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  • 26 lut 12 17:23
The World War 1 was a watershed in British military and social history, and even now the repercussions can still be felt. No town or village in the British Isles escaped casualty, and the creative genius of a generation was wiped out, at an incalculable loss to society. This book looks in detail at how the British soldier lived, fought and died during the traumatic war years. Enlistment, training and all aspects of life on active service are carefully examined, including discipline, relaxation and even the type and quality of food that soldiers ate. The analysis of the British infantryman's experience is greatly aided by the memories of old soldiers, which provide an interesting and often vivid account of life on the Western Front.

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'I study power' - so Robert Louis Benson described his work as a scholar of medieval history. This volume unites papers by a number of his students dealing with matters central to Benson's historical interests - ecclesiastical institutions and administration, emperorship and papacy, canon law, political ideology, and historiography.The justification and exercise of political power is considered in two chapters that look at how the hagiography of a late Roman military saint, Maurice, was harnessed in the 11th century to the discussion of the power exercised by both emperor and pope, and how both pious purpose and political pretext animated the Hohenstaufen emperors' suppression of heresy. Three subsequent chapters focus on the Church: a study of the legal commentaries that taught that the 'authority to bind and loose' in a specific ecclesiastical matter could be determined by the opinions of 'the elders of the province'; an argument that Innocent III's administration of the Roman church represented a model for the ordering of all Christian society; and an inquiry into the doctrinal formation of the 'territorial principle' in the exercise of jurisdiction by papal legates.The late Middle Ages provides the focus for two additional studies, namely an exploration of the issues of power and authority in the charitable institutions of Cologne in the 13th-14th centuries, and the argument that the current desire for universal standards of governmental conduct in the area of basic human rights hearkens back to natural law theory as outlined in the 15th century by Nicholas of Cusa. Two historiographical studies round out the volume: an estimation of modern research regarding the political theology of late antiquity, and a reflection on Benson's own contribution to historical scholarship. Together, these papers both epitomize and further develop Benson's distinctive approach to the study of the Middle Ages, while themselves making their own important contribution.

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The Familiar Enemy re-examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two profoundly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. This special connection between the English and the French has endured into the modern period as a model for Western nationhood. Ardis Butterfield reassesses the concept of 'nation' in this period through a wide-ranging discussion of writing produced in war, truce, or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this conflict created by the trials of Jeanne d'Arc and by Shakespeare's Henry V. She considers authors writing in French, 'Anglo-Norman', English, and the comic tradition of Anglo-French 'jargon', including Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d'Orléans, as well as many lesser-known or anonymous works.

Traditionally Chaucer has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus suggests that a modern understanding of what 'English' might have meant in the fourteenth century cannot be separated from 'French', and that this has far-reaching implications both for our understanding of English and the English, and of French and the French.

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Ever since we started huddling together in communities, the story of human history has been inextricably entwined with the story of microbes. They have evolved and spread amongst us, shaping our culture through infection, disease, and pandemic. At the same time, our changing human culture has itself influenced the evolutionary path of microbes. Dorothy H. Crawford here shows that one cannot be truly understood without the other. Beginning with a dramatic account of the SARS pandemic at the start of the 21st century, she takes us back in time to follow the interlinked history of microbes and man, taking an up-to-date look at ancient plagues and epidemics, and identifying key changes in the way humans have lived - such as our move from hunter-gatherer to farmer to city-dweller - which made us vulnerable to microbe attack. Showing how we live our lives today - with increasing crowding and air travel - puts us once again at risk, Crawford asks whether we might ever conquer microbes completely, or whether we need to take a more microbe-centric view of the world. Among the possible answers, one thing becomes clear: that for generations to come, our deadly companions will continue to shape human history.

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Douglas Porch is an American military historian and academic. He currently serves as a Professor of National Security Affairs at the Naval Postgraduate School. and former Chair of the Department of National Security Affairs for the Naval Postgraduate School at Monterey, California

Biography

He obtained his Bachelor of Arts degree from the University of the South, Sewanee, Tennessee in 1967 and a Ph. D. from Cambridge University in 1972. He has been a professor of strategy at the Naval War College, a guest lecturer at the Marine Corps University, a post-doctoral research fellow at the École Normale Supérieure in Paris and the Mark W. Clark Professor of History at The Citadel.[1]

Dr. Porch has written more than eight books and numerous other publications, mostly about French military history and French Colonialism. These books have been published in both French and English.

Bibliography

* The French Foreign Legion: The Complete History of the Legendary Fighting Force, (1992)
* The March to the Marne: The French Army 1871-1914, (2003)
* The French Secret Services, (1997)
* The Conquest of the Sahara
* The Conquest of Morocco
* Army and Revolution; France 1815-1848, (1974)
* Hitler's Mediterranean Gamble: The North African and the Mediterranean Campaigns in World War II Weidenfeld & Nicolson; First Edition edition (10 Jun 2004)

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In the eighteenth century, the English common law courts laid the foundation that continues to support present-day Anglo-American law. Lord Mansfield, Chief Justice of the Court of King's Bench, 1756-1788, was the dominant judicial force behind these developments. In this abridgment of his two-volume book, The Mansfield Manuscripts and the Growth of English Law in the Eighteenth Century, James Oldham presents the fundamentals of the English common law during this period, with a detailed description of the operational features of the common law courts. This work includes revised and updated versions of the historical and analytical essays that introduced the case transcriptions in the original volumes, with each chapter focusing on a different aspect of the law.
While considerable scholarship has been devoted to the eighteenth-century English criminal trial, little attention has been given to the civil side. This book helps to fill that gap, providing an understanding of the principal body of substantive law with which America's founding fathers would have been familiar. It is an invaluable reference for practicing lawyers, scholars, and students of Anglo-American legal history.

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As he traverses the Middle Kingdom’s most famous landmark, Man discovers complexities lurking behind beliefs that have long defined the Great Wall in popular imagination. It is, for instance, slack mythology that credits China’s first emperor with building the wall to protect his people from barbarian invaders. In truth, Man discovers that the wall long served chiefly to consolidate the internal political power of China’s ambitious rulers. Man even discredits the widespread belief that China built the wall as one unified structure. As he chronicles his own restless travels along a wild patchwork of many different walls, he probes a labyrinth of historical enigmas. Emperors give way to bandits, poets to commissars, as unpredictably as reed and earth supplant rock and brick. The wall’s architectural complexities thus become a huge metaphor for cultural evolution, as the serpentine partition links China’s buried past with its hoped-for future. Deploying the same lively style that attracted readers to his Genghis Kahn (2004), Man transforms a forbidding barrier into an inviting passageway into Asian culture.

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In the introduction to the Oxford Illustrated History of Modern Europe, T.C.W. Blanning argues that, in many ways, the essence of modern man is that he is self-consciously dynamic. We are attracted to change--it captures the eye much more than stability. This excellent book reveals much about the things that have changed in Europe since 1789--and, just as importantly, the things that have remained constant. The eleven essays in this collection (written by some of the biggest names in the field of European history, such as Princeton's Harold James, U.C. Berkeley's Martin Jay, and Richard Overy of King's College, London) focus on various aspects of European society, from politics and economics to high culture and social structures, and analyze both the changes and the engines of those changes. In his standout essay on the changing nature of warfare, 1789-1918, Hew Strachan argues that this military modernization cannot simply be explained by new technology and that more emphasis must be placed on changing ideas. Strachan and the other authors for the most part eschew jargon and present an authoritative set of essays complemented by over 240 arresting color and black-and-white illustrations. Many of the chapters would be suitable readings for upper-division history courses, and the thorough index, detailed chronology, and suggestions for further reading would be a great help to students. This book is accessible to the general reader while remaining valuable to the scholar--and is immensely readable to boot.

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The Apostolic Churches of the East is currently the only complete history in English of the Syriac Church of the East. It covers the periods of the Sassanians, Arabs, Mongols, Ottomans, and the twentieth century. While the Arabs conquered the Middle East in the seventh century, the East Syriac missionaries had already reached the court of the Emperor of China, and in the European Middle Ages, the Church of the East was geographically far larger than the Roman Catholic Church, with congregations in Central Asia and India. The Church of the East is now scattered all over the world, with faithful in the Middle East, Europe, the USA, India and Australia.

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In this timely collection, Neil Price brings together recent archaeological thought on shamanism. Issues addressed include shamanic material culture, responses to dying and the dead, shamanism in the context of other belief systems such as totemism, shamanic soundscapes, and the use of ritual architecture. With case studies from the arctic Greenland to Africa and from Europe to Asia this work covers the Palaeolithic to the present day.

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This book defines over 5,000 terms relating to architectural design, history, and technology. It is the only dictionary that provides concise, accurate definitions illustrated with finely detailed, hand-rendered drawings, each executed in Mr. Ching's signature style.

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Virtually all discussions of the problematic character of youth and society in twentieth century Germany begin with the middle class Wandervogel and end with the Hitler Youth. In this revisionist study Derek S. Linton argues that youth emerged as an important social problem around 1900 without any reference to the Wandervogel. Instead, fears of socialism, urban disorder, mass culture, and youthful independence prompted Liberal social reformers to constitute young workers as a social problem. Linton traces the "natural history" of this social problem from recognition to institutional reform. He especially explores such institutions as mandatory evening vocational schools and adult sponsored youth clubs designed to integrate young workers in Wilhelmine society. Based on his analysis of youth reform, Linton ends by discussing some of the recent debates over the reformability of Imperial Germany and relations between the Empire and the Nazi regime.

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Throughout the history of Western political thought, the creation of a world community has been seen as a way of overcoming discord between political communities without imposing sovereign authority from above. Jens Bartelson argues that a paradox lies at the centre of discussions of worldcommunity. The very same division of mankind into distinct peoples living in different places which makes the idea of a world community morally compelling has also been the main obstacle to its successful realization. His book offers a philosophical and historical analysis of the idea of worldcommunity by exploring the relationship between theories of world community and changing cosmological beliefs from the late Middle Ages to the present.

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Volume 1 – Almanac
Volume 2-3 – biographies
Volume 4 - Primary Sources
Volume 5 - Cumulative Index

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They envisioned a brave new world, and what they got was fascism. As vibrant as its counterparts in Paris, Munich, and Milan, the avant-garde of Florence rose on a wave of artistic, political, and social idealism that swept the world with the arrival of the twentieth century. How the movement flourished in its first heady years, only to flounder in the bloody wake of World War I, is a fascinating story, told here for the first time. It is the history of a whole generation's extraordinary promise--and equally extraordinary failure.The "decadentism" of D'Annunzio, the philosophical ideals of Croce and Gentile, the politics of Italian socialism: all these strains flowed together to buoy the emergingavant-garde in Florence . Walter Adamson shows us the young artists and writers caught up in the intellectual ferment of their time, among them the poet Giovanni Papini, the painter Ardengo Soffici, and the cultural critic Giuseppe Prezzolini. He depicts a generation rejecting provincialism, seeking spiritual freedom in Paris, and ultimately blending the modernist style found there with their own sense of toscanità or "being Tuscan.

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The Low Countries-an area roughly embracing the present-day Netherlands and Belgium-formed a patchwork of varied economic and social development in the Middle Ages, with some regions displaying a remarkable dynamism. Manors and Markets charts the history of these vibrant economies and societies, and contrasts them with alternative paths of development, from the early medieval period to the beginning of the seventeenth century.

Providing a concise overview of social and economic changes over more than a thousand years, Bas van Bavel assesses the impact of the social and institutional organization that saw the Low Countries become the most urbanized and densely populated part of Europe by the end of the Middle Ages. By delving into the early and high medieval history of society, van Bavel uncovers the foundations of the flourishing of the medieval Flemish towns and the forces that propelled Holland towards its Golden Age.

Exploring the Low Countries at a regional level, van Bavel highlights the importance of localized structures for determining the nature of social transitions and economic growth. He assesses the role of manorial organization, the emergence of markets, the rise of towns, the quest for self-determination by ordinary people, and the sharp regional differences in development that can be observed in the very long run. In doing so, the book offers a significant contribution to the debate about the causes of economic and social change, both past and present

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The role of undercover intelligence operations in determining the outcome of global warfare has for too long been shrouded in a veil of misleading obscurity.

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Amid the charged debate over whether-and how-the Holocaust can be represented, films about fascism, nazis, and the Final Solution keep coming. And in works by filmmakers from Bertolucci to Spielberg, debauched images of nazi and fascist eroticism, symbols of violence and immorality, often bear an uncanny resemblance to the images and symbols once used by the fascists themselves to demarcate racial, sexual, and political others. This book exposes the "madness" inherent in such a course, which attests to the impossibility of disengaging visual and rhetorical constructions from political, ideological, and moral codes. In a brilliant analysis with ramifications far beyond the realm of film, Kriss Ravetto argues that contemporary discourses using such devices actually continue unacknowledged rhetorical, moral, and visual analogies of the past. Against postwar fictional and historical accounts of World War II in which generic images of evil characterize the nazi and the fascist, Ravetto sets the different, more complex approach of such filmmakers as Pier Paolo Pasolini, Liliana Cavani, and Lina Wertmüller. Rather than reassuring viewers of the triumph of the forces of Good over the forces of Evil and the reinstitution of ethical values, these filmmakers confound the binary oppositions that produce clear and identifiable heroes and villains. Here we see how their work-complicating conventions of gender identity, class identifications, and the economy of victim and victimizer-disturbs rather than reassures the audience seeking relief from a sense of "bad history." Drawing on history, philosophy, critical theory, film, literature, and art, Ravetto demonstrates the complex relationship of thinking about fascism with moral discourse, sexual politics, and economic practices. Her book asks us to think deeply about what it means to say that we have conquered fascism, when the aesthetics of fascism still describe and determine how we look at political figures and global events.

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