Twórcy komiksu polskiego i światowego - Antologia tom.1.POLiSH.comic.eBook.[made.by.DanY].cbz

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Książki traktujące o komiksach: antologie, analizy, biografie, naukowe dysertacje...

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The Francophone Bande Dessinée (Faux Titre 265) Paperback – July 1, 2005 by Charles Forsdick (Editor), Laurence Grove (Editor), Libbie McQuillan (Editor) Known as France’s Ninth Art, the bande dessinée has a status far surpassing that of the equivalent English-language comic strip. This publication, one of the first predominantly in English on the subject, provides a thorough introduction to questions of BD history, context and bibliography. Theoretical issues – including the reception of the early proto-BD prior to its modern definition, approaches to the construction of a BD (presented here in BD form by leading artist Tanitoc), semiology and the reading of the current form, or the specificity of the French/US (non)overlap – complement historical approaches, such as Bécassine read in the light of postcolonialism, Le Corbusier and BD techniques in architecture, post-war BD and nostalgia for the Resistance, or Pilote and the 1960s revolution. And whilst broaching issues such as feminism or masculinity, social class, AIDS, exoticism or futurism, the volume presents chapters on some of the cutting-edge artists in the field today: Baru, Moebius, Juillard, Binet, Bilal… This book supplies an introduction to the BD that will be of use to students and researchers at all levels. In addition, the format of the individual case studies provides in-depth analysis allowing the reader to grasp specific examples in terms both of their place vis-a-vis the evolution of the BD and, more generally, of the wider role they play within French and Francophone cultural studies.

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Reading Bande Dessinée: Critical Approaches to French-language Comic Strip Paperback – February 15, 2008 by Ann Miller (Author) Bande dessinée, or French comic strip, has always provoked controversy—labeled a danger to literacy and moral standards by its detractors, this polarizing art form has at the same time been deemed worthy of prestigious national centers in France and Belgium. Reading Bande Dessinée, the first English-language overview and critical study of this intriguing medium, traces the history and examines the cultural implications of French comics. Ann Miller’s groundbreaking book not only parses bande dessinée as visual narrative art, but it shows readers how to study it, as she places these comic strips in the context of debates surrounding the form’s legitimization, approaches it from a cultural studies perspective, and examines bande dessinée in its relationship to subjectivity in the body. Miller here illuminates such disparate concepts as Astérix and the mythologizing of Frenchness, historical memory and the Algerian war, and characterizations of the new managerial bourgeoisie in the context of Francophone comic strips. Reading Bande Dessinée will help lay a scholarly foundation for the growing interest in this captivating art form in the Anglophone world. “[Miller’s] analysis ranges from psychoanalytic to Marxist interpretations and is a terrific introduction to this neglected aspect of the comic world.”—Roger Sabin, Observer “The characteristics of Ann Miller’s writing for me abound in this latest work; concise prose, beautifully crafted sentences, complex analysis illustrated with crystal clear exemplification. This is a work for a wide readership. It is a work for enriching subject knowledge for teachers and students of French and/or the visual arts at advanced levels.”—Ann Swarbrick, Language Learning Journal “The work provides both a key analysis for scholars of the bande dessinée, as well as a manual for a modern application of critical theory.”—Dr. Laurence Grove, University of Glasgow “This exceptional work of synthesis by Ann Miller must be applauded. She succeeds in providing a detailed and complete panorama of bande dessinée a cultural phenomenon, an achievement which is all the more remarkable given that the author makes successive use of multiple scholarly approaches, moving from the cultural history of the production and reception of bande dessinée to the theoretical reflections on the medium, the sociological analysis and the problematic of the autobiographical self in graphic literature.”—Harry Morgan

Masters of the Ninth Art - (Screech, 2005) (Scan, 2015).cbr

Masters of the Ninth Art: Bandes dessinées and Franco-Belgian Identity (Liverpool University Press - Contemporary French & Francophone Cultures) Hardcover – March 1, 2005 by Matthew Screech (Author) In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art. Matthew Screech is a lecturer in French in the Department of Languages at Manchester Metropolitan University and the author of Ephra[1]im Mikha[1]el: Poèmes en Vers et en Prose.

Jerzy Szyłak - Komiks i Okolice Kina POLiSH.eBooK.(osl....cbr

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