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31

widziany: 17.04.2020 09:07

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7480 plików
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  • 53 KB
  • 26 lut 12 17:23
English

Энциклопедия малых серебряных монет различных государств мира. В книге описаны серебряные монеты размером 17-19 мм., различных стран мира в основном за период XIX-XX вв., к примеру, Россия и СССР представлены монетой номиналом в 10 копеек. Книга состоит из глав, которые посвящены монетам отдельной страны. Приведены черно-белые иллюстрации, как самих монет, так и изображения политических деятелей, карты, виды городов.

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As every year goes by the number of people able to give a first hand account of day-to-day life in the early part of the last century naturally diminishes. The small but telling detail disappears. Ethel May Elvin was born in 1906; she recalls her father's account of standing sentry at Queen Victoria's funeral, the privations and small pleasures of a working-class Edwardian childhood, growing up through the First World War and surviving the Second. Anyone intrigued by the small events of history and how the majority actually lived day-to-day, will find this a unique and fascinating book.

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The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books.

As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another—guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization.

With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.

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What do books on how to behave tell us about society during the Middle Ages?
Rather than accepting the conventional view of conduct books as simply prescriptive, the contributors to this volume take advantage of the opportunity conduct literature offers for examining the link between prescription and historical practice. Focusing on a broad range of texts from England, France, Germany, and Italy-conduct and courtesy books, advise poems, devotional literature, trial records-the contributors to Medieval Conduct draw attention to the diverse ways in which readers of this literature could interpret such behavioral guides, appropriating them to their own ends.
Medieval Conduct expands the concept of conduct to include historicized practices, and theorizes the connection between texts and their concrete social uses; what emerges is a nuanced interpretation of the role of gender and class inscribed in such texts. By bringing to light these subtleties and complexities, the authors also reveal the ways in which the assumptions of literary history have shaped our reception of such texts in the past two centuries.
Contributors: Mark Addison Amos, Southern Illinois U; Anna Dronzek, U of Minnesota, Morris; Roberta L. Krueger, Hamilton College; Ruth Niss, U of Nebraska-Lincoln; Ann Marie Rasmussen, Duke U; Jennifer Fisk Rondeau, U of Oregon; and Claire Sponsler, U of Iowa.
Kathleen Ashley is professor of English at the University of Southern Maine. Robert Clark is associate professor of French at Kansas State University.

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This comprehensive study traces the history of over forty royal free towns from the sixteenth century to 1848 in the territories of what today are Hungary, Slovakia, and Romania. Szelényi argues that these towns have been a neglected feature of national meta-narratives in Eastern Europe because their dwellers were often German speakers. He calls for a serious reevaluation of urban development in Eastern Europe and for a new meta-narrative that focuses on the region through the lenses of the numerous ethnic diasporas.

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Osiris, ruler of the netherworld, played a central part in the religious life of the ancient Egyptians, and his cult grew in popularity down the ages, resonating in all the cultures of the ancient Mediterranean. This is the first book to tell the story of the cult of Osiris from beginning to end. Drawing together the numerous records about Osiris from the third millennium bc to the Roman conquest of Egypt, Bojana Mojsov sketches the development of the cult throughout 3,000 years of Egyptian history.

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Henry II is the most imposing figure among the medieval kings of England. His fiefs and domains extended from the Atlantic to the Mediterranean, and his court was frequented by the greatest thinkers and men of letters of his time, besides ambassadors from all over Europe. Yet his is a reign of paradoxes: best known for his dramatic conflicts with his own wife and sons and with Thomas Becket, it was also a crucial period in the evolution of legal and governmental institutions. Here experts in the field provide significant reevaluations of its most important aspects. Topics include Henry's accession and his relations with the papacy, the French king, other rulers in the British Isles and the Norman baronage; the development of the common law and the coinage; the court and its literary milieu; the use of Arthurian legend for political purposes; and the career of the Young King Henry, while the introduction examines the historiography of the reign.

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It is a testament to C. Warren Hollister's ongoing influence that the reign of Henry I, until his work on the period relatively neglected, is now a vibrant field of inquiry - to which this collection, a special volume of the Haskins Society Journal dedicated to his memory, makes a significant contribution. Its distinguished contributors, many former Hollister students, cover a wide range of areas: royal biography; political history, including Church-State relations and relations with neighbors such as Maine and Ireland as well as the English people Henry ruled; administrative history, including fiscal management; and prosopography, especially of the major developments in the Anglo-Norman aristocracy under Henry's reign. This volume thus continues and extends Hollister's scholarly legacy.

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Elizabeth and James, Sidney, Spenser, and Shakespeare, Bacon and Ellesmere, Perkins and Laud, Milton and Hobbes-this begins a list of early modern luminaries who write on 'equity'. In this study Mark Fortier addresses the concept of equity from early in the sixteenth century until 1660, drawing on the work of lawyers, jurists, politicians, kings and parliamentarians, theologians and divines, poets, dramatists, colonists and imperialists, radicals, royalists, and those who argue on gender issues. He examines how writers in all these groups make use of the word equity and its attendant notions. Equity, he argues, is a powerful concept in the period; he analyses how notions of equity play a prominent part in discourses that have or seek to have influence on major social conflicts and issues in early modern England. Fortier here maps the actual and extensive presence of equity in the intellectual life of early modern England. In so doing, he reveals how equity itself acts as an umbrella term for a wide array of ideas, which defeats any attempt to limit narrowly the meaning of the term. He argues instead that there is in early modern England a distinct and striking culture of equity characterized and strengthened by the diversity of its genealogy and its applications. This culture manifests itself, inter alia, in the following major ways: as a basic component, grounded in the old and new testaments, of a model for Christian society; as the justification for a justice system over and above the common law; as an imperative for royal prerogative; as a free ranging subject for poetry and drama; as a nascent grounding for broadly cast social justice; as a rallying cry for revolution and individual rights and freedoms. Working from an empirical account of the many meanings of equity over time, the author moves from a historical understanding of equity to a theorization of equity in its multiplicity. A profoundly literary study, this book also touches on matters of legal and intellectual history, legal and cultural theory, moral and political philosophy, and theology.

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This comprehensive history of the northern frontier of China through the first millennium B.C. details the formation of two increasingly distinct cultural areas: the sedentary Chinese and the northern nomads. Nicola Di Cosmo explores the tensions existing between these two worlds as they became progressively more polarized, with the eventual creation of the nomadic Hsiung-nu empire in the north, and of the Chinese empire in the south. Di Cosmo investigates the origins of the antagonism between early China and its "barbarian" neighbors.

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This volume reviews the way in which, over the centuries, the evolving human presence in Britain has shaped the British landscape and how, in turn, the British landscape has molded the development of British communities. The chapters in this book - by archaeologists, historians, and geographers - present an interdisciplinary and accessible account of that long process. Together they trace the various phases of the story, showing how much of it has only recently been unearthed, and how much remains to be discovered.

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This book provides an overview of Bronze Age societies of Western Eurasia through an investigation of the archaeological record. Philip L. Kohl outlines the long-term processes and patterns of interaction that link these groups together in a shared historical trajectory of development. Interactions took the form of the exchange of raw materials and finished goods, the spread and sharing of technologies, and the movements of peoples from one region to another. Kohl reconstructs economic activities from subsistence practices to the production and exchange of metals and other materials. He also examines long-term processes, such as the development of more mobile forms of animal husbandry, which were based on the introduction and large-scale utilization of oxen-drive wheeled wagons and , subsequently, the domestication and riding of horses; the spread of metalworking technologies and exploitation of new centers of metallurgical production; changes in systems of exchange from those dominated by the movement of luxury goods to those in which materials essential for maintaining and securing the reproduction of the societies participating in the exchange network accompanied and/or supplanted the trade in precious materials; and increasing evidence for militarism and political instabilities as reflected in shifts in settlement patterns, including increases in fortified sites, and quantitative and qualitative advances in weaponry. Kohl also argues forcefully that the main task of the archaeologist should be to write culture-history on a spatially and temporally grand scale in an effort to detect large, macrohistorical processes of interaction and shared development.

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Among the most sumptuous buildings of antiquity were royal palaces. As in the Old World, kings and nobles of ancient Mexico and Peru had luxurious administrative quarters in cities, and exquisite pleasure palaces in the countryside. This volume explores the great houses of the ancient New World, from palaces of the Aztecs and Incas, looted by the Spanish conquistadors, to those lost high in the Andes and deep in the jungle. This volume, the first scholarly compendium of elite residences of the high cultures of the New World, presents definitive descriptions and interpretations by leading scholars in the field. Authoritative yet accessible, this extensively illustrated book will serve as an important resource for anthropologists, archaeologists, and historians of art, architecture, and related disciplines.

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The Ottoman Empire was heir to the architectural traditions not only of the Byzantine Empire but also to those of the medieval Islamic Middle East. Having learned from these, the Ottomans created a fusion of military architectural styles to which they added what they learned from their later medieval and early modern European rivals. This book explores the historical background, socio-political circumstances and purposes of Ottoman military architecture, and reveals the incorporation of many different traditions that led to specific developments in form, function and decoration of these remarkable constructions. Among the areas covered are urban fortifications and the role of cities, frontier fortresses and the role of the Janissaries, garrison citadels as seats of power, and the role of small forts in protecting major communications, trade and pilgrimage routes.

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Traces the fascinating history of special marking for liners from the Boer War to the Falklands campaign. This book covers all protective schemes and "Dazzle" markings with photographs depicting each scheme.

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Science journalist Teresi (coauthor of The God Particle) has combed the literature to catalogue the scientific advances made by early non-Western societies and to determine their impact on Western science. His work spans millennia and encompasses the full extent of the globe. He points out, for example, that five millennia ago the Sumerians concluded that the earth was round. He also provides information on cultures of the Middle East, India, China, Africa and Oceania, as well as a host of New World cultures, predominately those of Mesoamerica.

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Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period.
The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions.
First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings.
Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known.
A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.

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