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  • 7 lut 14 23:04
Did you know that the Sahara Desert is so large that the entire continental United States could fit inside it? The natural wonders series provides a wealth of information for students through photos and fascinating text.

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Worlds fairs and industrial expositions constituted a phenomenally successful popular culture movement during the nineteenth and twentieth centuries. In addition to the newest technological innovations, each exposition showcased commercial and cultural exhibits, entertainment concessions, national and corporate displays of wealth, and indigenous peoples from the colonial empires of the host country. As scientists claiming specialized knowledge about indigenous peoples, especially American Indians, anthropologists used expositions to promote their quest for professional status and authority. Anthropology Goes to the Fair takes readers through the 1904 Louisiana Purchase Exposition to see how anthropology, as conceptualized by W J McGee, the first president of the American Anthropological Association, showcased itself through programs, static displays, and living exhibits for millions of people “to show each half of the world how the other half lives.†More than two thousand Native peoples negotiated and portrayed their own agendas on this world stage. The reader will see how anthropology itself was changed in the process.

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This study of Boston West Indian immigrants examines the identities, goals, and aspirations of two generations of black migrants from the British-held Caribbean who settled in Boston between 1900 and 1950. Describing their experience among Boston American-born blacks and in the context of the city immigrant history, the book charts new conceptual territory. The Other Black Bostonians explores the pre-migration background of the immigrants, work and housing, identity, culture and community, activism and social mobility. What emerges is a detailed picture of black immigrant life. Johnson work makes a contribution to the study of the black diaspora as it charts the history of this first wave of Caribbean immigrants.

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England and the Netherlands, Spain's imperial rivals of the sixteenth and seventeenth centuries, imagined Spain as cruel and degenerate barbarians of la leyenda negra (the Black Legend), in league with the powers of "blackest darkness" and driven by "dark motives." In Spain's Long Shadow, Maria DeGuzman explores how this convenient demonization made its way into American culture - and proved essential to the construction of whiteness. DeGuzman's work reaches from the late eighteenth century - in the wake of the American Revolution - to the present. Surveying a broad range of texts and images from Poe's "William Wilson" and John Singer Sargent's "El Jaleo" to Richard Wright's "Pagan Spain" and Kathy Acker's Don Quixote, Spain's Long Shadow shows how the creation of Anglo-American ethnicity as specifically American has depended on the casting of Spain as a colonial alter ego. The symbolic power of Spain in the American imagination, DeGuzman argues, is not just a legacy of that nation's colonial presence in the Americas; it lives on as well in the "blackness" of Spain and Spainards - in the assigning of people of Spanish origin to an "off-white" racial category that reserves the designation of white for Anglo-Americans. By demonstrating how the Anglo-American imagination needs Spain and Spainards as figures of attraction and repulsion, DeGuzman makes a compelling and illuminating case for treating Spain as the imperial alter ego of the United States. Cross-cultural and interdisciplinary, ambitious in its chronological sweep, and elegant in its interpretation of literary and visual works, DeGuzman's book leads us to a powerful new understanding of the nature - and history - American ethnicity.

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Praise for HISTORY OF GREED

"David Sarna is a visionary technologist. He is also a sophisticated investor and financier. He has written a readable, comprehensive, fascinating, and well-researched book that explores troublesome aspects of the financial system in a way only an experienced insider could."
—Jay N. Goldberg, Senior Managing Director, Hudson Ventures

"A comprehensive review of what has happened to us in our financial markets over and over and over and over again. It's an important history, written with wit and delivered with wisdom. Undoubtedly, History of Greed will become required reading for anyone serious about understanding the capital markets."
—Frederick L. Gorsetman, Founder and Managing Member, Oxbridge Financial Group, LLC

400 years of financial fraud in the making

From the earliest financial scams of the seventeenth century, through the headline-grabbing Wall Street scandals of our times, History of Greed provides a comprehensive history of financial fraud. In it, David E. Y. Sarna exposes the true and often riveting stories of how both naïve and sophisticated investors alike were fooled by unscrupulous entrepreneurs, lawyers, hedge fund managers, CPAs, Texas billionaires, political fundraisers, music managers, financial advisers, and even former Mossad agents. From the people behind the financial fraud and how they did it to why people continually fall prey to scam artists, Sarna outlines what actions you can take today to protect yourself from becoming the victim of tomorrow's "too good to be true" investment opportunity. History of Greed details how markets are manipulated, books are cooked, Ponzi schemes are hatched, and how the government only closes the barn door once the cows have all escaped.

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Statistics show that black males are disproportionately getting in trouble and being suspended from the nation's school systems. Based on three years of participant observation research at an elementary school, Bad Boys offers a richly textured account of daily interactions between teachers and students to understand this serious problem. Ann Arnett Ferguson demonstrates how a group of eleven- and twelve-year-old males are identified by school personnel as "bound for jail" and how the youth construct a sense of self under such adverse circumstances. The author focuses on the perspective and voices of pre-adolescent African American boys. How does it feel to be labeled "unsalvageable" by your teacher? How does one endure school when the educators predict one's future as "a jail cell with your name on it?" Through interviews and participation with these youth in classrooms, playgrounds, movie theaters, and video arcades, the author explores what "getting into trouble" means for the boys themselves. She argues that rather than simply internalizing these labels, the boys look critically at schooling as they dispute and evaluate the meaning and motivation behind the labels that have been attached to them. Supplementing the perspectives of the boys with interviews with teachers, principals, truant officers, and relatives of the students, the author constructs a disturbing picture of how educators' beliefs in a "natural difference" of black children and the "criminal inclination" of black males shapes decisions that disproportionately single out black males as being "at risk" for failure and punishment.
Bad Boys is a powerful challenge to prevailing views on the problem of black males in our schools today. It will be of interest to educators, parents, and youth, and to all professionals and students in the fields of African-American studies, childhood studies, gender studies, juvenile studies, social work, and sociology, as well as anyone who is concerned about the way our schools are shaping the next generation of African American boys.
Anne Arnett Ferguson is Assistant Professor of Afro-American Studies and Women's Studies, Smith College.

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With relentless media coverage, breathtaking events, and extraordinary congressional and independent investigations, it is hard to believe that we still might not know some of the most significant facts about the presidency of George W. Bush. Yet beneath the surface events of the Bush presidency lies a secret history -- a series of hidden events that makes a mockery of current debate.
This hidden history involves domestic spying, abuses of power, and outrageous operations. It includes a CIA that became caught in a political cross fire that it could not withstand, and what it did to respond. It includes a Defense Department that made its own foreign policy, even against the wishes of the commander in chief. It features a president who created a sphere of deniability in which his top aides were briefed on matters of the utmost sensitivity -- but the president was carefully kept in ignorance. State of War reveals this hidden history for the first time, including scandals that will redefine the Bush presidency.
James Risen has covered national security for The New York Times for years. Based on extraordinary sources from top to bottom in Washington and around the world, drawn from dozens of interviews with key figures in the national security community, this book exposes an explosive chain of events:
Contrary to law, and with little oversight, the National Security Administration has been engaged in a massive domestic spying program.
On such sensitive issues as the use of torture, the administration created a zone of deniability: the president's top advisors were briefed, but the president himself was not.
The United States actually gave nuclear-bomb designs to Iran.
The CIA had overwhelming evidence that Iraq had no nuclear weapons programs during the run-up to the Iraq war. They kept that information to themselves and didn't tell the president.
While the United States has refused to lift a finger, Afghanistan has become a narco-state, supplying 87 percent of the heroin sold on the global market.
These are just a few of the stories told in State of War. Beyond these shocking specifics, Risen describes troubling patterns: Truth-seekers within the CIA were fired or ignored. Long-standing rules were trampled. Assassination squads were trained; war crimes were proposed. Yet for all the aggressiveness of America's spies, a blind eye was turned toward crucial links between al Qaeda and Saudi Arabia, among other sensitive topics.
Not since the revelations of CIA and FBI abuses in the 1970s have so many scandals in the intelligence community come to light. More broadly, Risen's secret history shows how power really works in George W. Bush's presidency.

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Eavesdropping on the phone calls of U.S. citizens; demands by the FBI for records of library borrowings; establishment of military tribunals to try suspected terrorists, including U.S. citizens--many of the measures taken by the Bush administration since 9/11 have sparked heated protests. In Not a Suicide Pact, Judge Richard A. Posner offers a cogent and elegant response to these protests, arguing that personal liberty must be balanced with public safety in the face of grave national danger. Critical of civil libertarians who balk at any curtailment of their rights, even in the face of an unprecedented terrorist threat in an era of proliferation of weapons of mass destruction, Posner takes a fresh look at the most important constitutional issues that have arisen since 9/11.

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Scott Turow is a novelist, lawyer, and humanist who has fused his two passions, writing and the law, to create challenging novels that raise significant legal issues and test the justice of present laws. In all of his books, Turow reveals the moral ambiguities that afflict both accuser and accused, and challenges his readers to reconsider their preconceived notions of justice. Beginning with One-L, his first published work about the first-year law school experience, Turow continues to capture his readers' imagination with books such as Presumed Innocent and Burden of Proof.

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Despite mining's multidimensional role in the history of Utah since Euro-american settlement, there has never been a book that surveyed and contextualized its impact. From the Ground Up fill that gap with a collection of essays by leading Utah historians and geologists. Essays here address the geology of the state, the economic history of mining in Utah, and the lore of mines and miners. Additionally, the book reviews a handul of particularly significant mineral industries---saline, coal, uranium, and beryllium---and surveys important hard-rock mining regions of the state.

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Soul of a People is about a handful of people who were on the Federal Writer's Project in the 1930s and a glimpse of America at a turning point. This particular handful of characters went from poverty to great things later, and included John Cheever, Ralph Ellison, Zora Neale Hurston, Richard Wright, and Studs Terkel. In the 1930s they were all caught up in an effort to describe America in a series of WPA guides. Through striking images and firsthand accounts, the book reveals their experiences and the most vivid excerpts from selected guides and interviews: Harlem schoolchildren, truckers, Chicago fishmongers, Cuban cigar makers, a Florida midwife, Nebraskan meatpackers, and blind musicians.

Drawing on new discoveries from personal collections, archives, and recent biographies, a new picture has emerged in the last decade of how the participants' individual dramas intersected with the larger picture of their subjects. This book illuminates what it felt like to live that experience, how going from joblessness to reporting on their own communities affected artists with varied visions, as well as what feelings such a passage involved: shame humiliation, anger, excitement, nostalgia, and adventure. Also revealed is how the WPA writers anticipated, and perhaps paved the way for, the political movements of the following decades, including the Civil Rights movement, the Women's Right movement, and the Native American rights movement.

In the wake of the Crash of 1929, companies fired an average of 20,000 workers every day; in some cities over half the adult population was unemployed. The story of writers rescued from joblessness by the Federal Writers′ Project is as much the compelling drama of people caught when a soaring economy suddenly crashes as it is the fascinating account of some of America′s best writers—before they were famous—turned loose on the landscape with a government mandate to "hold up a mirror to America."

John Cheever was a high school dropout living on raisins and buttermilk when he got a job with the Writers′ Project. Richard Wright, 28 with a seventh–grade education and a passion for books, was digging ditches and cleaning hospital operating rooms. Anzia Yezierska had already ridden the American dream all the way up and then back down—from poor immigrant to bestselling author and Hollywood screenwriter to sharing a cramped place and looking for work.

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In 1935, the federal government′s WPA Writers′ Project offered a lifeline: it hired unemployed writers to document life in America for a series of state travel guides. The WPA writers walked streets, interviewed passersby, described urban landmarks and rural landscapes, chatted about nightclubs and bars, recorded folklore and folk music, and compiled what is now very precious information about how Americans lived and how America looked. With striking images, firsthand accounts, and new discoveries from personal collections and other sources, David Taylor′s Soul of a People brings it all to vibrant and unruly life: the writers, their friendships, the hardships, the political battles, and the enduring outcome.

The book follows Richard Wright from his WPA job in Chicago to New York, where he sits elbow to elbow with John Cheever in the WPA cafeteria and recruits a "smart young man and sharp dresser" named Ralph Ellison to start documenting the scene in Harlem. You′ll see Florida′s Gulf Coast through the eyes of Zora Neale Hurston, and oil–flush Oklahoma City through the eyes of Jim Thompson, who one day lost patience with a younger Project writer, Louis LaMoore. "The biggest fraud in the world," Thompson complained to a coworker about LaMoore, who had not yet become Louis L′Amour, one of the bestselling authors of Western novels of all time. You′ll find out what happened after Studs Terkel dropped out of law school into the worst job market in history and meet a young Kenneth Rexroth climbing Mount Shasta in California—decades before he introduced Allen Ginsberg′s Howl and helped launch the Beat Generation.

From Nobel Prize winners to barroom brawlers, Soul of a People traces lives drawn together in surprising ways and beautifully captures the voices and spirit of America′s past—and the profound effect of those voices on our modern culture.

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Vine, assistant professor of anthropology at American University in Washington, D.C., relates the untold story of how in the 1970s, the U.S. forcibly relocated the population of Diego Garcia, a small archipelago near the Seychelles in the Indian Ocean, in order to build a military base. Colonized by first the French, then the British, the island was populated by African slaves used to cultivate the coconut plantations fueling Mauritius's sugar industry. Vine reveals how the official U.S. Navy strategy of using island naval bases to secure American power during the Cold War led to the decision to deport the indigenous population, the Chagossians, who were not compensated for the loss of livelihood or property and endured pervasive institutional racism, extreme poverty and health problems. Interviews with surviving Chagossians and the officials who supervised the relocation show the strategic planning and careful coverup in establishing what is now one of the largest military bases in the world. While Vine has done a great service in documenting the forgotten plight of the Chagossians, the book's sluggish pace and painstaking details will dissuade casual readers.

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Caroline Crosby's life took a wandering course between her 1834 marriage to Jonathan Crosby and conversion to the infant Mormon Church and her departure for her final home, Utah, on New Year's Day, 1858. In the intervening years, she lived in many places but never long enough to set firm roots. Her adherence to a frontier religion on the move kept her moving, even after the church began to settle down in Utah. Despite the impermanence of her situation, perhaps even because of it, Caroline Crosby left a remarkably rich record of her life and travels, thereby telling us not only much about herself and her family but also about times and places of which her documentary record provides a virtually unparalleled view. A notable aspect of her memoirs and journals is what they convey of the character of their author, who, despite the many challenges of transience and poverty she faced, appears to have remained curious, dedicated, observant, and cheerful.
From Caroline's home in Canada, she and Jonathan Crosby first went to the headquarters of Joseph Smith's new church in Kirtland, Ohio. She recounts, in a memoir, the early struggles of his followers there. As the church moved west, the Crosbys did as well, but as became characteristic, they did not move immediately with the main body to the center of the religion. For awhile they settled in Indiana, finally reaching the new Mormon center of Nauvoo in 1842. Fleeing Nauvoo with the last of the Mormons in 1846, they spent two years in Iowa and set out for Utah in 1848, the account of which journey is the first of Caroline Crosby's vivid trail journals. The Crosbys were able to rest in Salt Lake City for less than two years before Brigham Young sent them on a church mission to the Society and Austral Islands in the South Pacific. She recorded, in detail, their overland travel to San Francisco and then by sea to French Polynesia and their service on the islands. In late 1852 the Crosbys returned to California, beginning what is probably the most historically significant part of her writings, her diaries of life. First, in immediately post Gold Rush San Francisco and, second, in the new Mormon village of San Bernardino in southern California. There is no comparable record by a woman of 1850s life in these growing communities. The Crosbys responded in 1857 to Brigham Young's call for church members to gather in Utah and again abandoned a new home, this the nicest one they had built, one of the finest houses in San Bernardino. Such unquestioning loyalty was a characteristic Caroline and Jonathan displayed again and again.

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Advance Praise for Fred Kaplan's 1959: The Year Everything Changed
"An engrossing story about not just where the '60s came from but the birth of the future. Kaplan does a masterful job of weaving together the strands - in politics, society, culture, and science — that have brought us to the postmodern age."
—Jonathan Alter, author of The Defining Moment: FDR's Hundred Days and the Triumph of Hope
"It turns out there's only one degree of separation between Miles Davis, the brilliant jazz innovator, and Herman Kahn, the Strangelovian nuclear-war theorist—and his name is Fred Kaplan. No one else could throw this fabulous cocktail party of a popular history, teeming with defiant hipsters, visionary inventors, artistic rulebreakers, and troublemakers of all kinds."
—Hendrik Hertzberg, Senior Editor, the New Yorker
"1959 is a riveting account of the year our modern age began. Everything did change, and you'll be amazed by how much was going on, and how much it has affected the way you live your life now."
—Kevin Baker, author of Strivers Row, Dreamland, and Paradise Alley
"Take a ride on the New Frontier with Fred Kaplan, your insightful (and hip) guide to the space race, thermonuclear war, the civil rights movement, the 'sick comics,' the Beats, and the beginnings of the Vietnam War, all to a soundtrack by Dave Brubeck, Ornette Coleman, Miles, and Motown."
—Donald Fagen, cofounder, Steely Dan

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Race relations were an important driving force in the move to settle the West, as the political records and personal accounts show. Race to the Frontier provides an analysis of this little-discussed but essential facet of American history.
Why did so many thousands of settlers pull up stakes and undertake the arduous journey to the frontier in 18th and 19th-century America?' While the desire for a more prosperous future figured prominently in their decisions, so did another, largely overlooked factor -- the presence of slavery and the growing number of blacks, both free and slave, in the eastern half of the United States. Poor white farmers, particularly those in the Upper South, found themselves displaced by the spreading of the plantation system. In order to survive economically they were chronically forced to move further inland. As they did so, they brought with them a deep animosity toward the enslaved blacks whom they blamed for this uprooting.
Wherever these "plain folk" farmers subsequently settled -- in Kentucky, the free states north of the Ohio River, Missouri, and the outpost of Oregon, they sought to erect legal barriers to prevent slavery from taking hold as well as to deter the migration of free blacks who would otherwise compete for jobs and endanger white society. The pushing back of the frontier can be seen as an attempt to escape the complexities of a biracial nation and preserve white homogeneity by creating sanctuaries in these Western lands. The political struggle to establish more free states west of the Mississippi also reflects this goal: white nominally opposed to slavery, many "free staters" were most concerned about keeping all blacks at bay.
"Race to the Frontier" is the first book to trace the impact of this racial hostility throughout the settlement of the West, from the days of colonial Virginia up to the Civil War. It clearly demonstrates how closely racial prejudice, economic growth, and geographical expansion have been entwined in American history.

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"Junius and Joseph examines Joseph Smith's nearly forgotten [1844] presidential bid, the events leading up to his assassination on June 27, 1844, and the tangled aftermath of the tragic incident. It... establishes that Joseph Smith's murder, rather than being the deadly outcome of a spontaneous mob uprising, was in fact a carefully planned military-style execution. It is now possible to identify many of the key individuals engaged in planning his assassination as well as those who took part in the assault on Carthage jail. And furthermore, this study presents incontrovertible evidence that the effort to remove the Mormon leader from power and influence extended well beyond Hancock County [Illinois] (and included prominent Whig politicians as well as the Democratic governor of the state), thereby transforming his death from an impulsive act by local vigilantes into a political assassination sanctioned by some of the most powerful men in Illinois. The circumstances surrounding Joseph Smith's death also serve to highlight the often unrecognized truth that a full understanding of early Mormon history can be gained only when considered in the context of events taking place in American society as a whole."

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Wine critic and writer Steve Heimoff, inspired by Robert Benson's Great Winemakers of California (1977), traversed the state of California to record lively and informative conversations with more than two dozen winemakers and grape growers who represent today's leaders and visionaries. While Benson's book captured a wine industry on the brink of exponential growth and recognition, Heimoff surveys a multibillion-dollar business with a global reputation and new issues to face.

Heimoff has followed this industry for more than twenty-five years, visiting all parts of the state and monitoring changing styles and trends, and his interviews provide an oral history of contemporary California winemaking. He reveals the personalities, intellects, philosophies, and passions of the individual winemakers, as well as their opinions on recent high-alcohol vintages, globalization, and the "cult" wine phenomenon. Through this intimate and engaging book, wine lovers can sit in on the back and forth as Heimoff and his vintner subjects talk informally about their favorite subject: wine.
THE INTERVIEWEES: John Alban, Mark Aubert, Heidi Peterson Barrett, Andy Beckstoffer, Greg Brewer, Merry Edwards, Elias Fernandez, Gina Gallo, Rolando Herrera, Genevieve Janssens, Kathy Joseph, Greg La Follette, Adam and Dianna Lee, Dan Morgan Lee, Bob Levy, Rick Longoria, Javier Tapia Meza, Gary, Jeff, and Mark Pisoni, Kent Rosenblum, Ted Seghesio, Doug Shafer, Justin Smith, Tony Soter, Brian Talley, Michael Terrien, Randy Ullom, Margo van Staaveren, Bill Wathan

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