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31

widziany: 17.04.2020 09:07

  • pliki muzyczne
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    3778
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7717 plików
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  • 26 lut 12 17:23
The collection of Margaret Paston’s letters and papers from fifteenth century England offer an invaluable example of daily life during that period. Drawing on a close reading of these personal letters, as well as Paston's will, this book reveals how popular religion was integrated into daily life.

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J.R.R. Tolkien’s zeal for medieval literary, religious, and cultural ideas deeply influenced his entire life and provided the seeds for his own fiction. In Tolkien’s Art, Chance discusses not only such classics as The Hobbit, The Lord of the Rings, and The Silmarillion, but focuses on his minor works as well, outlining in detail the sources and influences–from pagan epic to Christian legend-that formed the foundation of Tolkien’s masterpieces, his “mythology for England.”

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  • 26 lut 12 17:23
Irish nationalism and responses to it played an important part in british politics between the rise of Fenianism and the Great War. The first part of the book indentifies an number of key points contributing to the make-up and success of Nationalism; in particular the attitude and influence of the Roman Catholic church is examined. The second part deals with liberal attempts to solve the problem, culminating in Home Rule. Finally the very different reaction of Unionism is seen from three angles.

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THE UNIVERSITY OF LONDON AND THE WORLD Learning invites us to reflect upon the changing functions of the University from Victorian times. The volume consists of an introductory chapter and eleven essays by distinguished academics. Drawn from the whole spectrum of university faculties, these experts discuss the University of London's contributions to their fields of learning from the institution's founding in 1836 to its sesquicentennial. The first chapters explore aspects of general institutional history as these relate to the organization, transmission, and creation of knowledge. F. M. L. Thompson provides a splendid introduction, sketching the constitutional history of the University and the organization of its faculties; J. Mordaunt Crook offers a sparkling and highly informative survey of its architectural history; Gillian Sutherland writes interestingly of its contribution to women's higher education. The following chapters examine the his. tory of individual university faculties. Thompson considers the development of the humanities in London, W. L.

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Volume 1 of this UNESCO multi-volume series traces the history of man in this vast region from the Palaeolithic beginnings to circa 700 BC, when the foundations of the Achaemenian Empire were laid. The earliest history of man is evidenced and the food producing areas of Turkmenistan, Tajikistan and the Indus Valley explored. The Bronze Age and the first signs of urbanization from the Indus to the Oxus are described as is the development of the nomadic pastoral tribes, such as the Aryans, whose history can be seen in proper perspective through archaeological evidence now available. A comprehensive first instalment for any enthusiast interested in the history and development of Asia.

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  • 26 lut 12 17:23
Grade 10 Up—A fitting supplement to George Thomas Kurian's Timetables of World Literature (Facts On File, 2003), this collection of essays focuses on works in ancient Greek and Latin but also includes a fair representation of Chinese literature. The literature of other languages, including Japanese and Sanskrit, is explored as well (an opening listing shows "Writers Covered, by Language of Composition").

Entries include authors, titles, and themes and literary forms. Works such as Julius Caesar's The Civil Wars, Virgil's Aeneid, and Ovid's Metamorphoses are discussed book by book. Theological texts are well represented, with entries on the Dead Sea Scrolls, the Hebrew Bible, and the teachings of Buddha, among others. Students will appreciate the accessible summaries as well as the bibliographies that are appended to most articles.—Carol Fazioli, Gwynedd-Mercy College, Gwynedd Valley, PA

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Why did the language of contract become the dominant metaphor for the relationship between subject and sovereign in mid-seventeenth-century England? In Wayward Contracts, Victoria Kahn takes issue with the usual explanation for the emergence of contract theory in terms of the origins of liberalism, with its notions of autonomy, liberty, and equality before the law.
Drawing on literature as well as political theory, state trials as well as religious debates, Kahn argues that the sudden prominence of contract theory was part of the linguistic turn of early modern culture, when government was imagined in terms of the poetic power to bring new artifacts into existence. But this new power also brought in its wake a tremendous anxiety about the contingency of obligation and the instability of the passions that induce individuals to consent to a sovereign power. In this wide-ranging analysis of the cultural significance of contract theory, the lover and the slave, the tyrant and the regicide, the fool and the liar emerge as some of the central, if wayward, protagonists of the new theory of political obligation. The result is must reading for students and scholars of early modern literature and early modern political theory, as well as historians of political thought and of liberalism.

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The civilizations of Central Asia did not, of course, develop in a vacuum. The impact of Islam was pervasive and fundamental. The great civilizations on the periphery of the Eurasian continent likewise exerted an important influence on these lands.

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This book explores broad-ranging themes relating to memory, memorization, memorializing or commemorating in a variety of historical, legal, literary and architectural contexts. Distinguished scholars like Abbas Amanat, Irene Bierman, Elton Daniel, George Makdisi, Roy Mottahedeh, Andrew Newman, Ismail K. Poonawala, and Paul E. Walker examine lists and maps as memory aids, the transmission of knowledge and traditions from medieval to early modern times, the application of medieval notions of law and statecraft and the commemoration of individuals, civilizations and dynasties in historical and literary works, on coinage and in monumental forms.

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Between 1927 and 1933, the journal "Close Up" championed a European avant-garde in film-making. This volume republishes articles from the journal, with an introduction and a commentary on the lives of, and complex relationships between, its writers and editors.

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This study investigates monastic education and formation in male and female houses in Western Europe from the eighth to the sixteenth century. The fourteen chapters, written by well-known scholars, consider monastic education and practices in the geographical areas of England, France, Germany and the Low Countries.

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'This book represents a milestone in the changing attitudes to the study of prehistory and constitutes essential reading for all those interested in the Neolithic and how we may speak of the past' - Colin Richards

'Clarity of thought, novelty of idea and impressive marshalling of data combine to make this a significant addition to the literature of both the British Neolithic and archaeological theory' - Jonathan Last, Archaeological Review

'Good value for money and time highly topical and very readable in todays archaeological climate.' - Assemblage, University of Sheffield

This book employs contemporary theoretical perspectives to investigate the Neolithic period in Southern Britain.

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The Decipherment of Ancient Maya Writing is an important story of intellectual discovery and a tale of code breaking comparable to the interpreting of Egyptian hieroglyphs and the decoding of cuneiform.
Using classic articles taken from publications unavailable to most readers, accounts by Spaniards who witnessed the writing of the glyphs and research by twentieth-century scholars--from Tatiana Proskouriakoff to Michael Coe--this book provides a history of the interpretation of Maya hieroglyphs. Introductory essays offer the historical context and describe the personalities and theories of the many authors who contributed to the understanding of these ancient glyphs.More than two hundred line drawings illustrate the text and serve as an introduction to decipherment. This landmark work in Maya studies is the first book to examine the centuries of thought behind the decoding of Maya hieroglyphs.

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Russian


Книга представляет собой каталог частной коллекции штыков. Эта первая работа в России в области издания системного каталога частной коллекции по данной теме. Коллекция систематизирована по странам мира, где эти штыки состояли или состоят на вооружении. По каждому штыку проведены исследования его конструктивных особенностей и материалов, из которых он изготовлен. Приведен обширный материал по клеймам и производителям этого вида оружия. Каталог содержит краткий очерк по истории развития штыков, уход по хранению, определение копий и подделок, информацию по выставкам и аукционам. Особое внимание уделено определению терминологии конструктивных штыков и их составляющих. Приведено более 1500 фотографий штыков и клейм. Кроме этого в издание включены оригинальные фотографии солдат и офицеров 19-20 веков с различными видами штыков. Книга рассчитана на широкий круг читателей, интересующихся историей оружия. Она будет полезна коллекционерам, музейным сотрудникам, военным, историкам, художникам. Работа может быть использована экспертами по культурным ценностям при проведении экспертизы

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World War I stands as a watershed in the evolution of modern warfare, with the development of sophisticated trench systems forming a battlefield over 400 miles long, notable improvements in weaponry and equipment and the first example of tanks being used in battle. This book examines the day-to-day lives of the British Tommy, the German Stormtrooper, the French Poilu and the American Doughboy as they fought and died in the trenches, with details of their recruitment and training and vivid descriptions of combat on the Western Front. It also provides an extensive reassessment of trench warfare, following the development of controversial tactics and new weapons, the first use of poison gas in warfare and the introduction of the tank - initially an accident-prone novelty but later a front-breaking weapon.

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  • 26 lut 12 17:23
This book integrates strategy, technology and economics and presents a new way of looking at twentieth-century military history and Britain's decline as a great power. G. C. Peden explores how from the Edwardian era to the 1960s warfare was transformed by a series of innovations, including dreadnoughts, submarines, aircraft, tanks, radar, nuclear weapons and guided missiles. He shows that the cost of these new weapons tended to rise more quickly than national income and argues that strategy had to be adapted to take account of both the increased potency of new weapons and the economy's diminishing ability to sustain armed forces of a given size. Prior to the development of nuclear weapons, British strategy was based on an ability to wear down an enemy through blockade, attrition (in the First World War) and strategic bombing (in the Second), and therefore power rested as much on economic strength as on armaments.

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Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.
The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.

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