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"Full of solid, insider information with just the right amount of cynicism."

—Travel Savvy magazine

Are you tired of cliché-ridden guidebooks packed with promotional fluff? Then move over to the IRREVERENT GUIDES-the travel series that no tourist board would dare to recommend.

Look inside for the lowdown on:

* The best places to stay, from luxury to budget-conscious-plus where to avoid conventioneers
* Pizza that the locals line up for . . . even in the dead of winter
* The top sights for everyone, from art enthusiasts to talk-show junkies to nature lovers to Wrightophiles
* The best neighborhoods for unrepentant shopaholics
* Chicago's preeminent nightlife-from comedy clubs to the best local blues joints

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The life and times of Louis B. Mayer.

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While the state of California remains one of the most striking and varied landscapes in the world, it has experienced monumental changes since European settlers first set foot there. The past two centuries have witnessed an ongoing struggle between environment and economy, nature and humanity that has left an indelible mark on the region.
For each chapter, Merchant has selected original documents that give readers an eyewitness account of specific environments and periods, along with essays from leading historians, geographers, scientists, and other experts that provide context and analysis for the documents. In addition, she presents a list of further readings of both primary and secondary sources. Among other topics, chapters examine.
- California's natural environment and Native American lands
- the Spanish and Russian frontiers
- environmental impacts of the gold rush
- the transformation of forests and rangelands
- agriculture and irrigation
- cities and urban issues
- the rise of environmental science and contemporary environmental movement.

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From the Tappan Zee bridge in Manhattan, this guide takes you up the Hudson all the way to Lake Champlain and Vermont. The authors explore the surrounding mountains and lakes, and tell of the best hikes, scenic drives, canoe trips and more. Lake Mohonk, Rhinebeck and Sleepy Hollow are just a few of the highlights. You will also discover lodges and inns hidden in the hills and places to eat that serve everything from diner-style hot dogs to five-star haute cuisine. The series of "Adventure Guides" are about living more intensely, waking up to your surroundings and truly experiencing all that you encounter. Each book offers a mix of practical travel information along with activities designed for everyone, no matter what their age or ability. Comprehensive background information - history, culture, geography and climate - presents a knowledge of each destination and its people. Regional chapters take you on an introductory tour, with stops at museums, historic sites and local attractions. The volumes also cover: places to stay and eat; transportation to, from and around your destination; practical concerns; useful websites; e-mail addresses; and tourism contacts. Detailed regional and town maps feature walking and driving tours.

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The best guide to South Florida's natural wonders and unique treasures. This guide explores all the way from romantic Key Largo to Big Pine Key, Little Torch Key and funky Key West. It offers extensive information on ways to explore, including aerial tours, cycling trails, the Pelican Path (Key West), canoe and kayak tours and nature hikes.

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In Fortunes of Change, David Callahan contends that something big is happening among the rich in America: they’re drifting to the left. When Callahan set out to write a book on the new upper class, he expected to profile a greedy and reactionary elite—the robber barons of a second Gilded Age. Instead, he discovered something else. While many of the rich still back a GOP that stands against taxes and regulation, liberalism is spreading fast among the wealthy.

In Fortunes of Change, we meet an upper class increasingly filled with super-educated professionals and entrepreneurs who work in “knowledge” industries and live in the bluest parts of America. This cosmopolitan elite takes for granted such key liberal ideas as multiculturalism and active government, and have ever less in common with an extremist GOP based in small-town America and dominated by Tea Party activists and the likes of Sarah Palin. Fortunes of Change explores:

* Why some of America’s wealthiest people backed Barack Obama’s presidential bid and are pouring record sums into the Democratic Party and liberal organizations, even though they stand to see their taxes go up.
* How a few big donors have spent millions to create the modern gay rights movement and how environmental activists have tapped a river of new liberal cash.
* Why Hollywood, rolling in new profits thanks to globalization, has more money than ever to back Democratic candidates and push politics to the left.
* Why Silicon Valley is turning more liberal and how tech money—including Bill Gates’s vast fortune—is funding a growing array of liberal groups and politicians.
* How the upper class is likely to get more liberal as young heirs are inculcated with liberal ideas in America’s most elite prep schools and universities.
* David Callahan is a co-founder of the think tank Demos, where he is now a senior fellow. He is author of the Cheating Culture, among other books, and his articles have appeared in such places as USA Today, the New York Times, the Nation, and the Washington Monthly.

Packed with surprising facts and behind-the-scene stories, Fortunes of Change is a must-read book if want to understand how America's politics and culture are changing—and what the future may hold.

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A concise analysis of the evolution of monetary policy and banking institutions over the past sixty years that stresses the dynamic interactions between the Federal Reserve and banking institutions that resulted from financial market innovations. Institutions were influenced by increasing competition in markets and monetary policies. The book consists of two parts, which are organized chronologically. The first has chapters that correspond with terms of chairmen of the Federal Reserve Board. It critically analyzes decisions taken by the Federal Open Market Committee in each period and argues that innovations forced changes in the design and conduct of monetary policy. The second part analyzes how banking institutions evolved from a very conservative and regulated system in 1945 to highly inventive financial firms and how this evolution has affected the distribution of credit, wealth, and income in the US.

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The Alaska Highway provides a route to Alaska's untouched North. This guide explores the sights and activities along its route, from the Indian settlements and wildlife refuges to activities such as scuba diving, hiking, paragliding, waterskiing and rafting.

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You'll discover the best places to buy regional arts and crafts; the top restaurants, from fabulous seafood joints to trendy brewpubs; the hippest coffee bars; and the best hiking, biking, kayaking, and fishing in the glorious landscapes nearby. All the top city sights are here, plus side trips to the lovely San Juan Islands, Mount Rainier, and Mount St. Helen's.
Inside you'll find accommodations to suit every taste and budget, plus nightlife, a complete shopper's guide, and a host of detailed, accurate maps.

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Containing a complete account of the destruction of the battleship Maine, hurried preparations for war, outbreak of hostilities, capture of Spanish vessels, progress of the war, etc., etc., to which is added a full account of the conquests of Spain in America, naval battles of the United States, etc.

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No book in the entire field of film studies has had a greater impact on me than this one. Robin Wood's passionate and insightful analysis is the best possible companion to the films of the great American director Howard Hawks.Hawks, who died two years before I was born, is best known for adventure films about male bonding (Only Angels Have Wings, 1939, and Rio Bravo, 1959, are good examples) and quick-witted romantic comedies about attraction through antagonism (1938's Bringing Up Baby is his best).He made films in Hollywood in every decade from the 1920s to the 1970s, in a diverse range of genres, yet with a remarkable thematic consistency. For his success in making personal films within the Hollywood studio system, film critics celebrated him as a true artist (an auteur), at a time when considering film as art was still a radical notion.

Wood's book was first published in 1968, and it remains the most convincing account I have ever read of Hawks' artistry.Typically for Wood, the analysis is educational yet highly personal, accessible yet subjective, and - for me - genuinely inspiring. Wood died less than a year ago, and he has rightly been acknowledged as a major contributor to the development of film studies; he founded influential film magazines, was among the first to teach film at university level, and wrote several books (indeed, his volume on Alfred Hitchcock is surely much more widely read than this book on Hawks that so influenced me). Wood refuted suggestions that he was a scholar or a theorist, describing himself finally as a critic. He had no interest in the detached objectivity he saw as characteristic of theorists, and at the heart of his discussions of Hawks' films are questions of artistic and moral value. I think one of the reasons I love Hawks so much is that his films are fundamentally "decent"; they are about good people struggling with self-respect and personal redemption. Wood undoubtedly feels the same way, and the themes he identifies in the work of Hawks - integrity as an individual and loyalty as a member of a group - are much more important than the films' visual and technical qualities.

As a student, I taught myself auteur theory by obsessively watching every Hawks film I could find, and devouring Wood's analysis after each viewing. One of the great charms of Hawks is his insistent repetition from film to film, yet Wood's interpretations always provided original ideas and new insights. I was as passionate about Wood's writing as I was about Hawks' films. What strikes me now is how similar the two are: just as the films of Hawks were made with an unpretentious and highly personal simplicity, so Wood's writing, unencumbered by theoretical frameworks, expressed his individual passions with poetic clarity.

This book is a product of its time, arguing a point - that mainstream entertainment can be art - that is widely accepted now: film studies as an academic discipline is proof of that. Review by Daniel Martin

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Living off the land—hunting, fishing, and farming, along with a range of specialized crafts that provided barter or cash income—was a way of life that persisted well into the twentieth century in the Big Thicket of southeast Texas. Before this way of life ended with World War II, professional photographer Larry Jene Fisher spent a decade between the 1930s and 1940s photographing Big Thicket people living and working in the old ways. His photographs, the only known collection on this subject, constitute an irreplaceable record of lifeways that first took root in the southeastern woodlands of the colonial United States and eventually spread all across the Southern frontier.

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The United States has always taken pride in being a model of democracy. However, presidential systems are more closely associated with dictatorship and single-party rule in other parts of the world like Latin America and Africa. Indeed, democratic practices more often flourish in parliamentary systems, and the United States remains the only advanced, industrialized democracy with a presidential system instead of a parliamentary organization.Each of the 21 chapters in Importing Democracy: Ideas from Around the World to Reform and Revitalize American Politics and Government highlights a feature of a foreign nation's political system that is absent in the U.S. system. Chapters also draw on brief case studies from countries as diverse as Australia, Brazil, Iceland, India, Germany and South Africa. Importing Democracy explores whether American politics and government might be enhanced by incorporating a multiparty system, a simplified Constitutional amendment process, parliamentary practices of accountability, proportional representation elections, presidential votes of "no confidence," restraints on judicial power, and much more.

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In the year since his death, we've heard much more about J.D. Salinger's reclusiveness and eccentricities, both real and exaggerated, than we have about the writing that made him famous in the first place. Kenneth Slawenski's Salinger: A Life avoids such scandalmongering in order to deliver a sensitive (but not fawning) portrait of Salinger the writer. Slawenski looks not only at Salinger's most famous works, but also finds a wealth of psychological insights in places like rejection letters and biographical statements. Not surprisingly, Salinger's life, and especially his service in World War II, provided much of the raw material for his stories. But Slawenski does much more than compare Salinger's biography to his literary output: he also shows how compromises, conflicts, and editorial intrigues shaped Salinger's works, even when he was at the peak of his career. The book has much less to say about Salinger's post-1960 retirement and self-seclusion, apart from the author's occasional foray into the public eye by way of a rare interview or court case. But Slawenski does this for good reason: Salinger: A Life seeks only to explain Salinger as most of us knew him, through his writing. As a result, both die-hard fans and those who last picked up Catcher in the Rye in high school will find it enlightening.

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Published in 1861, “Incidents in the Life of a Slave Girl” was one of the first personal narratives by a slave and one of the few written by a woman. Jacobs (1813-97) was a slave in North Carolina and suffered terribly, along with her family, at the hands of a ruthless owner. She made several failed attempts to escape before successfully making her way North, though it took years of hiding and slow progress. Eventually, she was reunited with her children.

For all biography and history collections. "Slavery is terrible for men, but it is far more terrible for women," Harriet Jacobs wrote in 1861. At that time she was an escaped slave living in the north, but the Fugitive Slave Law of 1850 meant that she could no longer consider being in the northern states a guarantee of freedom or safety. Her book is an eloquent recital of the suffering that is slavery. Families broken apart; promises of freedom made but never kept; whippings, beatings, and burnings; masters selling their own children - all are recounted with precise detail and a blazing indignation. Harriet Jacobs' master started pursuing her when she was fifteen; in disgust she continually refused and avoided him. Her first attempt at revenge and escape failed: she became the lover of a local unmarried white man and had several children, but even then her master refused to sell her. Finally, in desperation, she ran away and hid in an uninsulated garret, three feet high at its tallest point with almost no air or light. She stayed there for seven years, enduring cold, heat, and a crippling lack of movement, always hoping to catch a glimpse of her children through a crack in the walls as they walked by on the road below her. At last she had a chance to escape to the North. Her story is a remarkable testimony to her strength and courage, and an unrelenting attack upon the institution of slavery.

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About the Author
Harriet Ann Jacobs (1813-1897) was an American writer, who escaped from slavery and became an abolitionist speaker and reformer. Jacobs' single work, Incidents in the Life of a Slave Girl, published in 1861 under the pseudonym "Linda Brent", was one of the first autobiographical narratives about the struggle for freedom by female slaves and an account of the sexual harassment and abuse they endured. The narrative was designed to appeal to middle class white Christian women in the North, focusing on the impact of slavery on women's chastity and sexual virtues. Christian women could perceive how slavery was a temptation to masculine lusts and vice as well as to womanly virtues. Jacobs criticized the religion of the Southern United States as being un-Christian and as emphasizing the value of money ("If I am going to hell, bury my money with me," says a particularly brutal and uneducated slaveholder). She described another slaveholder with, "He boasted the name and standing of a Christian, though Satan never had a truer follower." Jacobs argued that these men were not exceptions to the general rule. Much of Incidents in the Life of a Slave Girl was devoted to the Jacobs's struggle to free her two children after she escaped. Before that, Harriet spent seven years hiding in a tiny space built into her grandmother's barn to see and hear the voices of her children. Jacobs changed the names of all characters in the novel, including her own, to conceal their true identities. The villainous slave owner "Dr. Flint" was based on Jacobs's former master, Dr. James Norcom. Despite the publisher's documents of authenticity, some critics attacked the narrative as based on false accounts. There was a reaction against the more horrific details of slave narratives, and some readers believed they could not be true.

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Kaliss traces the former Sylvester Stewart from Denton, Texas, beginnings through fame as Sly Stone of Sly and the Family Stone to the present. After the band’s fourth album, Stand! yielded monster hits in the title song, Everyday People, and the Aquarian party anthem I Want to Take You Higher, Sly rivaled James Brown and George Clinton as a progenitor of funk. Unlike the Godfather of Soul’s and Dr. Funkenstein’s, Sly’s career fizzled in the mid-1970s as substance abuse and other problems facilitated a huge reputation for missing gigs and heightened tensions within the band. Recently, Stone granted Kaliss his first face-to-face interview in 20 years, spawning this book. Kaliss finds Stone enigmatic but planning a comeback. He never quit making music—or being mysterious. At one point, he deserts Kaliss mid-chat. Mindful of Sly’s tendency to disappear . . . on whim, Kaliss just picks up the conversation later. A psychedelic ethereality infuses the book and, given Stone’s internal workings, rather confirms Kaliss’ veracity. Good, if vague in places; an important piece of pop-music history.

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