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widziany: 4.05.2026 04:34

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  • 13 mar 16 17:18
Gross joined the army in November 1968 at age 18 to fly helicopters, believing the Vietnam War would be over by the time he completed his flight training. It wasn't. He put in a year in the war zone, from May 1970 to May 1971, as a young Huey helicopter pilot, flying hundreds of dangerous missions under the Rattler 17 call sign with the 71st Assault Helicopter Company near Chu Lai and later in Quang Tri. Gross took part in the massive Operation Lam Son 719 in February 1971, when American forces provided air and artillery support for Army of South Vietnam troops who crossed into Laos to raid the Ho Chi Minh Trail. His war memoir is heavy on detail; Gross dutifully, and sometimes dully, describes his day-to-day activities in the air and on the ground. Reflections on the latter include passages on his interactions with his fellow pilots and superior officers and with the Vietnamese "hootch maids" who did the GIs' laundry and polished their boots, as well as details of his R&R and leave time in Australia. He offers some commentary ("What bothers me most is that we could have won the war!"), but wealth of detail, rather than of insight, is the draw.

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Superb, detailed look at the similarities and differences between American and British Clipper Ships that were in service in the 1850's; profusely illustrated with the author's own, highly detailed plans and line drawings plus additional b & w illustrations.

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Atmospheric Nuclear Weapons Testing, Volume I of Battlefi eld of the Cold War : The Nevada Test Site, was written in conjunction with the opening of the Atomic Testing Museum in Las Vegas, Nevada. The museum with its state-of-the-art facility is the culmination of a unique cooperative effort among cross-governmental, community, and private sector partners. The initial impetus was provided by the Nevada Test Site Historical Foundation, a group primarily consisting of former U.S. Department of Energy and Nevada Test Site federal and contractor employees. The foundation worked with the Department’s National Nuclear Security Administration, the State of Nevada, and a local non-profi t, the Desert Research Institute, to bring to fruition a mixed-use, public outreach facility that benefi ts all concerned parties. The facility houses the museum, the Department’s public reading room and Nuclear Testing Archive, and offi ce space utilized partially for cultural resources/historic preservation activities at the Nevada Test Site.

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Operation Crossroads was a joint operation of the U.S. Navy, the Army Air Forces, and the Army Ground Forces, to determine the effect of the atom bomb against various types of naval vessels. Two tests were carried out by Joint Task Force One: Test Able - a plutonium bomb similar to Fat Man was dropped by the B-29 "Dave's Dream" and detonated over a lagoon at Bikini Atoll in the Pacific on July 1, 1946. Twenty-four days later, on July 25, 1946, a second device, sitting slightly below the surface of the water, was detonated. This was called Test Baker.

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  • 13 mar 16 17:18
Louis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong's death in 1971 as one of the best-known figures in American entertainment.

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Provides an easy-to-use guide to the 5-volume North American Free Trade Agreement, to related trade issues, and to the unfolding New American Community.

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This volume begins to show why the current period in humanistic studies could be known as "The Age of Edward Said." The collection brings together outstanding intellectuals from the wide variety of fields to which Edward Said, the most important humanist of his generation, has made contributions: literary criticism, postcolonial studies, musicology, Middle Eastern Studies, anthropology, and journalism.

Featured is a new interview with Said, conducted by W. J. T. Mitchell, in which Said discusses the importance of the visual to his thinking, specifically the works of Goya and Caravaggio, which in turn made possible Said's valuable contributions to our understanding of photography and painting. Other contributions reflect on Said's influences on the American public sphere; the subtle personal politics that inform the relationship between music and emotion; Said's importance to a thinking about "race before racism" and the disappearance of the American; and jazz man Jim Merod reflects on Said's "sublime lyrical abstractions.

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This hefty, posthumous study is an ambitious, intensive look at a brief period of American culture, spanning the domains of visual art, literature and music. Following up the author's two previous volumes covering the century's early years, this book devotes chapters to the usual suspects with a smattering of lesser-knowns: photographers Paul Strand and Alfred Stieglitz; artists Charles Sheeler and Georgia O'Keeffe; writers Gertrude Stein, Sherwood Anderson and Ernest Hemingway; composers Edgard Varese and George Antheil; and Theosophical architect Claude Bragdon.

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The vibrant urban folk scene of the 1960s is dazzlingly portrayed in this collection of more than 150 previously unpublished photographs by Raeburn Flerlage. From concert performances and studio sessions to interviews and intimate club shows, Flerlage's images effortlessly capture the essence of both the artists and their music. Arresting photographs of popular performers, such as Bob Dylan, Joan Baez, and Pete Seeger, mingle with those of more traditional musicians, including the Reverend Gary Davis, Booker White, Dock Boggs, and Mother Maybelle Carter as well as many other blues, bluegrass, Cajun, and gospel artists who performed at the University of Chicago Folk Festival.

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This passionate and controversial book is the work of one of America's most outspoken and talented new journalists. William Rivers Pitt's caustic critique of the last four years of American government gives voice to the growing tide of dissent and outrage with America's leaders both inside the country and in the wider world.
Burning with anger, this incisive and readable book argues that, under George W. Bush, America makes a mockery of the values of liberty and truth that it purports to stand for, and that it is now more important than ever to speak out.
William Rivers Pitt reveals how the crisis in American has been engineered by a group of Christian conservatives, whose attempts in 1998 to bring down the Clinton government led to a perversion of the American electoral process, resulting in the illegitimate installation of George W. Bush into the Presidency by five like-minded conservative Justices of the Supreme Court.
In the aftermath of September 11th, America has in many senses lost its way. Citizens are counseled to "watch what they say" by the White House, just as questions of deadly import are ignored by the government and the media. In their rush to defend "liberty", George Bush and his allies are actually endangering the freedom of the individual, as laid down in international law. Yet how do we save freedom by limiting it? Why, after all this time, have there been no answers regarding what really happened on 9/11?
Pitt's message is clear: seeking answers and demanding truth is not treasonous. In these dangerous days, with all that is at stake, the greatest sedition in America is silence.

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The subjects covered in this collection will appeal to a range of scholars, specialists, and general readers. The contributions of the Japanese scholars will not go unnoticed either for they draw on many primary sources in Japan that have yet to be translated into English and therefore offer a unique perspective on the events and individuals discussed in the essays. By focusing on both the US and Japan, this work provides easy access to the competing perspectives of the two nations, a competition that is enhanced by examinations of individuals and events, which have often been overlooked. The evolution of Japanese strategic goals prior to WWII, for example, was not limited to the vision of Yamamoto any more than the post-war relationship that emerged was defined exclusively by Douglas Macarthur. The Cold War has ended, but the relationship shared by the US and Japan plays a central roll in the GWOT. Overall, the range of topics covered by these essays adds depth to any understanding of the strategies and relations pursued by the two countries while providing a foundation for understanding the relationship as it continues to evolve today.

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"Thousands of years ago, before Christ or Buddha or Muhammada€¦before the Roman Empire rose or the Colossus of Rhodes fell," Eric Burns writes, "people in Asia Minor were drinking beer." So begins an account as entertaining as it is extensive, of alcohol's journey through world's and, more important, Americanan's history.

In The Spirits of America, Burns relates that drinking was "the first national pastime," and shows how it shaped American politics and culture from the earliest colonial days. He details the transformation of alcohol from virtue to vice and back again, how it was thought of as both scourge and medicine. He tells us how "the great American thirst" developed over the centuries, and how reform movements and laws (some of which, Burn s says, were "comic masterpieces of the legislator's art") sprang up to combat it. Burns brings back to life such vivid characters as Carrie Nation and other crusaders against drink. He informs us that, in the final analysis, Prohibition, the culmination of the reformers' quest, had as much to do with politics and economics and geography as it did with spirituous beverage.

Filled with the famous, the infamous, and the undeservedly anonymous, The Spirits of America is a masterpiece of the historian's art. It will stand as a classic chroniclea€”witty, perceptive, and comprehensivea€”of how this country was created by and continues to be shaped by its everchanging relationship to the cocktail shaker and the keg.

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When and Where I Enter is an eloquent testimonial to the profound influence of African-American women on race and women's movements throughout American history. Drawing on speeches, diaries, letters, and other original documents, Paula Giddings powerfully portrays how black women have transcended racist and sexist attitudes-often confronting white feminists and black male leaders alike-to initiate social and political reform. From the open disregard for the rights of slave women to examples of today's more covert racism and sexism in civil rights and women'sorganizations, Giddings illuminates the black woman's crusade for equality. In the process, she paints unforgettable portraits of black female leaders, such as anti-lynching activist Ida B. Wells, educator and FDR adviser Mary McLeod Bethune, and the heroic civil rights leader Fannie Lou Hamer, among others, who fought both overt and institutionalized oppression.

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"The Environmental Movement" introduces readers to this significant movement, which arose in the United States in the late 1800s in response to the nation's dwindling forests and the pollution caused by a greater number of factories. The abundant photographs and vibrant text chronicles the accomplishments of conservationists such as Gifford Pinchot and John Muir, who helped the movement gain a foothold in the United States. This useful book also details how environmentalism has become a global effort, led by organizations such as Greenpeace and the World Wildlife Fund.

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jegah58199

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