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widziany: 4.05.2026 04:34

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  • 13 mar 16 17:18
The role of the US heavy cruiser was fully defined durmy World War Two when most of the US Pacific Fleet was severels damaged at Pearl Harbor, Hawaii on 7 December 1941. No heavy cruiser was damaged and all were able to carry the fight to die Japanese (and Germans) once the war plans were revised.

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US naval aviation began on 10 November 1910, with the launch of an aircraft flown by Eugene Ely from a temporary flight deck constructed on the light cruiser BIRMINGHAM (CI.-2). Ely's flight was followed by a launch from a similar jury-rigged deck on the armored cruiser PENNSYLVANIA (ACR-4) on 18 January 1911. The Navy experimented with float­planes during World War One. but by the end of the war it had become clear that the future of naval aviation as an offensive weapon required ships that could launch and land combat air­craft while at sea. The US Navy's first step in this direction was to obtain authori/ation lo con­vert a collier - the ex-USS JUPITER (AC-3) - into its first aircraft carrier, the OSS LANG-LEY (CV-1) in 1920. By the time the LANGLEY was ready for operation in 1922. the Navy had acquired two more vessels for conversion into carriers, the incomplete battlecruisers LEX­INGTON and SARATOGA. The giant battlecruiser hulls were available due to the 1921 Washington Conference's stringent limitations on capital ship construction. These required all battlecruisers and battleships then under construction to be scrapped, with the exception of two per nation, which could be converted into aircraft carriers.

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This comprehensive companion to Faulkner contains a variety of information for the student as well as being a handy reference to Faulkner's life and works for those curious about him. Fargnoli (theology and English, Molloy College, NY) Golay (history, Phillips Exeter Academy) and Hamblin (English, Center for Faulkner Studies, Southeast Missouri State University) begin with a short biography of Faulkner and his family. They note how his childhood and family history influenced his stories, as well as his emotional make up and alcoholic tendencies. The is followed by an annotated list of all Faulkner's short stories and novels with a synopsis, character list and excerpts from reviews. There is also a dictionary of subjects associated with Faulkner, from Civil War battles and generals to his publishers, fellow writers, his themes and friends such as Humphrey Bogart. Lastly the editors give a list of biographical works and literary studies for the serious scholar to consult.

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One of America's greatest writers, William Faulkner wrote fiction that combined spellbinding Southern storytelling with modernist formal experimentation to shape an enduring body of work. In his fictional Yoknapatawpha County--based on the region around his hometown of Oxford, Mississippi--he created an entire world peopled with unforgettable characters linked into an intricate historical and social web. An introduction to the Nobel-Prize-winning author's life and work, this book devotes opening chapters to his biography and literary heritage and subsequent chapters to each of his major works. The analytical chapters start with his most accessible book, The Unvanquished, a Civil-War-era account of a boy's coming of age. The following chapters orient readers to elements of plot, character, and theme in Faulkner's masterpieces: The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Also analyzed and discussed are some of Faulkner's most often anthologized short stories, including "A Rose For Emily" and "Barn Burning," and the longer stories "The Bear," "Spotted Horses," and "The Old Man" that were incorporated in the novels Go Down, Moses, The Hamlet, and If I Forget Thee, Jerusalem. Clear, insightful analyses of the elements of Faulkner's fiction are supplemented with alternative readings from a variety of critical approaches including gender, rhetorical, performance, and cultural studies perspectives.

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A Companion to the Vietnam War contains twenty-four definitive essays on America's longest and most divisive foreign conflict. It represents the best current scholarship on this controversial and influential episode in modern American history.

* Highlights issues of nationalism, culture, gender, and race.
* Covers the breadth of Vietnam War history, including American war policies, the Vietnamese perspective, the antiwar movement, and the American home front.
* Surveys and evaluates the best scholarship on every important era and topic.

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A Companion to American Cultural History offers a historiographic overview of the scholarship, with special attention to the major studies and debates that have shaped the field, and an assessment of where it is currently headed.

• 30 essays explore the history of American culture at all analytic levels
• Written by scholarly experts well-versed in the questions and controversies that have activated interest in this burgeoning field
• Part of the authoritative Blackwell Companions to American History series
• Provides both a chronological and thematic approach: topics range from British America in the Eighteenth Century to the modern day globalization of American Culture; thematic approaches include gender and sexuality and popular culture

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Grade 9 Up–This excellent resource is divided into three parts: Biography, Works A-Z, and Related People, Places, and Topics. The first and shortest section provides a summary of Steinbecks birth, early childhood, education, and career. The bulk of the book offers descriptions of all of his works–published and unpublished. Many of these entries include background information, critical summaries, discussions of the works early reception and contemporary perspectives, chapter-by-chapter synopses, information on film adaptations, and further-reading suggestions. Entries in the final section run the gamut from notes on the writers relatives and friends to the name of his high school yearbook. Appendixes include a chronology; chronological, alphabetical, and categorized bibliographies of Steinbecks works; a bibliography of secondary sources; and more. Black-and-white photos of the man and the people and places in his life and works and a few film stills are scattered throughout. A terrific choice for literature students.–Pat Bender, The Shipley School, Bryn Mawr, PA

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Since the publication of Tortilla Flat in 1935, Steinbeck's treatment of American landscapes and themes has struck a chord with readers. His novels Of Mice and Men (1937), The Grapes of Wrath (1939), and Cannery Row (1945) were instant critical and popular successes. Each went on to become a feature film, which added to Steinbeck's cultural impact. His works have long endured to earn a place in the canon of American Literature. This book guides readers through these and other important Steinbeck works, particularly those that are most often taught, including The Pearl (1945), The Red Pony (1933), and significant short fiction. Clear analysis of each work includes discussions of character development, plot and setting, thematic treatment, historical contexts, and alternate critical readings. A biographical chapter, as well as an examination of the author's contributions and career, helps readers gain a sense of Steinbeck the man and his position as one of America's most important writers.

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Until now, tracking down information on Mark Twain's complex life and numerous works was arduous at best. The Mark Twain A to Z has virtually eliminated such time-consuming tasks. With over 1,200 entries and more than 130 illustrations, this remarkable guide includes detailed analyses of the plots, characters, and places in Mark Twain's writings, as well as thousands of precise chapter citations and cross-references to related subjects. Also included are biographies of people whom he knew and descriptions of events that affected his life, places that he visited, steamboats he piloted, newspapers and journals for which he wrote, and more. A browser's delight, Mark Twain A-Z is an essential guide for every Mark Twain fan.

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A Companion to Asian American Studies is comprised of 20 previously published essays that have played an important historical role in the conceptualization of Asian American studies as a field.

* Essays are drawn from international publications, from the 1970s to the present
* Includes coverage of psychology, history, literature, feminism, sexuality, identity politics, cyberspace, pop culture, queerness, hybridity, and diasporic consciousness
* Features a useful introduction by the editor reviewing the selections, and outlining future possibilities for the field
* Can be used alongside Asian American Studies After Critical Mass, edited by Kent A. Ono, for a complete reference to Asian American Studies.

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This wide-ranging, multidisciplinary collection of newly commissioned articles brings together distinguished voices in the field of Africana philosophy and African-American social and political thought.

* Provides a comprehensive critical survey of African-American philosophical thought.
* Collects wide-ranging, multidisciplinary, newly commissioned articles in one authoritative volume.
* Serves as a benchmark work of reference for courses in philosophy, social and political thought, cultural studies, and African-American studies.

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One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction of harsh realities in human relationships. Williams drew on his own troubled early life to depict the loneliness, fear, and sexual anxiety of such memorable characters as Blanche DuBois and Stanley Kowalski. His work is frequently included in high school and college curricula, and his plays are still produced today. Critical Companion to Tennessee Williams includes entries on all of Tennessee Williams's major and most minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menageric, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.

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Consisting of more than 30 original essays by leading scholars in the field, this Companion provides a broad introduction to Colonial American literatures. The volume situates texts in their various historical and cultural contexts, including colonialism, imperialism, diaspora, and nation formation. In particular, it brings out the comparative, hemispheric and transatlantic nature of the writing of this period, and highlights the interactions between non-scribal native groups and Europeans that helped to shape early American writing.The Companion is divided into four main sections: the opening section on issues and methods covers a wide range of approaches to defining and reading early American writing; the second section, entitled "New World Encounters", considers the interactions between cultural groups during the early centuries of exploration; the third section on identities looks at the development of regional spheres of influence in the seventeenth and eighteenth centuries; while the final section considers major genres and writers of the period in a series of "Cross-Cultural Conversations".The Companion is designed to be used alongside Castillo and Schweitzer’s The Literatures of Colonial America: An Anthology (Blackwell Publishing, 2001).

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Original essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.

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The terms "realism" and "naturalism" are considered in the context of expressing a style of American writing in relation to late 19th century fiction movements. This text analyzes ten major texts, from W.D. Howell's The Rise of Silas Lapham to Jack London's The Call of the Wild.

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Grade 9 Up–This A-to-Z reference contains 450 biographical overviews of American and foreign-born authors living in the United States and 500 signed analytical essays on their novels. The works chosen are those most studied, or are significant for the genre. The time span ranges from 18th- and 19th-century writers such as Charles Brockden Brown and Harriet Beecher Stowe to contemporaries such as Cormac McCarthy and Anne Tyler. There isn't an analytical essay for each author profiled; for example, the entry on Dan Brown does not include a separate essay about his best seller The Da Vinci Code. Works by foreign-born authors include Bharati Mukherjee's Jasmine and Cristina Garcia's Dreaming in Cuban. Most Pulitzer and National Book Award winners are included, and there is a section of genre essays about novels by African-American, Asian-American, Latino, and Native American authors. Biographical sketches contain some personal information but focus on the writers' careers and their work. Essays on specific novels neatly describe social context, themes, genre, and critical reception. The last volume includes a list of novels; sources, including Web sites; and an index with plenty of cross-references. Libraries will value this compact set for including classics as well as hard-to-find contemporary authors.–Vicki Reutter, Cazenovia High School, NY

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Offering a comprehensive introduction to postmodernism, this Companion features examinations of the different aspects of postmodernist thought and culture that have had a significant effect on contemporary critical thought. Topics discussed by experts in the field include postmodernism's relation to modernity, and its significance and relevance to literature, film, law, philosophy, and modern cultural studies. Additional material includes a guide to further reading and a chronology.

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This Companion presents the current state of criticism in the field of American fiction from the earliest declarations of nationhood to secession and civil war.

* Draws heavily on historical and cultural contexts in its consideration of American fiction
* Relates the fiction of the period to conflicts about territory and sovereignty and to issues of gender, race, ethnicity and identity
* Covers different forms of fiction, including children’s literature, sketches, polemical pieces, historical romances, Gothic novels and novels of exploration
* Considers both canonical and lesser-known authors, including James Fennimore Cooper, Hannah Foster, Nathaniel Hawthorne, Herman Melville and Harriet Beecher Stowe
* Treats neglected topics, such as the Western novel, science and the novel, and American fiction in languages other than English

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A Companion to American Fiction, 1865–1914 is a groundbreaking collection of essays written by leading critics for a wide audience of students, scholars, and interested general readers.

Containing 29 essays and 12 illustrations with accompanying texts, this comprehensive volume is divided into three sections covering historical traditions and genres, contexts and themes, and major authors. The essays address a mixture of canonical and non-canonical subjects; so, alongside treatment of such standard topics as realism, naturalism, and regionalism are contributions on the romance, sentimentalism, early modernism, African American and Native American narratives, women’s fiction, class, ethnicity, and the short story. A significant feature of the book is its inclusion of chapters on both frontier and urban narratives, Civil War literature, Darwin’s influence on fiction, children’s literature, consumer culture, law and narrative, utopian fiction, and ecological literature and ecocriticism. Contributors present lucid syntheses of the best criticism available on their topics and, at the same time, offer original perspectives of their own.

The Companion is a book that no one interested in nineteenth-century fiction or American literature can do without.

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