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In this new and masterful synthesis, Wasserman shows the link between ordinary men and women-preoccupied with the demands of feeding, clothing, and providing shelter-and the elites' desire for a stable political order and an expanding economy.The three key figures of nineteenth-century Mexico-Antonio López de Santa Ana, Benito Juárez, and Porfirio Díaz-are engagingly reinterpreted. But the emphasis in this book is on the struggle of the common people to retain control over their everyday lives. Concerns central to village life were the appointment of police officials, imposition of taxes on Indians, the trustworthiness of local priests, and changes inland ownership. Communities often followed their leaders into one political camp or another-and even into war-out of loyalty.

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Narrative moves. Stories migrate from one culture to another, over vast distances sometimes, but their path is often difficult to trace and obscured by time. Fabulous Orients looks at the traffic of narrative between Orient and Occident in the eighteenth century, and challenges the assumption that has dominated since the publication of Edward Said's Orientalism (1978) that such traffic is always one-way. Eighteenth-century readers in the West came to draw their mental maps of oriental territories and distinctions between them from their experience of reading tales "from" the Orient.

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  • 13 gru 18 15:43
A collection of photographs of British army troops in India, Colonial Africa, China, and Afghanistan.

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  • 13 gru 18 15:43
The Keeper of the Scottish United Services Museum presents some 25 color and black and white plates depicting Scottish regiments from the 18th and 19th century, and comments on their distinctions and similarities to British military styles.

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"Romanticism had its roots in fantasy and fed on myth." So Roderick Cavaliero introduces the nineteenth-century European Romantic obsession with the Orient. Cavaliero brings on a rich cast of leading Romantic writers, artists, musicians and travellers, including Beckford, Byron, Shelley, Walter Scott, Pierre Loti, Thomas Moore, Rossini, Eugene Delacroix, Thackeray and Disraeli, who luxuriated in the exotic sights, sounds, literature and mythology of the Orient - the Eastern Mediterranean and Middle East.

Cavaliero analyzes the Romantic vision of the Orient from Ottoman Turkey, through the Middle East, including Egypt and Persia, to the Vale of Kashmir - fascination with the exotic Orient mixed with distaste for despotic rule.The Romantics saw the Ottoman Empire as the feebler successor to the huge and invincible military state that threatened Europe in previous centuries; and the Ottoman Sultan as an absolute ruler living in distant splendor, with power of life and death over his people, stifling any national and democratic aspiration that might undermine his empire. But dislike of Oriental despotism could be overlaid by the frisson of oriental luxury, especially as the Ottoman Sultans were also heirs to the Caliphate of the iconic Harun ar Rashid in the fabulous Arabian Nights Entertainments - tales hugely popular in Europe and symbolizing timeless Eastern luxury. Dualism was fundamental to Romantic vision - the arch-romantic Byron wrote of "virgins soft as the roses they twine" in his Turkish Tales but fought for his romantic vision of Greek national independence.

Cavaliero’s Ottomania will delight all readers interested in tales of the Orient and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travelers.

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Is the world destined to suffer endless cycles of conflict and war? Can rival nations become partners and establish a lasting and stable peace? How Enemies Become Friends provides a bold and innovative account of how nations escape geopolitical competition and replace hostility with friendship. Through compelling analysis and rich historical examples that span the globe and range from the thirteenth century through the present, foreign policy expert Charles Kupchan explores how adversaries can transform enmity into amity--and he exposes prevalent myths about the causes of peace.

Kupchan contends that diplomatic engagement with rivals, far from being appeasement, is critical to rapprochement between adversaries. Diplomacy, not economic interdependence, is the currency of peace; concessions and strategic accommodation promote the mutual trust needed to build an international society. The nature of regimes matters much less than commonly thought: countries, including the United States, should deal with other states based on their foreign policy behavior rather than on whether they are democracies. Kupchan demonstrates that similar social orders and similar ethnicities, races, or religions help nations achieve stable peace. He considers many historical successes and failures, including the onset of friendship between the United States and Great Britain in the early twentieth century, the Concert of Europe, which preserved peace after 1815 but collapsed following revolutions in 1848, and the remarkably close partnership of the Soviet Union and China in the 1950s, which descended into open rivalry by the 1960s.

In a world where conflict among nations seems inescapable, How Enemies Become Friends offers critical insights for building lasting peace.

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During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle.
Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities" are part of the foundation of modern mass society. She refutes the notion that modern life produced an unending parade of distractions leading to alienation, and instead suggests that crowds gathered not as dislocated spectators but as members of a new kind of crowd, one united in pleasure rather than protest.

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  • 13 gru 18 15:43
This volume is the most comprehensive survey of the Crimean Tatars to appear since V.D. Sirnov's late nineteenth-century account. Professor Fisher presents a detailed analysis of the culture and history of these people from the mid-fourteenth century to the present. The author clarifies and assesses the myriad problems inherent to a multinational sociey that comprises more than 100 non-Russian ethnic groups living within the borders of the Soviet Union. He discusses the resurgence of nationalist sentiment, the efforts of the Crimean Tatars and others to regain territorial rights lost during the Stalinist era, and the political impact these movements have on contemporary Soviet affairs.

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This compete history of one of the largest non-Slavic ethnic groups charts it from its emergence in the mid—fifteenth century to the present. Olcott details the major events that have shaped the character of the Islamic nation of Kazakhstan, discussing the rise and fall of the Kazakh Khanate, the Kazakhs in imperial Russia, revolutionary and Soviet Kazakhstan, and the struggle for autonomy under Soviet rule. Up-to-date material continues the Kazakhs' story from the dismissal of Dinmukhamed Akhmedovich Kunaev, chairman of the Council of Ministers (December 1986), to independence (December 1991) to the present. Outlining changes in Kazakh historiography since the fall of the Soviet Union, this volume identifies areas of contention and ways in whch new groups of scholars, using new sources are approaching them.
"The Kazakhs" is a solid, academic history of the Kazakh people from an author familiar to Central Asia scholars. Olcott starts with the formation of the ethnicity and continues through the very recent past to deal with Kazakstan's "Unexpected Independence." Lots of good information regarding the critical question of Russians in Kazakhstan, and the the new country's relations with Russia. Not light reading, but a good history.

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The Suez Crisis, was a war fought by Britain, France, and Israel against Egypt beginning on 29 October 1956.

The attack followed Egypt's decision of 26 July 1956 to nationalize the Suez Canal, after the withdrawal of an offer by Britain and the United States to fund the building of the Aswan Dam, which was partly in response to Egypt recognizing the People's Republic of China during the height of tensions between China and Taiwan. Britain and France were also strongly opposed to Nasser's plan to annex the Sudan. Israel feared that Egypt intended to launch an attack against it in March or April 1957 with Soviet support.

The three allies, especially Israel, were mainly successful in attaining their immediate military objectives, but pressure from the United States and the USSR at the United Nations and elsewhere forced them to withdraw. Britain and France completely failed in their political and strategic aim of controlling the canal. Israel fulfilled some of its objectives, attaining the freedom of navigation through the Straits of Tiran and the pacification of the Egyptian-Israeli border through UNEF.

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Monarchy was widespread as a political system in the ancient world. This 2007 volume offers a substantial discussion of ancient monarchies from the viewpoint of the ruler's court. The monarchies treated are Achaemenid and Sassanian Persia, the empire of Alexander, Rome under both the early and later Caesars, the Han rulers of China and Egypt's Eighteenth Dynasty. A comparative approach is adopted to major aspects of ancient courts, including their organisation and physical setting, their role as a vehicle for display, and their place in monarchial structures of power and control. This approach is broadly inspired by work on courts in later periods of history, especially early-modern France. The case studies confirm that ancient monarchies created the conditions for the emergence of a court and court society. The culturally specific conditions in which these monarchies functioned meant variety in the character of the ruler's court from one society to another.

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This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry -waka, haiku, senryû, kyôka, kyôshi -and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama

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Through periods of glory, defeat and renaissance, the German Army uniform has evolved. Prussianistic and Germanic traditions have remained strong throughout the uniform's history, and can still be found in the insignia and equipment of the present-day soldier. In 1870 the uniforms worn by Imperial German soldiers varied between the different principalities. The spiked helmet (pickelhaube) was first adopted by Prussia in 1842, but it was later used throughout Germany. The pickelhaube was made out of leather, with metal reinforcement and a metal spike. It went through a number of modifications, such as the introduction of a round visor and the replacement of the rear spine. Within the colonies, there was even greater variation in uniform and equipment. In German East Africa, the soldiers wore white service uniforms with white tropical helmets and the national cockade of black, white and red. The East Asia Brigade wore a field gray jacket with four front pockets lined with leather, designed for carrying cartridges. Uniforms of the German Soldier has more than thirty color photographs and more than 300 black-and-white photographs, giving the reader an unparalleled analysis. Each photograph is accompanied with a detailed caption, explaining interesting aspects of the soldier's uniform, insignia and equipment.

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John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political practices and offers a more finely tuned understanding of performance in diverse diasporic networks.

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A bird's eye view of the history of Central Asia, from the fourth century BCE to the 21st century. The maps show the various political entities, their approximate borders, the major ethnic groups and their migrations, military campaigns and battles. The accompanying text surveys the main events.

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The remarkable Celtic culture once encompassed most of western Europe. Even after centuries of invasion and conquest, it continued to flourish in remote corners of the continent. Today, millions proudly claim Celtic ancestry and are fascinated by the unique culture of their predecessors. The Atlas of the Celtic World addresses this fascination with a beautifully illustrated survey of Celtic society from its origins to the present day. Drawing on the superb Celtic legacy and a scholarly examination of Celtic culture and history, the book offers an expertly crafted view of its past, while emphasizing the relevance of the culture today.

Coverage includes:
* Celtic Origins: Pre-Celtic Europe, La Tène and Hallstatt cultures, archaeological evidence
* The Celtic Peoples of Europe: The Celtic migration, Gauls, Bretons, the Galatians
* Early Celtic Art: Origins, La Tène Period art, Iron Age Celtic art
* Celtic Belief: The calendar, death and the afterlife, sacrifice, the bog men, gods and divinities
* The Celtic Peoples of the British Isles: Britons, Irish, Picts and Scots, Welsh
* The Roman Invasions: Caesar's conquest of Gaul, Romans in Britain
* The Druids: Witchcraft, prophesy and divination, archaeological evidence
* The Celtic Warrior: Celtic warfare, arms and armor, warrior chieftains, resisting the Romans
* The Post-Roman Celtic World: Barbarian invasions, Anglos and Saxons, Arthur of the Britons
* The Renaissance of Celtic Art: The High Celtic Period, Celtic Christian art, Pictish symbol stones
* The Coming of Christianity: St. Patrick, the Celtic church, illuminated manuscripts, the Book of Kells
* Celtic Mythology: Irish Celtic myth/the Mabinogion, Arthurian myth
* The Celtic Legacy: Celtic revival art, the Celtic fringe.

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