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  • 6 sty 16 10:32
The collapse of America’s credit markets in 2008 is quite possibly the biggest financial disaster in U.S. history. Confidence Game: How a Hedge Fund Manager Called Wall Street’s Bluff is the story of Bill Ackman's six-year campaign to warn that the $2.5 trillion bond insurance business was a catastrophe waiting to happen. Branded a fraud by the Wall Street Journal and the New York Times and investigated by Eliot Spitzer and the Securities and Exchange Commission, Ackman later made his investors more than $1 billion when bond insurers kicked off the collapse of the credit markets.
Unravels the story of the credit crisis through an engaging and human drama
Draws on unprecedented access to one of Wall Street's best-known investors
Shows how excessive leverage, dangerous financial models and a blind reliance on triple-A credit ratings sent Wall Street careening toward disaster

Confidence Game is a real-world "Emperor's New Clothes," a tale of widespread delusion and one dissenting voice in the era leading up to the worst financial disaster since the Great Deion.

Christine Richard is a reporter with Bloomberg News whose work has been recognized by The New York Club and The Newswomen’s Club of New York.

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After the reelection of George W. Bush in 2004, the "God Gap" became a hotly debated political issue. Religious voters were seen as the key to Bush's victory, and Democrats began scrambling to reach out to them. Four years later, however, with the economy in a tailspin on election day, religion barely seemed to register on people's radar screens. In this book, a team of well-regarded scholars digs deeper to examine the role religion played in the 2008 campaign. They take a long view, placing the election in historical context and looking at the campaign as a whole, from the primaries through all the way through election day. At the heart of their analysis is data gleaned from a national survey conducted by the authors, in which voters were interviewed in the spring of 2008 and then re-interviewed after the election.

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Adbusters is a magazine that attacks the culture of consumerism by turning its own tactics against it--employing the glossy tactics of advertising to encourage people to take part in "Buy Nothing Day" and "TV Turnoff Week." Culture Jam takes the revolution to another level, as the magazine's publisher, Kalle Lasn, issues a call to arms to "the advance shock troops of the most significant social movement" of the early 21st century. Dissatisfied with the results of both academic and mainstream liberalism and feminism, Lasn harks back to the situationist roots of the 1968 Paris uprisings, a brief moment when it seemed possible that men and women might be able to wholly re-create not only their own lives but society as well.

That revolution stumbled and fell, however, and Lasn views contemporary existence as one in which people have almost entirely succumbed to the cultural mandates of consumer capitalism, turning to corporations for guidance about how to look and what to desire. He offers several tips on how you can "demarket your life," including talking back to telemarketers and intensified boycotts (want to strike a blow against tobacco giant Philip Morris? Stop buying Maxwell House coffees, Kraft dairy products, Post cereals, and Miller beer). Lasn also pushes for the return of corporations to a subordinate role in people's lives, citing the 1886 U.S. Supreme Court decision that rendered corporations "natural persons" in the eyes of the law as a horrendous miscarriage of justice that must be overturned. (One of his biggest targets is media conglomerates who are able to disseminate their ideology throughout the information spectrum; in an ironic twist of fate, perhaps, the publisher of Culture Jam became a division of Rupert Murdoch's News Corporation scant months before the book's release.)

Culture Jam is an extreme book--among its declarations: "consumer capitalism is by its very nature unethical"--and Lasn's reasoning is not without flaws. One of the weak links in his argument is his insistence that, because none of the major television networks will allow him to purchase airtime for his "subverts," there is "no democracy on the airwaves" and his freedom of speech is being denied. The First Amendment says only that "Congress shall make no law ... abridging the freedom of speech"; it says nothing about what he deems the "right to communicate ... through any media." On the other hand, he also raises a more plausible line of attack--since it's the government that grants broadcasters access to the airwaves, citizens should press for more say in how broadcast licenses are distributed. But whatever the book's excesses, Lasn is driven by a righteous anger--and Culture Jam may likely convince you, too, that the models of material success presented to us are not only inadequate to true happiness, they must be overturned.

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America experienced unprecedented expansion and turmoil in the years between 1815 and 1848. In Waking Giant, Bancroft Prize-winning historian and literary critic David S. Reynolds illuminates the period's exciting political story as well as the fascinating social and cultural movements that influenced it. He casts fresh light on Andrew Jackson, who redefined the presidency, along with John Quincy Adams and James K. Polk, who expanded the nation's territory and strengthened its position internationally.Waking Giant captures the turbulence of a democracy caught in the throes of the controversy over slavery, the rise of capitalism, and the birth of urbanization. Reynolds reveals unknown dimensions of the Second Great Awakening with its sects, cults, and self-styled prophets. He brings to life the reformers, abolitionists, and temperance advocates who struggled to correct America's worst social ills. He uncovers the political roots of some of America's greatest authors and artists, from Ralph Waldo Emerson and Edgar Allan Poe to Thomas Cole and Asher B. Durand, and he reveals the shocking phenomena that marked the age: bloody duels and violent mobs, P. T. Barnum's freaks and all-seeing mesmerists, polygamous prophets and wealthy prostitutes, table-lifting spiritualists and rabble-rousing feminists. All were crucial to the political and social ferment that led to the Civil War.

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Since when did believing in God and having moral values make you pro-war, pro-rich, and pro-Republican? And since when did promoting and pursuing a progressive social agenda with a concern for economic security, health care, and educational opportunity mean you had to put faith in God aside?

While the Right in America has hijacked the language of faith to prop up its political agenda—an agenda not all people of faith support—the Left hasn't done much better, largely ignoring faith and continually separating moral discourse and personal ethics from public policy. While the Right argues that God's way is their way, the Left pursues an unrealistic separation of religious values from morally grounded political leadership. The consequence is a false choice between ideological religion and soulless politics.

The effect of this dilemma was made clear in the 2004 presidential election. The Democrats' miscalculations have left them despairing and searching for a way forward. It has become clear that someone must challenge the Republicans' claim that they speak for God, or that they hold a monopoly on moral values in the nation's public life. Wallis argues that America's separation of church and state does not require banishing moral and religious values from the public square. In fact, the very survival of America's social fabric depends on such values and vision to shape our politics—a dependence the nation's founders recognized.

God's Politics offers a clarion call to make both our religious communities and our government more accountable to key values of the prophetic religious tradition—that is, make them pro-justice, pro-peace, pro-environment, pro-equality, pro-consistent ethic of life (beyond single issue voting), and pro-family (without making scapegoats of single mothers or gays and lesbians). Our biblical faith and religious traditions simply do not allow us as a nation to continue to ignore the poor and marginalized, deny racial justice, tolerate the ravages of war, or turn away from the human rights of those made in the image of God. These are the values of love and justice, reconciliation, and community that Jesus taught and that are at the core of what many of us believe, Christian or not. In the tradition of prophets such as Martin Luther King Jr., Dorothy Day, and Desmond Tutu, Wallis inspires us to hold our political leaders and policies accountable by integrating our deepest moral convictions into our nation's public life.

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Who says the world of classic Hollywood moviemaking was never risqué? We tend to think of black-and-white movies as representing a sanitized world, where crime never paid, ladies of the evening had hearts of gold, and married couples slept in separate beds. But in fact, censorship in American cinema didn't begin in earnest until 1934, when Will Hays and Joseph Breen began enforcing the legendary Hollywood production code. In this revelatory book, Thomas Doherty looks at sound movies of 1930-34--what is now known as the "pre-code" era.

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The careful layout gives the user an easy-to-read snapshot of every single place and county in the state of New Jersey, from the biggest metropolis to the smallest unincorporated hamlet. Here is a look at just a few of the data sets you’ll find in each profile: History, Geography, Climate, Population, Vital Statistics, Economy, Income, Taxes, Education, Housing, Health & Environment, Public Safety and more.

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Author Alan Balboni traces the history of Italians in Las Vegas from the founding of the city in 1905, recording their activities in the fledgling settlement. As Las Vegas grew, Italian Americans participated in every aspect of the city’s society and economy, including construction, retail establishments, hotels, and—after the statewide legalization of gambling in 1931—the casino industry. Basing his research on well over a hundred interviews, as well as the records of Italian American organizations, public agencies, and other sources, Balboni has produced a sparkling, farsighted, and thoroughly documented account of the history of one of Las Vegas’s most progressive and productive ethnic minorities.

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This 800 page volume provides detailed demographic and statistical data on all of the Counties and all of the Populated Places in the state of Wisconsin, including:

* Demographics on each County & Individual City or Town
* Detailed Data on School Districts
* Hispanic & Asian Population Statistics
* Informative Statistics & Rankings on Ancestry Groups
* Weather Statistics
* Comparative Ranking Charts

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At the same time Adolf Hitler was attempting to take over the western world, his armies were methodically seeking and hoarding the finest art treasures in Europe. The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised.
In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.
Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world's great art from the Nazis.

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Struggle for the Heartland tells the story surrounding the military campaign that began in early 1862 with the advance to Fort Henry and culminated in late May with the capture of Corinth, Mississippi. The first significant Northern penetration into the Confederate west, this campaign saw the military coming-of-age of Ulysses S. Grant and offered a hint as to where the Federals might win the war. For the South, it dashed any hopes of avoiding a protracted conflict. Stephen D. Engle colors in the details that bring great clarity and new life to the scene of these battles as well as to the social and political context in which they occurred.

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