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0,9 MB
18 cze 13 15:55

Comedy Incarnate_ Buster Keaton, Physica - Noel Ca rroll.pdf

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36,4 MB
18 cze 13 15:55

Frank Capra - Joseph Mcbride.pdf

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7,0 MB
18 cze 13 15:55

Reel Men at War Masculinity and the American War F ilm.pdf

As they transition into adulthood, many American boys and young men spend a considerable amount of time engaging in physical sports, playing violent video games, and watching action movies, including war films. In many cases, boys spend more time exposed to media models than they do with their fathers. If, as social learning theorists say, masculinity is learned directly through a system of positive and negative reinforcement, what manly behaviors do war films clearly define and reinforce? And what un-manly behaviors do war films clearly prohibit?

In Reel Men at War: Masculinity and the American War Film, authors Ralph Donald and Karen MacDonald consider the influence that war films bring to bear on the socialization of young boys in America. Analyzing nearly 150 American war films and television programs, this book considers such issues as major male stereotypes—both positive and negative—in film, the influence of sports as an alternate to mortal combat, why men admire war and value winning so highly, and how war films define manly courage.

Throughout the book the authors comment on the depiction of post-traumatic stress disorder, the stages of grief, and suicide in war films, as well as applying Jungian and Freudian theories to war and soldiering. Reel Men at War will be of interest not only to professors and students of cinema and mass communications but also to scholars of history, gender studies, and sociology.

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1,7 MB
18 cze 13 15:55

The Persistence of Whiteness Race and Contemporary Hollywood Cinema.pdf

The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema, centring on ideologies of class, ethnicity, gender, nation and sexuality as well as the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Whoa?s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings . Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depthintroduction, comprehensive bibliography and a helpful glossary of terms, to complete this accessible and topical collection on race and ethnicity in contemporary cinema.

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55,5 MB
18 cze 13 15:55

Hollywood Genres Formulas, Filmmaking, and the Stu dio System.pdf

The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.

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6,3 MB
18 cze 13 15:55

Coming Attractions Reading American Movie Trailers (Kernan, 2004).pdf

Movie trailers—those previews of coming attractions before the start of a feature film—are routinely praised and reviled by moviegoers and film critics alike: "They give away too much of the movie." "They’re better than the films." "They only show the spectacular parts." "They lie." "They’re the best part of going to the movies." But whether you love them or hate them, trailers always serve their purpose of offering free samples of a film to influence moviegoing decision-making. Indeed, with their inclusion on videotapes, DVDs, and on the Internet, trailers are more widely seen and influential now than at any time in their history.

Starting from the premise that movie trailers can be considered a film genre, this pioneering book explores the genre’s conventions and offers a primer for reading the rhetoric of movie trailers. Lisa Kernan identifies three principal rhetorical strategies that structure trailers: appeals to audience interest in film genres, stories, and/or stars. She also analyzes the trailers for twenty-seven popular Hollywood films from the classical, transitional, and contemporary eras, exploring what the rhetorical appeals within these trailers reveal about Hollywood’s changing conceptions of the moviegoing audience. Kernan argues that movie trailers constitute a long-standing hybrid of advertising and cinema and, as such, are precursors to today’s heavily commercialized cultural forms in which art and marketing become increasingly indistinguishable.

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22,5 MB
18 cze 13 15:55

Guide to the Silent Years of American Cinema.pdf

The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings until the perfection of synchronized sound, and reflect upon the themes and techniques established with the silent cinema that continued into the sound era through modern times. The annotated entries, alphabetically arranged by film title or personnel, include brief bibliographies and filmographies. An appendix lists secondary but important movies and their creators. Film and popular culture scholars will appreciate the vast amount of information that has been culled from various sources and that builds upon the increased studies and research of the past ten years.

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1,3 MB
18 cze 13 15:55

American Audiences on Movies and Moviegoing.pdf

Critic Pauline Kael has said, "I had trouble dating because I often disagreed about the quality of a movie." Movies have that kind of intimacy for some people. In this book, ordinary people talk back to the screen, describing early movie-going memories (dating back to 1948), family nights at the drive-in, growing up with movies in the early days of television, and loving and hating movies in the 1960s. (Hitchcock's Psycho shocked and titillated audiences with its psychological complexity in 1960, which opened the way for other controversial films.) Other topics include the always popular subject of sex in the cinema, the influence of VCRs, coping with movie pests in the multiplexes, and our changing response to films as we age. Lively, divergent reactions to classics and box-office hits are also included. Responses were gathered by questionnaire. Some contributors expand our knowledge of movies, while others, like the guy who was turned on by watching dancing girls writhe before the Golden Calf in The Ten Commandments, seem more than a bit silly. Kael writes that "mediocre pop art is a lot more fun than failed high art, and it's more fun to write about." This book isn't a major contribution to film literature on the level of Kael's criticism, but it deserves its place in in-depth film collections.DStephen F. Rees, Levittown Regional Lib., PA

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10,8 MB
18 cze 13 15:55

The Last Silent Picture Show Silent Films on Ameri can Screens in the 1930s.pdf

In 1927, The Jazz Singer heralded a revolution in the moviemaking industry with the advent of synchronized sound in full-length motion pictures. While movie studios adapted their production facilities to accommodate the new technology and movie theaters converted to sound, filmmakers continued to produce silents, albeit in dwindling numbers. Although talkies would overtake the industry soon enough, silent motion pictures did not disappear immediately.From tent shows to universities, political meetings to picture palaces, and ghetto theaters to art houses, silent films continued to play an important role in American culture during the Depression. In The Last Silent Picture Show: Silent Films on American Screens in the 1930s, William M. Drew examines this dynamic. Drawing primarily on contemporary, records, he details the fate of an entire art form---silent cinema---in the United States during the 1930s and how it managed to survive the onslaught of sound.Through the voices of audiences, critics, editors, and artists, Drew relates the impact of various silent films, whether new releases, reissues, or foreign imports, on the public and culture of the '30s---how they affected both the popular and intellectual environment and how they were promoted to their audiences. An in-depth review of an important transitional period in film, The Last Silent Picture Show is aimed not only at academics but also at those who will discover new information on a relatively neglected chapter of film history.

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2,9 MB
18 cze 13 15:55

American cinema of the 1960s themes and variations Barry Keith Grant.pdf

It examines a range of films that characterized the decade, including Hollywood movies, documentaries, and the independent and experimental films.

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2,8 MB
18 cze 13 15:55

Alternative Worlds in Hollywood Cinema - James Wal ters.pdf

The use of alternate realities in cinema has been brought to new heights by such recent films as Eternal Sunshine of the Spotless Mind and Donnie Darko. Alternative Worlds in Hollywood Cinema is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres, and history. Through an analysis of such landmark films as The Wizard of Oz, Vanilla Sky, and Back to the Future, James Walters reveals how unconventional worlds are crucial to each film’s dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. Alternative Worlds in Hollywood Cinema will be an essential resource for film studies scholars and movie buffs alike. “The book is very readable . . . an important area of film study. The most original aspects of the book are the close readings of the films discussed and how these readings cohere across a single thesis.”—Pat Brereton, Dublin City University, author of Hollywood Utopia

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1,4 MB
18 cze 13 15:55

Alternate Americas_ science fiction film - M. Keit h Booker.pdf

For more than 50 years, science fiction films have been among the most important and successful products of American cinema, and are worthy of study for that reason alone. On a deeper level, the genre has reflected important themes, concerns and developments in American society, so that a history of science fiction film also serves as a cultural history of America over the past half century. M. Keith Booker has selected fifteen of the most successful and innovative science fiction films of all time, and examined each of them at length-from cultural, technical and cinematic perspectives-to see where they came from and what they meant for the future of cinema and for America at large. From Invasion of the Body Snatchers to Star Wars, from Blade Runner to The Matrix, these landmark films have expressed our fears and dreams, our abilities and our deficiencies. In this deep-seeking investigation, we can all find something of ourselves that we recognize, as well as something that we've never recognized before. The focus on a fairly small number of landmark films allows detailed attention to genuinely original movies, including: Forbidden Planet, Invasion of the Body Snatchers, 2001: A Space Odyssey, Planet of the Apes, Star Wars, Close Encounters of the Third Kind, Alien, E.T. the Extra-Terrestrial, Blade Runner, The Terminator, Robocop, The Abyss, Independence Day, and The Matrix. This book is ideal for general readers interested in science fiction and film.

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