Ed Wood, Mad Genius A Critical Study of the Films.cbr

scullytailedsquirrel / Filmoznawstwo / filmoznawstwo / Ed Wood, Mad Genius A Critical Study of the Films.cbr

Download: Ed Wood, Mad Genius A Critical Study of the Films.cbr

Pobierz

91,89 MB

Filmmaker Ed Wood was controversial and critically maligned, even labeled "the worst director of all time," yet he achieved cult status and remains of great interest today. This book frames Wood's work, such as the cross-dressing themed Glen or Glenda? and the haphazard Bride of the Monster, as reflections of the culture of their era. Wood invariably worked with infinitesimal budgets, shooting at breakneck speed, incorporating plot twists that defied all logic. Yet there was a tangible if unfocused thematic thrust to Wood's films, which meditate fitfully on gender, religion and society, revealing a "holy trinity" of fixations--sex, death and resurrection. Wood's infamous Plan 9 From Outer Space encapsulates the fixations and flaws that were his hallmarks, and with 22 other films, is explored here. A filmography and 51 photographs are included.

Komentarze:

Nie ma jeszcze żadnego komentarza. Dodaj go jako pierwszy!

Aby dodawać komentarze musisz się zalogować

scullytailedsquirrel

Idź do chomika

Inne foldery z plikami do pobrania

Inne pliki do pobrania z tego chomika

20050131mulvey.pdf

A.Helman 100 arcydzieł kina.pdf

African Filmmaking North and South of the Sahara.pdf

To the distant observer form and meaning in the Japane....pdf

Alicja Helman - O dziele filmowym.pdf

The triumph of the ordinary depictions of daily life i....pdf

M. Hopfinger, Adaptacja jako przejaw relacji między li....pdf

Miczka Wielkie żarcie i postmodernizm.rar

Alien sex the body and desire in cinema and theology.pdf

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.

Japanese documentary film the Meiji era Abe Mark Nornes.pdf

Among Asian countries--where until recently documentary filmmaking was largely the domain of central governments--Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan's surrender in 1945, Abe Mark Nornes moves from a "prehistory of the documentary, " through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources--including Japanese studio records, secret police reports, government memos, letters,,military tribunal testimonies, and more--to chart shifts in documentary style against developments in the history of modern Japan.

więcej plików z tego folderu...

Zgłoś jeśli naruszono regulamin