Who has been at the political forefront of clean air policy development in the United States? In The Politics of Air Pollution, George A. Gonzalez argues that the answer is neither the federal government, nor environmental groups, but rather locally oriented economic elites in conjunction with state and local governments. These local growth coalitions, composed of mostly large landholders, land developers, and the owners of regional media and utility firms, support clean air policies insofar as they contribute to the creation of a positive investment climate and, in turn, bring about greater profits through increased land values and an expanded local consumer base.

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George A. Gonzalez - The Politics of Air Pollution , Urban Growth, Ecological Modernization, and Symb olic Inclusion (2005).pdf

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Jeffrey Andrew Weinstock - Taking South Park Serio usly (2008).jpg

Collection of scholarly essays on the wildly popular Comedy Central show.

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Jeffrey Andrew Weinstock - Taking South Park Serio usly (2008).pdf

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Sabine Haenni - The Immigrant Scene, Ethnic Amusem ents in New York, 1880-1920 (2008).jpg

Yiddish melodramas about the tribulations of immigration. German plays about alpine tourism. Italian vaudeville performances. Rubbernecking tours of Chinatown. In the New York City of the late nineteenth and early twentieth centuries, these seemingly disparate leisure activities played similar roles: mediating the vast cultural, demographic, and social changes that were sweeping the nation’s largest city.
In The Immigrant Scene, Sabine Haenni reveals how theaters in New York created ethnic entertainment that shaped the culture of the United States in the early twentieth century. Considering the relationship between leisure and mass culture, The Immigrant Scene develops a new picture of the metropolis in which the movement of people, objects, and images on-screen and in the street helped residents negotiate the complexities of modern times.
In analyzing how communities engaged with immigrant theaters and the nascent film culture in New York City, Haenni traces the ways in which performance and cinema provided virtual mobility—ways of navigating the socially complex metropolis—and influenced national ideas of immigration, culture, and diversity in surprising and lasting ways.

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Sabine Haenni - The Immigrant Scene, Ethnic Amusem ents in New York, 1880-1920 (2008).pdf

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Davis W. Houck, Matthew A. Grindy - Emmett Till an d the Mississippi Press (2008).jpg

Employing never-before-used historical materials, the authors of Emmett Till and the Mississippi Press reveal how Mississippi journalists both expressed and shaped public opinion in the aftermath of the 1955 Emmett Till murder. Combing small-circulation weeklies as well as large-circulation dailies, Davis W. Houck and Matthew A. Grindy analyze the rhetoric at work as the state attempted to grapple with a brutal, small-town slaying. Initially coverage tended to be sympathetic to Till, but when the case became a clarion call for civil rights and racial justice in Mississippi, journalists reacted.
Newspapers both reported on the Till investigation and editorialized on its protagonists. Within days the Till case transcended the specifics of a murder in the Delta. Coverage wrestled with such complex cultural matters as the role of the press, class, gender, and geography in the determination of guilt and innocence.
Emmett Till and the Mississippi Press provides a careful examination of the courtroom testimony given in Sumner, Mississippi, and the trial s conclusion as reported by the state s newspapers. The book closes with an analysis of how Mississippi has attempted to come to terms with its racially troubled past by, in part, memorializing Emmett Till in and around the Delta.

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Davis W. Houck, Matthew A. Grindy - Emmett Till an d the Mississippi Press (2008).pdf

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Matthew Kennedy - Joan Blondell, A Life between Ta kes ( 2007).jpg

Joan Blondell: A Life Between Takes is the first major biography of the effervescent, scene-stealing actress (1906-1979) who conquered motion pictures, vaudeville, Broadway, summer stock, television, and radio.
Born the child of itinerant vaudevillians, she was on stage by age three. With her casual sex appeal, distinctive cello voice, megawatt smile, luminous saucer eyes, and flawless timing, she came into widespread fame in Warner Bros. musicals and comedies of the 1930s, including Blonde Crazy, Gold Diggers of 1933, and Footlight Parade.
Frequent co-star to James Cagney, Clark Gable, Edward G. Robinson, and Humphrey Bogart, friend to Judy Garland, Barbara Stanwyck, and Bette Davis, and wife of Dick Powell and Mike Todd, Joan Blondell was a true Hollywood insider. By the time of her death, she had made nearly 100 films in a career that spanned over fifty years.
Privately, she was unerringly loving and generous, while her life was touched by financial, medical, and emotional upheavals. Meticulously researched, expertly weaving the public and private, and featuring numerous interviews with family, friends, and colleagues, Joan Blondell: A Life Between Takes traces the changing face of Twentieth Century American entertainment through the career of this extraordinary actress.

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Matthew Kennedy - Joan Blondell, A Life between Ta kes (2007).pdf

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William E. Smith - Restoring Honor to Public Schoo ls, A Teacher's Vision for American Education (200 8).jpg

Restoring Honor to Public Schools: A Teacher's Vision for American Education, draws upon its author's thirty years of experience to offer an insider's look at teaching and learning, providing thoughtful and achievable recommendations for honoring teachers and teaching and restoring civility and intelligence to our nation's discourse about education.

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William E. Smith - Restoring Honor to Public Schoo ls, A Teacher's Vision for American Education (200 8).pdf

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Jeffrey J. Noonan - The Guitar in America, Victori an Era to Jazz Age (2008).jpg

The Guitar in America offers a history of the instrument from America's late Victorian period to the jazz age. The opening chapter traces the guitar's use in this country from the Colonial era up to the 1880s. The narrative continues with America's BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and commercial movement dedicated to introducing these instruments into America's elite musical establishments.
Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement's heyday, tracing the guitar's transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement's impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America's musicians.
This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America's larger musical scene, examining its efforts as manifestations of this country's uneasy coupling of musical art and commerce.

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Jeffrey J. Noonan - The Guitar in America, Victori an Era to Jazz Age (2008).pdf

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David Banisar - Government Secrecy, Decisions With out Democracy (2007).jpg

Excessive secrecy is the enemy of public accountability and democratic governance. Unfortunately, it is becoming standard operating procedure for many government officials. Vice President Dick Cheney’s recent insistence that his office is not subject to secrecy regulations that apply to the executive branch is just the latest evidence of a systematic campaign to keep information about government activities out of the hands of the American public.
Freedoms of Information laws are grounded in the recognition that knowledge about the government’s actions is the necessary first step in oversight and accountability. Most Americans recognize the need to safeguard national security information from improper public disclosures that would damage the national interest. But national security has become a blanket excuse to withhold information from the public as well as from Congress, especially in the aftermath of the 9/11 terrorist attacks.
The National Security Archive has documented widespread agency mismanagement and obstruction which lead to delays as long as 17 years in responding to public Freedom of Information Act requests. Only one in four agencies is complying with the Electronic Freedom of Information Act a decade after it passed.
Of course, the right to know is also undermined by the release of information that is inaccurate or misleading.
At the federal level, politics increasingly trumps sound science: reports on key environmental issues are altered by political appointees; information about HIV/AIDS is manipulated to promote a particular ideological viewpoint; and federal employees are muzzled from sharing their expertise.
The misuse of secrecy and the manipulation of science and other information undermine the public’s right to know and the health of our democracy. And they threaten the health of the public as well: a fire at a chemical plant situated near a neighborhood could pose a serious threat to residents’ health, but it is difficult for individuals to learn the most basic information about hazards to which their families may be exposed. The preface to this report, written by Republican Robert Barr and Democrat John Podesta, reflects that the importance of the public’s right to know is not a partisan issue; it is a fundamentally American issue.
Over the years, regardless of the political party in charge, our three organizations have challenged excessive government secrecy and offered ideas to protect the public’s right to know. For example, in 1987, People for the American Way, OMB Watch, the Benton Foundation, and the Advocacy Institute launched a public education campaign to draw attention to the ways in which government was withholding information from the public. One element of that campaign was the publication by People for the American Way of Government Secrecy: Decisions Without Democracy, a primer on secrecy that serves as the model for this publication.

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David Banisar - Government Secrecy, Decisions With out Democracy (2007) 52p 9789998157996 9998157994.pdf

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Emma Goldman - Living My Life (2006).jpg

Anarchist, journalist, drama critic, advocate of birth control and free love, Emma Goldman was the most famous—and notorious—woman in the early twentieth century. This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence.

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Emma Goldman - Living My Life (2006).pdf

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Emma Goldman - My Further Disillusionment In Russi a (2006).jpg

My Further Disillusionment in Russia is a 1924 non-fiction book by Emma Goldman, her continuation of My Disillusionment in Russia, the original publication of which the last twelve chapters were entirely missing, including the Afterword.

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Emma Goldman - My Further Disillusionment In Russi a (2006).pdf

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Anthony Flint - This Land, The Battle over Sprawl and the Future of America (2006).jpg

Despite a modest revival in city living, Americans are spreading out more than ever -- into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. We cling to the notion of safer neighborhoods and better schools, but what we get, argues Anthony Flint, is long commutes, crushing gas prices and higher taxes -- and a landscape of strip malls and office parks badly in need of a makeover.
This Land tells the untold story of development in America -- how the landscape is shaped by a furious clash of political, economic and cultural forces. It is the story of burgeoning anti-sprawl movement, a 1960s-style revolution of New Urbanism, smart growth, and green building. And it is the story of landowners fighting back on the basis of property rights, with free-market libertarians, homebuilders, road pavers, financial institutions, and even the lawn-care industry right alongside them.
The subdivisions and extra-wide roadways are encroaching into the wetlands of Florida, ranchlands in Texas, and the desert outside Phoenix and Las Vegas. But with up to 120 million more people in the country by 2050, will the spread-out pattern cave in on itself? Could Americans embrace a new approach to development if it made sense for them?
A veteran journalist who covered planning, development, and housing for the Boston Globe for sixteen years and a visiting scholar in 2005 at the Harvard Design School, Flint reveals some surprising truths about the future and how we live in This Land.

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David F. Prindle - The Paradox of Democratic Capit alism, Politics and Economics in American Thought (2006).jpg

A truly interdisciplinary enterprise, The Paradox of Democratic Capitalism examines the interplay of ideas about politics, economics, and law in American society from the pre-revolutionary era to the eve of the September 11 attacks. David F. Prindle argues that while the United States was founded on liberalism, there is constant tension between two ideals of the liberal tradition: capitalism and democracy.
Tracing the rise of natural law doctrine from neoclassical economics, Prindle examines the influence of economic development in late medieval society on the emergence of classical liberalism in early America and likens that influence to the impact of orthodox economics on contemporary American society.
Prindle also evaluates political, economic, and legal ideas through the lens of his own beliefs. He warns against the emerging extremes of liberal ideology in contemporary American politics, where the right's definition of capitalism excludes interference from democratic publics and the left's definition of democracy excludes a market-based economy.

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Deak Nabers - Victory of Law, The Fourteenth Amend ment, the Civil War, and American Literature, 1852 --1867 (2006).jpg

01 - USA1 - Deak Nabers - Victory of Law, The Fourteenth Amendment...he Civil War, and American Literature, 1852--1867 2006.jpg

In Victory of Law, Deak Nabers examines developing ideas about the nature of law as reflected in literary and political writing before, during, and after the American Civil War. Nabers traces the evolution of antislavery thought from its pre-war opposition to the constitutional order of the young nation to its ultimate elevation of the U.S. Constitution as an expression of the ideal of justice -- an ideal embodied in the Fourteenth Amendment.
Nabers shows how the intellectual history of the Fourteenth Amendment was rooted in literary sources -- including Herman Melville's Battle-Pieces, Harriet Beecher Stowe's Uncle Tom's Cabin, and William Wells Brown's Clotel -- as well as in legal texts such as Somerset v. Stewart, Dred Scott v. Sandford, and Charles Sumner's "Freedom National" address. Not only were prominent writers like Ralph Waldo Emerson and Frederick Douglass instrumental in remapping the relations between law and freedom, but figures like Sumner and John Bingham helped develop a systematic antislavery reading of the Constitution which established literary texts as sources for legal authority.
This interdisciplinary study sheds light on the transformative significance of emerging legalist and constitutionalist forms of antislavery thinking on the literature of the 1850s and 1860s and the growing centrality of aesthetic considerations to antebellum American legal theory and practice -- the historical terms in which a distinctively American cultural identity was conceived.

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Oz Frankel - States of Inquiry, Social Investigati ons and Print Culture in Nineteenth-Century Britai n and the United States (2006).jpg

01 - USA1 - Oz Frankel - States of Inquiry, Social Investigations ...Nineteenth-Century Britain and the United States 2006.jpg

In the mid-nineteenth century, American and British governments marched with great fanfare into the marketplace of knowledge and publishing. British royal commissions of inquiry, inspectorates, and parliamentary committees conducted famous social inquiries into child labor, poverty, housing, and factories. The American federal government studied Indian tribes, explored the West, and investigated the condition of the South during and after the Civil War.
Performing, printing, and then circulating these studies, government established an economy of exchange with its diverse constituencies. In this medium, which Frankel terms "print statism," not only tangible objects such as reports and books but knowledge itself changed hands. As participants, citizens assumed the standing of informants and readers.
Even as policy investigations and official reportage became a distinctive feature of the modern governing process, buttressing the claim of the state to represent its populace, government discovered an unintended consequence: it could exercise only limited control over the process of inquiry, the behavior of its emissaries as investigators or authors, and the fate of official reports once issued and widely circulated.
This study contributes to current debates over knowledge, print culture, and the growth of the state as well as the nature and history of the "public sphere." It interweaves innovative, theoretical discussions into meticulous, historical analysis.

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William H. Young, Nancy K. Young - Music of the Wo rld War II Era (2007).jpg

In the World War II era, big bands and swing music reached the heights of popularity with soldiers as well as friends and loved ones back home. Many entertainers such as Glenn Miller also served in the military, or supported the war effort with bond drives and entertaining the troops at home and abroad. In addition to big band and swing music, musicals, jazz, blues, gospel and country music were also popular. Chapters on each, along with an analysis of the evolution of record companies, records, radios, and television are included here, for students, historians, and fans of the era. Includes a timeline of the music of the era, an appendix of the Broadway and Hollywood Musicals, 1939-1945, and an appendix of Songs, Composers, and lyricists, 1939-1945. An extensive discography and bibliography, along with approximately 35 black and white photos, complete the volume.

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William H. Young, Nancy K. Young - Music of the Wo rld War II Era (2007).pdf

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Bobby Murcer, Glen Waggoner - Yankee for Life, My 40-Year Journey in Pinstripes (2008).jpg

A former Yankees great remembers his years in pinstripes and talks candidly about his courageous battle with brain cancer.
As he stepped to the plate at Yankee Stadium on Opening Day in 1966, Bobby Murcer carried with him the hopes and expectations of Yankees fans looking for the next Mickey Mantle.
Like Mantle, Murcer was a phenom from Oklahoma. Like Mantle, he came up to the majors as a shortstop, but was later converted to a centerfielder. And like Mantle, his first at-bat in Yankee Stadium was at the tender age of 19.
Bobby wasn't the Mick, but he became one of the most beloved Yankees of all time.
Yankee for Life is the story of Murcer's stellar career as both a player and as an Emmy Award-winning broadcaster. With self-effacing humor and down-home charm, he shares fascinating, illuminating, and never-before-told anecdotes about former teammates and bosses, including Mantle, Phil Rizzuto, Lou Piniella—and George Steinbrenner.
But no relationship was more significant and poignant than his friendship with Yankees captain Thurman Munson, who died in a plane crash in 1979. On the morning of Munson's funeral, Murcer delivered the eulogy for his friend in Ohio; he ended the day by driving in all five runs in an extra-inning 5-4 victory at Yankee Stadium to honor his captain's memory.
Following his career, Murcer became a revered figure in the Yankees broadcast booth. From the best seat in the House That Ruth Built, he has watched the latest generation of Yankee superstars—Derek Jeter, Alex Rodriguez, and Mariano Rivera—grow up.
No one is more qualified—or brave enough—to choose his own personal Pinstripe All-Star Team of the last 40 years.
Murcer is no stranger to courage. On Christmas Eve 2006, he was diagnosed with a brain tumor. Five days later, after surgery to remove it, he learned that the cancer was terminal. In an uplifting, honest, and even humorous exploration of his battle with illness, Murcer explains how the love of his wife and his family, a deep religious faith, and the passionate support of fans have seen him through his ordeal.
Bobby Murcer may not have become the next Mickey Mantle, but he became someone he always wanted to be—a Yankee for life.

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Bobby Murcer, Glen Waggoner - Yankee for Life, My 40-Year Journey in Pinstripes (2008).pdf

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Mark Aldrich - Death Rode the Rails, American Rail road Accidents and Safety, 1828--1965 (2006).jpg

For most of the nineteenth and much of the twentieth centuries, railroads dominated American transportation. They transformed life and they captured the imagination. Yet by 1907 railroads had also become the largest cause of violent death in the country, claiming that year the lives of nearly twelve thousand passengers, workers, and others. In Death Rode the Rails Mark Aldrich explores the evolution of railroad safety in the United States by examining a variety of incidents: spectacular train wrecks, smaller accidents in shops and yards which devastated the lives of workers and their families, and the deaths of thousands of women and children killed while walking on or crossing the street-grade tracks.
The evolution of railroad safety, Aldrich argues, involved the interplay of market forces, science and technology, and legal and public pressures. He considers the railroad as a system in its entirety: operational realities, technical constraints, economic history, internal politics, and labor management. Aldrich shows that economics initially encouraged American carriers to build and operate cheap and dangerous lines. Only over time did the trade-off between safety and output -- shaped by labor markets and public policy -- motivate carriers to develop technological improvements that enhanced both productivity and safety.
A fascinating account of one of America's most important industries and its dangers, Death Rode the Rails will appeal to scholars of economics and the history of transportation, technology, labor, regulation, and business, as well as to railroad enthusiasts.

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Mary C. Kelly - The Shamrock And The Lily, The New York Irish And The Creation Of A Transatlantic Id entity, 1845-1921 (2005).jpg

01 - USA1 - Mary C. Kelly - The Shamrock And The Lily, The New Yor... Creation Of A Transatlantic Identity, 1845-1921 2005.jpg

Ireland's tumultuous heritage combined with the promise of cosmopolitan New York to forge a new Irish-American immigrant identity. Between the Great Irish Famine and the creation of the Irish Free State, the New York Irish world preserved as much from the old country as it adopts from the new. The Shamrock and the Lily illuminates a set of remarkable transatlantic connections dominated by the road to Ireland's independence, in an absorbing study of a people driven from a troubled past toward freedom for themselves and for those they left behind.

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