This overview of the politics, economics and history of North Korea (DPRK) focuses on the economic situation since the collapse of the Soviet Union, and the history of Pyongyang's relations with America. It explains how the North Korean economy has moved from parity with, and even superiority over, South Korea until the mid-1970s into a downward spiral of industrial decline and severe famine. Paul French argues that the country's collapse has been due to its rigid adherence to central planning, international isolation, Military-First line and the inflexible political philosophy of Juche. He deals with the long troubled relationship between Pyongyang and Washington and the continued division of the Korean peninsula. He considers the likely scenarios for the future of the DPRK, the history and possible ramifications of a reunited Korea, the guiding personalities of the country and the recent diplomatic initiatives, economic reforms and nuclear crisis.

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Paul French - North Korea, The Paranoid Peninsula, A Modern History (2007).pdf

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Barry McLoughlin, Kevin McDermott - Stalin's Terro r, High Politics and Mass Repression in the Soviet Union (2004).jpg

Communism - Barry McLoughlin, Kevin McDermott - Stalins Terror, Hi...Politics and Mass Repression in the Soviet Union 2004.jpg

The British, Irish, Russian, American, German, and Austrian contributors examine the intricate nature of the mass repression unleashed by the Stalinist leader of the USSR during 1937-38. The first part of the collection deals with annihilation policies against the Soviet elite and the Communist International. The second section of the volume looks at mass operations of the secret police (NKVD) against social outcasts, Poles and other 'hostile' ethnic groups. The final section comprises micro-studies about targeted victim groups among the general population.

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0,8 MB
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Barry McLoughlin, Kevin McDermott - Stalin's Terro r, High Politics and Mass Repression in the Soviet Union (2004).pdf

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Guy Delisle - Pyongyang, A Journey in North Korea (2005).jpg

Pyongyang documents the two months French animator Delisle spent overseeing cartoon production in North Korea, where his movements were constantly monitored by a translator and a guide, who together could limit his activities but couldn't restrict his observations. He records everything from the omnipresent statues and portraits of dictators Kim Il-Sung and Kim Jong-Il to the brainwashed obedience of the citizens. Rather than conveying his disorientation through convoluted visual devices, Delisle uses a straightforward Eurocartoon approach that matter-of-factly depicts the mundane absurdities he faced every day. The gray tones and unembellished drawings reflect the grim drabness and the sterility of a totalitarian society. Delisle finds black comedy in the place, though, and makes small efforts at subversion by cracking jokes that go over the humorless translator's head and lending the guide a copy of 1984. Despite such humor, which made his sojourn bearable and overcame his alienation and boredom, Delisle maintains empathy. Viewing an eight-year-old accordion prodigy's robotic concert performance, he thinks, "It's all so cold . . and sad. I could cry.

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Paul Roberson Gallery - Night of Khmer Rouge, Geno cide and Justice in Cambodia (2007).jpg

An exhibition on the occasion of the International Tribunal of the Khmer Rouge, reconstructing truth and memory through photographic documents and records, in partnership with Documentation Center-Cambodia & the NJ Commission on Holocaust Education.

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1,6 MB
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Paul Roberson Gallery - Night of Khmer Rouge, Geno cide and Justice in Cambodia (2007).pdf

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John W. Garver - Chinese-Soviet Relations, 1937-19 45, The Diplomacy of Chinese Nationalism (1988).jpg

During the Sino-Japanese war of 1937-1945, the Chinese people suffered great degradation at the hands of the Japanese. The spectacle of China's debasement as well as the very real prospect of the restoration of alien rule incensed nationalist passions throughout China. As the military, economic, and political crises deepened, three different Chinese regimes emerged--the Chinese Communist Party (CCP), Chinese Nationalist Party or Kuomintang (KMT), and the pro-Japanese government headed by Wang Jingwei--all competing for nationalist legitimacy. Through an exhaustive and meticulous examination of available resources, John Garver here illuminates the complicated relationship between these different variants in Chinese nationalism and the Soviet Union during this period. In doing so, Garver elucidates the diplomacy of Chiang Kai-shek and the Chinese Nationalists, the inner history of Chinese Communist relations with the Soviet Union, and the intersection of these two themes within the larger context of international relations in East Asia and the world.

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25,6 MB
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John W. Garver - Chinese-Soviet Relations, 1937-19 45, The Diplomacy of Chinese Nationalism (1988).pdf

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Ben Fowkes - Ethnicity and Ethnic Conflict in the Post-Communist World (2002).jpg

Ethnic and national conflicts have been an unexpected and major source of problems in many parts of the world in recent times. Nowhere more so than in the formerly communist countries. This book provides a readable introduction to, and brief analytical coverage of, all the ethnic disputes of the 1990s. Full justice is done both to complex present-day situations and the deeper roots of ethnic conflict. This is followed by a review and evaluation of the main available explanations.

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1,9 MB
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Ben Fowkes - Ethnicity and Ethnic Conflict in the Post-Communist World (2002).pdf

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Mike O'Mahony - Sergei Eisenstein (2008).jpg

A major influence on such filmmakers as Hitchcock, Godard, Fellini, and Scorsese, Sergei Eisenstein left an enduring legacy that was deeply informed by the political realities of early-twentieth-century Soviet Communism. In Sergei Eisenstein, Mike O’Mahony uses this historical lens to examine the richly diverse films, writings, and artwork of one of the foremost filmmakers of the twentieth century.
Drawing on an extensive archive of Eisenstein’s published and unpublished writings, O’Mahony situates his oeuvre in the social and political context of the first three decades of Communist rule in the Soviet Union. The book analyzes his most influential films—including Battleship Potemkin, October, and Aleksandr Nevskii—as well as his uncompleted film projects, pioneering theories and methods, and copious archive of writings and drawings. O’Mahony examines how Eisenstein’s projects were generated or constrained by his volatile and complex personality, ongoing political events, and the conflict between his beliefs the Stalinist regime and his beliefs as a Bolshevik artist. The arcs of success and defeat in Eisenstein’s career, the book ultimately reveals, are inextricably intertwined with these fraught political and personal circumstances.
An in-depth and thoughtful biographical treatment, Sergei Eisenstein gives us a new, richer understanding of this standard-bearer in modern filmmaking, making this an accessible and essential read for historians, scholars of film history, and movie buffs alike.

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Mike O'Mahony - Sergei Eisenstein (2008).pdf

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Andrew Hemingway - Marxism and the History of Art, From William Morris to the New Left (2006).jpg

This unique book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels’s thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.

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4,4 MB
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Andrew Hemingway - Marxism and the History of Art, From William Morris to the New Left (2006).pdf

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S. A. Smith - Revolution and the People in Russia and China, A Comparative History (2008).jpg

A unique comparative account of the roots of Communist revolution in Russia and China. Steve Smith examines the changing social identities of peasants who settled in St Petersburg from the 1880s to 1917 and in Shanghai from the 1900s to the 1940s. Russia and China, though very different societies, were both dynastic empires with backward agrarian economies that suddenly experienced the impact of capitalist modernity. This book argues that far more happened to these migrants than simply being transformed from peasants into workers. It explores the migrants' identification with their native homes; how they acquired new understandings of themselves as individuals and new gender and national identities. It asks how these identity transformations fed into the wider political, social and cultural processes that culminated in the revolutionary crises in Russia and China, and how the Communist regimes that emerged viewed these transformations in the working classes they claimed to represent.

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Polskie Radio Rzeszów i IPN - Ślad Pamięci - Propa ganda zimnowojenna - Marcin Krzanicki (12m24s).mp3

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Aleksandra Galasińska, Michał Krzyżanowski - Disco urse and Transformation in Central and Eastern Eur ope (2009).jpg

This interdisciplinary volume explores the discursive construction of post-1989 social change in Central and Eastern Europe. Encompassing a set of national case studies on countries such as Czech Republic, former East-Germany, Latvia, Poland, Romania, Russia, Slovenia or other Balkan states, the volume explores processes of post-communist transformation from the point of view of accelerating and unique dynamics of linguistic and discursive practices. Highlighting the micro-macro link, those practices are examined within – as well as at the cross-section of – the public domain (in politics, media, religion or civil society) and the private sphere (within individual experiences of post-communism). Providing in-depth, systematic analysis of discourse in different situations, contributions to the volume analyse diverse forms of social, political, cultural, economic or institutional transformation in post-communist contexts. The analysis points to several differences and similarities between ways in which discourse influences the unprecedented social change across Central and Eastern Europe.

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Aleksandra Galasińska, Michał Krzyżanowski - Disco urse and Transformation in Central and Eastern Eur ope (2009).pdf

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James C. Docherty - Historical Dictionary of Socia lism (1997).jpg

Recent election wins by left of center parties in Western Europe testify to the continued vitality of the tradition of democratic socialism. Socialism has been the leading ideology for social change for over a century. It has been a philosophy, a mass movement, and a substitute religion. It has inspired millions and aroused fear and revulsion in its enemies. It has sought to change the world for the better and in many important respects has done so. Yet socialism remains a paradox. Professing only to do good, great crimes against humanity have been committed in its name. Democratic and egalitarian in theory, it has been used to justify totalitarian dictatorship in practice. This dictionary offers a reliable, comprehensive introduction and guide to this contentious social movement and ideology, examining where it has succeeded and where it has failed. It traces the evolution of socialism from the early nineteenth century up to the present. Unlike other general works on the subject, it is primarily concerned with the democratic tradition of socialism and is careful to differentiate this tradition from those elements of socialism which later became communism. It contains 327 entries and many cross-references which cover not just thinkers, ideas and political parties, but also education, women, literature, and policies. With glossary, chronology, statistical appendix and bibliography.

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James C. Docherty - Historical Dictionary of Socia lism (1997).pdf

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Ronald Radosh - Red Star Over Hollywood, The Film Colony's Long Romance with the Left (2005).jpg

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the "nightmare" of the Red Scare and how it victimized political innocents. But in RED STAR OVER HOLLYWOOD, Ronald and Allis Radosh tell for the first time the "backstory" behind this myth.
The authors show how the Soviet Comintern decided to make the film capitol a prime target in the late 1920s. They follow the lives of Budd Schulberg, Ring Lardner Jr., Maurice Rapf and other young radicals who went to the USSR in the early 1930s, underwent a political conversion experience there, and came back to Hollywood as apostles preaching a Soviet gospel. They take us inside the cells and discussion groups they and other Party members formed, the guilds and unions they tried to take over, and the studios they tried to influence.
The Radoshes not only prove that the members of the Hollywood Party were loyal first and foremost to Joseph Stalin, but show that in fact many of the screenwriters who later became part of the Hollywood Ten succeeded in using films as a propaganda medium in behalf of Soviet cause. One of their most significant successes was the wartime blockbuster Mission To Moscow, whose inside story the authors document in fascinating detail. The Radoshes' are at their best when writing about the blacklist era. They take us inside the Hollywood Communists' strategy sessions as they prepared to testify in front of the House Committee on Un-American Activities and show that while others were lionizing them as blameless victims of American nativism and paranoia, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America and their treatment by the Communist Party. Creating memorable portraits of Dalton Trumbo, Elia Kazan and John Garfield, the authors also trace the afterlives of those touched by HUAC and the blacklist and show how they continued their argument with America and each other over the next half century. RED STAR OVER HOLLYWOOD is an epic work about one of the most discussed and least understood episodes in our political life. Getting behind the denial and apologetics, the Radoshes tell a story whose long half-life continues. The men and women who agitated for communism a half-century ago created a living legacy used by Jane Fonda and others who revived the Hollywood Left in the 1960s, and by figures such as Susan Sarandon, Tim Robbins and Sean Penn in the equally turbulent filmland politics of today.

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S. A. Smith - The Russian Revolution, A Very Short Introduction (2002).jpeg

This concise, accessible introduction provides an analytical narrative of the main events and developments in Soviet Russia between 1917 and 1936. It examines the impact of the revolution on society as a whole--on different classes, ethnic groups, the army, men and women, youth. Its central concern is to understand how one structure of domination was replaced by another. The book registers the primacy of politics, but situates political developments firmly in the context of massive economic, social, and cultural change. Since the fall of Communism there has been much reflection on the significance of the Russian Revolution. The book rejects the currently influential, liberal interpretation of the revolution in favor of one that sees it as rooted in the contradictions of a backward society which sought modernization and enlightenment and ended in political tyranny.

About the Author
Stephen Smith is Professor of History at the University of Essex. He works on the social history of the Russian and Chinese revoltuions and is author of Red Petrograd: Revolution in the Factories, 1917-1918 (Cambridge University Press, 1983), and A Road is Made: Communism in Shanghai, 1920-27 (Curzon Press, 2000).

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Audiobook - S. A. Smith - The Russian Revolution, A Very Short Introduction (2002) Read by Suzanne T oren (396m18s).mp3

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Chernaya kniga kommunizma, Prestupleniya. Terror. Repressii (2001).jpg

Коллектив ученых-историков провел максимально полное изучение преступлений, совершенных под флагом коммунизма во многих странах на разных континентах: места, даты, факты, палачи, жертвы… Десятки миллионов в СССР и в Китае, миллионы в небольших странах, таких, как Северная Корея и Камбоджа: всего около 95 миллионов жертв - такова плата человечества за увлечение коммунистической утопией в XX веке.

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Chernaya kniga kommunizma, Prestupleniya. Terror. Repressii (2001).chm

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Richard Wolin - The Wind from the East, French Int ellectuals, the Cultural Revolution, and the Legac y of the 1960s (2010).jpg

Communism - Richard Wolin - The Wind from the East, French Intelle... Cultural Revolution, and the Legacy of the 1960s 2010.jpg

Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.

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Richard Wolin - The Wind from the East, French Int ellectuals, the Cultural Revolution, and the Legac y of the 1960s (2010).epub

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Rosa Luxemburg, Helen Scott - The Essential Rosa L uxemburg, Reform or Revolution and the Mass Strike (2007).jpg

Communism - Rosa Luxemburg, Helen Scott - The Essential Rosa Luxem...xemburg, Reform or Revolution and the Mass Strike 2007.jpg

This new, authoritative introduction to Rosa Luxemburg’s two most important works presents the full text of Reform or Revolution and The Mass Strike, with explanatory notes, appendices, and introductions.

One of the most important Marxist thinkers and leaders of the twentieth century, Rosa Luxemburg is finding renewed interest among a new generation of activists and critics of global capitalism.

About the Author
Rosa Luxemburg, a Polish-born revolutionary, was a leader of the left-wing movement in Germany until her murder in 1919. Helen Scott is a professor of postcolonial literature at the University of Vermont.

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Rosa Luxemburg, Helen Scott - The Essential Rosa L uxemburg, Reform or Revolution and the Mass Strike (2007).pdf

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jacek_040 napisano 7.07.2023 12:53

JEŻELI ZNALAZŁEŚ U MNIE PLIK KTÓRY NIE SPEŁNIA OCZEKIWAŃ, NIE JEST ZGODNY Z OPISEM, DAJ KOMENTARZ, OCEŃ NEGATYWNIE I NAJLEPIEJ OPISZ GO W CHOMIKOWYCH ROZMOWACH. Może się tak zdarzyć, gdyż większość plików jest zachomikowana z innych chomików i nie była sprawdzona. Jeżeli tylko znajdę plik "fake", to go kasuję.

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dziala jak najardziej na Mio P560 mozna ze zwyklym Patcher 3.4.2 na Laptopie dziala rowniez Wystarczy podmienic plik mapy na ten z Katalogu EU (wczytaj mape) Prawdziwa mapa Dziala Dziekuje KOLEZKO