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Kobieta

widziany: 28.12.2018 19:24

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  • 101 KB
  • 6 sty 16 10:32
Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in unprecedented ways. Patricia E. Chu argues that innovations of form and style developed by Anglo-American modernist writers chart anxieties about personal freedom in the face of increasing governmental controls. Chu examines a diverse set of texts and films, including works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. Additionally, she sheds light on modernists' ideas about race, colonialism and the postcolonial, as race came increasingly to be seen as a political and governmental construct. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature.

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Strikes have been part of American labor relations from colonial days to the present, reflecting the widespread class conflict that has run throughout the nation's history. Against employers and their goons, against the police, the National Guard, local, state, and national officials, against racist vigilantes, against their union leaders, and against each other, American workers have walked off the job for higher wages, better benefits, bargaining rights, legislation, job control, and just plain dignity. At times, their actions have motivated groundbreaking legislation, defining new rights for all citizens; at other times they have led to loss of workers' lives. This comprehensive encyclopedia is the first detailed collection of historical research on strikes in America. To provide the analytical tools for understanding strikes, the volume includes two types of essays - those focused on an industry or economic sector, and those focused on a theme. Each industry essay introduces a group of workers and their employers and places them in their economic, political, and community contexts. The essay then describes the industry's various strikes, including the main issues involved and outcomes achieved, and assesses the impact of the strikes on the industry over time. Thematic essays address questions that can only be answered by looking at a variety of strikes across industries, groups of workers, and time, such as, why the number of strikes has declined since the 1970s, or why there was a strike wave in 1946. The contributors include historians, sociologists, anthropologists, and philosophers, as well as current and past activists from unions and other social movement organizations. Photos, a Topic Finder, a bibliography, and name and subject indexes add to the works appeal.

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Exploring the paradox of the concurrent development of slavery and freedom in the European domains, The Rise of African Slavery in the Americas provides a fresh interpretation of the development of the English Atlantic slave system. The book outlines a major African role in the evolution of the Atlantic societies before the nineteenth century and argues that the transatlantic slave trade was a result of African strength rather than African weakness. It also addresses changing patterns of group identity to account for the racial basis of slavery in the early modern Atlantic World.

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In part due to the recent Yanomami controversy, which has rocked anthropology to its very core, there is renewed interest in the discipline's history and intellectual roots, especially amongst anthropologists themselves. The cutting edge of anthropological research today is a product of earlier questions and answers, previous ambitions, preoccupations and adventures, stretching back one hundred years or more. This book is the first comprehensive history of American anthropology.
Anthropology as a discipline has always developed in a close relationship with other social sciences, but this relationship has rarely been scrutinized. How has anthropology been linked to colonial, commercial and territorial expansion in the States? How have the changing forms of race, power, ethnic identity and politics shaped the questions anthropologists ask, both past and present? This book details and explains the complex interplay of forces and conditions that have made anthropology in America what it is today. Furthermore, the authors explore how anthropologists themselves have contributed and propagated powerful images and ideas about the different cultures and societies that make up our world.

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The Civil War’s first major battle was not especially bloody or decisive, but this fascinating study makes it an apt microcosm of the conflict. Historian Detzer (Allegiance: Fort Sumter, Charleston and the Beginning of the Civil War) provides a lucid narrative of the battle’s course, judiciously assesses the causes and authors of the Union defeat, draws vivid thumbnail sketches of participants from generals to privates, and debunks the "stone wall" legend and other enduring myths of the battle. But the book’s greatest strength is its account of the social, psychological and organizational aspects of warfare in the Civil War epoch. Fought by hastily mobilized amateurs, the battle highlighted the Herculean difficulties the two sides faced in clothing, supplying and feeding large armies and trying to turn fractious civilians into competent soldiers. And Bull Run gave volunteers imbued with romantic jingoism their first taste of the horror, chaos and physical agony of combat. Drawing on a mountain of first-hand accounts, Detzer paints a detailed panorama of every aspect of army life, from the mechanics of working a musket, to the grisliness of battlefield medicine, the scrounging for meals and the suffering through long, waterless marches on a sweltering July day. The result is a splendid portrait of the Civil War as the soldiers knew it. B&w photos not seen by PW.

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The Grumman F4F Wildcat was an American carrier-based fighter aircraft that began service with both the United States Navy and the British Royal Navy (as the Martlet) in 1940. Although first used in combat by the British in Europe, the Wildcat was the only United States Navy or Marine fighter in World War II 1941–42 in the Pacific Theater besides the brief appearance of the F2A Buffalo. With a top speed of 318 mph (512 km/h), the Wildcat was outperformed by the more nimble 331 mph (533 km/h) Mitsubishi Zero, but its ruggedness and tactics such as the Thach Weave resulted in an air combat kill-to-loss ratio of 5.9:1 in 1942 and 6.9:1 for the entire war.

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"Arguably the best fighter/interceptor ever built, the F-14 is today, even after its introduction in 1972, without peer. Visually, the Tomcat has a distinctive and graceful presence, especially with wings in the full swept back position. INCLUDES: ""F-14 Tomcat Walkaround"" - 80 Pages - 11"" x 8.25"" FEATURES: **Author: Lou Drendel **Black and White plus Color Photos complete with captions (a brief description of the picture) **Contains many pictures and captions

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Each volume contains 80 pages, 40 in color. Over 200 photos showing close up details of each aircraft. Written and illustrated with the model builder in mind.

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Long recognized as 'America's theologian', Jonathan Edwards (1703-1758) is seen as instrumental in the Great Awakening of the 1740s that gripped much of New England and that laid the groundwork for an American Protestant religious identity. This Cambridge Companion offers a general, comprehensive introduction to Jonathan Edwards and examines his life and works from various disciplinary perspectives including history, literature, theology, religious studies, and philosophy. The book consists of seventeen chapters written by leading religious scholars, historians and literary critics on Edwards' life, work, and legacy. The Companion will be an invaluable aid to teachers and scholars and will be imminently accessible to those just encountering Edwards for the first time.

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The National Mall in Washington, D.C., is "a great public space, as essential a part of the American landscape as the Grand Canyon," according to architecture critic Paul Goldberger, but few realize how recent, fragile, and contested this achievement is. In Monument Wars, Kirk Savage tells the Mall's engrossing story--its historic plan, the structures that populate its corridors, and the sea change it reveals regarding national representation. Central to this narrative is a dramatic shift from the nineteenth-century concept of a decentralized landscape, or "ground"-heroic statues spread out in traffic circles and picturesque parks-to the twentieth-century ideal of "space," in which authority is concentrated in an intensified center, and the monument is transformed from an object of reverence to a space of experience. Savage's lively and intelligent analysis traces the refocusing of the monuments themselves, from that of a single man, often on horseback, to commemorations of common soldiers or citizens; and from monuments that celebrate victory and heroism to memorials honoring victims. An indispensable guide to the National Mall, Monument Wars provides a fresh and fascinating perspective on over two hundred years of American history.

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Violence and the Body: Race, Gender, and the State explores the relationship between subalternity, the discourse and technology of the body, and the rise and proliferation of racial, colonial, sexual, domestic, and state violence, examining the materiality of violence on the "otherized" body.
Grounded in U.S./Mexico border and Latin American cultural studies, the essays in this collection intersect discussions of subalternity, violence, and discourses of the body in a transethnic, feminist, and global cultural studies context. They provide a global mapping of contemporary modes and acts of physical and representational violence and demonstrate how discourses of otherization are reinforced and interanimated through violence on what Elizabeth Grosz has called the "intensities" and "flows" of the body.

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The ideal companion guide for capturing awe-inspiring photos of Yosemite!

Whether using a compact camera or a high-end dSLR, this companion guide pres you with detailed information for taking spectacular shots of some of the most recognizable landmarks in the world. Whether you aim to capture memorable photos of Half Dome, El Capitan, Vernal Fall, Mariposa Grove, or one of Yosemite's other many remarkable attractions, this portable resource goes where you go and walks you through valuable tips and techniques for taking the best shot possible.

You'll discover suggested locations for taking photos, recommended equipment, what camera settings to use, best times of day to photograph specific attractions, how to handle weather challenges, and more. In addition, beautiful images of Yosemite's most breathtaking attractions and recognizable landmarks serve to both inspire and assist you as you embark on an amazing photographic adventure!
Elevates your photography skills to a new level with photography secrets from professional photographer Lewis Kemper
Presents clear, understandable tips and techniques that span all skill levels, using all types of digital cameras, from compact cameras to high end DSLRs
Features Yosemite's main attractions in alphabetical order as well as thumb tabs on the pages so you can quickly and easily access the information you are looking for
Shares detailed information and insight on critical topics, such as ideal locations to photograph from, the best time of day to shoot, camera equipment to have handy, weather conditions, and optimal camera settings to consider

Whether you're a local familiar with the territory or a visitor seeing this beautiful U.S. National Park for the first time, this handy guide will help capture fantastic photos!

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From the launching of America's first newspaper to YouTube's latest phone-videoed crime, the media has always been guilty of indulging America's obsession with controversy. This encyclopedia covers 100 events in world history from the 17th century to the present—moments that alone were major and minor, but ones that exploded in the public eye when the media stepped in. Topics covered include yellow journalism, the War of the Worlds radio broadcast, the Kennedy-Nixon debates, JFK's assassination, the Pentagon papers, and Hurricane Katrina. These are events that changed the way the media is used-not just as a tool for spreading knowledge, but as a way of shaping and influencing the opinions and reactions of America's citizens. Thanks to the media's representations of these events, history has been changed forever. From classified military plans that leaked out to the public to the first televised presidential debates to the current military tortures caught on tape, Breaking News will demonstrate not only an ever-evolving system of news reporting, but also the ways in which historical events have ignited the media to mold news in a way that resonates with America's public. This must-have reference work is ideal for journalism and history majors, as well as for interested general readers.

Chapters are in chronological order, beginning with the 17th century. Each chapter starts with a brief introduction, followed by media event entries from that decade. Each entry explains the moment, and then delivers specific details regarding how the media covered the event, America's response to the coverage, and how the media changed history.

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The pageantry of Oprah Winfrey’s daytime talk show, the Atlanta-based Coca-Cola empire, Michael Jackson’s turn from the King of Pop into an iconic global recluse: American “pop” culture—and the contemporary films, television programs, and cultural objects that determine it—dominates the rest of the world through its hegemonic presence. Does that make everyone a hybridized American or do these elements find mediation within the other cultures that consume them? Fabricating the Absolute Fake applies elements of postmodern theory—Jean Baudrillard’s hyperreality and Umberto Eco’s “absolute fake”, among others—to this globally mediated American pop culture in order to examine both the phenomena itself and its appropriation in the Netherlands, as evidenced by diverse cultural icons like the Elvis-inspired crooner Lee Towers, the Moroccan-Dutch white rapper Ali B, musical tributes to an assassinated politician, and the Dutch reality soap opera scene. A fascinating exploration of how global cultures struggle to create their own “America” within a post–September 11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American popular culture. “A brilliant, thoroughly enjoyable work of cultural critique. . . . Jaap Kooijman takes seemingly exhausted concepts like “Americanization” and turns them on their head.”—Anne McCarthy, New York University

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This volume demonstrates the variety and creativity of American economics and the links between American economic thought and its non-European context. It contains selected papers from the 1996 History of Economics Society Conference.

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The formative period of the United States, running roughly from 1789 to 1829, has become remote and perhaps overly idealized. While the administrations of George Washington, John Adams, James Madison, James Monroe and John Quincy Adams set the country on the path to modernity by resolving some nagging problems left over from the Revolution, they failed to resolve many crucial issues, such as slavery, the treatment of Native Americans, and the consequences of industrial development. Despite many common goals, the gentry's leadership was riven by sectional friction, personal competition, and partisan bickering that almost tore the nation apart during the War of 1812. This dictionary recounts the achievements and the failures, the progress and the backsliding, and the high and low points of our forefathers.

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"Generally, Army initiatives lead to reorganization, so that s what people have come to expect. The Materiel Enterprise (ME) is not typical. It's about bringing to bear the relevant people from across our institution that can address particular issues and make sure that all views are heard so that senior leaders can make the best informed decisions possible for the Army." The words of Col. Anne Davis, the director of the Materiel Enterprise Task Force for Army Materiel Command (AMC), describe in a nutshell the meaning of the Materiel Enterprise initiative and the broader Army Enterprise to AMC. Based on the need for change among the Army institutions that sustain joint forces and generate trained and ready units, the Army Enterprise approach is aimed at bringing the institutional Army and the operational Army into balance. The enormous burden of the conflicts in Iraq and Afghanistan over the last eight years has strained the Army's ability to generate force, said Lt. Gen. Robert Durbin, director of the Army Enterprise Task Force (ETF), in an early July 2009 interview.

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