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Edward St. John Gorey (February 22, 1925 – April 15, 2000) was an American writer and artist noted for his illustrated books. His characteristic pen-and-ink drawings often depict vaguely unsettling narrative scenes in Victorian and Edwardian settings.

Gorey is typically described as an illustrator. His books may be found in the humor and cartoon sections of major bookstores, but books such as The Object Lesson have earned serious critical respect as works of surrealist art. His experimentation—creating books that were wordless, books that were literally matchbox-sized, pop-up books, books entirely populated by inanimate objects—complicates matters still further. As Gorey told Richard Dyer of The Boston Globe, "Ideally, if anything were any good, it would be indescribable." Gorey classified his own work as literary nonsense, the genre made most famous by Lewis Carroll and Edward Lear.

In response to being called gothic, he stated, "If you're doing nonsense it has to be rather awful, because there'd be no point. I'm trying to think if there's sunny nonsense. Sunny, funny nonsense for children—oh, how boring, boring, boring. As Schubert said, there is no happy music. And that's true, there really isn't. And there's probably no happy nonsense, either."
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Edward Gorey's extraordinary and disconcerting books are avidly sought and treasured throughout the world, but until now little has been known about the man himself. While he was notoriously protective of his privacy, Gorey did grant dozens of interviews over the course of his life. And as these conversations demonstrate, he proved to be unfailingly charming, gracious, and fascinating.
Here is Gorey in his own words, ruminating on everything from French symbolist poetry to soap operas, from George Balanchine and the unique beauty of ballet to Victorian photographs of dead children. We meet the artist in his ramshackle, book-lined studio in Manhattan and his equally bizarre house on Cape Cod. He describes his legendary upbringing and vast range of influences, as well as how he managed to work amid all his cats. Ascending Peculiarity is a rare and wonderful entree into the inner workings of an artistic genius.

Includes reproductions of previously unpublished drawings and photographs

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Pierwsze wydanie: 1971
Autor: Florence Parry Heide
Gatunek: Literatura dziecięca
Wydawca: Holiday House
Ilustrator: Edward Gorey
Liczba stron: 63

z chomika Vallaor

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A classic artistic parody from two of the world's most satiric minds. Moss uncovers remarkable historical anecdotes, which are accompanied by Gorey's absurdly deadpan drawings. Although the insightful scenarios involving Emily Dickinson, Mozart, Henrik Ibsen, and El Greco are all the product of Moss's fertile imagination, his uncanny emulation of style makes us believe they (just possibly) might be true. 25 illustrations.

z chomika Vallaor

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Pierwsze wydanie: 1967
Autor: Edward Gorey
Ilustrator: Edward Gorey
Gatunki: Poezja, Humor

z chomika Vallaor

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Pierwsze wydanie: 1963
Autor: Rhoda Levine
Gatunek: Fikcja
Ilustrator: Edward Gorey

Wickedly funny and delightfully sad, Three Ladies Beside the Sea is a tale of love found, love lost, and love never-ending. Edward Gorey’s off-kilter Edwardian maidens are the perfect accompaniment to Rhoda Levine’s lilting rhymes.

z chomika Vallaor

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Authors: Clifford Ross, Karen Wilkin, Edward Gorey (Illustrator)
Hardcover: 189 pages
Publisher: Harry N. Abrams (September 1, 1996)
Language: English

Edward Gorey is an author and an illustrator who has carved a unique niche creating macabre graphic novels that are part satire and part social commentary--comics for adults. Though often relating lurid tales of Victorian crime, Gorey eschews blood and gore in favor of atmosphere and humor. Here the editors have collected a representative sample of his work. Ross, an artist, and Wilkin, an art critic, also provide a useful introductory essay on Gorey's work and an informative interview with him. The book includes a complete bibliography and photographs of Gorey's library and studio.

Habitual watchers of PBS TV's long-running Mystery! may constitute the largest number of Edward Gorey fans--provided, of course, that they all love the show's animated introduction, for it is Gorey's contribution. Long before the show, Gorey had attracted a staunch band of admirers with his gravely humorous rhymed stories set in an Edwardian never-never land and illustrated in children's picture-book fashion, one drawing per page or line of verse. If your child had a somewhat morbid sense of humor, they could be marvelous children's books, but they were basically for adults fascinated by Gorey's literary and artistic allusions and the droll dreariness of his densely crosshatched style (although he rarely uses color, his thicket of lines ineluctably conjures them in the mind's eye; of course, all are the hues of dusk). Besides a little gallery of his work, this sampler includes a literate admiration by Wilkin and a splendidly amusing tete-a-tete with the artist by Ross. Ray Olson

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z chomika Vallaor

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