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  • 13 gru 18 15:43
This book examines and analyses the Union between the Grand Duchy of Lithuania and Sweden signed in 1655 at Kėdainiai and the political crisis that followed. The union was a result of strong separatist dreams among the Lithuanian-Ruthenian Protestant elite led by the Radziwiłł family, and if implemented it would radically change the balance of power in the Baltic Sea region. The main legal point of the Union was the breach of Lithuanian federation with Poland and the establishment of a federation with Sweden. The Grand Duchy of Lithuania aspired to return to international relations as a self-governing subject. The Union meant a new Scandinavian alternative to Polish and Russian domination. The author places the events in the Grand Duchy of Lithuania in the general crisis that occurred in Europe in the middle of the 17th century characterized by a great number of wars, rebellions and civil wars from Portugal to Ukraine, and which builds the background to the crisis for Lithuania and Sweden. The research proved the importance of lesser powers in changing the geopolitical balance between the Great Powers. The conflict over Lithuania and Belarus was the main reason for the Swedish-Russian, Polish-Russian and Ukrainian-Russian wars. The failure of the Union with Sweden was caused by both internal and external factors. Internally, various ethnic, confessional and political groups within the nobility of Lithuania were split in favour of different foreign powers – from Muscovy to Transylvania. The external cause for the failure of the Union project was the failure of Swedish strategy. Sweden concentrated its activity to Poland, not to Lithuania. After the Union, Swedish authorities treated the Grand Duchy as an invaded country, not an equal. The Swedish administration introduced heavy taxation and was unable to control the brutality of the army. As a result Sweden was defeated in both Lithuania and Poland. Among the different economic, political and religious explanations of the general crisis, the case of Lithuania shows the importance of the political conflicts. For the separatists of Lithuania the main motive to turn against Poland and to promote alliance with Sweden, Russia or the Cossacks was the inability of Poland to shield the Grand Duchy from a Russian invasion.The Lithuanian case was a provincial rebellion led by the native nobility against their monarch, based on tradition of the previous independence and statehood period. It was not nationalism in its modern meaning, but instead a crisis of identity in the form of a conflict between Patria and Central Power. However, the cost of being a part of Sweden or Muscovy was greater than the benefit of political protection. Therefore, the pro-Polish orientation prevailed when Poland after 1658 recovered its military ability the local nobility regrouped around Warsaw. The Grand Duchy of Lithuania managed to remain on the political map of Europe, but at the price of general religious Catholization and cultural Polonization. After the crisis, the Grand Duchy of Lithuania gradually changed into a deep province of the Polish state.

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Dziewiątego listopada 1805 roku lord major Londynu ogłosił Williama Pitta, premiera Wielkiej Brytanii i zaprzysięgłego wroga napoleońskiej Francji, „zbawicielem Europy". Niedawne wieści o zniszczeniu przez admirała Horatia Nelsona floty francusko-hiszpańskiej pod Trafalgarem stały się powodem do wielkiej radości. Odpowiadając na to, Pitt realistycznie zauważył: „Europa nic ma być zbawiona przez jednego człowieka. Anglia ocaliła samą siebie dzięki swoim wysiłkom i - jak ufam - ocali Europę danym przez siebie przykładem". Dwanaście tygodni później Pitt już nie żył, a armie Austrii i Rosji - dwóch wielkich mocarstw europejskich - były pokonane. Nad całym kontynentem dominował jeden tylko człowiek, a był nim Napoleon Bonapartecesarz Francuzów i król Italii.

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  • 13 gru 18 15:43
This is a wide-ranging collection of essays on ancient Roman literary careers and their reception in later European literature, with contributions by leading experts. Starting from the three major Roman models for constructing a literary career - Virgil (the rota Vergiliana), Horace, and Ovid - the volume then looks at alternative and counter-models in antiquity: Propertius, Juvenal, Cicero and Pliny. A range of post-antique responses to the ancient patterns are then examined, from Dante to Wordsworth, and including Petrarch, Shakespeare, Milton, Marvell, Dryden, and Goethe. These chapters pose the question of the continuing relevance of ancient career models as ideas of authorship change over the centuries, leading to varying engagements and disengagements with classical literary careers. There are also chapters on other ways of concluding or extending a literary career: bookburning and figurative metempsychosis.

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Focusing attention on gravity-fed water-flow systems in medieval cities and monasteries, Water Technology in the Middle Ages: Cities, Monasteries, and Waterworks after the Roman Empire challenges the view that hydraulic engineering died with the Romans and remained moribund until the Renaissance. Roberta Magnusson explores the systems' technologies -- how they worked, what uses the water served -- and also the social rifts that created struggles over access to this basic necessity.
Mindful of theoretical questions about what hastens technological change and how society and technology mutually influence one another, the author supplies a thoughtful and instructive study. Archeological, historical, and literary evidence vividly depicts those who designed, constructed, and used medieval water systems and demonstrates a shift from a public-administrative to a private-innovative framework -- one that argues for the importance of local initiatives.
"The following chapters attempt to chart a course between the Scylla and Charybdis of technological and social determinism. While writing them, I have tried to strike a balance between the technical and human aspects of medieval hydraulic systems, and to remember that beneath the welter of documents and diffusion patterns, configurations and components, ordinances and expenditures, lie the perceptions, the choices, and often the plain hard work of individual men and women." -- from the Preface

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The eighteenth century in France saw the production of the world's most spectacular furniture. Curiously, there has been no major illustrated reference book for the general reader on this subject in over twenty-five years. This important new book fills that gap. An extensive introduction explains the organization and historical background of furniture makers of the period, traces the evolution of taste and style, and explores the roles of both architects and designers. The author concludes with a study of contemporary dealers and public auctions at the end of the eighteenth century. French Furniture Makers is illustrated with nearly 500 photographs, and includes a glossary of techical terms and a list of makers' marks reproduced to their actual size.

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The National Military History Museum is a Bulgarian museum based in Sofia and dedicated to military history. A structure of the Ministry of Defence, it has existed under various names and subordinate to various institutions since 1914 (in practice since 1916). It disposes of 5,000 m² of indoor and 40,000 m² outdoor (of which 500 m² covered) exhibition area, a library and a computer centre.
This book presents one part of the permanent collections.

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Russell Hardin presents a new explication of David Hume's moral and political theory. With Hume, he holds that our normative views can be scientifically explained but they cannot be justified as true. Hume argued for the psychological basis of such views. In particular, he argued for sympathy as the mirroring of the psychological sensations and emotions of others. By placing Hume in the developing tradition of social science, as a strong forerunner of his younger friend Adam Smith, Hardin demonstrates Hume's strong strategic sense, his nascent utilitarianism, his powerful theory of convention as a main source of social and political order, and his recognition of moral and political theory as a single enterprise.

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It was in 1660s England, according to the received view, in the Royal Society of London, that science acquired the form of empirical enquiry we recognize as our own: an open, collaborative experimental practice, mediated by specially-designed instruments, supported by civil discourse, stressing accuracy and replicability. Guided by the philosophy of Francis Bacon, by Protestant ideas of this worldly benevolence, by gentlemanly codes of decorum and by a dominant interest in mechanics and the mechanical structure of the universe, the members of the Royal Society created a novel experimental practice that superseded former modes of empirical inquiry, from Aristotelian observations to alchemical experimentation.
This volume focuses on the development of empiricism as an interest in the body – as both the object of research and the subject of experience. Re-embodying empiricism shifts the focus of interest to the ‘life sciences’; medicine, physiology, natural history. In fact, many of the active members of the Royal Society were physicians, and a significant number of those, disciples of William Harvey and through him, inheritors of the empirical anatomy practices developed in Padua during the 16th century. Indeed, the primary research interests of the early Royal Society were concentrated on the body, human and animal, and its functions much more than on mechanics. Similarly, the Académie des Sciences directly contradicted its self-imposed mandate to investigate Nature in mechanistic fashion, devoting a significant portion of its Mémoires to questions concerning life, reproduction and monsters, consulting empirical botanists, apothecaries and chemists, and keeping closer to experience than to the Cartesian standards of well-founded knowledge.
These highlighted empirical studies of the body, were central in a workshop in the beginning of 2009 organized by the unit for History and Philosophy of Science in Sydney. The papers that were presented by some of the leading figures in this area are presented in this volume.

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It is said that no fewer than thirty thousand adherents were executed before the trouble was finally suppressed; from which statement it is easy to gather that under whatever form the White Lily Society may have been originally initiated, its activities were now of a much more serious character, and were, in fact, plainly directed against the power and authority of the Manchus.

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The Archaeology of the Colorado Coalfield War Project has conducted archaeological investigations at the site of the Ludlow Massacre in Ludlow, Colorado, since 1996. With the help of the United Mine Workers of America and funds from the Colorado State Historical Society and the Colorado Endowment for the Humanities, the scholars involved have integrated archaeological finds with archival evidence to show how the everyday experiences of miners and their families shaped the strike and its outcome. The Archaeology of Class War weaves together material culture, documents, oral histories, landscapes, and photographs to reveal aspects of the strike and life in early twentieth-century Colorado coalfields unlike any standard documentary history. Excavations at the site of the massacre and the nearby town of Berwind exposed tent platforms, latrines, trash dumps, and the cellars in which families huddled during the attack. Myriad artifacts - from canning jars to a doll's head - reveal the details of daily existence and bring the community to life. The Archaeology of Class War will be of interest to archaeologists, historians, and general readers interested in mining and labor history.

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Summarizing modern research on early hominid evolution from the apes six million years ago to the emergence of modern humans, this book is the first to present a synthetic discussion of many aspects of early human life.

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The rise and fall of sugar trader Julio Lobo becomes a window into prerevolutionary Cuba, the mechanics of building an economic empire--and the author's own personal history--in this atmospheric biography by Rathbone, deputy head of the Financial Times's Lex column and former World Bank economist. Lobo, "Cuba's richest man and one of the world's greatest speculators," is an intriguing subject ("friends nicknamed him El Veneno, the poisonous one, for his charm and sibylline tongue"), and Rathbone handles his volte face, from hobnobbing with Bette Davis to the loss of his fortune and death in exile in Spain, with finesse. Ample drama--multiple divorces, audacious hostile takeovers, assassination attempts--is given gravity by Rathbone's parallels with and personal connections to his subject: his family traveled in Lobo's social circle in Cuba during the first half of the 20th century. An exceptionally rich portrait not only of an empire and its progenitor but Cuba itself, and the economic legacy of Castro's revolution, the loss of capital, and the end of Cuba's "great age of sugar."

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The little-known world of art theft is compellingly portrayed in Dolnick's account of the 1994 theft and recovery of Edvard Munch's iconic painting The Scream. The theft was carried out with almost comical ease at Norway's National Gallery in Oslo on the very morning that the Winter Olympics began in that city. Despite the low-tech nature of the crime, the local police were baffled, and Dolnick (Down the Great Unknown; Madness on the Couch) makes a convincing case that the fortunate resolution of the investigation was almost exclusively due to the expertise, ingenuity and daring of the "rescue artist" of the title: Charley Hill, a Scotland Yard undercover officer and former Fulbright scholar who has made recovering stolen art treasures his life's work. Hill is a larger-than-life figure who seems lifted from the pages of Elmore Leonard, although his adversaries in this inquiry are fairly pedestrian. While the path to the painting's retrieval is relatively straightforward once some shady characters put the word out that they can get their hands on it, the narrative's frequent detours to other crimes and engaging escapades from Hill's past elevate this work above last year's similar The Irish Game by Matthew Hart.

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Since its construction 4,500 years ago for Pharaoh Khufu, the Great Pyramid of Giza has remained an engineering mystery. According to Egyptologist Brier (The Murder of Tutankhamen) and architect Houdin, the monument was designed by Khufu's brother Hemienu, an architectural genius, and built in two decades by 25,000 paid Egyptian construction workers. Having studied the structure minutely and using computer graphics to visualize every aspect of the pyramid and its construction, Houdin offers a radical proposal of how the huge limestone and granite blocks were raised: the pyramid was built from the inside out around a mile-long ramp corkscrewed up to the top, which remains in the pyramid's walls. The authors' prose is lucid, aided by drawings and photos, and the theories are intriguing but inconclusive until permission can be obtained from Egyptian authorities to thermally photograph the pyramid and determine its internal structure. The highly technical nature of some of the architectural and engineering material makes this book more suitable for experts in archeology and architecture than for buffs.

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"A wonderfully clear account of the great moments in medicine and a powerful reminder of the possibility of improvement in the fight against illness." -–Matt Ridley, author of Genome
10 World-Changing Revolutions in Medicine...and the Remarkable Human Discoveries That Made Them Possible
• The unforgettable life-or-death stories behind antibiotics, vaccines, DNA, X-rays, and more
• What happened, how it happened, and what it means to you today
• A colorful cast of characters whose discoveries were often driven not only by personal tragedy, curiosity, and hard work, but petty bickering, dumb luck, and a healthy dose of humor
• For anyone interested in science, medicine, and beyond...
Why are you alive right now? Chances are, you owe your life to one of the remarkable medical discoveries in this book. Maybe it was vaccines. Or antibiotics. Or X-rays. Revolutionary medical breakthroughs like these haven’t just changed the way we treat disease, they’ve transformed how we understand ourselves and the world we live in. In Breakthrough!, Jon Queijo tells the hidden stories behind 10 of history’s most amazing medical discoveries. This isn’t dry history: These are life-and-death mysteries uncovered, tales of passionate, often-mocked individuals who stood their ground and were proven right. From germs to genetics, the ancient Hippocrates to the cutting edge, these are stories that have changed the world–and, quite likely, saved your life.

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This 2006 bilingual (Croation/English) cooperative exhibition catalogue from the Archaeological Museum in Zagreb (Croatia), the Museum of Dolenjsk in Novo Mesto (Slovenia), and the Croation Natural History Museum both explains the cultural significance of amber and glass and the similarities and differences of their use in two different areas of southern Europe (map) during the last millennium BCE. Both amber and glass were expensive, highly valued materials; they also indicate a trade network, especially with Baltic lands, and manufacturing. A valuable resource for many interests, excellent photography.
194pp. = illus. text, short bibliography, catalogue of 313 artifacts and mineral specimens

Bakarić, Lidija; Križ, Borut; Šoufek, Marin, eds. - Pretovijesni jantar i stalko iz Prozera u Lici i Novog Mesta u Dolenjsko = Prehistoric amber and glass from Prozor in Lika and Novo Mesto in Dolenjska.
Granice japodskog područja su se mijenjale kroz stoljeća. Matično područje obuhvaća Liku i Ogulinsko-plaščansku udolinu i srednji tok rijeke Une. Japodska željeznodobna kultura obiluje jantarni nakitom raznovrsnih oblika, a najviše ga je nađeno u grobovima nekropole u Prozoru.

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  • 16 KB
  • 13 gru 18 15:43
The recording industry's panic over illegal downloads is nothing new; a century ago, London publishers faced a similar crisis when pirate editions of sheet music were widely available at significantly less cost. Similarly, the debate over pharmaceutical patents echoes an 18th-century dispute over the origins of Epsom salt. These are just two of the historical examples that Johns (The Nature of the Book) draws upon as he traces the tensions between authorized and unauthorized producers and distributors of books, music, and other intellectual property in British and American culture from the 17th century to the present. Johns's history is liveliest when it is rooted in the personal—the 19th-century renegade bibliographer Samuel Egerton Brydges, for example, or the jazz and opera lovers who created a thriving network of bootleg recordings in the 1950s—but the shifting theoretical arguments about copyright and authorial property are presented in a cogent and accessible manner. Johns's research stands as an important reminder that today's intellectual property crises are not unprecedented, and offers a survey of potential approaches to a solution

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  • 13 gru 18 15:43
What is a hammer-beam roof? Where does a voissoir fit in an arch? What churches did Nicholas Hawksmoor design? Now architecture students and others interested in the history of the built environment can consult a single reference book to find the answers to these and to hundreds of other questions, quickly and in the form most easily comprehended: clear and logical drawings. There are 2000 drawings in this book covering the history of Western architecture from Egypt through Wright, Saarinen, and Fuller.

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BG.SP..1450

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