This remarkably accurate and well-photographed record captures the World War II GI's uniforms in all seasons, on all fronts, and in all types of missions. Authentic uniforms, personal weapons, and kits from leading private collections are realistically depicted on live models who are posed before such authentic backdrops as an M4 tank and the very beaches used for pre-invasion D-Day training exercises.

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44,8 MB
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Richard Windrow - The World War II GI, US Army Uni forms 1941-45 in Color Photographs (2000).pdf

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263 KB
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Osprey - Elite 117 - Gordon L Rottman - US World W ar II Amphibious Tactics, Pacific Theater (2004).jpg

The US armed forces were responsible for many tactical innovations during the years 1941–45, but in no field was US mastery more complete than amphibious warfare. In the vast, almost empty battlefield of the Pacific the US Navy and Marine Corps were obliged to develop every aspect of the amphibious assault landing in painstaking detail, from the design of many new types of vessel, down to the tactics of the rifle platoon hitting the beach, and the logistic system without which they could not have fought their way inland. This fascinating study offers a clear, succinct explanation of every phase of these operations as they evolved during the war years, illustrated with detailed color plates and photographs.

Contents
Pre-war development of US amphibious warfare doctrine · Evolution of amphibious warfare when faced with the realities of WWII in the Pacific · Organization of US Navy amphibious forces · Organization of US Marine and Army landing forces; special task units and their equipment · Command, control and organization of amphibious operations · Specialist transport and equipment · Amphibious assault – the Saipan landings, June 1944

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35,5 MB
12 sty 13 4:21

Osprey - Elite 117 - Gordon L Rottman - US World W ar II Amphibious Tactics, Pacific Theater (2004).pdf

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66,4 MB
12 sty 13 4:21

Osprey - Elite 144 - Gordon L Rottman - US World W ar II Amphibious Tactics, Mediterranean and Europe an Theaters (2006).pdf

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263 KB
12 sty 13 4:21

Steven E. Alford and Suzanne Ferriss - Motorcycle (2008).jpg

Easy Rider. Motocross Grand Prix. James Dean in Rebel Without a Cause. The motorcycle is a global icon of untamed freedom, symbolizing a daring and reckless lifestyle of adventure. Yet there are few books that chronicle how and when this legendary vehicle roared down the open road. Motorcycle explores the roots of the rebel’s ultimate ride.
After early incarnations as a nineteenth-century steam-powered bicycle and multi-wheeled vehicles, the modern motorcycle came into its own as a cheap, mobile military asset during World War I. From there, it rapidly spread through modern culture as a symbol of rebellion and subversive power, and Motorcycle tracks the symbolic role that the bike has played in literature, art, and film. The authors also investigate the international subcultures that revolve around the motorcycle and scooter. They chart the emergence of American biker culture in the 1950s, when decommissioned fighter pilots sought new ways to satiate their desire for thrill and danger, and explore how the motorcycle came to represent the untamed nonconformity of the American West. In contrast, smaller scooters such as the Vespa and moped became the utilitarian vehicle of choice in space-starved metropolises across Europe and Asia. Ultimately, the authors argue, the motorbike is the exemplary Modernist object, dependent on the perfect balance of man and machine.
An unprecedented and wholly engrossing account, Motorcycle is an essential reading for the Harley-Davidson roadhog, bike collector, or anyone who’s felt the power of the unmistakable king of the road.

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4,1 MB
12 sty 13 4:21

Steven E. Alford and Suzanne Ferriss - Motorcycle (2008).pdf

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137 KB
12 sty 13 4:21

Michael Barkun - A Culture of Conspiracy, Apocalyp tic Visions in Contemporary America (2003).jpg

What do UFO believers, Christian millennialists, and right-wing conspiracy theorists have in common? According to Michael Barkun in this fascinating yet disturbing book, quite a lot. It is well known that some Americans are obsessed with conspiracies. The Kennedy assassination, the Oklahoma City bombing, and the 2001 terrorist attacks have all generated elaborate stories of hidden plots. What is far less known is the extent to which conspiracist worldviews have recently become linked in strange and unpredictable ways with other "fringe" notions such as a belief in UFOs, Nostradamus, and the Illuminati. Unraveling the extraordinary genealogies and permutations of these increasingly widespread ideas, Barkun shows how this web of urban legends has spread among subcultures on the Internet and through mass media, how a new style of conspiracy thinking has recently arisen, and how this phenomenon relates to larger changes in American culture. This book, written by a leading expert on the subject, is the most comprehensive and authoritative examination of contemporary American conspiracism to date.
Barkun discusses a range of material--involving inner-earth caves, government black helicopters, alien abductions, secret New World Order cabals, and much more--that few realize exists in our culture. Looking closely at the manifestions of these ideas in a wide range of literature and source material from religious and political literature, to New Age and UFO publications, to popular culture phenomena such as The X-Files, and to websites, radio programs, and more, Barkun finds that America is in the throes of an unrivaled period of millennarian activity. His book underscores the importance of understanding why this phenomenon is now spreading into more mainstream segments of American culture.

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1,4 MB
12 sty 13 4:21

Michael Barkun - A Culture of Conspiracy, Apocalyp tic Visions in Contemporary America (2003).pdf

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132 KB
12 sty 13 4:21

Virginia L. Blum - Flesh Wounds, The Culture of Co smetic Surgery (2003).jpg

When did cosmetic surgery become a common practice, the stuff of everyday conversation? In a work that combines a provocative ethnography of plastic surgery and a penetrating analysis of beauty and feminism, Virginia L. Blum searches out the social conditions and imperatives that have made ours a culture of cosmetic surgery. From diverse viewpoints, ranging from cosmetic surgery patient to feminist cultural critic, she looks into the realities and fantasies that have made physical malleability an essential part of our modern-day identity.
For a cultural practice to develop such a tenacious grip, Blum argues, it must be fed from multiple directions: some pragmatic, including the profit motive of surgeons and the increasing need to appear young on the job; some philosophical, such as the notion that a new body is something you can buy or that appearance changes your life. Flesh Wounds is an inquiry into the ideas and practices that have forged such a culture. Tying the boom in cosmetic surgery to a culture-wide trend toward celebrity, Blum explores our growing compulsion to emulate what remain for most of us two-dimensional icons. Moving between personal experiences and observations, interviews with patients and surgeons, and readings of literature and cultural moments, her book reveals the ways in which the practice of cosmetic surgery captures the condition of identity in contemporary culture.

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2,3 MB
12 sty 13 4:21

Virginia L. Blum - Flesh Wounds, The Culture of Co smetic Surgery (2003).pdf

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68 KB
12 sty 13 4:21

Roger P. Fox - Air Base Defense in the Republic of Vietnam 1961-1973 (1979).jpg

The author, a base security officer in Vietnam during the conflict, explores the unique problem of defending air bases during the Vietnam War and U.S. Air Force efforts to defend ten key bases in Vietnam.

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38,0 MB
12 sty 13 4:21

Roger P. Fox - Air Base Defense in the Republic of Vietnam 1961-1973 (1979).pdf

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32 KB
12 sty 13 4:21

Annie Leonard - The Story of Stuff, How Our Obsess ion with Stuff Is Trashing the Planet, Our Communi ties, and Our Health-and a Vision for Change (2010 ).jpg

01 - USA - Annie Leonard - The Story of Stuff, How Our Obsession ...mmunities, and Our Health-and a Vision for Change 2010.jpg

Leonard examines conspicuous consumption and its human and environmental costs in an expansion of her short documentary of the same name. The analysis is accessible, and Leonard is skilled at breaking down large and abstruse concepts for the listeners. She's less winning as a reader, however: her bubbly voice and predilection for overemphasis are grating—and occasionally, her explanations and prescriptions veer into condescension. These failings aside, here is a wealth of very important information.

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Julia Angwin - Stealing MySpace, The Battle to Con trol the Most Popular Website in America (2009).jpg

A few years ago, MySpace.com was just an idea kicking around a Southern California spam mill. Scroll down to the present day and MySpace is one of the most visited Internet destinations in America, displaying more than 40 billion webpage views per month and generating nearly $1 billion annually for Rupert Murdoch’s online empire. Even by the standards of the Internet age, the MySpace saga is an astounding growth story, which climaxed with the site’s acquisition by Murdoch’s News Corporation in 2005 for a sum approaching one billion dollars. But more than that, it may be the defining drama of the digital era.

In Stealing MySpace, Pulitzer Prize-winning journalist Julia Angwin chronicles the rise of this Internet powerhouse. With an unerring eye, Angwin details how MySpace took the Internet by storm by grabbing the best ideas from around the Web, encouraging pinup stars such as Tila Tequila to make their home on its pages and giving everyone freedom to experiment with online identities–including using somebody else’s identity.

Stealing MySpace introduces us to the site’s founders, Chris DeWolfe and Tom Anderson, who dabbled in computer hacking, online pornography, spam, and spyware before starting MySpace. Although their street savvy, doggedness, and clubbing skills far eclipsed their tech prowess, they stumbled their way to success and soon found themselves at ground zero of a high-stakes war that pitted Rupert Murdoch against his frequent nemesis, the combative Viacom CEO Sumner Redstone. Angwin sheds light on the dizzying backroom deals that allowed Murdoch to snatch MySpace from Viacom’s grasp even as the MySpace founders remained in the dark about their own fate. Then she takes us inside the Murdoch empire as DeWolfe and Anderson lobby furiously to regain control of their creation.

Venturing beyond the business aspects of the story, Angwin also explores the Internet culture, a voyeuristic world in which MySpace must stay one step ahead of amateur pornographers, sexual predators, and “spoofers” who set up fake profiles (Rupert Murdoch himself tolerates dozens of phony “Ruperts” on the site) and cope with the general excesses and sometimes illegal acts of a community of account holders equal in number to the population of Japan.

In Stealing MySpace, Julia Angwin dishes on the epic real-world battle for control of a virtual empire. In a savvy, smart, fast-paced narrative reminiscent of Bryan Burrough and John Helyar’s Barbarians at the Gate and Michael Lewis’s The New New Thing, Stealing MySpace tells is the whole gripping story behind a breakout cultural phenomenon.

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Robert A. Dahl - How Democratic is the American Co nstitution (2001).jpg

In this provocative book, one of our most eminent political scientists poses the question, "Why should we uphold our constitution?" The vast majority of Americans venerate the American Constitution and the principles it embodies, but many also worry that the United States has fallen behind other nations on crucial democratic issues, including economic equality, racial integration, and women's rights. Robert Dahl explores this vital tension between the Americans' belief in the legitimacy of their constitution and their belief in the principles of democracy. Dahl starts with the assumption that the legitimacy of the American Constitution derives solely from its utility as an instrument of democratic governance. Dahl demonstrates that, due to the context in which it was conceived, our constitution came to incorporate significant antidemocratic elements. Because the Framers of the Constitution had no relevant example of a democratic political system on which to model the American government, many defining aspects of our political system were implemented as a result of short-sightedness or last-minute compromise. Dahl highlights those elements of the American system that are most unusual and potentially antidemocratic: the federal system, the bicameral legislature, judicial review, presidentialism, and the electoral college system. The political system that emerged from the world's first great democratic experiment is unique-no other well-established democracy has copied it. How does the American constitutional system function in comparison to other democratic systems? How could our political system be altered to achieve more democratic ends? To what extent did the Framers of the Constitution build features into our political system that militate against significant democratic reform? Refusing to accept the status of the American Constitution as a sacred text, Dahl challenges us all to think critically about the origins of our political system and to consider the opportunities for creating a more democratic society.

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0,9 MB
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Robert A. Dahl - How Democratic is the American Co nstitution (2001).pdf

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Matt Taibbi - Griftopia, Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America (2010).jpg

Taibbi eviscerates Wall Street for what he considers frauds perpetrated on the American people over the last ten years. Deftly delving deeply into complicated financial history and lingo, Taibbi deftly lays the subject bare, rendering heretofore-dense subject matter simple without being simplistic. Blame for the recent mortgage collapse, commodities bubble, and tech bubble are laid at the feet of a relatively small number of bankers and traders who, in the author's opinion, act without fear of reciprocity from a U.S. government no longer representative of the American people. He begins by awarding the title "Biggest Asshole In The Universe" to former-Fed Chief Alan Greenspan, taking him to task for willfully or stupidly disemboweling what little regulation the financial markets may have had before his tenure. This theme resounds throughout, and Taibbi asserts that the collusion between Wall Street and the White House has effectively turned the United States into a massive casino, in which working Americans are regularly bilked out of their savings and homes while the wealthy are repeatedly rewarded for their graft. It's an important and worthy read, but not for the Randian disciple or Goldman-Sachs alum.

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Colin Dueck - Hard Line, The Republican Party and U.S. Foreign Policy since World War II (2010).jpg

Hard Line traces the history of Republican Party foreign policy since World War II by focusing on the conservative leaders who shaped it. Colin Dueck closely examines the political careers and foreign-policy legacies of Robert Taft, Dwight Eisenhower, Barry Goldwater, Richard Nixon, Henry Kissinger, Ronald Reagan, George H. W. Bush, and George W. Bush. He shows how Republicans shifted away from isolationism in the years leading up to World War II and oscillated between realism and idealism during and after the cold war. Yet despite these changes, Dueck argues, conservative foreign policy has been characterized by a hawkish and intense American nationalism, and presidential leadership has been the driving force behind it.

What does the future hold for Republican foreign policy? Hard Line demonstrates that the answer depends on who becomes the next Republican president. Dueck challenges the popular notion that Republican foreign policy today is beholden to economic interests or neoconservative intellectuals. He shows how Republican presidents have been granted remarkably wide leeway to define their party's foreign policy in the past, and how the future of conservative foreign policy will depend on whether the next Republican president exercises the prudence, pragmatism, and care needed to implement hawkish foreign policies skillfully and successfully. Hard Line reveals how most Republican presidents since World War II have done just that, and how their accomplishments can help guide future conservative presidents.

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1,6 MB
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Colin Dueck - Hard Line, The Republican Party and U.S. Foreign Policy since World War II (2010).pdf

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John Vile - Great American Judges, An Encyclopedia (2003).jpg

Inspiring and instructive biographies of the 100 most influential judges from state and federal courts in one easy to access volume. Judge Roy Bean's courtroom was a saloon. Judge Learned Hand defended free speech. Judge John J. Sirica presided over Watergate. Judge Joseph Story freed the Amistad captives. Judge Sarah T. Hughes reformed juvenile justice in Dallas. From all levels of the justice system come judges whose public service has impacted American lives, and laws. Great American Judges profiles 100 outstanding judges and justices in a full sweep of U.S. history. Chosen by lawyers, historians, and political scientists for inclusion in this inspiring work, these men and women laid the foundation of U.S. law. A complement to Great American Lawyers, together these two volumes create a complete picture of our nation's top legal minds from colonial times to today. Following an introduction on the role of judges in American history are A-Z biographical entries portraying this diverse group from extraordinarily different backgrounds. Students and history enthusiasts will appreciate the accomplishments of these role models and the connections between their inspiring lives and their far-reaching legal decisions. William Rehnquist, Oliver Wendell Holmes, Jr., and 12 other Supreme Court justices are found alongside federal judges like Skelly Wright, who ordered school desegregation in 1960. Influential state judges such as Rose Elizabeth Bird, California's first woman Supreme Court Chief Justice, are also featured.

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John Vile - Great American Judges, An Encyclopedia (2003).pdf

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Peter Chamberlain, Chris Ellis - British and Ameri can Tanks of World War Two, The Complete Illustrat ed History of British, American and Commonwealth T anks, 1939-45 (2002).jpg

01 - USA - Peter Chamberlain, Chris Ellis - British and American T...British, American and Commonwealth Tanks, 1939-45 2002.jpg

This is the complete illustrated history of British, American and Commonwealth tanks, gun motor carriages and special purpose vehicles 1939-45, and has not been bettered since first publication in 1969. It gives a detailed history of each type, plus full pictorial coverage of the many variants, sometimes running into dozens, which were produced on each chassis. Every tank type produced in Britain, the united States, Canada, Australia and New Zealand is included and described in full – more than 2,000 vehicles in all. Concise specifications, comparative scale drawings and over 500 photographs, along with appendices detailing with guns, engines and suspension systems make this book an indispensable source of authoritative reference.

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105,0 MB
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Peter Chamberlain, Chris Ellis - British and Ameri can Tanks of World War Two, The Complete Illustrat ed History of British, American and Commonwealth T anks, 1939-45 (2002).pdf

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Bloom's Modern Critical Views - Harold Bloom - Asi an-American Writers (2009).jpg

Identity and belonging are just two of the many themes Asian-American writers have explored. This new edition in the "Bloom's Modern Critical Views" series offers fresh critical evaluations of this important body of American literature. Canonical writers such as Maxine Hong Kingston and Amy Tan are discussed in addition to the voices and traditions that have emerged from the United States' diverse South and East Asian communities. This volume is complemented by a chronology, a bibliography, notes on the contributors, and an introductory essay from master scholar Harold Bloom.

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1,8 MB
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Bloom's Modern Critical Views - Harold Bloom - Asi an-American Writers (2009).pdf

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Burton W. Peretti - Lift Every Voice, The History of African American Music (2008).jpg

Lift Every Voicei traces the roots of black music in Africa and slavery and its evolution in the United States from the end of slavery to the present day. The music's creators, consumers, and distributors are all part of the story. Musical genres such as spirituals, ragtime, the blues, jazz, gospel, rhythm and blues, rock, soul, and hip-hop-as well as black contributions to classical, country, and other American music forms-depict the continuities and innovations that mark both the music and the history of African Americans. A rich selection of documents help to define the place of music within African American communities and the nation as a whole.

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2,0 MB
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Burton W. Peretti - Lift Every Voice, The History of African American Music (2008).PDF

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Adrienne Fried Block - Amy Beach, Passionate Victo rian, The Life and Work of an American Composer, 1 867-1944 (1998).jpg

01 - USA - Adrienne Fried Block - Amy Beach, Passionate Victorian... Life and Work of an American Composer, 1867-1944 1998.jpg

Amy Marcy Cheney Beach (1867-1944), the most widely performed composer of her generation, was the first American woman to succeed as a creator of large-scale art music. Her "Gaelic" Symphony, given its premiere by the Boston Symphony Orchestra in 1896, was the first work of its kind by an American woman to be performed by an American orchestra. Almost all of her more than 300 works were published soon after they were composed and performed, and today her music is finding new advocates and audiences for its energy, intensity, and sheer beauty. Yet, until now, no full-length critical biography of Beach's life or comprehensive critical overview of her music existed. This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies.

Born into a musical family in Victorian times, Amy Beach started composing as a child of four and was equally gifted as a pianist. Her talent was recognized early by Boston's leading musicians, who gave her unqualified support. Although Beach believed that the life of a professional musician was the only life for her, her parents had raised her for marriage and a career of amateur music-making. Her response to this parental (and later spousal) opposition was to find creative ways of reaching her goal without direct confrontation. Discouraged from a full-scale concert career, she instead found her metier in composition.

Success as a composer of art songs came early for Beach: indeed, her songs outsold those of her contemporaries. Nevertheless, she was determined to separate her work from the genteel parlor music women were writing in her day by creating large-scale works--a Mass, a symphony, and chamber music--that challenged the accepted notion that women were incapable of creating high art. She won the respect of colleagues and the allegiance of audiences. Many who praised her work, however, considered her an exception among women. Beach's reaction to this was to join with other women composers of serious music by promoting their works along with her own.

Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.

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29,1 MB
12 sty 13 4:21

Adrienne Fried Block - Amy Beach, Passionate Victo rian, The Life and Work of an American Composer, 1 867-1944 (1998).pdf

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krzysiek83831 napisano 16.08.2015 22:58

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U Mnie same najlepsze screenmaty 2000-2005 roku I Deskmaty!!!!

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Życzę miłego wieczoru i wspaniałych snów...Halina

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