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Kobieta

widziany: 28.12.2018 19:24

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"A strong, effective, and readable portrayal of how twentieth-century American parents have invested and over-invested in their children. In a fairly short compass, Stearns has demonstrated many of the things that historians have tended to belabor-the role of expertise, why despite their declining numbers, children have become so important socially, the new realm of consumption, how the anxiety about children has become a central matter in twentieth-century culture and even an identifier of American life. Stearns knows what is going on and that children are not a means to express other anxieties, but the very source of many of the anxieties we express."
—Paula S. Fass, University of California, Berkeley

The nineteenth and twentieth centuries saw a dramatic shift in the role of children in American society and families. No longer necessary for labor, children became economic liabilities and twentieth-century parents exhibited a new level of anxiety concerning the welfare of their children and their own ability to parent effectively. What caused this shift in the ways parenting and childhood were experienced and perceived? Why, at a time of relative ease and prosperity, do parents continue to grapple with uncertainty and with unreasonable expectations of both themselves and their children?

Peter N. Stearns explains this phenomenon by examining the new issues the twentieth century brought to bear on families. Surveying popular media, "expert" childrearing manuals, and newspapers and journals published throughout the century, Stearns shows how schooling, physical and emotional vulnerability and the rise in influence of commercialism became primary concerns for parents. The result, Stearns shows, is that contemporary parents have come to believe that they are participating in a culture of neglect and diminishing standards. Anxious Parents: A Modern History of Childrearing in America shows the reasons for this belief through an historic examination of modern parenting.

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This book explores the Indians of the Pacific North West - where about one third of all Native Americans are believed to have once lived. It details the area's two distinct cultures: Coastal and Plateau. The Coastal tribes were famously warlike, and contact with whites from the 1770s and the Gold Rush led to conflicts with the US government, particularly in the mid 19th century. The Modoc War of 1875 in the Lava Fields, one of the most savagely fought of all, and its leader Kintpuash - 'Captain Jack' - are examined. With a wealth of illustrations and lavish colour plates from Christa Hook this title is a fascinating exploration of the lives of these famous warriors.

About the Author
Elizabeth von Aderkas grew up in Trinidad and England. She received her BA from University of Manchester. A freelance writer, she now lives with her husband and children in Victoria, British Columbia. Christa Hook began her illustrating career in 1986. Her work has featured extensively in the worlds of publishing and television. Her illustrations combine the historian's attention to detail with the artist's sense of drama and atmosphere, and they are sought after by collectors worldwide.

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"Plateau Indians", from the new 10-volume set "Native America", tells the history and culture of the Plateau Indians. This book begins with a brief set introduction that discusses some of the broad history and themes found throughout the Plateau Indian culture, as well as explains the concept of culture areas to students. Narrative text of the chapters is interspersed with numerous box features that highlight important people, events, and topics, as well as sidebars. This book also includes a timeline, a list of museums and sites related to these tribes, further reading, and an index.

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The music industry has been waging some very significant battles in recent years, reacting to numerous inter-related crises provoked by globalization, digitalization and the ever more extensive commercialization of public culture. These struggles are viewed by many as central to the survival of the central mediators in the consumption of popular music. These battles are not just against piracy and the sharing of digital song files on the internet. The music industry is also struggling to find ways to compete or integrate with many other forms of entertainment, including films, television programmes, mobile phones, DVDs and video games in an extremely crowded communications environment. The battles currently being fought by the music industry are about nothing less than its continued ability to create and maintain specific kinds of profitable relationships with consumers.This book presents two inter-related cases of crisis and opportunity: the music industry's epic struggle over piracy and the 'Idol' phenomenon. Both are explicit attempts to control and justify the particular ways in which the music industry makes money from popular music through specific kinds of relationships with consumers. The battles over piracy have been fought with a remarkable collection of campaigns consisting of advice, coercion and argument about what is or is not the best way to consume music. From these complicated and often contradictory campaigns we form an unusually clear picture of what many within the music industry imagine their industry to be. In a complementary way, 'Idol' works to demonstrate the joy and pleasure of consuming popular music the 'right' way.By creating a series of intertwined relationships with consumers around multiple sites of consumption, incorporating television, radio, live performance, traditional print media campaigns, text messaging and all manner of internet-based systems of communication and 'fan management,' the producers of 'Idol' present an ideal relationship between musicians and audiences. Instead of focusing on selling CDs, the music industry's digital Achilles' heel, 'Idol' has given the music industry an integrated platform for displaying its expanded palette of products and venues for consumption. When understood in specific relation to the battle against piracy, Fairchild's analysis of 'Idol' and the emerging promotional cultures of the music industry it exhibits shows how multiple sites of consumption, and attempts to mediate and control the circulation of popular music, are being used to combat the foundational challenges facing the music industry.

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Annie Heloise Abel describes the 1862 Battle of Pea Ridge, a bloody disaster for the Confederates but a glorious moment for Colonel Stand Watie and his Cherokee Mounted Rifles. The Indians were soon enough swept by the war into a vortex of confusion and chaos. Abel makes clear that their participation in the conflict brought only devastation to Indian Territory.

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A land controversy captures in microcosm the forces endangering the Amish and Mennonite culture, faith, and livelihood.

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This title presents new research on the Mojave Desert. In "The Mojave Desert", thirty-eight scientists who are all specialists in desert ecology address the threats to the Mojave, as well as the potential for natural recovery and active restoration. The contributing authors discuss the desert from several perspectives: regional threats such as expanding human populations, climate change, atmospheric nitrogen deposition, and invasive plants; the impact of roads in a desert ecosystem; soils and plant communities; shrinking aquifers; and the monitoring and sustainability of this fragile ecosystem. Finally, they discuss the importance of long-term data and the ways scientists and resource managers can interact to enhance understanding of the processes of change in the Mojave Desert and to advance the preservation and restoration of its precious resources. "The Mojave Desert" offers the fruits of extensive research in a number of disciplines and a sound assessment of the current state and possible future of one of the world's major deserts. As human intrusion and climate change increasingly threaten the Mojave's ecosystem, studies like this are essential in helping scientists, land managers, and the general public understand what is at risk and what can be done to preserve this austere and hauntingly beautiful region.

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This book presents a new perspective on the role of the wolf in American literature. The wolf is one of the most widely distributed canid species, historically ranging throughout most of the Northern Hemisphere. For millennia, it has also been one of the most pervasive images in human mythology, art, and psychology. "Wolves and the Wolf Myth in American Literature" examines the wolf's importance as a figure in literature from the perspectives of both the animal's physical reality and the ways in which writers imagine and portray it. Author S. K. Robisch examines more than two hundred texts written in North America about wolves or including them as central figures. From this foundation, he demonstrates the wolf's role as an archetype in the collective unconscious, its importance in our national culture, and its ecological value. Robisch takes a multidisciplinary approach to his study, employing a broad range of sources: myths and legends from around the world; symbology; classic and popular literature; films; the work of scientists in a number of disciplines; human psychology; and field work conducted by himself and others. By combining the fundamentals of scientific study with close readings of wide-ranging literary texts, Robisch astutely analyzes the correlation between actual, living wolves and their representation on the page and in the human mind. He also considers the relationship between literary art and the natural world, and argues for a new approach to literary study, an ecocriticism that moves beyond anthropocentrism to examine the complicated relationship between humans and nature.

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When war broke out between the North and the South in 1861, the United States was still a growing nation, living with traditions of the past and beginning to improve life with new technological advances of the future. The Civil War was a conflict during which both sides experimented with old and new methods, machines, and weapons - all of which were dependent upon developing technologies. Exploding shells, hot air balloons, anesthesia, land mines, submarines, and the telegraph are a few of the unique technologies that Union and Confederate leaders used in their struggle to win the war. "Technology and the Civil War" explains the role of technology for Americans before, during, and after the conflict.

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Now for the Contest tells the story of the Civil War at sea in the context of three campaigns: the blockade of the southern coast, the raiding of Union commerce, and the projection of power ashore. The Civil War at sea was profoundly influenced by innovation and asymmetry—both sides embraced innovation, but differences in their resources and their strategic objectives pushed them down different paths. At its peak the Union navy boasted over fifty thousand men and nearly seven hundred ships. The Confederate navy was far smaller, never exceeding some five thousand men, and it numbered its ships in the tens rather than the hundreds. The Confederacy’s “technology strategy” and its overseas programs formed the main counterweight to the Union’s numerical force.
Now for the Contest also examines how both sides mobilized and employed their resources for a war that proved to be of unprecedented intensity and duration. For both antagonists the conduct of the naval war was complicated by rapid technological change, as steam power, metal armor, and more powerful ordnance sparked experiment and innovation both in naval construction and in tactics. The war years brought tremendous change to a service that did not always welcome it. Innovative technologies flourished in this hothouse atmosphere, however, and a rising generation of naval leaders would carry the knowledge of combat into the long peace that followed.

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By 1860 the South ranked high among the developed countries of the world in per capita income and life expectancy and in the number of railroad miles, telegraph lines, and institutions of higher learning. Only the major European powers and the North had more cotton and woolen spindles.
This book examines the Confederate military's program to govern this prosperous industrial base by a quartermaster system. By commandeering more than half the South's produced goods for the military, the quartermaster general, in a drift toward socialism, appropriated hundreds of mills and controlled the flow of southern factory commodities. The most controversial of the quartermasters general was Colonel Abraham Charles Myers. His iron hand set the controls of southern manufacturing throughout the war. His capable successor, Brigadier General Alexander R. Lawton, conducted the first census of Confederate resources, established the plan of production and distribution, and organized the Bureau of Foreign Supplies in a strategy for importing parts, machinery, goods, and military uniforms. While the Confederacy mobilized its mills for military purposes, the Union systematically planned their destruction. The Union blockade ended the effectiveness of importing goods, and under the Union army's General Order 100 Confederate industry was crushed. The great antebellum manufacturing boom was over.

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Deep in the winter of 1862, on the border between Kentucky and Tennessee, two extraordinary military leaders faced each other in an epic clash that would transform them both and change the course of American history forever.
Brigadier General Ulysses S. Grant had no significant military successes to his credit at the outset of the campaign. He was barely clinging to his position within the Union Army—he had been officially charged with chronic drunkenness only days earlier, and his own troops despised him. His opponent was as untested as he was: an obscure lieutenant colonel named Nathan Bedford Forrest. The two men held one thing in common: an unrelenting desire for victory at any cost.
A riveting account of the making of two great military leaders, and two battles that transformed America forever, Men of Fire is destined to become a classic work of military history.

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Central to this volume are the views of Ludwig von Mises on war and foreign policy. Mises argues that war, along with colonialism and imperialism, is the greatest enemy of freedom and prosperity, and that peace cannot be achieved until major nations become limited in scope and power.

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