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widziany: 17.04.2020 09:07

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  • 26 lut 12 17:23
A scholar of Vichy France, Paxton focuses here on the literature about fascism. The term is used with abandon in contemporary political discourse, reflecting scholarly disagreement about how to define it. His historical source material predominantly emanates from Mussolini in Italy and Hitler in Germany, an obvious but necessary observation since the "fascist" status of other authoritarian regimes is contentious. Paxton does integrate biographies of the two ur-fascists into his dissection, but he comments frequently that a researcher's fixation on the leader obscures rather than clarifies the rise of his party, as does a propensity to focus on the party's ideology instead of its actions, and he follows the significantly different trajectories of radicalism taken by the Fascists and the Nazis. Formulating a five-stage life cycle of fascism from birth in "mobilizing passions" provoked by World War I to its destructiveness in power, Paxton wants his intricate but readable work to "rescue the concept [of fascism] for meaningful use," a laudable goal largely achieved.

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The decision of Argentina, Brazil, and Uruguay to go to war against Paraguay in May 1965 has generally been regarded as a response to the raids by the headstrong and tyrannical dictator, Francisco Solano Lopez. Leuchars looks at the political causes, the course of the conflict as viewed from both sides, and the tragic aftermath. He brings to light an episode that marked a turning point in the development of South American international relations.

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Jan van Eyck’s Ghent Altarpiece is on any art historian’s list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time.
Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times.
In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.

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Geopolitics and Empire examines the relations between two phenomena that are central to modern conceptions of international relations. Geopolitics is the understanding of the inter-relations between empires, states, individuals, private companies, NGOs and multilateral agencies as these are expressed and shaped spatially. This view of the world achieved notoriety as the scientific basis claimed by Nazi ideologists of global conquest. However, under this or another name, similar sets of ideas were important on both sides of the Cold War and now have a renewed resonance in debates over the New World Order of the so-called Global War on Terror. Geopolitics is a way of describing the conflicts between states as constrained by both physical and economic space. It makes such conflicts seem inevitable.
The argument of the book is that this view of the world continues to appear salient because it serves to make the projection of force overseas seem an inevitable aspect of the foreign policy of states. This quasi-Darwinian view of international relations makes the pursuit of Empire appear a responsibility of larger and more powerful states. Powerful states must become Empires or submit to others seeking something similar. In its associations with Empire, the study of Geopolitics returns continually to the ideas of a British geographer who never himself used the term. Halford Mackinder is the source of many of the ideas of Geopolitics and by examining his ideas both in their original context and as they have been repeatedly rediscovered and reinvented this book contributes to current discussions of the ideology and practices of the US Empire today.

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Leading archaeologist and consummate storyteller James Delgado takes readers on a rollicking deep-sea dive into his highly unusual life's work: locating and exploring the world's most famous shipwrecks. Colorful characters, near misses, and the thrill of standing — or floating — in history's footprints make for a highly entertaining look at the fascinating history and glittering bounty beneath the waves. Included are accounts of Pearl Harbor, the Titanic, and Bikini Atoll, site of the world's first nuclear tests.

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According to the authors of Life in a Medieval City , the vast majority of medieval Europeans lived in villages--"permanent communities organized for agricultural production." This earnest but dry distillation of period documents and archeological records focuses on Elton, an extant village located 70 miles north of London. The Gieses examine the dynamics of Elton's open-field type of agriculture; the division of the villagers into free and unfree, rich and poor; and the relationship between peasants and their ecclesiastical lord. Also discussed are the peasants' simple dress; meager diet; primitive housing; quarrels and lawsuits; sexual mores; rites of marriage, death and inheritance; and penchant for ale. Coroners' rolls reveal that parents frequently neglected infants; court accounts demonstrate that witnesses of crimes were obligated to come to the rescue of the victim. While valuable to history students, the barrage of facts presented here won't come alive for lay readers.

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'The only true history of a country', wrote Thomas Macaulay, 'is to be found in its newspapers.' Yet in the past scholars of imperial history and of the media have worked in separate, compartmentalized spheres and it is only recently that an integrationist approach has been taken towards studying the imperial experience. This book explores how the media shaped and defined the economic, social, political and cultural dynamics of the British Empire by viewing it from the perpective of the colonised as well as the colonisers.

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In 1500 fewer than three million people spoke English; today English speakers number at least a billion worldwide. This book asks how and why a small island people became the nucleus of an empire 'on which the sun never set'. David Rollison argues that the 'English explosion' was the outcome of a long social revolution with roots deep in the medieval past. A succession of crises from the Norman Conquest to the English Revolution were causal links and chains of collective memory in a unique, vernacular, populist movement. The keyword of this long revolution, 'commonwealth', has been largely invisible in traditional constitutional history. This panoramic synthesis of political, intellectual, social, cultural, religious, economic, literary and linguistic movements offers a 'new constitutional history' in which state institutions and power elites were subordinate and answerable to a greater community that the early modern English called 'commonwealth' and we call 'society'.

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Brett Whalen explores the compelling belief that Christendom would spread to every corner of the earth before the end of time. During the High Middle Ages—an era of crusade, mission, and European expansion—the Western followers of Rome imagined the future conversion of Jews, Muslims, pagans, and Eastern Christians into one fold of God’s people, assembled under the authority of the Roman Church.
Starting with the eleventh-century papal reform, Whalen shows how theological readings of history, prophecies, and apocalyptic scenarios enabled medieval churchmen to project the authority of Rome over the world. Looking to Byzantium, the Islamic world, and beyond, Western Christians claimed their special place in the divine plan for salvation, whether they were battling for Jerusalem or preaching to unbelievers. For those who knew how to read the signs, history pointed toward the triumph and spread of Roman Christianity.
Yet this dream of Christendom raised troublesome questions about the problem of sin within the body of the faithful. By the late thirteenth and fourteenth centuries, radical apocalyptic thinkers numbered among the papacy’s most outspoken critics, who associated present-day ecclesiastical institutions with the evil of Antichrist—a subversive reading of the future. For such critics, the conversion of the world would happen only after the purgation of the Roman Church and a time of suffering for the true followers of God.
This engaging and beautifully written book offers an important window onto Western religious views in the past that continue to haunt modern times.

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Sauropod dinosaurs were the largest animals ever to walk the earth, and they represent a substantial portion of vertebrate biomass and biodiversity during the Mesozoic Era. The story of sauropod evolution is told in an extensive fossil record of skeletons and footprints that span the globe and 150 million years of earth history. This generously illustrated volume is the first comprehensive scientific summary of sauropod evolution and paleobiology. The contributors explore sauropod anatomy, detail its variations, and question the myth that life at large size led to evolutionary stagnation and eventual replacement by more "advanced" herbivorous dinosaurs. Chapters address topics such as the evolutionary history and diversity of sauropods; methods for creating three-dimensional reconstructions of their skeletons; questions of sauropod herbivory, tracks, gigantism, locomotion, reproduction, growth rates, and more. This book, together with the recent surge in sauropod discoveries around the world and taxonomic revisions of fragmentary genera, will shed new light on "nature's greatest extravagances."

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The slippery slope into horrific armed conflict is a tale often told about World War I, but this author’s take on the antecedents of the European war of 1914–18 is distinct. Carter views the shifting alliance entanglements of the Great Powers of the late nineteenth and early twentieth centuries, and especially the growing animosity and rivalry between Britain and Germany, with particular focus on the attitudes and actions of three royal first cousins: Emperor Wilhelm II of Germany, Emperor Nicholas II of Russia, and King George V of Great Britain (who also reigned as emperor of India, hence the book’s title reference to three emperors). Rich in concrete detail, elegant in style, and wise, fresh, and knowledgeable in interpretation, the author’s account observes a profound anachronism at play: that these three monarchs, in what they didn’t realize were the waning days of the institution of monarchy, handled foreign diplomacy as if it were a family business. Despite the reality of growing fissures separating their countries, “each emperor continued to paper over the cracks with cousinly gestures, each increasingly irrelevant.” Europe plunged over the precipice of war in August 1914, revealing in stark terms the inability of royal familial ties to control and contain national disagreements; as the author has it, the fact that Wilhelm, Nicholas, and George were out of touch with actual politics could not have been more apparent. An irresistible narrative for history buffs.

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What does drug addiction mean to us? What did it mean to others in the past? And how are these meanings connected? In modern society, the idea of drug addiction is a fixed and commonly understood concept, yet this was not always the case in the past. This book uncovers the original influences that shaped the creation and the various interpretations of addiction as a disease, and of addiction to opiates in particular. It delves into the treatments, regimes, and prejudices that surrounded the condition, a newly emerging pathological entity and a form of 'moral insanity' during the nineteenth century. The source material for this book is rich and surprising. Letters and diaries provide the most moving material, detailing personal struggles with addiction and the trials of those who cared and despaired. Confessions of shame, deceit, misery and terror sit alongside those of deep sensual pleasure, visionary manifestations and blissful freedom from care. The reader can follow the lifelong opium careers of literary figures, artists and politicians, glimpse a raw underworld of hidden drug use, or see the bleakness of urban and rural poverty alleviated by daily doses of opium. Delving into diaries, letters and confessions, this book exposes the medical case histories and the physician's mad, lazy, commercial, contemptuous, desperate, altruistic and frustrated attempts to deal with drug addiction. It demonstrates that many of the stigmatising prejudices arose from false 'facts' and semi-mythical beliefs and thus has significant implications, not only for the history of addiction, but also for how view the condition today.

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For this book R. R. Palmer has translated selections from the abundant writings of the versatile French political figure and writer Marc-Antoine Jullien, weaving them together with his own extensive commentary into an absorbing narrative of Jullien's life and times. Jullien's hopes and fears for the "progress of humanity" were typical of many of the French bourgeoisie in this turbulent period. His life coincided with the whole era of revolution in Europe and the Americas from 1775 to 1848: he was born in the year when armed rebellion against Britain began in America, he witnessed the fall of the Bastille as a schoolboy in Paris, joined the Jacobin club, took part in the Reign of Terror, advocated democracy, put his hopes in Napoleon Bonaparte, turned against him, and then welcomed his return from Elba. Under the restored Bourbons, he became an outspoken liberal, rejoiced in the revolution of 1830, had doubts about the July monarchy, welcomed the revolution of 1848, and died a few weeks before the election of Louis-Napoleon Bonaparte as president of the Second Republic. Drawn from books, pamphlets, reports, letters, book reviews, magazine articles, poems, and private notes and memoranda, Jullien's comments are supplemented here by letters that his mother wrote during the early years of the French Revolution and by articles by Jullien's collaborators in the Revue Encyclopdique. In Palmer's skilled hands, these selected materials from a now forgotten life vividly portray France's transition from revolutionary republicanism and the Terror through the Napoleonic years to the more placid liberalism of the nineteenth century.

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In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows that social control by the Spaniards rested less on institutions than on patron-client networks linking individual patricians and plebeians, which enabled the elite class to co-opt the more successful castas.
The book concludes with the most thorough account yet published of the Mexico City riot of 1692. This account illuminates both the shortcomings and strengths of the patron-client system. Spurred by a corn shortage and subsequent famine, a plebeian mob laid waste much of the central city. Cope demonstrates that the political situation was not substantially altered, however; the patronage system continued to control employment and plebeians were largely left to bargain and adapt, as before.
A revealing look at the economic lives of the urban poor in the colonial era, The Limits of Racial Domination examines a period in which critical social changes were occurring. The book should interest historians and ethnohistorians alike.

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"This is a brilliant approach to the vexing questions about ethical requirements of certain leading professions. No serious treatment of these issues will be able to proceed without considering Applbaum's thorough and pointed arguments. This book is, on the one hand, literate, witty and fun to read, and on the other, rigorous, careful, and technical when the argument requires it."----David Estlund, Brown UniversityThe adversary professions--law, business, and government, among others--typically claim a moral permission to violate persons in ways that, if not for the professional role, would be morally wrong. Lawyers advance bad ends and deceive, business managers exploit and despoil, public officials enforce unjust laws, and doctors keep confidences that, if disclosed, would prevent harm. Ethics for Adversaries is a philosophical inquiry into arguments that are offered to defend seemingly wrongful actions performed by those who occupy what Montaigne called "necessary offices."
Applbaum begins by examining the career of Charles-Henri Sanson, who is appointed executioner of Paris by Louis XVI and serves the punitive needs of the ancien regime for decades. Come the French Revolution, the King's Executioner becomes the king's executioner, and he ministers with professional detachment to each defeated political faction throughout the Terror and its aftermath. By exploring one extraordinary role and the arguments that can be offered in its defense, Applbaum raises unsettling doubts about arguments in defense of less sanguinary professions and their practices.
To justify harmful acts, adversaries appeal to arguments about the rules of the game, fair play, consent, the social construction of actions and actors, good outcomes in equilibrium, and the legitimate authority of institutions. Applbaum concludes that these arguments are weaker than supposed and do not morally justify much of the violation that professionals and public officials inflict. Institutions and the roles they create ordinarily cannot mint moral permissions to do what otherwise would be morally prohibited.

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On the 150th anniversary of the death of the English historian and politician Thomas Babington Macaulay, Robert Sullivan offers a portrait of a Victorian life that probes the cost of power, the practice of empire, and the impact of ideas.
His Macaulay is a Janus-faced master of the universe: a prominent spokesman for abolishing slavery in the British Empire who cared little for the cause, a forceful advocate for reforming Whig politics but a Machiavellian realist, a soaring parliamentary orator who avoided debate, a self-declared Christian, yet a skeptic and a secularizer of English history and culture, and a stern public moralist who was in love with his two youngest sisters.
Perhaps best known in the West for his classic History of England, Macaulay left his most permanent mark on South Asia, where his penal code remains the law. His father ensured that ancient Greek and Latin literature shaped Macaulay’s mind, but he crippled his heir emotionally. Self-defense taught Macaulay that power, calculation, and duplicity rule politics and human relations. In Macaulay’s writings, Sullivan unearths a sinister vision of progress that prophesied twentieth-century genocide. That the reverent portrait fashioned by Macaulay’s distinguished extended family eclipsed his insistent rhetoric about race, subjugation, and civilizing slaughter testifies to the grip of moral obliviousness.
Devoting his huge talents to gaining power—above all for England and its empire—made Macaulay’s life a tragedy. Sullivan offers an unsurpassed study of an afflicted genius and a thoughtful meditation on the modern ethics of power.

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The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In early Buddhist literature and art, the Buddha’s perfect physique and sexual prowess are important components of his legend as the world’s “ultimate man.” He is both the scholarly, religiously inclined brahman and the warrior ruler who excels in martial arts, athletic pursuits, and sexual exploits. The Buddha effortlessly performs these dual roles, combining his society’s norms for ideal manhood and creating a powerful image taken up by later followers in promoting their tradition in a hotly contested religious marketplace.
In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. The book focuses on the figure of the Buddha and his monastic followers to show how they were constructed as paragons of masculinity, whose powerful bodies and compelling sexuality attracted women, elicited admiration from men, and convinced skeptics of their spiritual attainments.

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With its emphasis on early modern emissaries and their role in England's expansionary ventures and cross-cultural encounters across the globe, this collection of essays takes the messenger figure as a focal point for the discussion of transnational exchange and intercourse in the sixteenth and seventeenth centuries. It sees the emissary as embodying the processes of representation and communication within the world of the text, itself an 'emissary' that strives to communicate and re-present certain perceptions of the 'real.' Drawing attention to the limits and licenses of communication, the emissary is a reminder of the alien quality of foreign language and the symbolic power of performative gestures and rituals. Contributions to this collection examine different kinds of cross-cultural activities (e.g. diplomacy, trade, translation, espionage, missionary endeavors) in different world areas (e.g. Asia, the Mediterranean, the Levant, the New World) via different critical methods and approaches. They take up the literary and cultural productions and representations of ambassadors, factors, traders, translators, spies, middlemen, merchants, missionaries, and other agents, who served as complex conduits for the global transport of goods, religious ideologies, and socio-cultural practices throughout the early modern period. Authors in the collection investigate the multiple ways in which the emissary became enmeshed in emerging discourses of racial, religious, gender, and class differences. They consider how the emissary's role might have contributed to an idealized progressive vision of a borderless world or, conversely, permeated and dissolved borders and boundaries between peoples only to further specific group interests.

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