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  • 15 lip 18 15:18
This book draws upon both musicology and cultural history to argue that French musical meanings and values from 1898 to 1914 are best explained not in terms of contemporary artistic movements but of the political culture.
During these years, France was undergoing many subtle yet profound political changes. Nationalist leagues forged new modes of political activity, as Jane F. Fulcher details in this important study, and thus the whole playing field of political action was enlarged. Investigating this transitional period in light of several recent insights in the areas of French history, sociology, political anthropology, and literary theory, Fulcher shows how the new departures in cultural politics affected not only literature and the visual arts but also music. Having lost the battle of the Dreyfus affair (legally, at least), the nationalists set their sights on the art world, for they considered France's artistic achievements the ideal means for furthering their conception of "French identity." French Cultural Politics and Music: From the Dreyfus Affair to the First World War illustrates the ways in which the nationalists effectively targeted the music world for this purpose, employing critics, educational institutions, concert series, and lectures to disseminate their values by way of public and private discourses on French music. Fulcher then demonstrates how both the Republic and far Left responded to this challenge, using programs and institutions of their own to launch counterdiscourses on contemporary musical values.
Perhaps most importantly, this book fully explores the widespread influence of this politicized musical culture on such composers as d'Indy, Charpentier, Magnard, Debussy, and Satie. By viewing this fertile cultural milieu of clashing sociopolitical convictions against the broader background of aesthetic rivalry and opposition, this work addresses the changing notions of "tradition" in music--and of modernism itself. As Fulcher points out, it was the traditionalist faction, not the Impressionist one, that eventually triumphed in the French musical realm, as witnessed by their "defeat" of Stravinsky's Rite of Spring.

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  • 15 lip 18 15:18
A revised version of the original 12-volume text, this work has been thoroughly updated in the light of recent history and progress in historical scholarship. It has been condensed into a single, readable volume.

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  • 15 lip 18 15:18
"History is the version of past events that people have decided to agree upon," said Napoleon. Yet the actual writing of history, especially ancient history, is a practice that often prompts more discord than assent. In his new textbook, Luke Pitcher aims to overcome the hostility which exists between two rival camps in their study of classical historiography. The first camp looks at the classical historians with an eye to what data they can provide about the ancient world. The second camp examines the ancient writers as literary texts in their own right, employing the tools of literary criticism and engaging with such matters as narrative artistry. Attempting to fuse these two -- mutually suspicious -- approaches, Luke Pitcher's attractive introduction offers undergraduate students of classics the first comprehensive introduction to historiography in antiquity on the market. It unites the nitty-gritty of the historian's trade (the finding and managing of data) to an awareness of the importance of style, form, allusion and composition. The book also seeks to do justice to invididual classical historians, and discusses such important figures as Livy, Tacitus, Herodotus, Cicero, Plutarch and Lucian. A comprehensive bibliography and glossary are included. Writing Ancient History at last does full justice to the mechanics of history-writing in the ancient world.

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  • 15 lip 18 15:18
For those who think they know enough about Cleopatra or have the enigmatic Egyptian queen all figured out, think again. Schiff, demonstrating the same narrative flair that captivated readers of her Pulitzer Prize–winning Véra (Mrs. Vladimir Nabokov) (1999), provides a new interpretation of the life of one of history’s most enduringly intriguing women. Rather than a devastatingly beautiful femme fatale, Cleopatra, according to Schiff, was a shrewd power broker who knew how to use her manifold gifts—wealth, power, and intelligence—to negotiate advantageous political deals and military alliances. Though long on facts and short on myth, this stellar biography is still a page-turner; in fact, because this portrait is grounded so thoroughly in historical context, it is even more extraordinary than the more fanciful legend. Cleopatra emerges as a groundbreaking female leader, relying on her wits, determination, and political acumen rather than sex appeal to astutely wield her power in order to get the job done. Ancient Egypt never goes out of style, and Cleopatra continues to captivate successive generations.

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  • 15 lip 18 15:18

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  • 15 lip 18 15:18
One of the glories of the Greco-Roman classics is the opportunity that they give us to consider a great culture in its entirety; but our ability to do that depends on our ability to work comfortably with very varied fields of scholarship. The Handbook for Classical Research offers guidance to students needing to learn more about the different fields and subfields of classical research, and its methods and resources.

The book is divided into 7 parts: The Basics, Language, The Traditional Fields, The Physical Remains, The Written Word, The Classics and Related Disciplines, The Classics since Antiquity. Topics covered range from history and literature, lexicography and linguistics, epigraphy and palaeography, to archaeology and numismatics, and the study and reception of the classics.

Guidance is given not only to read, for example, an archaeological or papyrological report, but also on how to find such sources when they are relevant to research. Concentrating on "how-to" topics, the Handbook for Classical Research is a much needed resource for both teachers and students.

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  • 15 lip 18 15:18
In lyrical, flowing prose, this absorbing autobiography interweaves politics, family relations and romance as it chronicles an extraordinary woman's struggle to free herself from traditional Chinese society. Born into a conventional family, Xie Bingying (1906-2000) was expected to be an obedient daughter and, later, daughter-in-law. A girl's education was largely restricted to learning how to spin cotton and embroider. Xie's reading was limited to such books as Teach Your Daughter Traditional Rules. Her fate was to be determined by her parents and a matchmaker. From an early age, Xie rebelled against these circumstances. Despite her mother's scolding, she dared to venture outside to play with the boys, and she fought fiercely against having her feet bound.

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  • 15 lip 18 15:18
Between 1894 and 1905 the question of the Chinese Empire's future development, its survival even, was the most pressing overseas problem facing the Great Powers. The frantic 'scramble for Africa' and the often more intense drama of the 'Eastern Question' notwithstanding, it was the 'China Question' that had the most profound implications for the Powers.

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  • 15 lip 18 15:18
This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The essays are authored by leading scholars in the fields of Egyptology, ancient Near Eastern studies, the Hebrew Bible, Judaica, classical Greek and Roman studies, early Christianity and patristics, and Coptic and Islamic Egypt. The strength of the present volume lies in the breadth of scholarly approaches represented. The book begins with several papyrological studies presenting important new texts in Greek and Coptic, continuing with essays focusing on taxonomy and definition. The concluding essays apply contemporary theories to analyses of specific test cases in a broad variety of ancient Mediterranean cultures.

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  • 15 lip 18 15:18
The Romans regarded her as 'fatale monstrum', a female Saddam Hussein. Pascal said the shape of her nose changed the history of the world. Shakespeare and Tiepolo (and Elizabeth Taylor) portrayed her as an icon of tragic beauty. But who was Cleopatra, really?She was the last ruler of the Macedonian dynasty of Ptolemies who had ruled Egypt for three centuries. Highly educated (she was the only one of the Ptolemies to read and speak ancient Egyptian as well as the court Greek) and very clever (her famous liaisons with Julius Caesar and Mark Antony were as much to do with politics as the heart), she steered her kingdom through impossibly taxing internal problems and against greedy Roman imperialism. Stripping away our preconceptions, many of them as old as her Roman enemies, Joyce Tyldesley uses all her skills as an Egyptologist to give us a rich picture of a country and its Egyptian queen in this magnificent biography.

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  • 15 lip 18 15:18
Only the supremely self-confident put forth all-encompassing theories of world history, and Morris is one such daredevil. An archaeologist by academic specialty, he advances a quasi-deterministic construct that is suitable for nonacademics. From a repeatedly enunciated premise that humans by nature are indolent, avaricious, and fearful, Morris holds that such traits, when combined with sociology and geography, explain history right from the beginning, when humanity trudged out of Africa, through the contemporary rivalry between China and America. Such temporal range leaves scant room for individual human agency: Morris names the names of world history, but in his narrative, leaders and tyrants, at best, muddle through patterns of history that are beyond their power to shape. And those patterns, he claims, can be numerically measured by a “social development index” that he applies to every epochal change from agriculture to the industrial revolution. However, the reading is not as heavy as it may sound. His breezy style and what-if imagination for alternative scenarios should maintain audience interest; whether his sweeping perspective convinces is another matter altogether.

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  • 15 lip 18 15:18
Essays on the History of the British Caribbean and the Atlantic Economy.

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  • 15 lip 18 15:18
- Serie de billetes emitidos por el Banco de la República Oriental del Uruguay (1896-1967)
- Serie de billetes emitidos por el Banco Central del Uruguay (1967 a la actualidad)
- Serie de billetes a emitir en breve por el Banco Central del Uruguay

Publicación en colores con imágenes de los billetes emitidos por el BANCO DE LA REPÚBLICA ORIENTAL DEL URUGUAY y por el BANCO CENTRAL DEL URUGUAY

150 páginas papel grueso semibrillo - 146 imágenes a color - tapas duras

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  • 15 lip 18 15:18
An Account of the Shiphandling of the Sailing Man-Of-War 1600-1860, Based on Contemporary Sources. Describes the proper historical development of seamanship among the major navies of the world. In order to explain even the most complex evolution clearly, over 350 line drawings were specially commissioned. Every aspect of handling a man-of-war is detailed and illustrated from original sources.

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  • 15 lip 18 15:18
Ancient Alexandria Between Egypt And Greece (Columbia Studies in the Classical Tradition)
William V. Harris (Editor),Giovanni Ruffini (Editor)

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  • 15 lip 18 15:18
How does god think? How, ideally, does a human mind function? Must a gap remain between these two paradigms of rationality? Such questions exercised the greatest ancient philosophers, including those featured in this book: Socrates, Plato, Aristotle, the Stoics and Plotinus. This volume encompasses a series of studies by leading scholars, revisiting key moments of ancient philosophy and highlighting the theme of human and divine rationality in both moral and cognitive psychology. The volume is a tribute to A.A. Long, and reflects multiple themes of his own work.

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  • 15 lip 18 15:18
Originally published in two volumes, The Printing Press as an Agent of Change is now issued in a paperback edition containing both volumes. The work is a full-scale historical treatment of the advent of printing and its importance as an agent of change. Professor Eisenstein begins by examining the general implications of the shift from script to print, and goes on to examine its part in three of the major movements of early modern times - the Renaissance, the Reformation, and the rise of modern science.

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  • 15 lip 18 15:18
The Graves of Tarim narrates the movement of an old diaspora across the Indian Ocean over the past five hundred years. Ranging from Arabia to India and Southeast Asia, Engseng Ho explores the transcultural exchanges--in kinship and writing--that enabled Hadrami Yemeni descendants of the Muslim prophet Muhammad to become locals in each of the three regions yet remain cosmopolitans with vital connections across the ocean. At home throughout the Indian Ocean, diasporic Hadramis engaged European empires in surprising ways across its breadth, beyond the usual territorial confines of colonizer and colonized. A work of both anthropology and history, this book brilliantly demonstrates how the emerging fields of world history and transcultural studies are coming together to provide groundbreaking ways of studying religion, diaspora, and empire.
Ho interprets biographies, family histories, chronicles, pilgrimage manuals and religious law as the unified literary output of a diaspora that hybridizes both texts and persons within a genealogy of Prophetic descent. By using anthropological concepts to read Islamic texts in Arabic and Malay, he demonstrates the existence of a hitherto unidentified canon of diasporic literature. His supple conceptual framework and innovative use of documentary and field evidence are elegantly combined to present a vision of this vital world region beyond the histories of trade and European empire.

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  • 15 lip 18 15:18
An exploration into the beliefs and origins of the Druids, this book examines the role the Druids may have played in the story of King Arthur and the founding of Britain. It explains how the Druids originated in eastern Europe around 850 B.C., bringing to early Britain a cult of an underworld deity, a belief in reincarnation, and a keen interest in astronomy. The work concludes that Arthur was originally a Druid cult figure and that the descendants of the Druids may have founded the Anglo-Saxon kingdom of Wessex. The research draws upon a number of sources, including medieval Welsh tales, the archaeology of Stonehenge's Salisbury Plain, the legends surrounding the founding of Britain, the cult of the Thracian Horseman, the oracle of Dodona, popular Arthurian mythology, and the basic principles of prehistoric astronomy.

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  • 15 lip 18 15:18
Z wstępu:
"Dwa powody skłoniły mnie do ponownego wydania pracy mej o Talleyrandzie, znacznie tym razem rozszerzonej i uzupełnionej nowymi materiałami. Po pierwsze, chciałem uzupełnić poprzednią, bardzo zwięzłą charakterystykę nową dokumentacją na podstawie materiałów drukowanych i archiwalnych odnoszących się przede wszystkim do roli Talleyranda w historii polityki zagranicznej Rosji. Po drugie, w okresie gdy nasz niewielki zespół pracował nad trzytomową "Historią dyplomacji", (...) wielokrotnie przychodziło nam na myśl, że na historiografii radzieckiej z punktu widzenia naukowego i politycznego ciąży obowiązek systematycznego przedstawienia i udowodnienia w szeregu monografii tych zagadnień, które w ogólnej "Historii" można było poruszyć jedynie na kilku stronach, a czasami nawet w paru wierszach. (...)"

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