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20050131mulvey.pdf

The Complete History of American Film Criticism.pdf

From the first published movie review in the late 1800s to the 21st-century era of the "great movie critics' wake," this chronicle reviews the nature, scope, and controversies in American film criticism. Moving through the Silent Era, the pre- and post-war years, the golden age of the 1970s, and the eventual decline of the 1980s and 1990s, this exhaustive overview includes biographical information on some of the most influential film critics--including Leonard Maltin, Roger Ebert, Pauline Kael, and James Agee--as well as a historical record and critical assessment of their work. Illuminating various past controversies, this invaluable reference documents the battles between auteur theorists and their opposing critics as well as between the critics and studios, filmmakers, and even themselves. Little-known aspects of film criticism lore are also related, such as the epic battles waged in print by Pauline Kael and Andrew Sarris, the studio boycotts of the "New York Times" and "New York Herald Tribune" over unflattering press, and the critics barred from attending premieres by studios for writing "negative" reviews. Honoring those who shed light on the artistic visions and storytelling sensibilities that have graced the big screen, this authoritative guide is a must-have for industry professionals, film historians, and movie buffs.

African Filmmaking North and South of the Sahara.pdf

Aliens R us the other in science fiction - edited by ....pdf

*Aliens R Us* explores the global culture of science fiction cinema, and in particular its presentation of contemporary images of the Other. Taking as a starting point the popularity of international forms such as Japanese Manga and Hong Kong sci-fi, in addition to the success of films such as The Matrix and television series such as Deep Space Nine, the contributors examine the science fiction genre as an international, populist form of social analysis. In doing so, they discuss issues such as Orientalism, technology, apocalyptic futures, xenophobia, militarism and the role of women. Most contemporary studies look at the generic characteristics of science fiction,with its allegorical rendering of contemporary life, usually in relation to America. This book moves beyond a purely generic study, assessing European and Asian film work, discussing their varying representations of the Other, and what this reveals about popular perceptions of global culture and society. Case studies include Independence Day, Star Trek: First Contact and Until the End of the World, in addition to chapters on Eco-Apocalypse and new French sci-fi and New Manchester Ecstasy sci-fi.

Aesthetics and film - Katherine Thomson-Jones.pdf

Aesthetics and Film is a philosophical study of the historically dominant form of moving image media. There are a number of questions raised throughout the history of film theory that have recently attracted philosophical attention. Is film an art in its

Alien sex the body and desire in cinema and theology.pdf

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.

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Film Festivals From European Geopolitics to Global Cin....pdf

The film festival has come a long way from its relatively humble origins in Venice in 1932—when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today’s most famous film festivals—Cannes, Berlin, Venice, and Rotterdam—continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether “successful” is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to “new waves.” An essential title for everyone interested in the culture, politics, and history that surround the celebration of cinema, Film Festivals proves that the movies are still our greatest—and most fêted—escape

Flaming Classics; Queering the Film Canon - Doty, Alex....pdf

"Surrender Dorothy" read the Wicked Witch's jet exhaust, leaving the startled Munchkins to wonder what the message meant. So you think you know all about film classics? Guess again. Flaming Classicsturns the heat up on the movies we love best. In his wicked readings of film favorites, Alexander Doty takes us to the queer side of criticism, offering fresh and controversial views of the stars, the plots, and the directors of our best loved and most iconic films. Arguing against the assumption that only explicitly gay films are subject to gay readings, he looks at six classics and reads them for their queer potential. With both affection and scholarly rigor, he teases out the lesbian fantasy inherent inThe Wizard of Oz,the gay nightmare narrative ofThe Cabinet of Dr. Caligari,the bisexual erotics ofGentlemenPrefer Blondes,the queerness of Norman Bates, and even makes a compelling argument about Citizen Kane's dying word, "Rosebud." (Who knew?) seasoned critic with a personal voice, Alexander Doty is a scholar-fan who writes with both readerships in mind. This lively, opinionated, and playful look at the movies is a must-read for film buffs, and for anyone interested in gender, sexuality, and popular culture. One thing's for sure. After readingFlaming Classicsyou'll know you're definitely not in Kansas anymore.

If... Turner Classic Movies British Film Guide.pdf

Lindsay Anderson's provocative, savage and wickedly funny 1968 masterpiece, If..., deals fundamentally--and controversially--with England and quintessential "Englishness." If... was the first film ever with a British setting and cast to win the Palme d'Or for Best Film at Cannes. The fruit of Anderson's first-hand studies of the Czech, Polish and Indian New Waves led by Milos Forman, Andrzej Wajda and, most famously, Satyajit Ray, it prophesied--and then mirrored--an international outbreak of youthful rebellion. An authority on Lindsay Anderson and his films, Sutton here draws on massive quantities of original material: Anderson's private archive, which illuminates the film's autobiographical elements; the original script Crusaders; the sequel on which he was working at the time of his death; interviews with key members of cast and crew including lead Malcolm McDowell, all are here explored to unravel the mysteries of a film which continues to delight, enrage and inspire.

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