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Kobieta

widziany: 28.12.2018 19:24

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  • 174 KB
  • 6 sty 16 10:32
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture.

Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style.

This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.

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Fifty Contemporary Filmmakers examines the work of of some of today's most popular, original and influential cinematic voices from around the world. The subjects of these fifty essays are drawn from such diverse cinematic traditions as Europe cinema, mainstream Hollywood movies, independent American film, Chinese and Japanese cinema. Among those featured in this lively reference are:

* Pedro Almodovar * Luc Besson * Joel and Ethan Coen * David Cronenberg * Julie Dash * Hal Hartley * David Lynch * Martin Scorsese * Lars Von Trier * Wim Wenders

These essays outlines its subject's career, discussing the major films, the genres in which he or she works, references and relationships to other films and filmmakers, and concluding with an assessment of his or her status as an auteur. With each entry supplemented by a filmography, references and suggestions for further reading, this is a guide to modern cinema which students of, or anyone interested in, contemporary film will find indispensable.

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In a gripping account, Millard focuses on an episode in Teddy Roosevelt's search for adventure that nearly came to a disastrous end. A year after Roosevelt lost a third-party bid for the White House in 1912, he decided to chase away his blues by accepting an invitation for a South American trip that quickly evolved into an ill-prepared journey down an unexplored tributary of the Amazon known as the River of Doubt. The small group, including T.R.'s son Kermit, was hampered by the failure to pack enough supplies and the absence of canoes sturdy enough for the river's rapids. An injury Roosevelt sustained became infected with flesh-eating bacteria and left the ex-president so weak that, at his lowest moment, he told Kermit to leave him to die in the rainforest. Millard, a former staff writer for National Geographic, nails the suspense element of this story perfectly, but equally important to her success is the marvelous amount of detail she provides on the wildlife that Roosevelt and his fellow explorers encountered on their journey, as well as the cannibalistic indigenous tribe that stalked them much of the way.

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U. S. Social Welfare Reform examines pivotal changes in social welfare for low-income families in the United States between 1981, the advent of the Reagan administration, and 2008, the end of the G.W. Bush administration. It focuses on the change from the Federal-state open entitlement Aid to Families with Dependent Children (AFDC) program to the time-limited state run Temporary Assistance to Needy Families (TANF) program which Congress authorized with passage of the Personal Responsibility and Work Opportunity Act of 1996. The book also focuses on the development of the Earned Income Tax Credit (EITC) program, enacted in 1975 against the backdrop of failed efforts to nationalize AFDC which aimed at providing a basic income to all poor families, but which blossomed with continued bipartisan support in the 1990s. This book also explores alternative strategies to assist low-income families, including job training programs. It present original research on the educational and economic well-being of youth from low-income families who participated in government sponsored job training programs in the late 1970 and early 1980s.

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In recent decades, governments have built up substantial public debt, which is often accompanied by a growing public sector and fiscal policies that neglect long-term considerations. The contributors to this CESifo volume consider whether the development of public debt in the United States and six EU countries is sustainable—that is, whether fiscal policies in these countries can be continued without creating the potential for government bankruptcy.

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This book compares the People's Republic of China's (PRC) and U.S. projections of global influence, with an emphasis on non-coercive means or 'soft power', and suggests ways to think about U.S. foreign policy options in light of China's emergence. The global public images of the two countries are compared in this book and PRC and U.S. uses of soft power tools are described, such as public diplomacy, state diplomacy, and foreign assistance. Other forms of soft power such as military diplomacy, global trade and investment, and sovereign wealth funds are also examined. Furthermore, this book analyses PRC and U.S. diplomatic and economic activities in five developing regions - Southeast Asia, Central Asia, Africa, the Middle East, and Latin America.

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The dawn of the 20th century found Native Americans in dire straits. Ill educated, reduced to living on territory that was a fraction of their former areas, and subject to the whims of the federal government, they were in great need of creative leadership. In this collection, editor Edmunds (history, Univ. of Texas, Dallas; Tecumseh and the Quest for Indian Leadership) and his equally competent contributors tell the stories of 14 Native Americans who have altered the landscape in Indian country and beyond. The leaders profiled here include, among others, the charismatic American Indian Movement leader Russell Means; Wilma Mankiller, the first woman to lead a large Indian nation; political activists LaDonna Harris and Ada Deer; Phillip Martin, the dynamic Choctaw leader who spearheaded that tribe's amazing economic revitalization; and Walter Echo-Hawk, a lawyer for the Native American Rights Fund.

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In Women and the Historical Enterprise in America, Julie Des Jardins explores American women's participation in the practice of history from the late nineteenth century through the end of World War II, a period in which history became professionalized as an increasingly masculine field of scientific inquiry. Des Jardins reveals how women nevertheless transformed the profession during these years in their roles as writers, preservationists, educators, government workers, archivists, and social activists.

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Although the terrorist attacks of 11 September 2001 shocked the world, America has in fact confronted terrorism for well over a century. With the invention of dynamite in 1866, Americans began to worry about anonymous acts of mass violence in a way that differed from previous generations' fears of urban riots, slave uprisings, and mob violence. Focusing on the volatile period between the 1886 Haymarket bombing and the 1920 bombing outside J. P. Morgan's Wall Street office, Jeffory A. Clymer argues that economic and cultural displacements caused by the expansion of industrial capitalism during the period directly influenced evolving ideas about terrorism.

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Written for intermediate students of English, this book allows students to find parallels and differences between the two nations, and to compare them with their own countries. It presents facts and figures about Britain and the USA under the headings of: People; Geography; History; Institutions.

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This manual is intended to study English in conjunction with the culture of English-speaking countries, especially USA.
Allowance can be used when working on the topics: "Cinema", "Theatre", "Art", "Music", "American Song", "Heroes of folklore", "Theatre", etc.

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There is no book quite like National Security and Core Values in American History. Drawing upon themes from the whole of the nation's past, William O. Walker III presents a new interpretation of the history of American exceptionalism, that is, of the basic values and liberties that have given the United States its very identity. He argues that a political economy of expansion and the quest for security led American leaders after 1890 to equate prosperity and safety with global engagement. In so doing, they developed and clung to what Walker calls the "security ethos." Expressed in successive grand strategies - Wilsonian internationalism, global containment, and strategic globalism - the security ethos ultimately damaged the values citizens cherish most and impaired popular participation in public affairs. Most important, it led to the abuse of executive authority after September 11, 2001, by the administration of President George W. Bush.

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Another of Routledge's encyclopedias of contemporary culture (e.g., Encyclopedia of Contemporary Italian Culture, LJ 7/00), which vary substantially in quality, this successfully presents a well-balanced synthesis of the United States after World War II. The text covers all aspects of culture, from business and politics to education, arts and sciences, society, and religion. The alphabetically arranged entries range from short definitions to longer overviews that span a couple pages and treat topics as varied as Haitian Americans, Camille Paglia, Disneyland, Prozac, and censorship. A thematic list groups the entries into broad categories, such as "Civil Rights," "Film," "Gender and Sexuality," and "Urbanism and Suburbs." Given the diversity, complexity, and sheer overabundance of material, the editors acknowledge that such a work can't be exhaustive and that shortcomings and discrepancies are inevitable. Yet with its suggestions for further reading, cross references, and even Internet addresses, this work provides a good starting point for information about the issues, events, people, and places that shape, define, or represent America today. Recommended for larger public and research libraries.DAnna Youssefi, Rice Univ., Houston, TX

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Miwok is a Penutian language of California. There are seven dialects of Miwok which are so distinct from one another that most linguists consider them to be multiple languages, but since three of them are no longer spoken and the other four are spoken by fewer than a dozen elders apiece, they are usually discussed together. The Miwok languages are highly endangered, but some young Miwoks are working to learn their ancestral tongues again.

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During May of 1939, as the Nazis were burning books throughout Germany, the people of Bakersfield Calif., did exactly the same thing with John Steinbeck's new bestseller, The Grapes of Wrath. As Wartzman (The King of California) shows in this intriguing account, the banning of Steinbeck's masterpiece throughout California's Kern County was orchestrated by rich local growers: men who were busy exploiting scores of Joad families, the very men Steinbeck exposed in his novel. As a pretext, the growers cited, among other things, Steinbeck's use of foul language (bastard, bitch) and vivid scenes such as Rose of Sharon, having lost her baby, offering her milk-filled breast to a starving man.

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Who better than a novelist-cum-music journalist to depict "a group that was completely of its time and totally outside of it"? From the Talking Heads' individual roots to their electrifying collaboration and breakup, Bowman (Bunny Modern) portrays brilliant odd-bird David Byrne, even-keeled and Harvard-educated Jerry Harrison, happy-go-lucky Chris Frantz and enigmatic Tina Weymouth, who told Bowman: "I have to rewrite your book for you.... You know nothing about us." Or maybe he knows more than she'd like? Bowman interviewed them (and 50 others) and studied their every mention e.g., New York Times writeups, Andy Warhol's diary to understand how they got the nation singing "Psycho killer/ Qu'est que c'est/ fa fa fa.... " While their dysfunctions intrigue, their unconventionality, hilarity and creative synergy fascinate. David, Chris and Tina met in art school in the 1970s and later shared a New York City loft. Months after Tina learned bass, the trio opened for the Ramones at CBGB, where a record exec pounced. Rounded out by Jerry's keyboard, they shook underground and mainstream audiences, tempering curious lyrics about religion and politics with infectious melodies. They experimented with African polyrhythms and funk while maintaining New Wave followers. They split up in 1991 while "still sound[ing] like the Next New Thing."

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