the author of Ephra[1]im Mikha[1]el: Poèmes en Vers et en Prose.

z chomika Vallaor

  • 30,7 MB
  • 21 lut 21 12:39

Reading Bande Dessinee.cbr

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Reading Bande Dessinée: Critical Approaches to French-language Comic Strip Paperback – February 15, 2008
by Ann Miller (Author)

Bande dessinée, or French comic strip, has always provoked controversy—labeled a danger to literacy and moral standards by its detractors, this polarizing art form has at the same time been deemed worthy of prestigious national centers in France and Belgium. Reading Bande Dessinée, the first English-language overview and critical study of this intriguing medium, traces the history and examines the cultural implications of French comics.
Ann Miller’s groundbreaking book not only parses bande dessinée as visual narrative art, but it shows readers how to study it, as she places these comic strips in the context of debates surrounding the form’s legitimization, approaches it from a cultural studies perspective, and examines bande dessinée in its relationship to subjectivity in the body. Miller here illuminates such disparate concepts as Astérix and the mythologizing of Frenchness, historical memory and the Algerian war, and characterizations of the new managerial bourgeoisie in the context of Francophone comic strips. Reading Bande Dessinée will help lay a scholarly foundation for the growing interest in this captivating art form in the Anglophone world.

“[Miller’s] analysis ranges from psychoanalytic to Marxist interpretations and is a terrific introduction to this neglected aspect of the comic world.”—Roger Sabin, Observer

“The characteristics of Ann Miller’s writing for me abound in this latest work; concise prose, beautifully crafted sentences, complex analysis illustrated with crystal clear exemplification. This is a work for a wide readership. It is a work for enriching subject knowledge for teachers and students of French and/or the visual arts at advanced levels.”—Ann Swarbrick, Language Learning Journal

“The work provides both a key analysis for scholars of the bande dessinée, as well as a manual for a modern application of critical theory.”—Dr. Laurence Grove, University of Glasgow

“This exceptional work of synthesis by Ann Miller must be applauded. She succeeds in providing a detailed and complete panorama of bande dessinée a cultural phenomenon, an achievement which is all the more remarkable given that the author makes successive use of multiple scholarly approaches, moving from the cultural history of the production and reception of bande dessinée to the theoretical reflections on the medium, the sociological analysis and the problematic of the autobiographical self in graphic literature.”—Harry Morgan

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