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bacha67
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Kobieta janusz

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Novelist Smiley explores the story of the now mostly forgotten Atanasoff, a brilliant and engaged physicist and engineer who first dreamed of and built a computational machine that was the prototype for the computer. With her dazzling storytelling, Smiley narrates the tale of a driven young Iowa State University physics professor searching for a way to improve the speed and accuracy of mathematical calculations. In 1936, Atanasoff and his colleague, A.E. Brandt, modified an IBM tabulator--which used punched cards to add or subtract values represented by the holes in the cards--to get it to perform in a better, faster, and more accurate way. One December evening in 1937, Atanasoff, still struggling to hit upon a formula that would allow a machine to replicate the human brain, drove from Ames, Iowa, to Rock Island, Ill., where, over a bourbon and soda in a roadside tavern, he sketched his ideas for a machine that would become the computer. As with many scientific discoveries or inventions, however, the original genius behind the innovation is often obscured by later, more aggressive, and savvy scientists who covet the honor for themselves. Smiley weaves the stories of other claimants to the computer throne (Turing and von Neumann, among others) into Atanasoff's narrative, throwing into relief his own achievements.

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As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance brings a wholly new reading of printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.

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  • 15 lip 18 15:18
Hundreds of thousands of men are fed into a meat grinder in futile charges against entrenched positions; opposing armies are forging a weird sense of camaraderie as they fraternize during lulls in the slaughter; and rows of rotting corpses are scattered over a bleak, pockmarked landscape. But this isn’t the familiar western front in France. Rather, these stark images are part of a stunning and emotionally wrenching account of war between Austria and Italy over the disputed terrain they both claimed. Although the struggle was recounted in the writings of Ernest Hemingway, the Italian front was regarded as a sideshow by many European journalists as well as Allied war planners. Whatever the strategic value of the campaign, Thompson illustrates that this was a massive, epic struggle that may have cost a million lives. He crafts a narrative rich in detail and which does not shrink from describing the horrors of a war that began, on the Italian side, in a spasm of wild nationalistic fervor but quickly degenerated into resigned cynicism. This is a masterful and moving chronicle.

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  • 15 lip 18 15:18
The second work in a planned three-volume series (after 2004's Coming of the Third Reich) this book starts with the Nazis' complete assumption of power and creation of a one-party state in 1933, and goes to September 1939 and the beginning of World War II. In sharp detail, Evans shows how Hitler seized upon his political victory and immediately began his plan for the Nazi infiltration of every aspect of German society. The Nazi propaganda blitz covered everything from local councils to social clubs to all voluntary associations. And when propaganda didn't work, coercion and fear did. At the behest of Hitler, the brownshirts and SS (secret police) ruthlessly harassed, beat, and murdered the Jews and Communists first, but later targeted anyone who showed even the slightest criticism of Nazi activities. Those Germans who disapproved of the Nazis were mainly confined to acts of passive resistance to Hitler's totalitarian rule. Nationalism proved to be the one issue capable of galvanizing the nation, as the Nazis' growing power helped to erase the shame and humiliation of the Treaty of Versailles that closed World War I.
Over the course of the book, Evans shows how everything Hitler did in this period was designed to prepare the nation for a war--"a life and death struggle"--whose aim was less geographical conquest than racial purity. Hitler's main objective was "to remould the minds, spirits and bodies of the German people to make them capable and worthy of the role of the new master-race that awaited them." Though Hitler did not work alone, Evans makes it clear that he was the overwhelming driving force behind it all, including policies regarding education, eugenics, and foreign affairs. Well written and logically organized, The Third Reich in Power is an impressive work of meticulous, readable history.

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  • 15 lip 18 15:18
Describing the Third Reich from the height of its power to its collapse, Evans concludes the masterful trilogy that began with The Coming of the Third Reich and The Third Reich in Power. As in those works, Evans demonstrates a fluent style and a sweeping grasp of the Third Reich's history and of the enormous historical literature. The account is peppered with insightful anecdotes drawn from diaries, letters and speeches. What comes across most clearly is the supreme arrogance of the Nazis and the utterly rapacious character of their rule. Evans gives the Holocaust the centrality it deserves, while also depicting effectively the suffering of Poles and many others under Nazi domination. Evans offers a nuanced picture of the lives of Germans, but ultimately, he suggests, the Nazis' racial ideology thoroughly corrupted German society. Evans narrates the Reich's end in gripping fashion as the Allies closed in on Germany. Evans's fellow historians as well as a broader public will read this work, not quite with pleasure, for there is little joy in this story, but with admiration for the author's narrative powers.

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  • 15 lip 18 15:18
Despite reduced incomes, diminished opportunities for education, and the psychological trauma of defeat, Japan experienced a rapid rise in civic engagement in the immediate aftermath of World War II. Why? Civic Engagement in Postwar Japan answers this question with a new general theory of the growth in civic engagement in postwar democracies. It argues that wartime mobilization unintentionally instills civic skills in the citizenry, thus laying the groundwork for a postwar civic engagement boom. Meanwhile, legacies of prewar associational activities shape the costs of association-building and information-gathering, thus affecting the actual extent of the postwar boom. Combining original data collection, rigorous statistical methods, and in-depth historical case analyses, this book illuminates one of the keys to making postwar democracies work.

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  • 15 lip 18 15:18
Focusing on unusual international border shapes, this fascinating book highlights the important truth that all borders, even those that appear _natural,_ were created by people. The unique and compelling histories of some of the world's oddest borders provide an ideal context for accessible and enlightening discussions of cultural globalization, economic integration, international migration, imperialism, postcolonialism, global terrorism, nationalism, and supranationalism. Each contributor's regional expertise enriches a textured account of the historical context in which these borders came into existence as well as their historical and ongoing influence on the people and states they bound.

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Populated by urbane Jewish merchants and professionals as well as new arrivals from the shtetl, imperial Kiev was acclaimed for its opportunities for education, culture, employment, and entrepreneurship but cursed for the often pitiless persecution of its Jews. Kiev, Jewish Metropolis limns the history of Kiev Jewry from the official readmission of Jews to the city in 1859 to the outbreak of World War I. It explores the Jewish community's politics, its leadership struggles, socioeconomic and demographic shifts, religious and cultural sensibilities, and relations with the city's Christian population. Drawing on archival documents, the local press, memoirs, and belles lettres, Natan M. Meir shows Kiev's Jews at work, at leisure, in the synagogue, and engaged in the activities of myriad Jewish organizations and philanthropies.

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  • 15 lip 18 15:18
Thanks to the initiative of the Lebanese Directorate General of Antiquities, the College Site in downtown Saida (Sidon) has remained open for excavation since 1998. These excavations have allowed archaeologists to follow a sequence of development in Sidon from the Chalcolithic/EB I periods through the Iron Age, uncovering both architectural remains and over one-hundred burials from the MBA.

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  • 15 lip 18 15:18
Madness and Civilization: A History of Insanity in the Age of Reason, by Michel Foucault, is an examination of the ideas, practices, institutions, art and literature relating to madness in Western history. It is the abridged English edition of Histoire de la folie à l'âge classique, originally published in 1961 under the title Folie et déraison. Histoire de la folie à l'âge classique. A full translation titled The History of Madness was published by Routledge in June 2006.This was Foucault's first major book, written while he was the Director of the Maison de France in Sweden.

Foucault begins his history in the Middle Ages, noting the social and physical exclusion of lepers. He argues that with the gradual disappearance of leprosy, madness came to occupy this excluded position. The ship of fools in the 15th century is a literary version of one such exclusionary practice, the practice of sending mad people away in ships. However, during the Renaissance, madness was regarded as an all-abundant phenomenon because humans could not come close to the Reason of God. As Cervantes' Don Quixote, all humans are weak to desires and dissimulation. Therefore, the insane, understood as those who has come too close to God's Reason, were accepted in the middle of society. It is not before the 17th century, in a movement which Foucault famously describes as the Great Confinement, that "unreasonable" members of the population systematically were locked away and institutionalised. In the 18th century, madness came to be seen as the obverse of Reason, that is, as having lost what made them human and become animal-like and therefore treated as such. It is not before 19th century that madness was regarded as a mental illness that should be cured, e.g. Philippe Pinel, Freud. Others authors later argued that the large increase in confinement did not happen in 17th but in the 19th century, somewhat undermining Foucault's argument.

Foucault also argues that madness during the Renaissance had the power to signify the limits of social order and to point to a deeper truth. This was silenced by the Reason of the Enlightenment. He also examines the rise of modern scientific and "humanitarian" treatments of the insane, notably at the hands of Philippe Pinel and Samuel Tuke. He claims that these modern treatments were in fact no less controlling than previous methods. Tuke's country retreat for the mad consisted of punishing them until they gave up their commitment to madness. Similarly, Pinel's treatment of the mad amounted to an extended aversion therapy, including such treatments as freezing showers and the use of straitjackets. In Foucault's view, this treatment amounted to repeated brutality until the pattern of judgment and punishment was internalized by the patient.

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  • 15 lip 18 15:18
The first television commercial was for soap, claims Virginia Smith in her thoroughly researched albeit occasionally sluggish new book. She doesn't supply the dirty details about the commercial, but it's easy to imagine that she is right. After all, such ads, along with hit tunes ("Splish Splash," anyone?), nursery rhymes ("Rub a dub dub") and Sesame Street ditties ("Rubber ducky, you're the one, you make bath time lots of fun") have helped soap and bathtub rituals leave a considerable ring around popular culture.

According to Smith, ads that pushed cleaning concoctions -- not just for our bodies, but for our laundry and living spaces, too -- blossomed along with the emergence of television during the 1950s. They were ubiquitous enough to inspire a durable nickname for serial daytime dramas, known henceforth as soap operas. Nowadays, Smith notes, soaps, shampoos, polishes and shower gels "are not quite the staple of TV advertising budgets that they were." Still, ads featuring them continue to take hold of our imaginations. I remember, for example, an '80s spot about a deodorant soap. The blue bar's magical lather so invigorated the ad's hero that he dressed eagerly, undeterred by the downpour outside his window. When his sleepy spouse asked him how he expected to get to work in such a deluge, he smiled confidently at the camera and declared, "backstroke."

Of course that ad is tame by more recent standards. Who, for instance, can forget a certain herbal shampoo that promises a "totally organic experience"? In one such ad, the bubbly balm inspired a woman to climb the walls of her shower stall, loudly exclaiming her bliss while her clueless husband listened with concern on the other side of the door. These Madison Avenue productions are meant to convince us that few experiences can be as transporting -- "Calgon, take me away" -- as a serene soak or a sudsy washing-up.

Smith suggests that we really don't need much persuasion. Our belief in the transformative power of a good scrub goes back centuries, the roots of which are carefully detailed in Clean. "The long story of washing and bathing water began in the Neolithic at some indeterminate date," Smith believes. She goes on to show that our almost instinctive devotion to cleanliness has a solid basis in neurology, chemistry and other hard sciences that help us to understand that being groomed not only does away with dirt but also "produces mildly narcotic effects; and the longer it carries on, the more swooning or relaxing effects it achieves." Totally organic indeed.

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Smith, an honorary fellow of the Centre for History in Public Health in London, eschews digging into the dirty side of her discipline, preferring instead to look at "standards of cleanliness and the reformers of cleanliness." Consequently, her dutiful discussion of influential texts such as the 363-verse Regimen Sanitatus Salernitanum slows down the narrative and sometimes proves more distracting than informative. Fortunately, Smith knows that it is necessary to provide a little "gross" intelligence here and there to keep her chronicle from circling the drain. To wit: "We shed skin, hair, and toenail clippings, and generally dispose of quantities of waste matter minute by minute, day by day, year in year out -- normally between 3 and 6 ounces a day, or 4 tons in the average lifetime. Between 75 and 80 percent of vacuum cleaner dirt consists of human skin cells."


Those wet and wild ancient Greeks and Romans knew nothing of skin cells -- not to mention uprights and carpet sweepers -- but they believed in the power of the bath. For Greeks, "water was a primordial thing that flowed across all the social and semantic boundaries," taking on a divine aspect when featured in purification ceremonies. The Romans adapted Greek bathing habits to their own imperial culture. Their bathhouses became "masterpieces of the art" in which "the customer could wander at will, sampling each cold, hot, tepid, or steam bath." But those were pagan playhouses that lost their gleam when the Christian church rose to influence after the fall of Rome. "The ideology of cleanliness was turned upside down," Smith writes. "Judaeo-Christian asceticism insisted that the cleansing of the inner soul was absolutely imperative, whereas the cleansing of the outer body was a worldly distraction, and its ornamentation a positive sin." Christians eventually reconciled bathing with their spiritual striving, however, and by the medieval era, monasteries were the best places to find excellent baths and latrines.

In the 21st century, personal hygiene has "reached a stage of general consensus," incorporating venerable associations of purity, sanitation and spiritual health. But Smith rightly notes that "for many people today there is one sole and sufficient reason for practising personal hygiene that eclipses all others: self-representation." There had been earlier outbreaks of cleanliness as vanity, however, and perhaps never more so extreme as in the 1600s and 1700s. "Throughout both of these centuries," Smith tells us, "flesh was privately pampered, and everywhere on display." But hygiene often took the form of perfumes, powders and paints instead of soap and water, and "fleas, lice, smeared paintwork and powerful body odors" often lurked underneath the elaborate facades.

Not so for us modern folk, right? In the technologically advanced West, "decades of increased personal hygiene and cosmetic awareness have finally paid off. . . . There are, quite literally, many more beautiful and unblemished people around." And we're as concerned about germs as we are about appearance: Smith estimates that 700 new antibacterial cleansing products hit the market between 1992 and 1998.

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  • 15 lip 18 15:18
"This work represents a new benchmark in contextualizing a major Romanesque monument within the complex fabric of society that created and transformed it according to changing needs over time. The author is to be commended for being simultaneously attentive to the visual and experiential aspects of the monument, on the one hand, and the nuts and bolts of archaeology and textual documents, on the other. What is more, she presents a bold new interpretative framework for the relatively neglected field of Romanesque mural painting." —Thomas E. A. Dale, University of Wisconsin, Madison. Many historians of medieval art now look beyond soaring cathedrals to study the relationship of architecture and image-making to life in medieval society. In The Art of Healing, Marcia Kupfer explores the interplay between church decoration and ritual practice in caring for the sick. Her inquiry bridges cultural anthropology and the social history of medicine even as it also expands our understanding of how clergy employed mural painting to cure body and soul. Looking closely at paintings from ca. 1200 in the church of Saint-Aignan-sur-Cher, a castle town in Central France, Kupfer traces their links to burial practices, the veneration of saints, and the care of the sick in nearby hospitals. Through careful analysis of the surrounding agrarian landscape, dotted with cults targeting specific afflictions, especially ergotism (then known as St. Silvan’s fire), Kupfer sheds new light on the role of wall painting in an ecclesiastical economy of healing and redemption. Sickness and death, she argues, hold the key to understanding the dynamics of Christian community in the Middle Ages.
The Art of Healing will be important reading for cultural anthropologists and historians of both medicine and religion as well as for medievalists and art historians.

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Ethnoarchaeology in Action is the first and only comprehensive study of ethnoarchaeology, the ethnographic study of living cultures from archaeological perspectives, and is designed for senior undergraduates and above in archaeology and anthropology. Its geographical coverage is global and the book includes relevant theory, practical advice regarding fieldwork, and complete topical coverage of the discipline. Critical discussions of varied case studies make this a very readable book. It is illustrated with numerous figures and photographs of many leading ethnoarchaeologists in action.

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  • 310 KB
  • 15 lip 18 15:18
Not being of the West; being behind the West; not being modern enough; not being developed or industrialized, secular, civilized, Christian, transparent, or democratic - these descriptions have all served to stigmatize certain states through history. Drawing on constructivism as well as the insights of social theorists and philosophers, After Defeat demonstrates that stigmatization in international relations can lead to a sense of national shame, as well as auto-Orientalism and inferior status. Ayşe Zarakol argues that stigmatized states become extra-sensitive to concerns about status, and shape their foreign policy accordingly. The theoretical argument is supported by a detailed historical overview of central examples of the established/outsider dichotomy throughout the evolution of the modern states system, and in-depth studies of Turkey after the First World War, Japan after the Second World War, and Russia after the Cold War.

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  • 15 lip 18 15:18
It was the most influential marriage of the nineteenth century–and one of history’s most enduring love stories. Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.From the Hardcover edition.

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  • 15 lip 18 15:18
Recipient of the 1994 Anne B. and James B. McMillan Prize
This comprehensive study provides a history of New Deal archaeology in the Southeast in the 1930s and early 1940s and focuses on the projects of the Federal Emergency Relief Administration, the Civil Works Administration, the Works Progress Administration, the Tennessee Valley Authority, the National Park Service, and the Smithsonian Institution.
Utilizing primary sources including correspondence and unpublished reports, Lyon demonstrates the great importance of the New Deal projects in the history of southeastern and North American archaeology. New Deal archaeology transformed the practice of archaeology in the Southeast and created the basis for the discipline that exists today. With the current emphasis on curation and repatriation, archaeologists and historians will find this volume invaluable in reconstructing the history of the projects that generated the many collections that now fill our museums.

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  • 15 lip 18 15:18
A mere footnote for most historians, the meeting in 1676 between Leibniz and Spinoza opens to a discerning eye the intellectual forces destined to reshape the entire Western world. Stewart supplies that discerning eye as he chronicles the events and arguments linking the illustrious German polymath to the controversial Dutch lens grinder. In refreshingly lucid terms, he explains the controversies surrounding Spinoza as the consequence of the radical religious and political doctrines he articulated in works fiercely debated throughout Europe. By highlighting the way Spinoza's metaphysics justified secular and democratic challenges to traditional regimes, Stewart also reveals the piquant irony in the way that metaphysics hypnotized the most brilliant of the status quo's defenders--Gottfried Leibniz, who first eagerly absorbed Spinoza's thought, then recognized in it a perilous threat to traditional beliefs in God and immortality. Because Spinoza's doctrines have won acceptance from the architects of the modern world even as Leibniz's traditional religious beliefs have persisted among many who inhabit that world, the drama Stewart recounts will rivet readers skeptical and devout alike.

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  • 15 lip 18 15:18
Introduces 100 of the giants of science and examines their achievements: the men and women who, often in the fact of extreme scepticism or worse, have striven and succeeded in pushing back the boundaries of human knowledge.

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  • 15 lip 18 15:18
The explicit association between food and status was, academically speaking, first acknowledged on the food production level. He who owned the land, possessed the grain, he who owned the mill, had the flour, he who owned the oven, sold the bread. However, this conceptualization of power is dual; next to the obvious demonstration of power on the production level is the social significance of food consumption. Consumption of rich food - in terms of quantity and quality - was, and is, a means to show one's social status and to create or uphold power. This book is concerned with the relationship between food consumption, status and power. Contributors address the 'old top' of society, and consider the way kings and queens, emperors and dukes, nobles and aristocrats wined and dined in the rapidly changing world of the late eighteenth and nineteenth centuries, where the bourgeoisie and even the 'common people' obtained political rights, economic influence, social importance and cultural authority. The book questions the role of food consumption at courts and the significance of particular foodstuffs or ways of cooking, deals with the number of guests and their place at the table, and studies the way the courts under consideration influenced one another. Topics include the role of sherry at the court of Queen Victoria as a means of representing middle class values, the use of the truffle as a promotional gift at the Savoy court, and the influence of European culture on banqueting at the Ottoman Palace. Together the volume addresses issues of social networks, prestige, politics and diplomacy, banquets and their design, income and spending, economic aims, taste and preference, cultural innovations, social hierarchies, material culture, and many more social and cultural issues. It will provide a useful entry into food history for scholars of court culture and anyone with an interest in modern cultural history.

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BG.SP..1450

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Polecam, książki o Wikingach, archeologia,rekonstrukcja średniowiecza, bazy znalezisk, wczesne średniowiecze: Hedeby, Archeologia wikingów
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