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widziany: 4.05.2026 04:34

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  • 67 KB
  • 13 mar 16 17:18
Christopher Columbus set out on August 3, 1492, to find the East by sailing west. Over the course of a few years, he convinced the king and queen of Spain to pay for his trip, promising them fame and riches in return. Columbus discovered more than he bargained for he had found a new continent.

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Lance Armstrong's War is the extraordinary story of greatness pushed to its limits, a vivid, behind-the-scenes portrait of Armstrong—perhaps the most accomplished athlete of our time—as he faces his biggest test: a historic sixth straight victory in the Tour de France, the toughest sporting event on the planet.

Made newly vulnerable by age, fate, fame, doping allegations, and an unprecedented army of challengers, Armstrong fights on all fronts to do what he does like no one else: exert his will to win. That will, which has famously lifted him beyond his humble Texas roots, beyond cancer, and to unparalleled heights of success, is revealed by acclaimed journalist Daniel Coyle in new and startling dimensions.

We see how Armstrong rebuilds after his near-loss in the 2003 Tour, discovering new strategies to cope with his aging body. How he fills the holes in his life after his painful divorce from his wife, Kristin, and the ensuing time apart from his three young children. How he manages the exceedingly difficult trick of being Lance Armstrong—a combination of world-class athlete, celebrity, regular guy, and, for many Americans, secular saint.

But a saint's life it's not. To function at his peak, Armstrong requires what his friends artfully call "stimulus"—and if it's lacking, he won't hesitate to create some. We see Armstrong operating at the turbulent center of a fast-orbiting cast of swaggering Belgian tough guys, controversial Italian sports doctors, piranha-toothed lawyers, and jittery corporations, not to mention a certain female rock star. We see the subtle mind games he plays with himself and with rivals Tyler Hamilton, Jan Ullrich, and Iban Mayo. We see him through the eyes of his teammates, competitors, and friends, and explore his powerful relationship with his mother, Linda. We see what happens three weeks before the Tour, when he's faced with a double challenge: a blowout defeat in an important race and the release of a controversial book seeking to link him to performance-enhancing drugs. And finally we see it all culminate in the Tour de France, where Armstrong will rise to new and unexpected levels of domination.

Along the way, Lance Armstrong's War journeys through the little-known landscape of professional bike racing, a Darwinian world of unsurpassed beauty and brutality, a world teeming with underdogs, gurus, groupies, and wholly original characters, where athletes do not so much choose the sport as the sport chooses them.

Over the season, Armstrong and these characters collide in raw and sometimes violent theater. From the first training camps to the triumphal ride into Paris, Lance Armstrong's War provides a hugely insightful look into the often-inspiring, always surprising core of this remarkable man and the world that shapes him.

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At War with Metaphor offers a compelling analysis of our public discussions of the war on terror and the binding conceptual metaphors through which they are framed. Examining the images of animal, insect, and disease that shape and limit our understanding of the war, and tying these images to historical and contemporary uses of propaganda and media filters, the authors explore how news media, including political cartoons and talk radio, are enmeshed in this damaging, dehumanizing language.

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  • 13 mar 16 17:18
Michael Moore at his best! Bitterböse, nie politically correct und unfair nach allen Seiten nimmt er aufs Korn, was den "Stupid White Men" heilig ist: den Kongress genauso wie das Amt des Präsidenten der USA -- und vor allem und immer wieder die großen Konzerne, denn: "Big Business will alles mögliche -- aber bestimmt nicht, dass Du ein besseres und leichteres Leben hast." Er schlägt vor, den viel zu langen Namen "United States of America" schlicht in "The Big One" zu ändern, die Regierung zur Kostensenkung nach Mexiko auszulagern (machen das die großen Firmen nicht genauso?) und möchte den nächsten Präsidenten in einem Dragster-Rennen ermitteln. "Der letzte Rebell Amerikas" (Der Spiegel) nimmt scheinbar nichts ernst - und hat gerade dadurch eine durchschlagende Wirkung. Der geniale Vorläufer zu "Stupid White Men" ist unverändert gültig.

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The Apache culture of 1850 was a blend of influences from the peoples of the Great Plains, Great Basin and the South-West, particularly the Pueblos, and – as time progressed – from the Spanish and American settlers. This fascinating work by Jason Hook examines the Apaches, their social structure, religion and warcraft, and outlines the Apache wars and conflicts with the American, including the dramatic story of Crook and Geronimo. This absorbing volume is illustrated with a wealth contemporary photographs, museum examples and eight stunning full page colour plates by Richard Hook, making it the perfect book for anyone interested in this fascinating culture. Men-at-Arms 163 and 186 and Warrior 4 are also available in a single volume special edition as ‘To Live and Die in the West’.

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  • 13 mar 16 17:18
What is the power of Dillinger's story? Why has it lingered so long? Who was John Dillinger? Gorn illuminates the significance of Dillinger's tremendous fame and the endurance of his legacy, arguing that he represented an American fascination with primitive freedom against social convention. Dillinger's story has much to tell us about our enduring fascination with outlaws, crime and violence, about the complexity of our transition from rural to urban life, and about the transformation of America during the Great Depression.
Dillinger's Wild Ride is a compulsively readable story with an unforgettable protagonist.

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This provocative book assesses the implications of a disturbing trend in U.S. security policy: an increased willingness to use military force as an instrument of diplomacy. In The Illusion of Control, Seyom Brown shows how U.S. officials are relying on force to counter a wide range of threats to America's global interests—eclipsing previous strategies that restricted the use of military force to situations in which the country's vital interests were at stake.Brown points out that a disposition to employ military power broadly as an instrument of diplomacy was on the rise well before September 11, 2001— and it shows every sign of persisting into the future. While resorting to force may seem to be a reliable way to establish control over a disorderly world, Brown cautions that expecting to gain and maintain control through military prowess could turn out to be a dangerous illusion. In fact, employing new military technologies in an effort to control international terrorist activities, wars, and civil conflicts is likely to pull the United States into excessive commitments and imprudent action.

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When we think of the key figures of early American history, we think of explorers, or pilgrims, or Native Americans-not cattle, or goats, or swine. But as Virginia DeJohn Anderson reveals in this brilliantly original account of colonists in New England and the Chesapeake region, livestock played a vitally important role in the settling of the New World. Livestock, Anderson writes, were a central factor in the cultural clash between colonists and Indians as well as a driving force in the expansion west. By bringing livestock across the Atlantic, colonists believed that they provided the means to realize America's potential, a goal that Indians, who lacked domestic animals, had failed to accomplish. Settlers believed that Indians who learned to keep livestock would also advance along the path toward civility and Christian faith.

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Part of the "Eyewitness guides" series, this illustrated text explores the legends of the rough-and-tumble American West. Readers can see a real cowboy cook wagon, discover how the American West was won, how miners panned for gold, and what really happened at the OK Corral.

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Danny Schechter, a television producer and independent filmmaker, is a notable figure in the media community. As a writer and speaker focused on media issues, Schechter brings to the table a more leftward viewpoint than that which is found in today's mainstream media (no, the media isn't as 'liberal' as Fox News may tell you, and the fact that people like Schechter no longer exist in the mainstream is testament to that).Schechter is extremely critical of the way the media has conglomerated into a mass of right-leaning, sensationalistic, pro-authority and screw-everyone-else insanity, and, as the inside jacket states, Embedded is his analysis of the media's "cheerleading for a war in which reporting was sanitized, staged, and suppressed".

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Many have argued that American Unitarianism originated solely from within Congregationalism and developed independent of outside influences. William Ellery Channing's "Unitarian Christianity" sermon in 1819 was a key moment in the history of the denomination, as Channing consciously sought to define the parameters of the faith and eliminate all vestiges of competing influences. Yet the American Unitarian tradition was far more complex than its nineteenth-century adherents were willing to admit. In Joseph Priestley and English Unitarianism in America, J. D. Bowers reexamines its origins, course, and development and subsequently reveals the extent to which Joseph Priestley's ideas concerning Congregational polity were recognized and established within the United States.

In contrast to studies that simply trace the history of the denomination as it flows out of New England and is controlled by Bostonians, Bowers shows that Priestley's legacy grew in importance throughout the nineteenth century and held sway throughout many of the frontier regions of the nation. By discussing the complexity of interdenominational rivalry, lack of central control, and a continuous transatlantic exchange among religious liberals, he shows that English Unitarianism continued to serve as an essential and noteworthy foundation for subsequent developments within the American denomination as it endured the challenges of Protestant orthodoxy, unregulated liberalism, Transcendentalism, and the never-ending quest to define liberal religion in America.

This is an insightful account of an often neglected set of tenets and developments in the denomination's history. It uniquely traces the course of continued English influence as it established a new point of reference for understanding the dynamic origins of denominational development, Unitarian thought, and liberal religion.

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On September 11, 1857, a band of Mormon militia, under a flag of truce, lured unarmed members of a party of emigrants from their fortified encampment and, with their Paiute allies, killed them. More than 120 men, women, and children perished in the slaughter.
Massacre at Mountain Meadows offers the most thoroughly researched account of the massacre ever written. Drawn from documents previously not available to scholars and a careful re-reading of traditional sources, this gripping narrative offers fascinating new insight into why Mormons settlers in isolated southern Utah deceived the emigrant party with a promise of safety and then killed the adults and all but seventeen of the youngest children. The book sheds light on factors contributing to the tragic event, including the war hysteria that overcame the Mormons after President James Buchanan dispatched federal troops to Utah Territory to put down a supposed rebellion, the suspicion and conflicts that polarized the perpetrators and victims, and the reminders of attacks on Mormons in earlier settlements in Missouri and Illinois. It also analyzes the influence of Brigham Young's rhetoric and military strategy during the infamous "Utah War" and the role of local Mormon militia leaders in enticing Paiute Indians to join in the attack. Throughout the book, the authors paint finely drawn portraits of the key players in the drama, their backgrounds, personalities, and roles in the unfolding story of misunderstanding, misinformation, indecision, and personal vendettas.
The Mountain Meadows Massacre stands as one of the darkest events in Mormon history. Neither a whitewash nor an expose, Massacre at Mountain Meadows provides the clearest and most accurate account of a key event in American religious history.

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On August 29, 2005, Hurricane Katrina slammed into the Gulf Coast states of Louisiana and Mississippi. The storm devastated the region and its citizens. But its devastation did not reach across racial and class lines equally. In an original combination of research and advocacy, Hurricane Katrina: America’s Unnatural Disaster questions the efficacy of the national and global responses to Katrina’s central victims, African Americans.
This collection of polemical essays explores the extent to which African Americans and others were, and are, disproportionately affected by the natural and manmade forces that caused Hurricane Katrina. Such an engaged study of this tragic event forces us to acknowledge that the ways in which we view our history and life have serious ramifications on modern human relations, public policy, and quality of life.

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Between 1900 and the 1970s, twenty million southerners migrated north and west. Weaving together for the first time the histories of these black and white migrants, James Gregory traces their paths and experiences in a comprehensive new study that demonstrates how this regional diaspora reshaped America by "southernizing" communities and transforming important cultural and political institutions.Challenging the image of the migrants as helpless and poor, Gregory shows how both black and white southerners used their new surroundings to become agents of change. Combining personal stories with cultural, political, and demographic analysis, he argues that the migrants helped create both the modern civil rights movement and modern conservatism. They spurred changes in American religion, notably modern evangelical Protestantism, and in popular culture, including the development of blues, jazz, and country music.In a sweeping account that pioneers new understandings of the impact of mass migrations, Gregory recasts the history of twentieth-century America. He demonstrates that the southern diaspora was crucial to transformations in the relationship between American regions, in the politics of race and class, and in the roles of religion, the media, and culture.

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A prize-winning journalist tells the troubling story of Canadian Omar Khadr, who has spent a quarter of his life growing up in Guantanamo Bay.

Khadr was captured in Afghanistan in July 2002 at the age of 15. Accused by the Pentagon of throwing a grenade that killed U.S. soldier Sgt. First Class Christopher Speer, Khadr faces charges of conspiracy and murder. His case is set to be the first war crimes trial since World War II.

In Guantanamo's Child, veteran reporter Michelle Shephard traces Khadr's roots in Canada, Pakistan and Afghanistan, growing up surrounded by al Qaeda's elite. She examines how his despised family, dubbed "Canada's First Family of Terrorism," has overshadowed his trial and left him alone behind bars for more than five years. Khadr's story goes to the heart of what's wrong with the U.S. administration's post-9/11 policies and why Canada is guilty by association. His story explains how the lack of due process can create victims and lead to retribution, and instead of justice, fuel terrorism.

Michelle Shephard is a national security reporter for the Toronto Star and the recipient of Canada's top two journalism awards.

"You will be shocked, saddened and in the end angry at the story this page turner of a book exposes. I read it straight through and Omar Khadr’s plight is one you cannot forget."

—Michael Ratner, New York, President of the Center for Constitutional Rights.

"Michelle Shephard's richly reported, well written account of Omar Khadr's trajectory from the battlefields of Afghanistan to the cells of Guantanamo is a microcosm of the larger "war on terror" in which the teenaged Khadr either played the role of a jihadist murderer or tragic pawn or, perhaps, both roles."

—Peter Bergen, author of Holy war, Inc. and The Osama bin Laden I know.

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For twenty-five years Candice DeLong was on the front lines of some of the FBI's most gripping cases. She tailed terrorists, went undercover as a gangster's moll, and joined the manhunt for the Unabomber in Montana.

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"This book provides the first and only comprehensive survey of armor, shields, and fortifications [of American Indians]. . . . It has left me with a new appreciation for the sheer diversity of warfare, armor, and fortifications used by Native Americans, and it shatters stereotypes about the nature of aboriginal warfare."—Wayne Van Horne, Associate Professor of Anthropology, Kennesaw State University. From the Chickasaw fighting the Choctaw in the Southeast to the Sioux battling the Cheyenne on the Great Plains, warfare was endemic among the North American Indians when Europeans first arrived on this continent. An impressive array of offensive weaponry and battle tactics gave rise to an equally impressive range of defensive technology. Native Americans constructed very effective armor and shields using wood, bone, and leather. Their fortifications ranged from simple refuges to walled and moated stockades to multiple stockades linked in strategic defensive networks. In this book, David E. Jones offers the first systematic comparative study of the defensive armor and fortifications of aboriginal Native Americans. Drawing data from ethnohistorical accounts and archaeological evidence, he surveys the use of armor, shields, and fortifications both before European contact and during the historic period by American Indians from the Southeast to the Northwest Coast, from the Northeast Woodlands to the desert Southwest, and from the Sub-Arctic to the Great Plains. Jones also demonstrates the sociocultural factors that affected warfare and shaped the development of different types of armor and fortifications. Extensive eyewitness descriptions of warfare, armor, and fortifications, as well as photos and sketches of Indian armor from museum collections, add a visual dimension to the text.

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