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What really happened that afternoon in November 1938, when the young Polish Jew walked into the German embassy in Paris and shots rang out? The immediate consequence was concrete: Nazi Germany retaliated with the "Night of Broken Glass," recognized as the beginning of the Holocaust. Lost and overlooked in the aftermath is the arresting story of Herschel Grynszpan, the confused teenager whose murder of Ernst vom Rath was used to justify Kristallnacht. In this historical novel, award-winning writer Harlan Greene may be the first author to take the Polish Jew at his word. Historians have tried to explain away Herschel Grynszpan’s claim that he was involved in a love affair with vom Rath; Greene, instead, traces the lives of the underprivileged and persecuted Herschel Grynszpan and the wealthy German diplomat Ernst vom Rath as they move inevitably towards their ill-fated affair. In spare, vivid, and compelling prose, Greene imagines their world, their relationship, and their last horrific encounter, as they tried to wrest love and meaning from a world that would itself soon disappear in a whirlwind of disaster and madness.

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Sluga (philosophy, Univ. of California, Berkeley) provides a synoptic survey of German philosophy in the Nazi era and examines how it relates to the politics of the time. He uses Heidegger's actions as a center from which to elucidate what other, less prominent German philosophers were doing, thinking, and writing. The decisive influence of Fichte and Nietzsche is well developed, but the attempt to use the concepts of crisis, nation, leadership, and order as a bridge between philosophy and politics is less convincing. Nevertheless, this scholarly yet very readable study of an important aspect of the Nazi era belongs in all but the smallest philosophy, political science, and history collections.

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  • 15 lip 18 15:18
Germany’s Colonial Pasts is a wide-ranging study of German colonialism and its legacies. Inspired by Susanne Zantop’s landmark book Colonial Fantasies, and extending her analyses there, this volume offers new research by scholars from Europe, Africa, and the United States. It also commemorates Zantop’s distinguished life and career (1945–2001).
Some essays in this volume focus on Germany’s formal colonial empire in Africa and the Pacific between 1884 and 1914, while others present material from earlier or later periods such as German emigration before 1884 and colonial discourse in German-ruled Polish lands. Several essays examine Germany’s postcolonial era, a complex period that includes the Weimar Republic, Nazi Germany with its renewed colonial obsessions, and the post-1945 era. Particular areas of emphasis include the relationship of anti-Semitism to colonial racism; respectability, sexuality, and cultural hierarchies in the formal empire; Nazi representations of colonialism; and contemporary perceptions of race. The volume’s disciplinary reach extends to musicology, religious studies, film, and tourism studies as well as literary analysis and history. These essays demonstrate why modern Germany must confront its colonial and postcolonial pasts, and how those pasts continue to shape the German cultural imagination.

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"There are few people in the world who have more opportunity for getting close to the hot interesting things of one's time than the special correspondent of a great paper," George Lynch, a veteran British correspondent, wrote in Impressions of a War Correspondent, published in 1903. He made it all sound glorious, just the way war correspondents like to recount their experiences on the battlefield. But in a few months he had less to exult about. Lynch and a distinguished throng of foreign correspondents with high hopes of a good story assembled in Tokyo to cover the Russo-Japanese War--a monumental conflict that would mark the first modern defeat of a Western force by an Asian one--only to discover that the authorities would not let them "close to the hot interesting things."
Corralled in the Imperial Hotel, the journalists had nothing much to do except tell stories in the bar and write about local flora. A few of them, including Jack London and Richard Harding Davis, decided to contribute short autobiographical stories recounting their most exciting journalistic experiences for a book to be edited by Lynch and his American colleague, Frederick Palmer. The correspondents told their tales in different ways--prose, poems, sketches, and even a short play. Their stories recounted their routines, failures, and triumphs, including durviving battles and waiting to see action. One contributor imagines bewhiskered correspondents in 1950 still awaiting permission from Japan to go to the front--only to learn the war had been over for thirty-nine years.
Printed locally by a Japanese printer and largely forgotten until now, In Many Wars, by Many War Correspondents offers colorful stories and insights about the lives and personalities of some of history's most celebrated war correspondents. With a foreword by John Maxwell Hamilton that chronicles the circumstances under which the contributors compiled the book, this new edition opens a window into the fascinating world of foreign newsgathering at the turn of the twentieth century.

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The Druids have been known and discussed for at least 2400 years, first by Greek writers and later by the Romans, who came in contact with them in Gaul and Britain. According to these sources, they were a learned caste who officiated in religious ceremonies, taught the ancient wisdoms, and were revered as philosophers. But few figures flit so elusively through history, and the Druids remain enigmatic and puzzling to this day. In this Very Short Introduction, one of the leading authorities on British archaeology, Barry Cunliffe, takes the reader on a fast-paced look at the ever-fascinating story of the Druids, as seen in the context of the times and places in which they practiced. Sifting through the evidence, Cunliffe offers an expert's best guess as to what can be said and what can't be said about the Druids, discussing the origins of the Druids and the evidence for their beliefs and practices, why the nature of the druid caste changed quite dramatically over time, and how successive generations have seen them in very different ways.

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Viewed as a crucible of modernity, the eighteenth century has become a special focus of Modern Language Quarterly, a journal that has led the revival of literary history as a subject for empirical study and theoretical reflection. The essays in this volume, which cover a broad cross-section of eighteenth-century literary history, represent the best studies of this period recently published in MLQ.
While examining different parts of the century, as well as different aspects and countries, contributors explore the intersection of literary studies with history, philosophy, psychology, and the visual arts. They discuss a creative range of topics, including feminism, nationalism, domestic ideology, the classical novel–drama–lyric poetry triad, and both aesthetic and philosophical writings. This span of subjects and approaches extends the focus of Eighteenth-Century Literary History beyond its period to project a spirit of inquiry onto literary history in general.

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The major questions considered in this book are these: Are the Indo-Aryans outsiders or insiders? Did they migrate into India from Central Asia, and if not, where did they originate? Even more crucially, what is at stake in these accounts of ancient history? What issues of South Asian identity are involved? Can those of Indo-Aryan descent claim indigenous status? To what extent are the accounts of colonial historians valid? What is the role and authority of Indian scholarship in the post-colonial period? The scope and purpose of this volume is not to resolve this debate, but to survey the field and to include major figures from differing points of view, from archaeology and philosophy as well as political and intellectual history.

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  • 15 lip 18 15:18
History and mythology, fact and fable, are closely interwoven in the texture of Japanese life and thought ; indeed, it is within relatively recent years only that exact comparative criticism has been able, with some degree of accuracy, to divide the one from the other. The accounts of the God-period .contain^ m the Kojiki and the Nihongj^-T '^RecQids of Ancient Matters" compiled, in 'the," eighth century of the Christian eia' profess : to outline the events of the vast cycles of years from the time of Ame-no-mi-naka-nushi-no-kami's birth in the Plain of High Heaven, ''when the earth, young and like unto floating oil, drifted about medusa-like," to the death of the Empress Suiko, A.D. 628.

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Daughter of a mayor of King's Lynn, wife of a burgess there and mother of fourteen children, Margery Kempe (c. 1373-post 1438) was also a religious mystic and hysteric, who dictated her 'autobiography' to a scribe at the end of her life. In this history of her life, Anthony Goodman examines "The Book", to reconstruct as much of her conventional biography as the materials allow. Including her spiritual experiences, but focusing most particularly on her day-to-day life, he builds an intriguing picture of bourgeois society in late medieval Lynn, and the wider world of late medieval towns in England and Europe more generally.

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Shattered by bombing in the World War II, Coventry was to rise as a model of urban regeneration and imaginative urban planning. Adrian Smith mixes memoir and meticulous scholarship to describe how his native city has inspired film-makers like Humphrey Jennings, poets and painters such as Philip Larkin and Terry Jones, and musicians as varied as Benjamin Britten and The Specials. Attractively presented, highly readable and with broad appeal, City of Coventry is a lively re-examination of an iconic city of the twentieth century illuminating the profound changes that engulfed industrial England during and after the war.

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  • 15 lip 18 15:18
Contending that the study of hagiography is significant both for a consideration of medieval literature and for current theoretical debates in medieval studies, this book considers a range of Old French and Anglo-Norman texts, using modern theories of kinship and community to show how saints' lives construe social and sexual relations. Focusing on the depiction of the gift, kinship and community, the book maintains that social and sexual systems play a key role in vernacular hagiography.Such systems, along with the desires they produce and control, are, it is argued, central to hagiography's religious functions, particularly its role as a vehicle of community formation. In attempting to think beyond the limits of human relationships, saints' lives nonetheless create an environment in which queer desires and modes of connection become possible, suggesting that, in this case at least, the orthodox nurtures the queer. This book thus suggests not only that medieval hagiography is worthy of greater attention but also that this corpus might provide an important resource for theorizing community in its medieval contexts and for thinking it in the present. Emma Campbell is an RCUK Fellow in medieval French literature at the University of Warwick.

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"Ritual Memory" brings together two areas of study which have hitherto rarely been studied in comparison: liturgy and the apocryphal Acts of the apostles. The book gives an analysis of the liturgical celebration of the apostles in the medieval West and examines the incorporation of the apocrypha in practices of ritual commemoration. It reveals the role that liturgy played in the transmission of the apocryphal Acts and visualises the way these narrative traditions developed and changed through their incorporation into a ritual context. The result is a dynamic picture of the ritual reception of the extra-canonical Acts in the Latin Middle Ages, where the apocryphal legends about the apostolic past were approached as memorable traditions on the origins of Christianity.

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Elizabeth I as Icon examines how the image and memory of the queen has been used and viewed in the 400 years since her death. Beginning with how Elizabeth created her iconic status during her reign, the book goes on to explore ways in which this image has evolved over the years. Walker shows that centuries of social, cultural and political agenda have been given public appeal by the use of the dead queen's image, and looks at her representation within children's literature, the suffragette movement, the two world wars, and within popular culture, including the Hollywood film Elizabeth.

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Immortalised in the plays of Shakespeare, Henry V is the most famous and celebrated of all England's medieval monarchs. Although his most famous battles and conquests took place in France, Henry, as was common amongst medieval aristocracy, was introduced to battle at an early age when he fought with his father, Henry IV, at the battle of Shrewsbury in 1403. On his accession to the throne, Henry turned his attention towards foreign affairs and the English position in France. This title will examine Henry's key battles and sieges, how he systematically extended English control throughout northern France and how he was perceived by his contemporaries as a military leader. It will also deal with his controversial military decisions, such as the slaughter of the French prisoners at Agincourt.

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The Feminization of Fame 1750-1830 addresses the literary, cultural and historical questions surrounding the reconceptualization of fame between 1750-1830. As the first sustained scholarly analysis of fame in this period, this interdisciplinary book examines genres from history writing to literature, public and private memoirs to political treatises in English and in French in order to explore 'The age of personality's' obsession with instantaneous publicity. In an age of expanding print culture, the classical notion of posthumous reward was becoming increasingly open to question, as the need 'to be brilliant', as Hazlitt put it, in the contemporary moment became all.

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  • 15 lip 18 15:18
Original composition in classical languages was an important and much admired skill in the Victorian education system. In public schools and university Classics courses it was a key part of the curriculum, not only teaching the structure of the ancient languages themselves but also honing rhetorical skills. This 1899 anthology of selections from English literature translated into Greek and Latin prose and verse, includes contributions from a whole generation of late Victorian classical scholars at Cambridge: Sir Richard Claverhouse Jebb and his successor as Regius Professor of Greek, Henry Jackson, James Adam, editor of Plato, Samuel Butcher, founder of the English Classical Association and President of the British Academy in 1909-10, a number of younger scholars and even one female lecturer. This would have been a model volume for Victorian students and remains useful today for those wanting to improve both comprehension and composition in the classical languages.

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  • 15 lip 18 15:18
Though the short story is often regarded as central to the Irish canon, this 2009 text was the first comprehensive study of the genre for many years. Heather Ingman traces the development of the modern short story in Ireland from its beginnings in the nineteenth century to the present day. Her study analyses the material circumstances surrounding publication, examining the role of magazines and editors in shaping the form. Ingman incorporates recent critical thinking on the short story, traces international connections, and gives a central part to Irish women's short stories. Each chapter concludes with a detailed analysis of key stories from the period discussed, featuring Joyce, Edna O'Brien and John McGahern, among others. With its comprehensive bibliography and biographies of authors, this volume will be a key work of reference for scholars and students both of Irish fiction and of the modern short story as a genre.

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  • 15 lip 18 15:18
A major contribution to the study of collective identity and memory in France, this book examines a French republican myth: the belief that the nation can be adequately defended only by its own citizens, in the manner of the French revolutionaries of 1793. Alan Forrest examines the image of the citizen army reflected in political speeches, school textbooks, art and literature across the nineteenth century. He reveals that the image appealed to notions of equality and social justice, and with time it expanded to incorporate Napoleon's victorious legions, the partisans who repelled the German invader in 1814 and the people of Paris who rose in arms to defend the Republic in 1870. More recently it has risked being marginalized by military technology and by the realities of colonial warfare, but its influence can still be seen in the propaganda of the Great War and of the French Resistance under Vichy.

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Awards of the 3rd Reich, Special-Catalogue 2005/2006

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