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  • 4 wrz 14 13:34

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This volume deals with the concept of 'West' and 'East', as held by the ancient Greeks. Cultural exchange in Archaic and Classical Greece through the establishment of Hellenic colonies around the ancient world was an important development, and always a two-way process. To achieve a proper understanding of it requires study from every angle. All 24 papers in this volume combine different types of evidence, discussing them from every perspective: they are examined not only from the point of view of the Greeks but from that of the locals. The book gives new data, as well as re-examining existing evidence and reinterpreting old theories. The book is richly illustrated.

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Andrew Bell's analysis of the power of prestige in civic communities of the ancient world demonstrates the importance of crowds' aesthetic and emotional judgement upon leaders and their ambitious claims for immediate and lasting significance; and also finds consideration of this dynamic still to be valuable for modern citizens. An initial discussion of the fall of Ceausescu in 1989 prompts theoretical considerations about the inseparability of authority and its manifestation; and scrutiny of Julius Caesar's gestures towards self-definition introduces the complexity of ancient political relations.

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Explores the connections between sexual difference and political structure in ancient Greek tragedy.
This collection offers a vibrant exploration of the bonds between sexual difference and political structure in Greek tragedy. In looking at how the acts of violence and tortured kinship relations are depicted in the work of all three major Greek tragic playwrights—Aeschylus, Sophocles, and Euripides—the contributors shed light on the workings and failings of the Greek polis, and explore the means by which sexual difference and the city take shape in relation to each other. The volume complements and expands the efforts of current feminist interpretations of Antigone and the Oresteia by considering the meanings of tragedy for ancient Athenian audiences while also unveiling the reverberations of Greek tragedy's formulations and dilemmas in modern political life and for contemporary political philosophy.

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This Companion volume offers fifteen original essays on the Hellenistic world and is intended to complement and supplement general histories of the period from Alexander the Great to Kleopatra VII of Egypt. Each chapter treats a different aspect of the Hellenistic world - religion, philosophy, family, economy, material culture, and military campaigns, among other topics. The essays address key questions about this period: To what extent were Alexander's conquests responsible for the creation of this new 'Hellenistic' age? What is the essence of this world and how does it differ from its Classical predecessor? What continuities and discontinuities can be identified? Collectively, the essays provide an in-depth view of a complex world. The volume also provides the most recent bibliography on the topics along with recommendations for further reading.

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Ancient Greece was a place of tremendous political experiment and innovation, and it was here too that the first serious political thinkers emerged. Using carefully selected case-studies, Professor Cartledge investigates the dynamic interaction between ancient Greek political thought and practice from early historic times to the early Roman Empire. Of concern throughout are three major issues: first, the relationship of political thought and practice; second, the relevance of class and status to explaining political behaviour and thinking; third, democracy - its invention, development and expansion, and extinction, prior to its recent resuscitation and even apotheosis. In addition, monarchy in various forms and at different periods and the peculiar political structures of Sparta are treated in detail over a chronological range extending from Homer to Plutarch. The book provides an introduction to the topic for all students and non-specialists who appreciate the continued relevance of ancient Greece to political theory and practice today.

Review
"...I think this book shows that the ancient world presents particular challenges, and that its politics remain in need of sustained theoretical attention. The first section of the book -- distressingly, only two paragraphs long -- is called "Meaning in context: how to write a history of Greek political thought". I think it probably is better taken as a question: "How should we write a history of Greek political thought?" How immensely we will profit should Cartledge write a book that tries to answer it. --Brendan Boyle, University of North Carolina, Chapel Hill, BMCR

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Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.

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This book provides a brief and accessible introduction to Greek tragedy for students and general readers alike. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information; helps readers appreciate, enjoy, and engage with the plays themselves; and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen, and Orestes - in order to convey the variety that the tragedies offer readers.

Review
Advance Quotes: "Scodel's book is an accessible and lively account of a complex dramatic form with enduring interest for modern audiences. In addition to providing reliable background information, she draws her readers into fascinating debates about the origins, staging, and interpretation of tragedy and brings to life both familiar and lesser-known characters in her lucid analyses of individual plays." - Laura McClure, University of Wisconsin-Madison

"An engaging overview that is informative and accessible without being bland or reductive. Scodel dispenses with unhelpful truisms to present tragedy as a diverse and much-debated art form with multiple meanings and functions." - Sheila Murnaghan, University of Pennsylvania

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Adrian Kuzminski argues that Pyrrhonism, an ancient Greek philosophy, can best be understood as a Western form of Buddhism. Not only is its founder, Pyrrho, reported to have traveled to India and been influenced by contacts with Indian sages, but a close comparison of ancient Buddhist and Pyrrhonian texts suggests a common philosophical practice, seeking liberation through suspension of judgment with regard to beliefs about non-evident things.

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This volume presents a series of papers delivered at a two-day session of the Theban Workshop held at the British Museum in September 2003. Due to its political and religious prominence throughout much of pharaonic history, the region of ancient Thebes offers scholars a wealth of monuments whose physical remains and extant iconography may be combined with textual sources and archaeological finds in ways that elucidate the function of sacred space as initially conceived, and which also reveal adaptations to human need or shifts in cultural perception. The contributions herein address issues such as the architectural framing of religious ceremony, the implicit performative responses of officiants, the diachronic study of specific rites, the adaptation of sacred space to different uses through physical, representational, or textual alteration, and the development of ritual landscapes in ancient Thebes.

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THESE are the researches of Herodotus of Halicarnassus, which he publishes, in the hope of thereby preserving from decay the remembrance of what men have done, and of preventing the great and wonderful actions of the Greeks and the Barbarians from losing their due meed of glory; and withal to put on record what were their grounds of feuds.

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What drove the ancient Greeks to explore human nature and invent Western politics? This book argues that the Greeks believed speech made humans different from other animals. But, this zoological comparison also provided the metaphorical means for viewing those 'lacking' authoritative speech--women, barbarians, and slaves, etc.--as bestial. This link between speech, humanity, and status is revealed through close study of both Homeric epics, classical Athenian culture, Aeschylus' Oresteia, and Plato's Dialogues.

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Recent literary-critical work in legal studies reads law as a genre of literature, noting that Western law originated as a branch of rhetoric in classical Greece and lamenting the fact that the law has lost its connection to poetic language, narrative, and imagination. But modern legal scholarship has paid little attention to the actual juridical discourse of ancient Greece. This book rectifies that neglect through an analysis of the courtroom speeches from classical Athens, texts situated precisely at the intersection between law and literature. Reading these texts for their subtle literary qualities and their sophisticated legal philosophy, it proposes that in Athens' juridical discourse literary form and legal matter are inseparable. Through its distinctive focus on the literary form of Athenian forensic oratory, Law's Cosmos aims to shed new light on its juridical thought, and thus to change the way classicists read forensic oratory and legal historians view Athenian law.

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Ancient greek scholarship constitutes a precious resource for classicists, but one that is underutilized because graduate students and even mature scholars lack familiarity with its conventions. The peculiarities of scholarly Greek and the lack of translations or scholarly aids often discourages readers from exploiting the large body of commentaries, scholia, lexica, and grammatical treatises that have been preserved on papyrus and via the manuscript tradition. Now, for the first time, there is an introduction to such scholarship that will enable students and scholars unfamiliar with this material to use it in their work. Ancient Greek Scholarship includes detailed discussion of the individual ancient authors on whose works scholia, commentaries, or single-author lexica exist, together with explanations of the probable sources of that scholarship and the ways it is now used, as well as descriptions of extant grammatical works and general lexica. These discussions, and the annotated bibliography of more than 1200 works, also include evaluations of the different texts of each work and of a variety of electronic resources.
This book not only introduces readers to ancient scholarship, but also teaches them how to read it. Here readers will find a detailed, step-by-step introduction to the language, a glossary of over 1500 grammatical terms, and a set of more than 200 passages for translation, each accompanied by commentary. The commentaries offer enough help to enable undergraduates with as little as two years of Greek to translate most passages with confidence; in addition, readers are given aids to handling the ancient numerical systems, understanding the references found in works of ancient scholarship, and using an apparatus criticus (including an extensive key to the abbreviations used in an apparatus). Half the passages are accompanied by a key, so that the book is equally suitable for those studying on their own and for classes with graded homework.

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Tragedy was central to the experience of being a fifth-century Athenian citizen. Tragedy explored fundamental issues of religion, of ethics, of civic ideology, and we should expect it to be a central source for the reconstruction and analysis of the Athenian thought and world. This collection of eleven papers investigates the methods and pitfalls of using tragedy to illuminate fifth-century thought, culture, and society.

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This volume offers dramatic illumination of the ways in which the ancient Greeks both created and interpreted their world through the specific language of personal names. For the ancient Greeks, the assertion of origin was essential in defining their sense of who they were and how they distinguished themselves from neighbors and strangers. Each person's name might carry both identity and origin. Names have surfaced in many guises and locations--on coins and artefacts, embedded within inscriptions and manuscripts--carrying with them evidence even from prehistoric and preliterate times. The contributors to this volume draw on The Lexicon of Greek Names, which has already identified more than 200,000 individuals, to demonstrate the breadth of scholarly uses to which name evidence can be put. The contributors also narrate the stories of political and social change revealed by the incidence of personal names and cast a fascinating light upon both the natural and supernatural phenomena which inspired them.

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In 1928, and again in 1937, parts of a large-scale bronze horse and nearly complete jockey were recovered from the sea off Cape Artemision in Greece, where they had gone down in a shipwreck. These original Hellenistic sculptures, known together as the "Horse and Jockey Group from Artemision," are among the very few surviving bronze sculptures from antiquity. Seán Hemingway has been allowed by the National Museum in Athens to investigate the horse and jockey statuary group as no one ever has before, and in this book, combining archaeological and art historical methods of investigation, he provides the first in-depth study of this rare and beautiful monument. New technical analyses of the statues by Helen Andreopoulou-Mangou form an appendix to the volume. Hemingway begins with an introduction to Hellenistic bronze statuary and what we know about this extraordinary class of ancient sculpture. He then recounts with riveting detail the discovery and painstaking restoration of the statue group, describing the technique of its creation and carefully reviewing scholarly knowledge and speculation about it. He also provides a valuable compendium of what is known about ancient Greek horse racing, the most prestigious and splendid of all Greek sports. After a full consideration of all the available evidence, he speculates further about the work's original meaning and function. His study provides a glimpse of the excellence achieved by Hellenistic bronze sculptors, and it will become the definitive resource on this unique sculpture from ancient Greece.

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Pottery made in the Aegean during the Late Bronze Age has been found in many parts of the Mediterranean—Mycenaean dinner and storage vessels, for example, have been discovered at some four hundred sites outside Greece. These artifacts provide one of the main sources of information on Mycenaean trade and interregional contact, but the role of pottery in international exchange during this period is still not properly understood. Gert Jan van Wijngaarden brings us closer with this study, which investigates patterns of consumption for the three biggest importers of Mycenaean pottery: the Levant, Cyprus, and Italy.

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dziadek1970

dziadek1970 napisano 25.11.2013 20:38

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Pozdrawiam serdecznie
daniel5999

daniel5999 napisano 1.07.2014 10:40

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Zapraszam do mnie po Filmy Religijne , lecz nie tylko . Na moim chomiku znajdziesz również świadectwa i wykłady Religijne , które warto posłuchać . Na moim chomiku jest wiele , rzeczy , dzięki którym na pewno będziesz mógł zrozumieć pewne rzeczy . Zapraszam do pobierania i CHOMIKOWANIA . Życzę miłego i spokojnego dnia .Pozdrawiam Daniel
lovespeech.pl

lovespeech.pl napisano 21.08.2017 16:29

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eucharystyczny

eucharystyczny napisano 26.02.2018 23:53

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shoran

shoran napisano 6.09.2020 12:45

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Becky Sharp (1935) JARMARK PRÓŻNOŚCI - PIERWSZY W PEŁNI KOLOROWY (TECHNICOLOR) FILM FABULARNY, WKLEJONE NAPISY Tłumaczenie (jedyne): WSHoran (MULTI-SUB.COM) . FILMWEB: 5,4 HD Reżyseria: Rouben Mamoulian Scenariusz: Francis Edward Faragoh Gatunek: Melodramat / Historyczny / Obyczajowy Produkcja: USA 1935 84m (KM 1,37/1 - 992x720 23.976fps 2500kbps Xvid-H.263/160mp3) Muzyka: Roy Webb Tytuły: Vanity Fair, Lady of Fortune, A Feira da Vaidade, Miss Becky Sharp une aventurière Obsada: Miriam Hopkins, Nigel Bruce, Cedric Hardwicke, Frances Dee REKONSTRUKCJA: UCLA Film & Television Archive (Pierwszy kolorowy film) OPIS: Ambitna dziewczyna, Becky Sharp (Miriam Hopkins) zostaje odtrącona przez Josepha Sedley'a (Nigel Bruce) z powodu jej niskiego pochodzenia. Zraniona Becky, zamierza udowodnić niedoszłemu amantowi, że może dokonać niebywałych rzeczy. Rozpoczyna walkę o miejsce dla siebie na salonach angielskich arystokratów. - na podstawie: William Makepeace Thackeray "Targowisko próżności" (powieść) OSTATNIO PRZETŁUMACZONE PRZEZE MNIE FILMY (ostatni kwartał): Fanka (1982) Der Fan / Arabskie noce (1942) Arabian Nights / Afekty lady Emmy Hamilton (1968) Les amours de Lady Hamilton / Syn furii (1942) Son of Fury: The Story of Benjamin Blake / Zatoka Hudsona (1941) Hudson's Bay / Jarmark próżności (1935) Becky Sharp / Towarzysz X (1940) Comrade X / Nie wybawiaj nas od zła (1971) Mais ne nous délivrez pas du mal / Doktor Złotastopa i Roboty w bikini (1965) Dr. Goldfoot and the Bikini Machine / Nefretete, królowa Nilu (1961) Nefertiti regina del Nilo, Queen of the Nile / Oblężenie Syrakuz (1960) L'ASSEDIO DI SIRACUSA
vasal57835

vasal57835 napisano 9.12.2022 03:22

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Super chomik
wihek53709

wihek53709 napisano 28.05.2023 06:35

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Zapraszam
LeonxD6376

LeonxD6376 napisano 23.12.2024 10:47

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doruszno

doruszno napisano 12.02.2025 20:37

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Film- klasyka. Mamy remake Sabriny z Harisonem Fordem. Nie pamietam aktorki, ale jedzie do Paryza i uczy sie fotografi. Jakie czasy taka Sabrina i jej zawod. Mam sentyment to Bogarta Heburn. Dziekuje za film bo chetnie obejrze

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