Alien sex the body and desire in cinema and theology.pdf

scullytailedsquirrel / Filmoznawstwo / Alien sex the body and desire in cinema and theology.pdf

Download: Alien sex the body and desire in cinema and theology.pdf

Pobierz

2,06 MB

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

scullytailedsquirrel

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

20050131mulvey.pdf

African Filmmaking North and South of the Sahara.pdf

Alternative Europe Eurotrash and Exploitation Cinema S....pdf

This second title in the AlterImage series that investigates previously underexplored areas of popular and cult cinema ( "Underground U.S.A." being the first volume) features over twenty essays from an eclectic range of writers uncovering the cult cinema of Europe. The writers consider such unusual and diverse topics as Russian horror cinema, British exploitation, Belgian alternative cinema, and black "Emmanuelle" films. "Alternative Europe" also includes exclusive interviews with such "trash" film directors as Jess Fano and Brian Yuzna ( "Reanimator," etc.).

M. Hopfinger, Adaptacja jako przejaw relacji między li....pdf

Miczka Wielkie żarcie i postmodernizm.rar

Bad Women Regulating Sexuality in Early American Cinema.pdf

The Films of Carl-Theodor Dreyer - David Bordwell.pdf

Feminist Film Theory A Reader.pdf

For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation and identity have been fought. This anthology charts the history of those debates, bringing together the key statements in feminist film theory in Britain and the United States since 1970.

If... Turner Classic Movies British Film Guide.pdf

Lindsay Anderson's provocative, savage and wickedly funny 1968 masterpiece, If..., deals fundamentally--and controversially--with England and quintessential "Englishness." If... was the first film ever with a British setting and cast to win the Palme d'Or for Best Film at Cannes. The fruit of Anderson's first-hand studies of the Czech, Polish and Indian New Waves led by Milos Forman, Andrzej Wajda and, most famously, Satyajit Ray, it prophesied--and then mirrored--an international outbreak of youthful rebellion. An authority on Lindsay Anderson and his films, Sutton here draws on massive quantities of original material: Anderson's private archive, which illuminates the film's autobiographical elements; the original script Crusaders; the sequel on which he was working at the time of his death; interviews with key members of cast and crew including lead Malcolm McDowell, all are here explored to unravel the mysteries of a film which continues to delight, enrage and inspire.

Seoul searching culture and identity in contemporary K....pdf

"Seoul Searching is a collection of fourteen provocative essays about contemporary South Korean cinema, the most productive and dynamic cinema in Asia. Examining the three dominant genres that have led Korean film to international acclaim - melodramas, big-budget action blockbusters, and youth films - the contributors look at Korean cinema as industry, art form, and cultural product, and engage cinema's role in the formation of Korean identities."

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin