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This book considers traditional assumptions about the nature of social relationships in Greek households during the Classical and Hellenistic periods, which draws on archaeological evidence from individual houses rather than textual sources. The focus of the study is the domestic organization of households, particularly the relationships between men and women within the households, between household members and outsiders, and with the wider social structures of the polis or city state, and how these changed with time.

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This is the first volume in the final publication of the University of Cincinnati's investigations on the island of Keos. It describes the excavation of a small site on the headland of Kephala, about one kilometer north of the Bronze Age site of Ayia Irini. Remains of both a settlement and its cemetery were uncovered, unusual in excavated Aegean sites earlier than the second millennium B.C. Although doubt is expressed about its exact date, the site definitely falls into the period between the Neolithic and Early Bronze Age, when evidence of a hierarchical, more developed society emerges. Occupied for less than a century by a community of fewer than 100 people, the settlement was probably abandoned around the end of the fourth millennium B.C. perhaps because a worsening climate could no longer support early agriculture on the barren rocks around the site. The report concludes with specialist studies on the different classes of artifact found, including some of the earliest evidence for copper-working in the Aegean.

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Fritz Graf provides a survey of Apollo, from his first attestations in Homer and the complicated question of Pre-Homeric Apollo, to the opposition between Apollo and Dionysos in 19th and 20th century thinking. Greek religion and myth are examined to provide a full account of Apollo in the ancient world. This book will be of great interest to students of Greek religion and culture and also working in associated fields such as art and literature. The book is also suitable for the general reader.

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'This is an important work that contributes greatly to both the study of terracotta figurines and to our understanding of the nature and conduct of the cult at the Sanctuary of Demeter and Kore....It is well organized and well illustrated, two very important attributes for any archaeological work. The detailed notes and extensive bibliography are reflective of the careful attention to detail that Merker displays throughout the study. This volume continues the high level of scholarship contained in the three previous volumes and is a worthy addition to the series.' - Scott Moore
This volume publishes the terracotta figurines of the Classical, Hellenistic, and Roman periods from the Sanctuary of Demeter and Kore on Acrocorinth. The coroplastic finds from this site, numbering in total about 24,000 figurines and fragments, greatly enrich the known body of Corinthian figurines not only in number but also in the addition of many entirely new types and style. Working far beyond the output of the Potters' Quarter workshops, the Corinthian coroplasts are revealed as inventive, often highly adept in technique, and attuned to stylistic developments in the plastic arts in general.

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Classicists have been slow to take advantage of the important advances in the way that literacy is viewed in other disciplines (including in particular cognitive psychology, socio-linguistics, and socio-anthropology). On the other hand, historians of literacy continue to rely on outdated work by classicists (mostly from the 1960's and 1970's) and have little access to the current reexamination of the ancient evidence. This timely volume attempts to formulate new interesting ways of talking about the entire concept of literacy in the ancient world--literacy not in the sense of whether 10% or 30% of people in the ancient world could read or write, but in the sense of text-oriented events embedded in a particular socio-cultural context. The volume is intended as a forum in which selected leading scholars rethink from the ground up how students of classical antiquity might best approach the question of literacy in the past, and how that investigation might materially intersect with changes in the way that literacy is now viewed in other disciplines.

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Many pieces of Greek sculpture are very familiar to us - the Discobolus, the Venus de Milo and the Parthenon frieze, for instance - but our appreciation of them as "works of art," enshrined in museums, is far removed from the ways in which the ancient Greeks saw and perceived them. To comprehend why Greek sculpture looks as it does we have to recreate the conditions of its production and consider those who commissioned, used and viewed it as much as the sculptors whom we traditionally associate with its creation. In a stimulating new approach to the subject, Understanding Greek Sculpture re-examines the contexts in which Classical statuary was made and displayed. In its original intended setting, Greek sculpture not only looked quite different - massed together or elevated on pediments and friezes, and brightly painted - but it also served social, religious and political purposes that might surprise us. Drawing on literary, historical and archaeological evidence, Nigel Spivey explains the techniques of the manufacture of Greek sculpture and traces its production from the eighth century BC to the Hellenistic period. In an eloquent text illustrated throughout with diverse examples, he explores the effects on sculpture of the demands of votive religion, the culture of heroes and the faith in deities in human form. He also looks at the causes of the "Greek Revolution" when sculptors discovered how to portray the human body naturalistically.

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Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility of craft and community yields new insight into such issues as orthogonal planning and the appearance of the encompassing colonnade - the ptera or "wings" - that made Greek temples Greek. Who was Socrates' ancestor? Socrates claims it was Daedalus, the mythical first architect. Socrates' ancestors were also the first Western philosophers: the pre-Socratic thinkers of archaic Greece where the Greek city-state with its monumental temples first came to light. McEwen brilliantly draws out the connections between Daedalus and the earliest Greek thinkers, between architecture and the advent of speculative thought. She argues that Greek thought and Greek architecture share a common ground in the amazing fabrications of the legendary Daedalus: statues so animated with divine life that they had to be bound in chains, the Labyrinth where Theseus slew the Minotaur, Ariadne's dancing floor in Knossos. Socrates' Ancestor is an exploration as remarkable for its clarity as for its avoidance of reductionism. Drawing as much on the power of myth and metaphor as on philosophical, philological, and historical considerations, McEwen first reaches backward: from Socrates to the earliest written record of Western philosophy in the Anaximander B1 fragment, and its physical expression in Anaximander's built work - a "cosmic model" that consisted of a celestial sphere, a map of the world, and the first Greek sun clock. From daedalean artifacts she draws out the centrality of early Greek craftsmanship and its role in the making of the Greek city-state. The investigation then moves forward to a discussion of the polis and the first great peripteral temples that anchored for the meaning of "city." Indra Kagis McEwen teaches architecture at the National Theatre School of Canada and at l'Université du Québec à Montréal.

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Focusing on the Mediterranean area where water management is crucial, this pioneering study is the first to show how the supply, distribution, and drainage of water contributed to the urbanization of ancient cities. Drawing from classical archaeology, the theory and history of urbanization, geology, and hydraulic engineering, Crouch examines water-system elements, including springs, fountains, wells, channels and drains, latrines, laundry, and dishwashing, as they relate to each other and to the physical, historical, and social bases of ancient Greek cities. Studying numerous sites including Pompeii, Pergamon, Athens, Samos, Delphi, and Corinth, she concludes that increased knowledge and skill in management of water contributed directly to the urbanization of the ancient Greek world.

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Aeschylus' Oresteia, Sophocles' Oedipus plays, Euripides' Medea and Bacchae, and Aristophanes' Birds and Lysistrata are discussed in this lively and scholarly volume. The author's experience teaching these plays to gifted high school students makes this volume particularly useful. The drama festivals, the adaptations of myth, the relevance of Aristotelian criteria, and the political and cultural background of each play are described fully, and the nature of tragedy and comedy, plot construction, stagecraft, theme, character, imagery and individual odes and speeches are analyzed in depth.

The 5th century BC witnessed the flourishing of Athenian culture and was one of the most influential periods in history. The achievements of the Greeks at that time forever shaped our political and legal institutions and provided the foundation for Western civilization. At the same time, the world of the Greeks is distant and exotic to contemporary students. The values and beliefs of the Greeks are best represented in the plays that were crafted at that time, and these works continue to be widely read and studied. This book is a valuable introduction to ancient Greek drama.

Designed for high school students, undergraduates, and their teachers, this work describes the origins and physical aspects of ancient Greek theatre, discusses Aristotle's Poetics, and analyzes, in ten separate chapters, ten frequently studied Greek plays: Aeschylus' Oresteia, Sophocles' Antigone, Oedipus Rex and Oedipus at Colonus, Euripides' Medea and Bacchae and Aristophanes' Birds and Lysistrata. For each there is cultural, political and mythological background, plot synopsis, and analysis of overall structure and important scenes, speeches and odes. The Aristophanes chapters explore comic method and all chapters discuss theme and stagecraft in depth.

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Tracing the historical origin and the critical development of Hellenic philosophy from vague and indeterminate beginnings to its classical maturity and fruition in the minds, words and works of the Athenian philosophers, Socrates, Plato, and Aristotle, this book argues that dignified nobility, respectful critique and unfettered freedom of thought and expression clearly defined the character of Classical Hellenic philosophy and that this distinguishes it from philosophies of different eras. Evangeliou examines the historical influence of Hellenic philosophy and its complex global relations to other non-Hellenic philosophies of Africa, Asia and Europe and also considers how contemporary and politically sensitive issues relate to the nature of Western culture and European philosophy. Radical and revisionary in nature, this work challenges many of the long cherished myths about the influence of Classical Hellenic philosophy on the tradition of Western thought.

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In Race and Citizen Identity in the Classical Athenian Democracy, Susan Lape demonstrates how a race ideology grounded citizen identity. Although this ideology did not manifest itself in a fully developed race myth, its study offers insight into the causes and conditions that can give rise to race and racisms in both modern and pre-modern cultures. In the Athenian context, racial citizenship emerged because it both defined and justified those who were entitled to share in the political, symbolic, and socioeconomic goods of Athenian citizenship. By investigating Athenian law, drama, and citizenship practices, this study shows how citizen identity worked in practice to consolidate national unity and to account for past Athenian achievements. It also considers how Athenian identity narratives fueled Herodotus' and Thucydides' understanding of history and causation.

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Greek mythology still grabs the modern consciousness. Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes& mdash;but what exactly did these divinities stand for? A team of international scholars offer fresh insight into the making and meaning of Greek mythology. They recount the stories and significance of individual gods and ask to what extent cult, myth, and literary genre determine the nature of divinity. How do Greek gods function within a polytheistic pantheon, and what is their connection to the heroes of their myths? What is the influence of philosophy and in what way do the gods of late antiquity differ from those of classical Greece? This volume presents a synchronic and diachronic view of these characters in the decades before Christianity.

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The Athenian "golden age" occurred in the fifth century B.C.E. and was attributed to their great achievements in art, literature, science, and philosophy. However, the most important achievement of the time was the political movement from tyranny to democracy. Though tyranny is thought to be democracy's opposite and deadly enemy, that is not always the case. In Fame, Money, and Power, Brian Lavelle states that the perceived polarity between tyranny and democracy does not reflect the truth in this instance.

The career of the tyrant Peisistratos resembles the careers and successes of early democratic soldier-politicians. As with any democratic political system, Peisistratos' governance depended upon the willingness of the Athenians who conceded governance to him. This book attempts to show how the rise of Peisistratos fits into an essentially democratic system already entrenched at Athens in the earlier sixth century B.C.E.

Emerging from the apparent backwater of eastern Attika, Peisistratos led the Athenians to victory over their neighbors, the Megarians, in a long, drawn out war. That victory earned him great popularity from the Athenians and propelled him along the road to monarchy. Yet, political success at Athens, even as Solon implies in his poems, depended upon the enrichment of the Athenian d?mos, not just fame and popularity. Peisistratos tried and failed two times to "root" his tyranny, his failures owing to a lack of sufficient money with which to appease the demos. Exiled from Athens, he spent the next ten years amassing money to enrich the Athenians and power to overcome his enemies. He then sustained his rule by grasping the realities of Athenian politics. Peisistratos' tyrannies were partnerships with the d?mos, the first two of which failed. His final formula for success, securing more money than his opponents possessed and then more resources for enriching the d?mos, provided the model for future democratic politicians of Athens who wanted to obtain and keep power in fifth-century Athens.

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This edition includes photographs of the archaeological exhibits of the Archaeological Museum of Thessaloniki, as well as photographs of archaeological sites and monuments that are overseen by the 16th Ephorate of Prehistoric and Classical Antiquities of the Hellenic Ministry of Culture. The Hellenic Ministry of Culture has the copyright in these photographs and in the antiquities that constitute their subject and the Archaeological Receipts Fund receives the royalties from their publication.

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dziadek1970

dziadek1970 napisano 25.11.2013 20:38

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Pozdrawiam serdecznie
daniel5999

daniel5999 napisano 1.07.2014 10:40

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Zapraszam do mnie po Filmy Religijne , lecz nie tylko . Na moim chomiku znajdziesz również świadectwa i wykłady Religijne , które warto posłuchać . Na moim chomiku jest wiele , rzeczy , dzięki którym na pewno będziesz mógł zrozumieć pewne rzeczy . Zapraszam do pobierania i CHOMIKOWANIA . Życzę miłego i spokojnego dnia .Pozdrawiam Daniel
lovespeech.pl

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eucharystyczny

eucharystyczny napisano 26.02.2018 23:53

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shoran

shoran napisano 6.09.2020 12:45

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Becky Sharp (1935) JARMARK PRÓŻNOŚCI - PIERWSZY W PEŁNI KOLOROWY (TECHNICOLOR) FILM FABULARNY, WKLEJONE NAPISY Tłumaczenie (jedyne): WSHoran (MULTI-SUB.COM) . FILMWEB: 5,4 HD Reżyseria: Rouben Mamoulian Scenariusz: Francis Edward Faragoh Gatunek: Melodramat / Historyczny / Obyczajowy Produkcja: USA 1935 84m (KM 1,37/1 - 992x720 23.976fps 2500kbps Xvid-H.263/160mp3) Muzyka: Roy Webb Tytuły: Vanity Fair, Lady of Fortune, A Feira da Vaidade, Miss Becky Sharp une aventurière Obsada: Miriam Hopkins, Nigel Bruce, Cedric Hardwicke, Frances Dee REKONSTRUKCJA: UCLA Film & Television Archive (Pierwszy kolorowy film) OPIS: Ambitna dziewczyna, Becky Sharp (Miriam Hopkins) zostaje odtrącona przez Josepha Sedley'a (Nigel Bruce) z powodu jej niskiego pochodzenia. Zraniona Becky, zamierza udowodnić niedoszłemu amantowi, że może dokonać niebywałych rzeczy. Rozpoczyna walkę o miejsce dla siebie na salonach angielskich arystokratów. - na podstawie: William Makepeace Thackeray "Targowisko próżności" (powieść) OSTATNIO PRZETŁUMACZONE PRZEZE MNIE FILMY (ostatni kwartał): Fanka (1982) Der Fan / Arabskie noce (1942) Arabian Nights / Afekty lady Emmy Hamilton (1968) Les amours de Lady Hamilton / Syn furii (1942) Son of Fury: The Story of Benjamin Blake / Zatoka Hudsona (1941) Hudson's Bay / Jarmark próżności (1935) Becky Sharp / Towarzysz X (1940) Comrade X / Nie wybawiaj nas od zła (1971) Mais ne nous délivrez pas du mal / Doktor Złotastopa i Roboty w bikini (1965) Dr. Goldfoot and the Bikini Machine / Nefretete, królowa Nilu (1961) Nefertiti regina del Nilo, Queen of the Nile / Oblężenie Syrakuz (1960) L'ASSEDIO DI SIRACUSA
vasal57835

vasal57835 napisano 9.12.2022 03:22

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Super chomik
wihek53709

wihek53709 napisano 28.05.2023 06:35

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Zapraszam
LeonxD6376

LeonxD6376 napisano 23.12.2024 10:47

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doruszno

doruszno napisano 12.02.2025 20:37

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Film- klasyka. Mamy remake Sabriny z Harisonem Fordem. Nie pamietam aktorki, ale jedzie do Paryza i uczy sie fotografi. Jakie czasy taka Sabrina i jej zawod. Mam sentyment to Bogarta Heburn. Dziekuje za film bo chetnie obejrze

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