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  • 12 sty 13 4:21
The Browning “50-cal” has become the longest serving weapon in the US inventory. The “fifty” has been employed in every imaginable role for a machine gun. It is considered such an effective and reliable weapon that few countries ever attempted to develop an equivalent weapon. Even the Japanese created a copy of it during World War II when the US was producing literally thousands every month to use in every theater. This is a history of the development of this famous weapon, its most critical operational use and the variants that have been produced to keep it at the forefront of the action.

Contents:
Introduction
Development
Use
Impact
Conclusion

Gordon L Rottman
Gordon L Rottman entered the US Army in 1967, volunteered for Special Forces and completed training as a weapons specialist. He served in the 5th Special Forces Group in Vietnam in 1969–70 and subsequently in airborne infantry, long-range patrol and intelligence assignments until retiring after 26 years. He was a Special Operations Forces scenario writer at the Joint Readiness Training Center for 12 years and is now a freelance writer, living in Texas.

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  • 141 KB
  • 12 sty 13 4:21
In times of crisis, communities and members of organizations expect their leaders to minimize the impact of the crisis at hand, while critics and bureaucratic competitors try to seize the moment to blame incumbent rulers and their policies. In this extreme environment, policy makers must somehow establish a sense of normality, and foster collective learning from the crisis experience. This uniquely comprehensive analysis examines how leaders deal with the strategic challenges and political risks they face. It is based on over a decade of collaborative, cross-national research.

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  • 197 KB
  • 12 sty 13 4:21
George Washington wrote an astonishing number of letters, both personal and professional. The majority—about 140,000 documents—are from his years as commander in chief during the Revolutionary War, from 1775 to 1783. This Glorious Struggle presents a selection of Washington's most important and interesting letters from that time, including many that have never been published.Washington's lively and often surprisingly candid notes to his wife and family, friends, Congress, fellow soldiers—and even the enemy—chronicle his most critical tactical and strategic decisions, while offering a rare glimpse of the extremes of depression and exultation into which he was cast by the fortunes of war. The letters are arranged chronologically and give a dramatic sense of the major phases of the war, from Boston, Trenton, and Valley Forge, to Monmouth and Yorktown.

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  • 12 sty 13 4:21
Possibly best known for The Sound and the Fury, Faulkner is reviewed in this text as a writer of short stories. Examined are "A Rose for Emily," "Dry September," "That Evening Sun," and "Barn Burning."

This title also features a biography of William Faulkner, a user guide, a detailed thematic analysis of each short story, a list of characters in each story, a complete bibliography of Faulkner’s works, an index of themes and ideas, and editor’s notes and introduction by Harold Bloom.

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  • 326 KB
  • 12 sty 13 4:21
On July 21, 1861, two inexperienced armies of a divided nation clashed for the first time in Manassas, Virginia. As the 35,000-strong Union forces began their long-awaited campaign to capture Richmond, the public gathered to watch what they thought would be a colorful pageantry. Neither the citizens nor the soldiers could conceive of the long war that lay ahead. Culminating in a stalwart defensive fight by Thomas "Stonewall" Jackson's Virginia Brigade, the Battle of Bull Run marked the Confederacy's first victory. By the day's end, after ten hours of fierce fighting, soldiers on both sides were shocked by the violence and destruction they had encountered. As the Union army retreated they took with them any notion that the war's outcome would be decided quickly. This book vividly evokes the real-life experiences of the men on the battlefield in graphic novel format and includes eight additional pages of background information detailing the key players, the experience of the forces, and the aftermath of the battle.

About the Author
Larry Hama is best known as a writer and editor for Marvel Comics where he was responsible for creating and writing the G. I. Joe comic book of the 1980s, and developing many of the G.I. Joe characters for Hasbro. His other comic book writing credits include Wolverine, Avengers, Elektra, Venom, and Batman. Larry also created the Bucky O'Hare comic, which was turned into a toy line and an animated TV series. He lives in New York. The author lives in New York, USA.

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  • 12 sty 13 4:21
Martha Stewart Living Radio is delighted to give you some delicious recipes to help prepare the best mealfor your family and friends this holiday. These recipes cover all courses of the Thanksgiving meal,from savory turkey to fresh salads and creamy mashed potatoes to sweet desserts. The dishes come fromacclaimed chefs, such as Emeril Lagasse, Nigella Lawson, and Mario Batali.

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  • 12 sty 13 4:21
Spanning the history of the American West from the earliest human communities to the close of the 20th century, this unique volume chronicles the critical events in the social, cultural, and political history of the region.

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  • 12 sty 13 4:21
A park lover's must-have, the information provided in this behemoth of a book is almost as impressive as the redwoods that grace its cover. With a focus on helping visitors avoid the crowds, National Parks of the American West provides painstakingly researched details on more than 40 national parks, monuments, seashores, and preserves.

Frommer's explains their intent in the introduction: "Our authors have talked to the rangers, hiked the trails, and taken the tours, all the while asking, 'How can our readers avoid the crowds?' In each of following chapters you'll find a section giving you straightforward, practical advice on just how to do this.... We've searched for secluded trails that can be hiked by the average person, scenic drives where you won't get caught in bumper-to-bumper traffic, and points where, with only a minimum of effort, you'll be afforded spectacular views without feeling as if you're packed into Times Square on New Year's Eve."

There is probably not a question you have that this book doesn't answer: each park listing includes tips from park rangers, ideas especially for kids, excellent maps, entrance fee information, the best driving and walking tours, campground overviews, food and other lodging, contacts for activities and recreation, and interesting sidebars. --Kathryn True --This text refers to an out of print or unavailable edition of this title.

Product Description
More than 65 million people visit the national parks annually-and overcrowding has become a serious problem. So we sent our authors out to hit the trails and campsites to figure out how to beat the crowds and enjoy an unspoiled experience of nature.

Our authors take you to the most spectacular landscapes in the western U.S. and provide advice for every kind of park visitor, from the day-tripper who wants to see the highlights quickly to the back-country camper to the families traveling with kids. This incredibly detailed, complete guide covers every kind of activity available in each park, from hiking to bird watching, with a range of sports for visitors of all ages and skill levels.

Frommer's National Parks of the American West also includes reviews of park lodges, camping, and nearby accommodations to help you plan all aspects of your trip. Exact prices are listed for every establishment and activity. No other guide offers such detailed, candid reviews...or such honest advice.

Complete with maps of every park (including detailed maps of hiking trails in the major parks), plus a stunning 16-page full-color photo insert!

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  • 12 sty 13 4:21
John P. Langellier traces the campaigns under taken by the U.S. Cavalry in the American West after the en d of the Civil War. The 10 regiments covering the area to th e west of the Mississippi are shown here in contemporary ill ustrations, some in colour.

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During the westward expansion of America, white middle-class ideals of home and domestic work were used to measure differences between white and Native American women. Yet the vision of America as "home" was more than a metaphor for women's stake in the process of conquest--it took deliberate work to create and uphold. Treating white and indigenous women's struggles as part of the same history, Jane E. Simonsen argues that as both cultural workers and domestic laborers insisted upon the value of their work to "civilization," they exposed the inequalities integral to both the nation and the household.Simonsen illuminates discussions about the value of women's work through analysis of texts and images created by writers, women's rights activists, reformers, anthropologists, photographers, field matrons, and Native American women. Simonsen argues that women such as Caroline Soule, Alice Fletcher, E. Jane Gay, Anna Dawson Wilde, and Angel DeCora called upon the rhetoric of sentimental domesticity, ethnographic science, public display, and indigenous knowledge as they sought to make the gendered and racial order of the nation visible through homes and the work performed in them. Focusing on the range of materials through which domesticity was produced in the West, Simonsen integrates new voices into the study of domesticity's imperial manifestations.

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The half-century between 1880 and 1930 saw rampant growth in many American cities and an equally rapid movement of women into the work force. In Los Angeles, the city not only grew from a dusty cow town to a major American metropolis but also offered its residents myriad new opportunities and challenges. "Earning Power" examines the role that women played in this growth as they attempted to make their financial way in a rapidly changing world. Los Angeles during these years was one of the most ethnically diverse and gender-balanced American cities. Moreover, its accelerated urban growth generated a great deal of economic, social, and political instability. In "Earning Power", author Eileen V. Wallis examines how women negotiated issues of gender, race, ethnicity, and class to gain access to professions and skilled work in Los Angeles. She also discusses the contributions they made to the region's history as political and social players, employers and employees, and as members of families. Wallis reveals how the lives of women in the urban West differed in many ways from those of their sisters in more established eastern cities. She finds that the experiences of women workers force us to reconsider many assumptions about the nature of Los Angeles' economy, as well as about the ways women participated in it. The book also considers how Angelenos responded to the larger national social debate about women's work and the ways that American society would have to change in order to accommodate working women. "Earning Power" is a major contribution to our understanding of labor in the urban West during this transformative period and of the crucial role that women played in shaping western cities, economies, society, and politics.

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"Jeanne Abrams knows more than almost anybody else about Jewish women in the American west, and in this well-researched volume she shares that knowledge with her readers. This pioneering study pushes the frontier of Jewish women's history and broadens our understanding of the American Jewish experience as a whole."
--Jonathan D. Sarna, Joseph H. & Belle R. Braun Professor of American Jewish History and author of American Judaism: A History
"Jeanne Abrams' remarkable scholarly contribution stands at the intersection of American Jewish history, women's history, Western history and migration history. While others have written of women's lives in steamy urban tenements, no other volume conveys the variety of important roles that Jewish women played in the development of the American West and especially its Jewish communities. Abrams' thoughtful, clear analysis and eye for rich anecdote make her book at once a great read as well an essential addition to historians' bookshelves."
--Alan M. Kraut, Professor of History, American University, and author of Goldberger's War: The Life and Work of a Public Health Crusader
"This engaging and enlightening volume brings together two often neglected topics in the study of American Jews-the roles of women and of Jewish communities outside the Northeast. [Historian Jeanne] Abrams illuminates the experiences of these women and the ways in which they differed from those of Jewish women in other parts of the country. In so doing, she fills a significant gap in our understanding of the development of American Jewry."
--Frederick Greenspahn, Gimelstob Eminent Scholar in Judaic Studies, Florida Atlantic University
The image of the West looms large in the American imagination. Yet the history of American Jewry-and particularly of American Jewish women--has been heavily weighted toward the East. Jewish Women Pioneering the Frontier Trail rectifies this omission as the first full book to trace the history and contributions of Jewish women in the American West.
In many ways, the Jewish experience in the West was distinct. Given the still-forming social landscape, beginning with the 1848 Gold Rush, Jews were able to integrate more fully into local communities than they had in the East. Jewish women in the West took advantage of the unsettled nature of the region to "open new doors" for themselves in the public sphere in ways often not yet possible elsewhere in the country. Women were crucial to the survival of early communities, and made distinct contributions not only in shaping Jewish communal life but outside the Jewish community as well. Western Jewish women's level of involvement at the vanguard of social welfare and progressive reform, commerce, politics, and higher education and the professions is striking given their relatively small numbers.
This engaging work--full of stories from the memoirs and records of Jewish pioneer women--illuminates the pivotal role these women played in settling America's Western frontier.

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  • 12 sty 13 4:21
This work provides a revealing look at the history of Hispanic peoples in the American West (or, from the Mexican perspective, El Norte) from the period of Spanish colonization through the present day. Hispanics have been in America longer than any other non-Native American ethnic group, and, like the latter, they were targeted for conquest during the initial settling of the West. Through the centuries, however, Hispanic American culture has endured and thrived, fueled by continual immigration, a powerful political and economic momentum, and a presence that is rapidly expanding beyond traditional Hispanic strongholds. "Hispanics in the American West" portrays the daily lives, struggles, and triumphs of Spanish-speaking peoples from the arrival of Spanish conquistadors to the present, highlighting such defining moments as the years of Mexican sovereignty, the Mexican-American War, the coming of the railroad, the great Mexican migration in the early 20th century, the Great Depression, World War II, the Movement that arose in the mid-1960s, and more. Coverage includes Hispanics of all nationalities (not just Mexican, but Cuban, Puerto Rican, Salvadoran, and Guatemalan, among others) and ranges beyond the "traditional" Hispanic states (Texas, California, Arizona, New Mexico, and Colorado) to look at newer communities of Spanish-speaking peoples in Oregon, Hawaii, and Utah. The result is a portrait of Hispanic American life in the West that is uniquely inclusive, insightful, and surprising.

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Offers alphabetically arranged profiles of one hundred fifty female performers, including actresses, choreographers, comics, dancers, directors, musicians, performance artists, singers, songwriters, talk show hosts, and a stripper.
Choice of entries is multicultural and multinational, including Latina dancer Rita Moreno, Osage ballerina Maria Tallchief, Canadian singer and actress Eva Tanguay, and Chinese American actress Anna May Wong. The selection of entries rightly includes foreign-born women like Ingrid Bergman, Audrey Hepburn, and Elizabeth Taylor who anchored their careers in the U.S. The book considers performing arts broadly, even reaching out to rodeo for famed Wild West shooter Annie Oakley.
The writing style is simple, yet thorough. Introducing each entry are alternate names (e.g., Frances Anne Butler for Fanny Kemble), birth and death dates, and talents (e.g., Moms Mabley is described as "Comic, Actress"). Entries conclude with suggested biographies and periodical interviews and articles as well as recommended recorded performances, such as the video version of Sophie's Choice, a screen vehicle for Meryl Streep. Rounding out the text are a two-page list of sources, most composed after 1990; a list of entries by metier; a separate list of entries by birth date, ranging from 1800 to 1969; and a meticulous index by name and subject.
This work is heavily weighted toward film actresses, with lesser representation of singers, musicians, and theater actresses. Examples from the silver screen include Lauren Bacall, Hattie McDaniel, Ida Lupino, and Judy Garland; contemporary modern actresses include Meryl Streep, Jodie Foster, and Julia Roberts. Singers of all types of music from opera to blues, jazz, and country are represented, among them Aretha Franklin, Florence Mills, Marian Anderson, Joni Mitchell, Jessye Norman, Patti Smith, and Etta James. The least covered group are dancers (with entries on Martha Graham, Josephine Baker, and Marie Tallchief), musicians, and other types of performers. The lively, engaging style is perfectly suited to the report-writing, source-seeking student as well as to the casual reader who wants some, but not too much, information.

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  • 12 sty 13 4:21
With the passage of the Morrill Act in 1862, many states in the Midwest and the West chartered land-grant colleges following the Civil War. Because of both progressive ideologies and economic necessity, these institutions admitted women from their inception and were among the first public institutions to practice coeducation. Although female students did not feel completely accepted by their male peers and professors in the land-grant environment, many of them nonetheless successfully negotiated greater gender inclusion for themselves and their peers.

In Bright Epoch, Andrea G. Radke-Moss tells the story of female students’ early mixed-gender encounters at four institutions: Iowa Agricultural College, the University of Nebraska, Oregon Agricultural College, and Utah State Agricultural College. Although land-grant institutions have been most commonly associated with domestic science courses for women, Bright Epoch illuminates the diversity of other courses of study available to female students, including the sciences, literature, journalism, business commerce, and law. In a culture where the forces of gender separation constantly battled gender inclusion, women found new opportunities for success and achievement through activities such as literary societies, athletics, military regiments, and women’s rights and suffrage activism. Through these venues, women students challenged nineteenth-century gender limitations and created broader definitions of female inclusion and participation in the land-grant environment and in the larger American society.

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When the town of Pendleton, Oregon, held its first large-scale rodeo, it introduced a new kind of rodeo queen not a traveling cowgirl performer but a young, middle-class woman from its own town. Riding Pretty examines the history, evolution, and significance of the community-sponsored rodeo queen, from the introduction of this new phenomenon at the 1910 Pendleton Round-Up to the advent of Miss Rodeo America in 1956, and places the main theme connection of queens to community within the context of the evolution of rodeo as a spectator sport and the changing concepts of gender relations in the American West.
The model for community-sponsored rodeo queens that originated in Pendleton gradually spread to other rodeos throughout the West, giving young women the opportunity to participate both in rodeo and in their communities. From 1910 to 1956, the community-sponsored rodeo queen role expanded, both in terms of her responsibilities and in terms of the community she represented, local, regional, and national. While each community adapted the rodeo queen phenomenon to suit the characteristics of its own celebration, the main characteristics of the role remained: the rodeo queen as a symbol of the local rodeo and as a metaphor for western women.

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Aesthetic Materialism: Electricity and American Romanticism focuses on American romantic writers' attempts to theorize aesthetic experience through the language of electricity. In response to scientific and technological developments, most notably the telegraph, eighteenth- and nineteenth-century electrical imagery reflected the mysterious workings of the physical mind as well as the uncertain, sometimes shocking connections between individuals. Writers such as Whitman, Melville, and Douglass drew on images of electricity and telegraphy to describe literature both as the product of specific economic and social conditions and as a means of transcending the individual determined by such conditions. Aesthetic Materialism moves between historical and cultural analysis and close textual reading, challenging readers to see American literature as at once formal and historical and as a product of both aesthetic and material experience.

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Economic scholars Drahos and Braithwaite painstakingly trace the history of the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS), the international accord that has become a standard for resolving disputes over intellectual property rights, whether over bootleg videocassettes or unlicensed use of patented pharmaceutical processes. As corporations increasingly recognize copyrightable or patentable knowledge as a source of profit, they've exerted political influence to ensure that the financial reins stay within their hands. The authors clearly show how lobbyists from the entertainment industry, for example, use their clout with Washington to exert pressure on foreign markets so the U.S. industry can reap the most from films and compact discs. But these government-sanctioned "patent regimes" have resulted in an economic imbalance, which Drahos and Braithwaite depict as a "threat to liberty," where developing countries cannot afford access to medicine and technology without resorting to piracy. The authors carefully explain how copying software or making cheaper versions of patented drugs became equated with plunder on the high seas.

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